AT CROW'S NEST PASS
At Crow's Nest Pass the mountains rend
Themselves apart, the rivers wend
A lawless course about their feet,
And breaking into torrents beat
In useless fury where they blend
At Crow's Nest Pass.
The nesting eagle, wise, discreet,
Wings up the gorge's lone retreat
And makes some barren crag her friend
At Crow's Nest Pass.
Uncertain clouds, half-high, suspend
Their shifting vapours, and contend
With rocks that suffer not defeat;
And snows, and suns, and mad winds meet
To battle where the cliffs defend
At Crow's Nest Pass.
"GIVE US BARABBAS" [4]
There was a man—a Jew of kingly blood,
But of the people—poor and lowly born,
Accused of blasphemy of God, He stood
Before the Roman Pilate, while in scorn
The multitude demanded it was fit
That one should suffer for the people, while
Another be released, absolved, acquit,
To live his life out virtuous or vile.
"Whom will ye have—Barabbas or this Jew?"
Pilate made answer to the mob, "The choice
Is yours; I wash my hands of this, and you,
Do as you will." With one vast ribald voice
The populace arose and, shrieking, cried,
"Give us Barabbas, we condone his deeds!"
And He of Nazareth was crucified—
Misjudged, condemned, dishonoured for their needs.
And down these nineteen centuries anew
Comes the hoarse-throated, brutalized refrain,
"Give us Barabbas, crucify the Jew!"
Once more a man must bear a nation's stain,—
And that in France, the chivalrous, whose lore
Made her the flower of knightly age gone by.
Now she lies hideous with a leprous sore
No skill can cure—no pardon purify.
And an indignant world, transfixed with hate
Of such disease, cries, as in Herod's time,
Pointing its finger at her festering state,
"Room for the leper, and her leprous crime!"
And France, writhing from years of torment, cries
Out in her anguish, "Let this Jew endure,
Damned and disgraced, vicarious sacrifice.
The honour of my army is secure."
And, vampire-like, that army sucks the blood
From out a martyr's veins, and strips his crown
Of honour from him, and his herohood
Flings in the dust, and cuts his manhood down.
Hide from your God, O! ye that did this act!
With lesser crimes the halls of Hell are paved.
Your army's honour may be still intact,
Unstained, unsoiled, unspotted,—but unsaved.
[4] Written after Dreyfus was exiled.
YOUR MIRROR FRAME
Methinks I see your mirror frame,
Ornate with photographs of them.
Place mine therein, for, all the same,
I'll have my little laughs at them.
For girls may come, and girls may go,
I think I have the best of them;
And yet this photograph I know
You'll toss among the rest of them.
I cannot even hope that you
Will put me in your locket, dear;
Nor costly frame will I look through,
Nor bide in your breast pocket, dear.
For none your heart monopolize,
You favour such a nest of them.
So I but hope your roving eyes
Seek mine among the rest of them.
For saucy sprite, and noble dame,
And many a dainty maid of them
Will greet me in your mirror frame,
And share your kisses laid on them.
And yet, sometimes I fancy, dear,
You hold me as the best of them.
So I'm content if I appear
To-night with all the rest of them.
THE CITY AND THE SEA
I
To none the city bends a servile knee;
Purse-proud and scornful, on her heights she stands,
And at her feet the great white moaning sea
Shoulders incessantly the grey-gold sands,—
One the Almighty's child since time began,
And one the might of Mammon, born of clods;
For all the city is the work of man,
But all the sea is God's.
II
And she—between the ocean and the town—
Lies cursed of one and by the other blest:
Her staring eyes, her long drenched hair, her gown,
Sea-laved and soiled and dank above her breast.
She, image of her God since life began,
She, but the child of Mammon, born of clods,
Her broken body spoiled and spurned of man,
But her sweet soul is God's.
FIRE-FLOWERS
And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.
And only to the heart that knows of grief,
Of desolating fire, of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again.
A TOAST
There's wine in the cup, Vancouver,
And there's warmth in my heart for you,
While I drink to your health, your youth, and your wealth,
And the things that you yet will do.
