WeRead Powered by ReaderPub
Four Plays of Aeschylus cover

Four Plays of Aeschylus

Chapter 7: ARGUMENT
Open in WeRead

About This Book

The volume presents four ancient Greek tragedies translated into English verse: a mythic rescue of fleeing maidens whose sanctuary and marriage fate hinge on public and divine decision; a dramatization of a major military disaster showing a grieving elder and chorus confronting loss; a siege drama centered on a dynastic curse and civic defense; and a titan-bound figure suffering for defying the gods. Across these plays, lyric choral odes, messenger reports, and prophetic visions combine with themes of fate, divine retribution, political authority, and human endurance, while traces of larger trilogic design and archaic diction reinforce their moral and ritual intensity.

ARGUMENT

Io, the daughter of Inachus, King of Argos, was beloved of Zeus. But Hera was jealous of that love, and by her ill will was Io given over to frenzy, and her body took the semblance of a heifer: and Argus, a many-eyed herdsman, was set by Hera to watch Io whithersoever she strayed. Yet, in despite of Argus, did Zeus draw nigh unto her in the shape of a bull. And by the will of Zeus and the craft of Hermes was Argus slain. Then Io was driven over far lands and seas by her madness, and came at length to the land of Egypt. There was she restored to herself by a touch of the hand of Zeus, and bare a child called Epaphus. And from Epaphus sprang Libya, and from Libya, Belus; and from Belus, Aegyptus and Danaus. And the sons of Aegyptus willed to take the daughters of Danaus in marriage. But the maidens held such wedlock in horror, and fled with their father over the sea to Argos; and the king and citizens of Argos gave them shelter and protection from their pursuers.