It may be added that Carlyle was one of those men whom the world can neither make nor break,—a meteoric rock from out the fiery heavens, bound to hit hard if not self-consumed, and not looking at all for a convenient or a soft place to alight,—a blazing star in his literary expression, but in his character and purpose the most tangible and unconquerable of men. "Thou, O World, how wilt thou secure thyself against this man? Thou canst not hire him by thy guineas, nor by thy gibbets and law penalties restrain him. He eludes thee like a Spirit. Thou canst not forward him, thou canst not hinder him. Thy penalties, thy poverties, neglects, contumelies: behold, all these are good for him."
XI
AT SEA
One does not seem really to have got out-of-doors till he goes to sea. On the land he is shut in by the hills, or the forests, or more or less housed by the sharp lines of his horizon. But at sea he finds the roof taken off, the walls taken down; he is no longer in the hollow of the earth's hand, but upon its naked back, with nothing between him and the immensities. He is in the great cosmic out-of-doors, as much so as if voyaging to the moon or to Mars. An astronomic solitude and vacuity surround him; his only guides and landmarks are stellar; the earth has disappeared; the horizon has gone; he has only the sky and its orbs left; this cold, vitreous, blue-black liquid through which the ship plows is not water, but some denser form of the cosmic ether. He can now see the curve of the sphere which the hills hid from him; he can study astronomy under improved conditions. If he was being borne through the interplanetary spaces on an immense shield, his impressions would not perhaps be much different. He would find the same vacuity, the same blank or negative space, the same empty, indefinite, oppressive out-of-doors.
For it must be admitted that a voyage at sea is more impressive to the imagination than to the actual sense. The world is left behind; all standards of size, of magnitude, of distance, are vanished; there is no size, no form, no perspective; the universe has dwindled to a little circle of crumpled water, that journeys with you day after day, and to which you seem bound by some enchantment. The sky becomes a shallow, close-fitting dome, or else a pall of cloud that seems ready to descend upon you. You cannot see or realize the vast and vacant surrounding; there is nothing to define it or set it off. Three thousand miles of ocean space are less impressive than three miles bounded by rugged mountains walls. Indeed, the grandeur of form, of magnitude, of distance, of proportion, are only upon shore. A voyage across the Atlantic is an eight or ten day sail through vacancy. There is no sensible progress; you pass no fixed points. Is it the steamer that is moving, or is it the sea? or is it all a dance and illusion of the troubled brain? Yesterday, to-day, and to-morrow, you are in the same parenthesis of nowhere. The three hundred or more miles the ship daily makes is ideal, not real. Every night the stars dance and reel there in the same place amid the rigging; every morning the sun comes up from behind the same wave, and staggers slowly across the sinister sky. The eye becomes a-hunger for form, for permanent lines, for a horizon wall to lift up and keep off the sky, and give it a sense of room. One understands why sailors become an imaginative and superstitious race; it is the reaction from this narrow horizon in which they are pent,—this ring of fate surrounds and oppresses them. They escape by invoking the aid of the supernatural. In the sea itself there is far less to stimulate the imagination than in the varied forms and colors of the land. How cold, how merciless, how elemental it looks!
The only things that look familiar at sea are the clouds. These are messengers from home, and how weary and disconsolate they appear, stretching out along the horizon, as if looking for a hill or mountain-top to rest upon,—nothing to hold them up,—a roof without walls, a span without piers. One gets the impression that they are grown faint, and must presently, if they reach much farther, fall into the sea. But when the rain came, it seemed like mockery or irony on the part of the clouds. Did one vaguely believe, then, that the clouds would respect the sea, and withhold their needless rain? No, they treated it as if it were a mill-pond, or a spring-run, too insignificant to make any exceptions to.