In a vintage rare and olden,
With a flavour fine and keen,
Fill the glass to the edge, while I stand up to pledge
My faith to my western queen.
Then here's a Ho! Vancouver, in wine of the bonniest hue,
With a hand on my hip and the cup at my lip,
And a love in my life for you.
For you are a jolly good fellow, with a great, big heart, I know;
So I drink this toast
To the "Queen of the Coast."
Vancouver, here's a Ho!
And here's to the days that are coming,
And here's to the days that are gone,
And here's to your gold and your spirit bold,
And your luck that has held its own;
And here's to your hands so sturdy,
And here's to your hearts so true,
And here's to the speed of the day decreed
That brings me again to you.
Then here's a Ho! Vancouver, in wine of the bonniest hue,
With a hand on my hip and the cup at my lip,
And a love in my life for you.
For you are a jolly good fellow, with a great, big heart, I know;
So I drink this toast
To the "Queen of the Coast."
Vancouver, here's a Ho!
LADY ICICLE
Little Lady Icicle is dreaming in the north-land
And gleaming in the north-land, her pillow all a-glow;
For the frost has come and found her
With an ermine robe around her
Where little Lady Icicle lies dreaming in the snow.
Little Lady Icicle is waking in the north-land,
And shaking in the north-land her pillow to and fro;
And the hurricane a-skirling
Sends the feathers all a-whirling
Where little Lady Icicle is waking in the snow.
Little Lady Icicle is laughing in the north-land,
And quaffing in the north-land her wines that overflow;
All the lakes and rivers crusting
That her finger-tips are dusting,
Where little Lady Icicle is laughing in the snow.
Little Lady Icicle is singing in the north-land,
And bringing from the north-land a music wild and low;
And the fairies watch and listen
Where her silver slippers glisten,
As little Lady Icicle goes singing through the snow.
Little Lady Icicle is coming from the north-land,
Benumbing all the north-land where'er her feet may go;
With a fringe of frost before her
And a crystal garment o'er her,
Little Lady Icicle is coming with the snow.
THE LEGEND OF QU'APPELLE VALLEY
I am the one who loved her as my life,
Had watched her grow to sweet young womanhood;
Won the dear privilege to call her wife,
And found the world, because of her, was good.
I am the one who heard the spirit voice,
Of which the paleface settlers love to tell;
From whose strange story they have made their choice
Of naming this fair valley the "Qu'Appelle."
She had said fondly in my eager ear—
"When Indian summer smiles with dusky lip,
Come to the lakes, I will be first to hear
The welcome music of thy paddle dip.
I will be first to lay in thine my hand,
To whisper words of greeting on the shore;
And when thou would'st return to thine own land,
I'll go with thee, thy wife for evermore."
Not yet a leaf had fallen, not a tone
Of frost upon the plain ere I set forth,
Impatient to possess her as my own—
This queen of all the women of the North.
I rested not at even or at dawn,
But journeyed all the dark and daylight through—
Until I reached the Lakes, and, hurrying on,
I launched upon their bosom my canoe.
Of sleep or hunger then I took no heed,
But hastened o'er their leagues of waterways;
But my hot heart outstripped my paddle's speed
And waited not for distance or for days,
But flew before me swifter than the blade
Of magic paddle ever cleaved the Lake,
Eager to lay its love before the maid,
And watch the lovelight in her eyes awake.
So the long days went slowly drifting past;
It seemed that half my life must intervene
Before the morrow, when I said at last—
"One more day's journey and I win my queen!"
I rested then, and, drifting, dreamed the more
Of all the happiness I was to claim,—
When suddenly from out the shadowed shore,
I heard a voice speak tenderly my name.
"Who calls?" I answered; no reply; and long
I stilled my paddle blade and listened. Then
Above the night wind's melancholy song
I heard distinctly that strange voice again—
A woman's voice, that through the twilight came
Like to a soul unborn—a song unsung.
