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French without a master

Chapter 7: Barrett H. Clark
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About This Book

A lively one-act farce staged in a small London hotel centers on a bungling substitute interpreter who cannot speak the required languages, an eloping French-speaking couple trying to conceal their identities, and the hotel's staff and patrons who become entangled in a series of comic misunderstandings. Rapid entrances, mistaken identities, and playful commentary on language barriers and social pretensions drive the action, mixing broad situational comedy with a light, satirical look at cross-cultural manners and the gap between appearances and reality.

THE WORLD’S BEST PLAYS

By Celebrated European Authors

A NEW SERIES OF AMATEUR PLAYS BY THE BEST
AUTHORS, ANCIENT AND MODERN, ESPECIALLY
TRANSLATED WITH HISTORICAL NOTES, SUGGESTIONS
FOR STAGING, Etc., FOR THE
USE OF SCHOOLS, COLLEGES, AND
DRAMATIC CLUBS

Barrett H. Clark

General Editor

ith the immensely increased demand for new plays for purposes of production by amateurs comes a correspondingly great demand for a careful selection of those plays which can be easily and well presented by clubs and colleges. The plays in the present series have been chosen with regard to their intrinsic value as drama and literature, and at the same time to their adaptability to the needs and limitations of such organizations.

The Series, under the personal supervision of Mr. Barrett H. Clark, instructor in the department of Dramatic Literature at Chautauqua, New York, assistant stage manager and actor with Mrs. Fiske (season 1912-1913), now comprises ten volumes, and fifteen more will make their appearance during the year. Eventually there will be plays from ancient Greece and Rome, Italy, Spain, France, Russia, Germany, and the Scandinavian countries, representative of some of the best drama of all ages and lands.

Each volume is prefaced by a concise historical note by Mr. Clark, and with a few suggestions for staging.