One bright Sunday, when the surface of the sea was like glass, a long chain of cloud-mountains lay to the south of us all day, while the rest of the sky was clear. How they glowed in the strong sunlight, their summits shining like a bouquet of full moons, and making a broad, white, or golden path upon the water! They came out of the southwest, an endless procession of them, and tapered away in the east. They were the piled, convoluted, indolent clouds of midsummer,—thunder-clouds that had retired from business; the captains of the storm in easy undress. All day they filed along there, keeping the ship company. How the eye reveled in their definite, yet ever-changing, forms! Their under or base line was as straight and continuous as the rim of the ocean. The substratum of air upon which they rested was like a uniform layer of granite rock, invisible, but all-resisting; not one particle of these vast cloud-mountains, so broken and irregular in their summits, sank below this aerial granite boundary. The equilibrium of the air is frequently such that the under-surface of the clouds is like a ceiling. It is a fair-weather sign, whether upon the sea or upon the land. One may frequently see it in a mountainous district, when the fog-clouds settle down, and blot out all the tops of the mountains without one fleck of vapor going below a given line which runs above every valley, as uniform as the sea-level. It is probable that in fair weather the atmosphere always lies in regular strata in this way, and that it is the displacement and mixing up of these by some unknown cause that produces storms.
As the sun neared the horizon these cloud-masses threw great blue shadows athwart each other, which afforded the eye a new pleasure.
Late one afternoon the clouds assumed a still more friendly and welcome shape. A long, purple, irregular range of them rose up from the horizon in the northwest, exactly stimulating distant mountains. The sun sank behind them, and threw out great spokes of light as from behind my native Catskills. Then gradually a low, wooded shore came into view along their base. It proved to be a fog-bank lying low upon the water, but it copied exactly, in its forms and outlines, a flat, umbrageous coast. You could see distinctly where it ended, and where the water began. I sat long on that side of the ship, and let my willing eyes deceive themselves. I could not divest myself of the comfortable feeling inspired by the prospect. It was to the outward sense what dreams and reveries are to the inward. That blind, instinctive love of the land,—I did not know how masterful and involuntary the impulse was, till I found myself warming up toward that phantom coast. The empty void of the sea was partly filled, if only with a shadow. The inhuman desolation of the ocean was blotted out for a moment, in that direction at least. What phantom-huggers we are upon sea or upon land! It made no difference that I knew this to be a sham coast. I could feel its friendly influence all the same, even when my back was turned.
In summer, fog seems to lie upon the Atlantic in great shallow fleeces, looking, I dare say, like spots of mould or mildew from an elevation of a few miles. These fog-banks are produced by the deep cold currents rising to the surface, and coming in contact with the warmer air. One may see them far in advance, looking so shallow that it seems as if the great steamer must carry her head above them. But she does not quite do it. When she enters this obscurity, there begins the hoarse bellowing of her great whistle. As one dozes in his berth or sits in the cabin reading, there comes a vague impression that we are entering some port or harbor, the sound is so welcome, and is so suggestive of the proximity of other vessels. But only once did our loud and repeated hallooing awaken any response. Everybody heard the answering whistle out of the thick obscurity ahead, and was on the alert. Our steamer instantly slowed her engines and redoubled her tootings. The two vessels soon got the bearing of each other, and the stranger passed us on the starboard side, the hoarse voice of her whistle alone revealing her course to us.
Late one afternoon, as we neared the Banks, the word spread on deck that the knobs and pinnacles of a thunder-cloud sunk below the horizon, and that deeply and sharply notched the western rim of the sea, were icebergs. The captain was quoted as authority. He probably encouraged the delusion. The jaded passengers wanted a new sensation. Everybody was willing, even anxious, to believe them icebergs, and some persons would have them so, and listened coldly and reluctantly to any proof to the contrary. What we want to believe, what it suits our convenience, or pleasure, or prejudice, to believe, one need not go to sea to learn what slender logic will incline us to believe. To a firm, steady gaze, these icebergs were seen to be momently changing their forms, new chasms opening, new pinnacles rising: but these appearances were easily accounted for by the credulous; the ice mountains were rolling over, or splitting asunder. One of the rarest things in the average cultivated man or woman is the capacity to receive and weigh evidence touching any natural phenomenon, especially at sea. If the captain had deliberately said that the shifting forms there on the horizon were only a school of whales playing at leap-frog, all the women and half the men among the passengers would have believed him.