I leaned and listened—yes, she spoke my name,
And then I answered in the quaint French tongue,
"Qu'Appelle? Qu'Appelle?" No answer, and the night
Seemed stiller for the sound, till round me fell
The far-off echoes from the far-off height—
"Qu'Appelle?" my voice came back, "Qu'Appelle? Qu'Appelle?"
This—and no more; I called aloud until
I shuddered as the gloom of night increased,
And, like a pallid spectre wan and chill,
The moon arose in silence in the east.
I dare not linger on the moment when
My boat I beached beside her tepee door;
I heard the wail of women and of men,—
I saw the death-fires lighted on the shore.
No language tells the torture or the pain,
The bitterness that flooded all my life,—
When I was led to look on her again,
That queen of women pledged to be my wife.
To look upon the beauty of her face,
The still closed eyes, the lips that knew no breath;
To look, to learn,—to realize my place
Had been usurped by my one rival—Death.
A storm of wrecking sorrow beat and broke
About my heart, and life shut out its light
Till through my anguish some one gently spoke,
And said, "Twice did she call for thee last night."
I started up—and bending o'er my dead,
Asked when did her sweet lips in silence close.
"She called thy name—then passed away," they said,
"Just on the hour whereat the moon arose."
Among the lonely Lakes I go no more,
For she who made their beauty is not there;
The paleface rears his tepee on the shore
And says the vale is fairest of the fair.
Full many years have vanished since, but still
The voyageurs beside the campfire tell
How, when the moonrise tips the distant hill,
They hear strange voices through the silence swell.
The paleface loves the haunted lakes they say,
And journeys far to watch their beauty spread
Before his vision; but to me the day,
The night, the hour, the seasons are all dead.
I listen heartsick, while the hunters tell
Why white men named the valley The Qu'Appelle.
THE ART OF ALMA-TADEMA
There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.
The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains
That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.
And at the Master's touch the marbles leap
To life, the creamy onyx and the skins
Of copper-coloured leopards, and the deep,
Cool basins where the whispering water wins
Reflections from the gold and glowing sun,
And tints from warm, sweet human flesh, for fair
And subtly lithe and beautiful, leans one—
A goddess with a wealth of tawny hair.
GOOD-BYE
Sounds of the seas grow fainter,
Sounds of the sands have sped;
The sweep of gales,
The far white sails,
Are silent, spent and dead.
Sounds of the days of summer
Murmur and die away,
And distance hides
The long, low tides,
As night shuts out the day.
MISCELLANEOUS POEMS
(These miscellaneous poems are all of later date.)
IN GREY DAYS
Measures of oil for others,
Oil and red wine,
Lips laugh and drink, but never
Are the lips mine.
Worlds at the feet of others,
Power gods have known,
Hearts for the favoured round me
Mine beats, alone.
Fame offering to others
Chaplets of bays,
I with no crown of laurels,
Only grey days.
Sweet human love for others,
Deep as the sea,
God-sent unto my neighbour—
But not to me.
Sometime I'll wrest from others
More than all this,
I shall demand from Heaven
Far sweeter bliss.
What profit then to others,
Laughter and wine?
I'll have what most they covet—
Death, will be mine.
BRANDON
(ACROSTIC)
Born on the breast of the prairie, she smiles to her sire—the sun,
Robed in the wealth of her wheat-lands, gift of her mothering soil,
Affluence knocks at her gateways, opulence waits to be won.
Nuggets of gold are her acres, yielding and yellow with spoil,
Dream of the hungry millions, dawn of the food-filled age,
Over the starving tale of want her fingers have turned the page;
Nations will nurse at her storehouse, and God gives her grain for wage.
THE INDIAN CORN PLANTER
He needs must leave the trapping and the chase,
For mating game his arrows ne'er despoil,
And from the hunter's heaven turn his face,
To wring some promise from the dormant soil.
He needs must leave the lodge that wintered him,
The enervating fires, the blanket bed—
The women's dulcet voices, for the grim
Realities of labouring for bread.
So goes he forth beneath the planter's moon
With sack of seed that pledges large increase,
His simple pagan faith knows night and noon,
Heat, cold, seedtime and harvest shall not cease.
