Frederick Chopin, as a Man and Musician — Complete

   (1841. An    Op. 43. Tarantella [A flat major]     Schuberth & Co.
   nounced in   pour le piano.—Vol. II., pp. 77,     Troupenas et Cie.
   Monatsbe-
       82-86, 222.
   richte on Jan.
   1,1842. Paid
   for by the
   publisher on
   July 7, 1841.]
   (Oct., 1841.*)

   (Nov. 28,    Op.44. Polonaise [F sharp minor]      Merchetti.
   1841.)       pour le piano. Dediee a Mme. la       M. Schlesinger.
                Princesse Charles de Beauvau.—Vol.
                II., pp. 77,80, 81,86,239-244,246.

   (Nov. 28,    Op.45.  Prelude [C sharp minor] pour  Merchetti.
   1841.)       piano. Dediee a Mlle. la Prin-
           M. Schlesinger.
                cesse Elisabeth Czernicheff.—Vol.
                II., pp. 77, 80, 81, 256

   Jan., 1842.  Op.46.  Allegro de Concert [A major]  Breitkopf & Hartel.
   (Nov. 28,    pour le piano. Dedie a Mlle. F.       M. Schlesinger.
   1841)        Muller—Vol. I., p. 202; Vol.II.,
                pp.77, 86, 87, 177, 223-5.

   Jan. 1842    Op.47.  Troisieme Ballade [A flat     Breitkopf & Hartel.
   (Nov. 28,    major] pour le piano. Dediee a        M. Schlesinger.
      1841)     Mlle. P. de Noailles.—Vol.II.,
                pp.77,87, 92, 268, 269-70.

   Jan., 1842   Op.48. Deux Nocturnes [C minor        Breitkopf & Hartel.
   (Nov. 28,    and F sharp minor] pour le piano.     M. Schlesinger.
   1841)        Dediees a Mlle. L. Duperre—Vol.II.,
                pp. 77, 87, 88, 262, 265

   Jan., 1842   Op.49.  Fantaisie [F minor] pour      Breitkopf & Hartel.
   (Nov. 28,    le piano Dediee a Mme. la Princesse   M. Schlesinger.
        1841)   C. de Souzzo.—Vol. II., pp. 77,87,
                230-1.

   [Sept.,1842.  Op.50.  Trois Mazurkas [G major,      Mechetti.
   Announced     A flat major, and C charp minor]      M. Schlesinger.
   in Monats-
       pour le piano. Dediees a Mr. Leon
   berichte.]    Szmitkowski—Vol.II., p.77,231-2,
   (Nov.28,1841  234-9.
   [not again
   advertised
   till June 5,
   1842,
   although the
   preceding
   numbers
   were.])

   Feb.,1843.    Op. 51. Allegro Vivace. Troisieme     Hofmeister.
   (July 9,      Impromptu [G flat major] pour le      M. Schlesinger.
   1843.)        piano. Dedie a Mme. la Comtesse
                 Esterhazy.—Vol.II.,pp.121,260.

   Feb., 1843.  Op. 52. Quatrieme Ballade [F minor]   Breitkopf &
   (Dec. 24,    pour le piano. Dediee a Mme. la       Hartel.
   1843.)       Baronne C. de Rothschild.—Vol. II.,  M. Schlesinger.
                pp. 77, 121, 268, 270.

   Dec., 1843.  OP. 53. Huiticmc Polonaise [A flat    Breitkopf &
   (Dec. 24,    major] pour le piano. Dediee a Mr.    Hartel.
   1843.)       A. Leo.—Vol. II., pp. 77, 94, 97,    M. Schlesinger.
                121, 213, 239-244, 247.

   Dec., 1843.  Op. 54. Scherzo No. 4 [E major] pour  Breitkopf &
   (Dec. 24,    le piano. Dedie a Mlle. J. de         Hartel.
   1843.)       Caraman.—Vol. II-, pp. 121, 256,     M. Schlesinger.
                258-9.

   Aug. 1844.   Op. 55. Deux Nocturnes [F minor and   Breitkopf &
   (Sept. 22,   E flat major] pour le piano. Dedies   Hartel.
   1844.)       a Mlle. J. W. Stirling.—Vol. II.,    M. Schlesinger.
                p. 118, 121,262, 265-6.

   Aug., 1844.  Op. 56. Trois Mazurkas [B major, C    Breitkopf &
   (Sept. 22,   major, and C minor] pour le piano.    Hartel.
   1844.)       Dediees a Mlle. C. Maberly.—Vol.      M. Schlesinger.
                II., pp. 118, 121-2, 231-2, 234-9.

   May, 1845.   Op. 57. Berceuse [D flat major] pour  Breitkopf &
   (June,       le piano. Dediee & Mlle. Elise        Hartel.
   1845.*)      Gavard.—Vol. I., p. 119; Vol. II.,   J. Meissonnier.
                pp. 118, 122,267-8.