In going to England in early May, we encountered the fine weather, the warmth and the sunshine as of June, that had been "central" over the British Islands for a week or more, five or six hundred miles from shore. We had come up from lower latitudes, and it was as if we had ascended a hill and found summer at the top, while a cold, backward spring yet lingered in the valley. But on our return in early August, the positions of spring and summer were reversed. Scotland was cold and rainy, and for several days at sea you could in the distance hardly tell the sea from the sky, all was so gray and misty. In mid-Atlantic we ran into the American climate. The great continent, basking there in the western sun, and glowing with midsummer heat, made itself felt to the centre of this briny void. The sea detached itself sharply from the sky, and became like a shield of burnished steel, which the sky surrounded like a dome of glass. For four successive nights the sun sank clear in the wave, sometimes seeming to melt and mingle with the ocean. One night a bank of mist seemed to impede his setting. He lingered a long while partly buried in it, then slowly disappeared as through a slit in the vapor, which glowed red-hot, a mere line of fire, for some moments afterward.
As we neared home the heat became severe. We were going down the hill into a fiery valley. Vast stretches of the sea were like glass bending above the long, slow heaving of the primal ocean. Swordfish lay basking here and there on the surface, too lazy to get out of the way of the ship:—
Occasionally a whale would blow, or show his glistening back, attracting a crowd to the railing. One morning a whale plunged spitefully through the track of the ship but a few hundred yards away.
But the prettiest sight in the way of animated nature was the shoals of dolphins occasionally seen during these brilliant torrid days, leaping and sporting, and apparently racing with the vessel. They would leap in pairs from the glassy surface of one swell of the steamer across the polished chasm into the next swell, frisking their tails and doing their best not to be beaten. They were like fawns or young kine sporting in a summer meadow. It was the only touch of mirth, or youth and jollity, I saw in the grim sea. Savagery and desolation make up the prevailing expression here. The sea-fowls have weird and disconsolate cries, and appear doomed to perpetual solitude. But these dolphins know what companionship is, and are in their own demesne. When one sees them bursting out of the waves, the impression is that school is just out; there come the boys, skipping and laughing, and, seeing us just passing, cry to one another: "Now for a race! Hurrah, boys! We can beat 'em!"
One notices any change in the course of the ship by the stars at night. For nearly a week Venus sank nightly into the sea far to the north of us. Our course coming home is south-southwest. Then, one night, as you promenade the deck, you see, with a keen pleasure, Venus through the rigging dead ahead. The good ship has turned the corner; she has scented New York harbor, and is making straight for it, with New England far away there on her right. Now sails and smoke-funnels begin to appear. All ocean paths converge here: full-rigged ships, piled with canvas, are passed, rocking idly upon the polished surface; sails are seen just dropping below the horizon, phantom ships without hulls, while here and there the black smoke of some steamer tarnishes the sky. Now we pass steamers that left New York but yesterday; the City of Rome—looking, with her three smoke-stacks and her long hull, like two steamers together—creeps along the southern horizon, just ready to vanish behind it. Now she stands in the reflected light of a great white cloud which makes a bright track upon the water like the full moon. Then she slides on into the dim and even dimmer distance, and we slide on over the tropic sea, and, by a splendid run, just catch the tide at the moment of its full, early the next morning, and pass the bar off Sandy Hook without a moment of time or an inch of water to spare.
INDEX
- Alloway, 8, 133-134, 160.
- Anemone. See Rue-anemone.
- Angler, an English, 83-85.
- Anglo-Saxon, the, 45.
- Annan, 72.
- Annan bridge, 68, 69.
- Ants, 178-181.
- Arbutus, trailing, 164, 172, 173.
- Arethusa, 172.
- Argyll, Duke of, on the comparative merits of British and American song-birds, 113-116, 119.
- Arnold, Matthew, quotations from, 78, 169, 212.
- Arthur's Seat, 48, 49.
- Ash, 19.
- Asters, 196.
- Audubon, John James, 123, 124.
- Avon, the Scottish river, 39.
- Ayr, 46.
- Azaleas, 173.