And yielding to his needs, this honest sod,
Brown as the hand that tills it, moist with rain,
Teeming with ripe fulfilment, true as God,
With fostering richness, mothers every grain.
THE CATTLE COUNTRY
Up the dusk-enfolded prairie,
Foot-falls, soft and sly,
Velvet cushioned, wild and wary,
Then—the coyote's cry.
Rush of hoofs, and roar and rattle,
Beasts of blood and breed,
Twenty thousand frightened cattle,
Then—the wild stampede.
Pliant lasso circling wider
In the frenzied flight—
Loping horse and cursing rider,
Plunging through the night.
Rim of dawn the darkness losing
Trail of blackened soil;
Perfume of the sage brush oozing
On the air like oil.
Foothills to the Rockies lifting
Brown, and blue, and green,
Warm Alberta sunlight drifting
Over leagues between.
That's the country of the ranges,
Plain and prairie land,
And the God who never changes
Holds it in His hand.
AUTUMN'S ORCHESTRA
(INSCRIBED TO ONE BEYOND SEAS)
Know by the thread of music woven through
This fragile web of cadences I spin,
That I have only caught these songs since you
Voiced them upon your haunting violin.
THE OVERTURE
October's orchestra plays softly on
The northern forest with its thousand strings,
And Autumn, the conductor wields anon
The Golden-rod— The baton that he swings.
THE FIRS
There is a lonely minor chord that sings
Faintly and far along the forest ways,
When the firs finger faintly on the strings
Of that rare violin the night wind plays,
Just as it whispered once to you and me
Beneath the English pines beyond the sea.
MOSSES
The lost wind wandering, forever grieves
Low overhead,
Above grey mosses whispering of leaves
Fallen and dead.
And through the lonely night sweeps their refrain
Like Chopin's prelude, sobbing 'neath the rain.
THE VINE
The wild grape mantling the trail and tree,
Festoons in graceful veils its drapery,
Its tendrils cling, as clings the memory stirred
By some evasive haunting tune, twice heard.
THE MAPLE
I
It is the blood-hued maple straight and strong,
Voicing abroad its patriotic song.
II
Its daring colours bravely flinging forth
The ensign of the Nation of the North.
HARE-BELL
Elfin bell in azure dress,
Chiming all day long,
Ringing through the wilderness
Dulcet notes of song.
Daintiest of forest flowers
Weaving like a spell—
Music through the Autumn hours,
Little Elfin bell.
THE GIANT OAK
And then the sound of marching armies 'woke
Amid the branches of the soldier oak,
And tempests ceased their warring cry, and dumb
The lashing storms that muttered, overcome,
Choked by the heralding of battle smoke,
When these gnarled branches beat their martial drum.
ASPENS
A sweet high treble threads its silvery song,
Voice of the restless aspen, fine and thin
It trills its pure soprano, light and long—
Like the vibretto of a mandolin.
FINALE
The cedar trees have sung their vesper hymn,
And now the music sleeps—
Its benediction falling where the dim
Dusk of the forest creeps.
Mute grows the great concerto—and the light
Of day is darkening, Good-night, Good-night.
But through the night time I shall hear within
The murmur of these trees,
The calling of your distant violin
Sobbing across the seas,
And waking wind, and star-reflected light
Shall voice my answering. Good-night, Good-night.
THE TRAIL TO LILLOOET
Sob of fall, and song of forest, come you here on haunting quest,
Calling through the seas and silence, from God's country of the west.
Where the mountain pass is narrow, and the torrent white and strong,
Down its rocky-throated canyon, sings its golden-throated song.
You are singing there together through the God-begotten nights,
And the leaning stars are listening above the distant heights
That lift like points of opal in the crescent coronet
About whose golden setting sweeps the trail to Lillooet.
Trail that winds and trail that wanders, like a cobweb hanging high,
Just a hazy thread outlining mid-way of the stream and sky,
Where the Fraser River canyon yawns its pathway to the sea,
But half the world has shouldered up between its song and me.