   June, 1845.  Op.58.  Sonate [B minor] pour le      Breitkopf & Hartel
   (June,       piano. Dediee a Mme.la Comtesse       J. Meissonnier.
   1845*)       E. de Perthuis.—Vol. II., pp.
                118, 122, 228-9.

   [Jan., 1846,  Op. 59. Trois Mazurkas [A minor,     Stern et Cie.
   announced     A flat major, and F sharp minor]     Brandus et Cie.
   in Monats-
       pour le piano.—Vol.II.,pp. 122,
   berichte.]    231-2, 234-9.
   (April,
   1846.*)

   Dec., 1846   Op.60  Barcarolle [F sharp major]     Breitkopf & Hartel
   (Sept.,      pour le piano. Dediee a Mme. la       Brandus et Cie.
   1846)        Baronne de Stockhausen-Vol.II,
                pp.77, 122 266-7.

   Dec., 1846.  Op.61   Polonaise-Fantaisie [A        Breitkopf & Hartel
   (Sept.,      flat major] pour le piano.            Brandus et Cie.
   1846.*)      Dediee a Mme. A.Veyret.—
                Vol.II., pp. 122, 239-244, 248

   Dec., 1846.  Op. 62.  Deux Nocturnes [B major      Breitkopf & Hartel.
   (Sept.,      and E major] pour le piano. Dedies     Brandus et Cie.
   1846.*)      a Mlle. R. de Konneritz.—Vol. II.,
                pp. 122, 262, 266.

   Sept.,       OP. 63. Trois Mazurkas [B major, F    Breitkopf &
   1847.        minor, and C sharp minor] pour le     Hartel.
   (Oct. 17,    piano. Dediees a. Mme. la Comtesse    Brandus et Cie.
   1847)        L. Czosnowska.—Vol. II., pp. 122,
                205, 231-2, 234-9.

   Sept.,       OP. 64. Trois Valses [D flat major,   Breitkopf &
   1847.        C sharp minor, and A flat major]      Hartel.
   (Oct. 17,    pour le piano. Dediees [No 1] a Mme.  Brandus et Cie.
   1847)        la Comtesse Potocka; [No. 2] a Mme.
                la Baronne de Rothschild;
                [No. 3] a Mme. la Baronne Bronicka.—
                Vol. II., pp. 95, 122, 142 (No. 1),
                205, 248, 250-1, 387.

   Sept.,       OP. 65. Sonate [G minor] pour piano   Breitkopf &
   1847.        et violoncelle. Dediee a Mr. A.       Hartel.
   (Oct. 17,    Franchomme.—Vol. II., pp. 122, 205,  Brandus et Cie.
   1847)        206, 207, 211, 229.

   [1833, in    Grand Duo concertant [E major] pour   M. Schlesinger.
   print.]      piano et violoncelle sur des themes   A. M.
   (July 6,     de Robert le Diable, par F. Chopin    Schlesinger.
   1833.)       et A. Franchomme.—Vol. II., p. 230.

   Aug. or      Trois Nouvelles Etudes [F. minor, A   M. Schlesinger.
   Sept., 1840  flat major, and D flat major]. Etudes A. M.
   [this is     de Schlesinger. Perfection de la
   the date of  Methode des Moscheles et Fetis.—Vol.
   the          II., p. 252.
   appearance
   of the
   Methode.]

   (July 25,    Variation VI. [Largo, E major, C]    T. Haslinger.
     1841.)     from the Hexameron: Morceau de       Troupenas et Cie.
                Concert. Grandes Variations de
                bravoure sur la Marche des
                "Puritains" de Bellini, composees
                pour le Concert de Mme. la Princesse
                Belgiojoso au benefice des pauvres,
                par MM. Liszt, Thalberg, Pixis, H.
                Herz, Czerny, and Chopin.—Vol. II.,
                pp. 14, 15.

   [Feb., 1842,  Mazurka [A minor] pour piano, No.2   B. Schott's Sohne.
   announced     of "Notre Temps."—Vol.II.,p.237
   in Monats-berichte.

   [May,        OP. 4. Sonate [C minor] pour le       C. Haslinger.
   1851.]       piano. Dediee a Mr. Joseph Elsner.    S. Richault.
   (May,        [This work was already in the hands
   1851.*)      of the German publisher, T. Haslinger,
                in 1828.]—Vol. I., pp. 62,112,118;
                Vol. II., p. 63.

   1855.        OP. 66-74 are the posthumous works    A. M.
                with opus numbers given to the world  Schlesinger.
                by Julius Fontana (publies sur fils.  J. Meissonnier
                manuscrits originaux avec
                autorisation de sa famille).—Vol.
                II., 270-1.

                OP. 66. Fantaisie-Impromptu [C
                sharp minor]. Composed about 1834.—
                Vol. II.. p. 261, 271.

                OP. 67. Quatre Mazurkas [G major
                (1835), G minor (1849), C major (1835),
                and A minor (1846).]—Vol. II.,
                p. 271.

