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Flecker's magic

Chapter 43: CHAPTER XLII
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About This Book

The narrative follows Spike Flecker, a young, struggling painter wandering rain-soaked boulevards and wrestling with poverty, frustration, and a bungled attempt at self-destruction. A striking, dark-eyed woman who claims to be a witch intrudes into his life and sets in motion events that mix everyday bohemian hardship with uncanny occurrences. The story moves through episodic scenes that balance material pressures — money, reputation, work — against imaginative and supernatural possibilities, probing how artistic ambition, loneliness, and the hope for transformation shape choices and consequences.

CHAPTER XLII

The train lurched to an uncertain halt. From one window they saw an empty field, from the other a hillside checkered with vegetable gardens.

"We had better descend here. Thank you, m'sieu. We are not very aware of our surroundings." Spike added with characteristic frankness, "We are very happy!"

The stranger smiled. "You can get a b-b-bus here," he said. When they had climbed out, he stood at the door and waved his paper.

They didn't even know where they were! It seemed to be no place. A small yellow shed, a shabby phaeton, already rolling away, and all around the smooth hills, a great silence, under the blue arch of the sky. But when they started to walk to the lane that curved away over the fields, they found the space before the shed was roped off and at a sort of imaginary gate, like something in a pantomime, two bearded men in blue uniforms awaited them.

The guards wanted tickets. When they got them they looked even more suspicious than at first.

"Encore huit sous!"

Spike sighed with relief that they were not to be arrested for passing their station! "Where are we?" he asked courteously.

"Limours!"

"And what is Limours?"

"Limours!" Shrugs. A knitting of black brows.

"Certainly!" said Marie. She touched Spike's elbow and they passed through to the lane, he a little reluctant to abandon the discussion.

Marie excused herself and when she came running back she had thrust a poppy in her blouse. Her cheeks were as red.

She shoved Spike so that he stumbled. He turned to retaliate and she stood in mock fear, her hands thrust out before her.

"No. No. No!" They were laughing hard. Spike caught her wrists, but dropped them quickly. She turned to see what he was staring at.

An old woman bent over a crooked stick came toward them. She wore rusty black and a lacy cap. From a little wizened face she wished them Bon jour!

"Bon jour!"

"Bon jour!"

She beat at the hedge with her stick.

"What are you hunting for?" Marie asked.

"My pig." She did not stop.

"I thought it was the old witch!"

"Don't you know we are through with her?" Marie exclaimed. "You silly!"

They could smell flowers. The silence was an amazement, and they heard that their footsteps made no sound. They stopped and stood together to listen to the silence. A cloud, like an island of cotton wool, drifted in the sky.

The lane brought them to a crossroads where there were a general store, a smithy, and what seemed to be a farm house.

Spike touched his hat to a little man with pointed moustaches and a plum-colored waistcoat over a stomach round as a ball.

"Could you tell us what is the best restaurant in this land?"

"Mine, I think," said he, pointing to the house with his head.

Spike bowed. "Then after we walk along the road a little we shall return to dine here!"

That would be delightful. The little man twirled his moustaches and looked at Marie.

The footpath writhed at the side of a road covered with white dust. A bearded goat watched them pass. Next they met a priest with a red and sweaty face under his broad hat.

"Bon jour!" they said respectfully.

"Bon soir!" he replied. So the afternoon was drawing to its close.

The white road turned and here unexpectedly was a fussy, crowded village—one curving street, a line of shop windows, carriages at the curb, a Ford or two, a youth starting a motorcycle.

Spike exclaimed to see the roof of the high old church. But the square spire was an ugly nineteenth century alteration. They stood, heads tilted in the sun, their mingled shadows measuring the width of the square. It was hot.

"Shall we go in?"

Inside was spicy coolness. Through gray dusk a shaft of sunlight sloped down from a high, peaked window. The altar was snowy white, white marble, white silk, rank upon rank of slender white candles. The church had been quite empty.

Spike let the hush enclose him. One minute before his ears had endured the warring sounds of Paris—his lungs had accepted the stifling fumes of its atmosphere. Now it was far away. The church waited, watching them. Spike felt that Marie shared his feeling of a mysterious, reverent, listening silence. He looked down to find her clear dark eyes speaking to him.

He put his arm around her and kissed her on the lips. For a still minute they held each other.