Here, the placid English August, and the sea-encircled miles,
There—God's copper-coloured sunshine beating through the lonely aisles
Where the waterfalls and forest voice for ever their duet,
And call across the canyon on the trail to Lillooet.
CANADA
(ACROSTIC)
Crown of her, young Vancouver; crest of her, old Quebec;
Atlantic and far Pacific sweeping her, keel to deck.
North of her, ice and arctics; southward a rival's stealth;
Aloft, her Empire's pennant; below, her nation's wealth.
Daughter of men and markets, bearing within her hold,
Appraised at highest value, cargoes of grain and gold.
THE LIFTING OF THE MIST
All the long day the vapours played
At blindfold in the city streets,
Their elfin fingers caught and stayed
The sunbeams, as they wound their sheets
Into a filmy barricade
'Twixt earth and where the sunlight beats.
A vagrant band of mischiefs these,
With wings of grey and cobweb gown;
They live along the edge of seas,
And creeping out on foot of down,
They chase and frolic, frisk and tease
At blind-man's buff with all the town.
And when at eventide the sun
Breaks with a glory through their grey,
The vapour-fairies, one by one,
Outspread their wings and float away
In clouds of colouring, that run
Wine-like along the rim of day.
Athwart the beauty and the breast
Of purpling airs they twirl and twist,
Then float away to some far rest,
Leaving the skies all colour-kiss't—
A glorious and a golden West
That greets the Lifting of the Mist.
THE HOMING BEE
You are belted with gold, little brother of mine,
Yellow gold, like the sun
That spills in the west, as a chalice of wine
When feasting is done.
You are gossamer-winged, little brother of mine,
Tissue winged, like the mist
That broods where the marshes melt into a line
Of vapour sun-kissed.
You are laden with sweets, little brother of mine,
Flower sweets, like the touch
Of hands we have longed for, of arms that entwine,
Of lips that love much.
You are better than I, little brother of mine,
Than I, human-souled,
For you bring from the blossoms and red summer shine,
For others, your gold.
THE LOST LAGOON
It is dusk on the Lost Lagoon,
And we two dreaming the dusk away,
Beneath the drift of a twilight grey,
Beneath the drowse of an ending day,
And the curve of a golden moon.
It is dark in the Lost Lagoon,
And gone are the depths of haunting blue,
The grouping gulls, and the old canoe,
The singing firs, and the dusk and—you,
And gone is the golden moon.
O! lure of the Lost Lagoon,—
I dream to-night that my paddle blurs
The purple shade where the seaweed stirs,
I hear the call of the singing firs
In the hush of the golden moon.
THE TRAIN DOGS
Out of the night and the north;
Savage of breed and of bone,
Shaggy and swift comes the yelping band,
Freighters of fur from the voiceless land
That sleeps in the Arctic zone.
Laden with skins from the north,
Beaver and bear and raccoon,
Marten and mink from the polar belts,
Otter and ermine and sable pelts—
The spoils of the hunter's moon.
Out of the night and the north,
Sinewy, fearless and fleet,
Urging the pack through the pathless snow,
The Indian driver, calling low,
Follows with moccasined feet.
Ships of the night and the north,
Freighters on prairies and plains,
Carrying cargoes from field and flood
They scent the trail through their wild red blood,
The wolfish blood in their veins.
THE KING'S CONSORT
I
Love, was it yesternoon, or years agone,
You took in yours my hands,
And placed me close beside you on the throne
Of Oriental lands?
The truant hour came back at dawn to-day,
Across the hemispheres,
And bade my sleeping soul retrace its way
These many hundred years.
And all my wild young life returned, and ceased
The years that lie between,
When you were King of Egypt, and The East,
And I was Egypt's queen.
II
I feel again the lengths of silken gossamer enfold
My body and my limbs in robes of emerald and gold.
I feel the heavy sunshine, and the weight of languid heat
That crowned the day you laid the royal jewels at my feet.