                OP. 68. Quatre Mazurkas [C major
                (1830), A minor (1827), F major (1830),
                and F minor (1849).]—Vol. I., pp.
                112, 122 (No. 2).

                OP. 69. Deux Valses [F minor
                (1836), and B minor (1829).]—
                Vol. I., pp. 112, 122 (No. 2).

                OP. 70. Trois Valses [G flat major
                (1835), F minor (1843), and D flat major
                (1830).]—Vol. I., pp. 128, 200
                (No. 3).

                Op. 71. Trois Polonaises [D minor
                (1827), B flat major (1828), and F minor
                (1829).]—Vol. I., pp. 62 (Nos. 1
                and 2), 112, 121 (Nos. 1, 2, and 3),
                129 (No. 3).

                OP. 72. Nocturne [E minor (1827)];
                Marche funebre [C minor (1829)];
                et Trois Ecossaises [D major, G
                major, and D flat major (1830)].—
                Vol. I., pp. 62, 112, 121 (No. 1);
                112, 123 (No. 2); 202 (No. 3).

                OP. 73. Rondeau [C major] pour deux
                pianos (1828).—Vol. I., pp. 62,
                112, 116.

                OP. 74. Seventeen Polish Songs by
                Witwicki, Mickiewicz, Zaleski, &c.,
                for voice with pianoforte
                accompaniment. The German translation
                by Ferd. Gumbert. [The
                English translation of Stanley
                Lucas, Weber & Co.'s English
                edition is by the Rev. J.
                Troutbeck.]—Vol. II., p. 271-272.

   [May,        Variations [E major] pour le piano    C. Haslinger.
   1851.]       stir un air allemand. (1824?)         S. Richault.
                [although not published till 1851,
                this composition was already in 1830
                in T. Haslinger's hands).—Vol. I.:
                pp. 53, 55, 56.

                Mazurka [G major]. (1825.)—Vol. I.,  J. Leitgeber.
                p. 52; II., 236.                      Gebethner &
                                                      Wolff.
                Mazurka [B flat major (1825)].—Vol.
                I., p. 52; II., 236.

                Mazurka [D major (1829-30)].—Vol.
                I., PP—202-203; II., 236.

                Mazurka [D major (1832.—A
                remodelling of the preceding
                Mazurka)].—Vol. I., pp.
                202-203; II., 236.

                Mazurka [C major (1833)].—Vol. II.,  Gebethner &
                p. 236.                               Wolff.

                Mazurka [A minor. Dediee a son ami    Bote & Bock.
                Emile Gail'ard.—Vol. II, p. 236.

   1858.        Valse [E minor].—Vol. II., p. 251.   B. Schott's
                                                      Sohne.
                                                      Gebethner &
                                                      Wolff.

   1864.        Polonaise [G sharp minor]. Dediee     B. Schott's
                a Mme. Dupont.—Vol. I., p. 52 (see   Sohne.
                also Corrections and Additions, Vol.  Gebethner &
                I., p. VIII.                          Wolff.

   1872.        Polonaise [G flat major]. Nothing     B. Schott's
                but the composer's autograph could    Sohne.
                convince one of the genuineness of
                this piece. There are here and there
                passages which have the Chopin ring,
                indeed, seem to be almost bodily
                taken from some other of his works,
                but there is also a great deal which
                it is impossible to imagine to have
                come at any time from his pen—the
                very opening bars may be instanced.

                Polonaise [B flat minor (1826)].—
       Gebethner &
                Vol. I., pp. 52-53.                   Wolff.

                Valse [E major (1829)].—
    Vol. I.,    Gebethner &
                pp. 112, 122.                         Wolff.
                                                      W. Chaberski.

                Souvenir de Paganini [A major].
                This piece, which I do not know, is
                mentioned in the list of the
                master's works given by Karasowski
                in the Polish edition of his life of
                Chopin. It was published in the
                supplement of the Warsaw Echo
                Muzyczne, where also the two
                preceding pieces first appeared.

                About a Mazurka in F sharp major,
                published under Chopin's name by J.
                P. Gotthard, of Vienna, see Vol.
                II., p. 237; and about Deux Valses
                melancoliques (F minor and B minor)
                ecrites sur l'Album de Mme. la
                Comtesse P. 1844, see Vol. II., p.
                251.

                La Reine des Songes, which appeared
                in the Paris Journal de Musique, No.
                8, 1876, is No. 1 of the Seventeen
                Polish Songs (transposed to B flat
                major) with French words by George
                Sand, beginning:

                    "Quand la lune se leve
                    Dans un pale rayon
                    Elle vient comme un reve,
                    Comme une vision."

                Besides this song, the letter-press,
                taken from George Sand's Histoire de
                ma Vie, is accompanied by two
                instrumental pieces, extracts from
                the last movement of the E minor
                Concerto and the Bolero, the latter
                being called Chanson de Zingara.

                     END OF VOLUME II.