You wound my throat with jacinths, green and glist'ning serpent-wise,
My hot, dark throat that pulsed beneath the ardour of your eyes;
And centuries have failed to cool the memory of your hands
That bound about my arms those massive, pliant golden bands.
You wreathed around my wrists long ropes of coral and of jade,
And beaten gold that clung like coils of kisses love-inlaid;
About my naked ankles tawny topaz chains you wound,
With clasps of carven onyx, ruby-rimmed and golden bound.
But not for me the Royal Pearls to bind about my hair,
"Pearls were too passionless," you said, for one like me to wear,
I must have all the splendour, all the jewels warm as wine,
But pearls so pale and cold were meant for other flesh than mine.
But all the blood-warm beauty of the gems you thought my due
Were pallid as a pearl beside the love I gave to you;
O! Love of mine come back across the years that lie between,
When you were King of Egypt—Dear, and I was Egypt's Queen.
WHEN GEORGE WAS KING
Cards, and swords, and a lady's love,
That is a tale worth reading,
An insult veiled, a downcast glove,
And rapiers leap unheeding.
And 'tis O! for the brawl,
The thrust, the fall,
And the foe at your feet a-bleeding.
Tales of revel at wayside inns,
The goblets gaily filling,
Braggarts boasting a thousand sins,
Though none can boast a shilling.
And 'tis O! for the wine,
The frothing stein,
And the clamour of cups a-spilling.
Tales of maidens in rich brocade,
Powder and puff and patches,
Gallants lilting a serenade
Of old-time trolls and catches.
And 'tis O! for the lips
And the finger tips,
And the kiss that the boldest snatches.
Tales of buckle and big rosette,
The slender shoe adorning,
Of curtseying through the minuet
With laughter, love, or scorning.
And 'tis O! for the shout
Of the roustabout,
As he hies him home in the morning.
Cards and swords, and a lady's love,
Give to the tale God-speeding,
War and wassail, and perfumed glove,
And all that's rare in reading.
And 'tis O! for the ways
Of the olden days,
And a life that was worth the leading.
DAY DAWN
All yesterday the thought of you was resting in my soul,
And when sleep wandered o'er the world that very thought she stole
To fill my dreams with splendour such as stars could not eclipse,
And in the morn I wakened with your name upon my lips.
Awakened, my beloved, to the morning of your eyes,
Your splendid eyes, so full of clouds, wherein a shadow tries
To overcome the flame that melts into the world of grey,
As coming suns dissolve the dark that veils the edge of day.
Cool drifts the air at dawn of day, cool lies the sleeping dew,
But all my heart is burning, for it woke from dreams of you;
And O! these longing eyes of mine look out and only see
A dying night, a waking day, and calm on all but me.
So gently creeps the morning through the heavy air,
The dawn grey-garbed and velvet-shod is wandering everywhere
To wake the slumber-laden hours that leave their dreamless rest,
With outspread, laggard wings to court the pillows of the west.
Up from the earth a moisture steals with odours fresh and soft,
A smell of moss and grasses warm with dew, and far aloft
The stars are growing colourless, while drooping in the west,
A late, wan moon is paling in a sky of amethyst.
The passing of the shadows, as they waft their pinions near,
Has stirred a tender wind within the night-hushed atmosphere,
That in its homeless wanderings sobs in an undertone
An echo to my heart that sobbing calls for you alone.
The night is gone, beloved, and another day set free,
Another day of hunger for the one I may not see.
What care I for the perfect dawn? the blue and empty skies?
The night is always mine without the morning of your eyes.
THE ARCHERS
I
Stripped to the waist, his copper-coloured skin
Red from the smouldering heat of hate within,
Lean as a wolf in winter, fierce of mood—
As all wild things that hunt for foes, or food—
War paint adorning breast and thigh and face,
Armed with the ancient weapons of his race,
A slender ashen bow, deer sinew strung,
And flint-tipped arrow each with poisoned tongue,—
Thus does the Red man stalk to death his foe,
And sighting him strings silently his bow,
Takes his unerring aim, and straight and true
The arrow cuts in flight the forest through,
A flint which never made for mark and missed,
And finds the heart of his antagonist.
Thus has he warred and won since time began,
Thus does the Indian bring to earth his man.
II
Ungarmented, save for a web that lies
In fleecy folds across his impish eyes,
A tiny archer takes his way intent
On mischief, which is his especial bent.
Across his shoulder lies a quiver, filled
With arrows dipped in honey, thrice distilled
From all the roses brides have ever worn
Since that first wedding out of Eden born.
Beneath a cherub face and dimpled smile
This youthful hunter hides a heart of guile;
His arrows aimed at random fly in quest
Of lodging-place within some blameless breast.
But those he wounds die happily, and so
Blame not young Cupid with his dart and bow:
Thus has he warred and won since time began,
Transporting into Heaven both maid and man.
THE WOLF
Like a grey shadow lurking in the light,
He ventures forth along the edge of night;
With silent foot he scouts the coulie's rim
And scents the carrion awaiting him.
His savage eyeballs lurid with a flare
Seen but in unfed beasts which leave their lair
To wrangle with their fellows for a meal
Of bones ill-covered. Sets he forth to steal,
To search and snarl and forage hungrily;
A worthless prairie vagabond is he.
Luckless the settler's heifer which astray
Falls to his fangs and violence a prey;
Useless her blatant calling when his teeth
Are fast upon her quivering flank—beneath
His fell voracity she falls and dies
With inarticulate and piteous cries,
Unheard, unheeded in the barren waste,
To be devoured with savage greed and haste.
Up the horizon once again he prowls
And far across its desolation howls;
Sneaking and satisfied his lair he gains
And leaves her bones to bleach upon the plains.
THE MAN IN CHRYSANTHEMUM LAND
WRITTEN FOR "THE SPECTATOR"
There's a brave little berry-brown man
At the opposite side of the earth;
Of the White, and the Black, and the Tan,
He's the smallest in compass and girth.
O! he's little, and lively, and Tan,
And he's showing the world what he's worth.
For his nation is born, and its birth
Is for hardihood, courage, and sand,
So you take off your cap
To the brave little Jap
Who fights for Chrysanthemum Land.
Near the house that the little man keeps,
There's a Bug-a-boo building its lair;
It prowls, and it growls, and it sleeps
At the foot of his tiny back stair.
But the little brown man never sleeps,
For the Brownie will battle the Bear—
He has soldiers and ships to command;
So take off you cap
To the brave little Jap
Who fights for Chrysanthemum Land.
Uncle Sam stands a-watching near by,
With his finger aside of his nose—
John Bull with a wink in his eye,
Looks round to see how the wind blows—
O! jolly old John, with his eye
Ever set on the East and its woes.
More than hoeing their own little rows
These wary old wags understand,
But they take off their caps
To the brave little Japs
Who fight for Chrysanthemum Land.
Now he's given us Geishas, and themes
For operas, stories, and plays,
His silks and his chinas are dreams,
And we copy his quaint little ways;
O! we look on his land in our dreams,
But his value we failed to appraise,
For he'll gather his laurels and bays—
His Cruisers and Columns are manned,
And we take off our caps
To the brave little Japs
Who fight for Chrysanthemum Land.
CALGARY OF THE PLAINS
Not of the seething cities with their swarming human hives,
Their fetid airs, their reeking streets, their dwarfed and poisoned lives,
Not of the buried yesterdays, but of the days to be,
The glory and the gateway of the yellow West is she.
The Northern Lights dance down her plains with soft and silvery feet,
The sunrise gilds her prairies when the dawn and daylight meet;
Along her level lands the fitful southern breezes sweep,
And beyond her western windows the sublime old mountains sleep.
The Redman haunts her portals, and the Paleface treads her streets,
The Indian's stealthy footstep with the course of commerce meets,
And hunters whisper vaguely of the half forgotten tales
Of phantom herds of bison lurking on her midnight trails.
Not hers the lore of olden lands, their laurels and their bays;
But what are these, compared to one of all her perfect days?
For naught can buy the jewel that upon her forehead lies—
The cloudless sapphire Heaven of her territorial skies.
THE BALLAD OF YAADA [5]
(A LEGEND OF THE PACIFIC COAST)
There are fires on Lulu Island, and the sky is opalescent
With the pearl and purple tinting from the smouldering of peat.
And the Dream Hills lift their summits in a sweeping, hazy crescent,
With the Capilano canyon at their feet.
There are fires on Lulu Island, and the smoke, uplifting, lingers
In a faded scarf of fragrance as it creeps across the day,
And the Inlet and the Narrows blur beneath its silent fingers,
And the canyon is enfolded in its grey.
But the sun its face is veiling like a cloistered nun at vespers;
As towards the alter candles of the night a censer swings,
And the echo of tradition wakes from slumbering and whispers,
Where the Capilano river sobs and sings.
It was Yaada, lovely Yaada, who first taught the stream its sighing,
For 'twas silent till her coming, and 'twas voiceless as the shore;
But throughout the great forever it will sing the song undying
That the lips of lovers sing for evermore.
He was chief of all the Squamish, and he ruled the coastal waters—
And he warred upon her people in the distant Charlotte Isles;
She, a winsome basket weaver, daintiest of Haida daughters,
Made him captive to her singing and her smiles.
Till his hands forgot to havoc and his weapons lost their lusting,
Till his stormy eyes allured her from the land of Totem Poles,
Till she followed where he called her, followed with a woman's trusting,
To the canyon where the Capilano rolls.
And the women of the Haidas plied in vain their magic power,
Wailed for many moons her absence, wailed for many moons their prayer,
"Bring her back, O Squamish foeman, bring to us our Yaada flower!"
But the silence only answered their despair.
But the men were swift to battle, swift to cross the coastal water,
Swift to war and swift of weapon, swift to paddle trackless miles,
Crept with stealth along the canyon, stole her from her love and brought her
Once again unto the distant Charlotte Isles.
But she faded, ever faded, and her eyes were ever turning
Southward toward the Capilano, while her voice had hushed its song,
And her riven heart repeated words that on her lips were burning:
"Not to friend—but unto foeman I belong.
"Give me back my Squamish lover—though you hate, I still must love him.
"Give me back the rugged canyon where my heart must ever be—
Where his lodge awaits my coming, and the Dream Hills lift above him,
And the Capilano learned its song from me."
But through long-forgotten seasons, moons too many to be numbered,
He yet waited by the canyon—she called across the years,
And the soul within the river, though centuries had slumbered,
Woke to sob a song of womanly tears.
For her little, lonely spirit sought the Capilano canyon,
When she died among the Haidas in the land of Totem Poles,
And you yet may hear her singing to her lover-like companion,
If you listen to the river as it rolls.
But 'tis only when the pearl and purple smoke is idly swinging
From the fires on Lulu Island to the hazy mountain crest,
That the undertone of sobbing echoes through the river's singing,
In the Capilano canyon of the West.
[5] "The Ballad of Yaada" is the last complete poem written by the
author. It was placed for publication with the "Saturday Night" of
Toronto, and did not appear in print until several months after
Miss Johnson's death.
"AND HE SAID, FIGHT ON" [6]
(Tennyson)
Time and its ally, Dark Disarmament,
Have compassed me about,
Have massed their armies, and on battle bent
My forces put to rout;
But though I fight alone, and fall, and die,
Talk terms of Peace? Not I.
They war upon my fortress, and their guns
Are shattering its walls;
My army plays the cowards' part, and runs,
Pierced by a thousand balls;
They call for my surrender. I reply,
"Give quarter now? Not I."
They've shot my flag to ribbons, but in rents
It floats above the height;
Their ensign shall not crown my battlements
While I can stand and fight.
I fling defiance at them as I cry,
"Capitulate? Not I."
[6] E. Pauline Johnson died March 7th, 1913. Shortly after the doctors told her that her illness would be her final one, she wrote the above poem, taking a line from Tennyson as her theme.