- Barrington, Dames, 119, 126, 138.
- Bean, horse or Winchester, 169.
- Bear, black (Ursus americanus), 186.
- Bee. See Bumblebee and Honey-bee.
- Beech, European, 18, 19, 40, 41, 97.
- Beetle, ants and, 179, 180.
- Beetle, Colorado, 194.
- Ben Lomond, 24.
- Ben Nevis, 25.
- Ben Venue, 23, 24, 155.
- Birds, blue not a common color among British, 93;
- voices of British, 105, 142;
- source of the charm of their songs, 113;
- the Duke of Argyll on the comparative merits of British and American song-birds, 113-116;
- the American bird-choir larger and embracing more good songsters than the British, 119-129;
- British more familiar, prolific, and abundant than American, 125, 126;
- superior vivacity and strength of voice in British, 126;
- hours and seasons of singing of British and American, 126, 127, 143;
- superior sweetness, tenderness, and melody in the songs of American, 128, 143-145;
- the two classes of British song-birds, 142, 143;
- certain localities favored by, 144;
- British more prolific than American, 189, 190;
- warm and compact nests of British, 190;
- abundance of British, 190-192.
- Blackberry, 18, 52, 168.
- Blackbird, European, song of, 86, 90, 105, 114, 129, 136, 139, 145;
- nest of, 66.
- Blackbird, red-winged. See Starling, red-shouldered.
- Blackcap, or black-capped warbler, 87, 92;
- song of, 105, 115, 123, 129, 137, 140.
- Bloodroot, 172.
- Bluebell. See Hyacinth, wild.
- Bluebird (Sialia sialis), notes of, 120, 123, 129.
- Blue-bonnet, 189.
- Blue-weed, or viper's bugloss, 168, 171.
- Bobolink (Dolichonyx oryzivorus), song of, 118, 120, 123, 125, 129.
- Bob-white. See Quail.
- Bouncing Bet, 171.
- Boys, at Ecclefechan, 64-66;
- a Godalming boy, 92-95.
- Bridges, arched, 68, 69.
- Brig o' Doon, 26.
- Britain. See Great Britain.
- Bryant, William Cullen, as a poet of the woods, 43.
- Bugloss, viper's. See Blue-weed.
- Building-stone, softness of British, 26.
- Bullfinch, notes of, 129.
- Bumblebee, 17-19, 195.
- Bunting, indigo. See Indigo-bird.
- Burns, Robert, the Scotch love of, 48;
- quotation from, 135, 225.
- Buttercup, 16, 165, 196.
- Calopogon, 172.
- Campion, bladder, 171.
- Canterbury, 10, 11;
- the cathedral of, 11-13.
- Cardinal. See Grosbeak, cardinal.
- Carlyle, James, father of Thomas Carlyle, 55, 59, 60, 69-71, 73.
- Carlyle, Mrs. James, 55, 61.
- Carlyle, Jane Baillie Welsh, 221-223.
- Carlyle, Thomas, quotations from, 25, 49, 50, 58, 60, 61, 71, 73, 75, 204, 206-209, 211, 215-217, 219, 223-226, 228-232, 234, 236-238, 240, 241, 246-248, 251, 254-259, 266;
- residences of, 49-51, 54, 55;
- the grave of, 56, 57;
- at the graves of his father and mother, 57, 58;
- his reverence and affection for his kindred, 58;
- his family traits, 58, 59;
- his love of Scotland, 59, 60;
- his affection for his mother, 61;
- an old road-mender's opinion of, 67;
- his style, 71, 75;
- his connection with Irving, 72;
- an indomitable worker, 73-75;
- his house in Chelsea, 199, 200;
- a call on, 200-202;
- on Scott, 201, 202;
- his correspondence with Emerson, 203, 204, 208-210;
- his friendship with Emerson, 203, 204;
- compared and contrasted with Emerson, 203-210, 212;
- his magnanimous wrathfulness, 203, 204;
- a man of action, 207;
- a regal and dominating man, 211, 212;
- as an historical writer, 213, 214;
- his power of characterization, 214, 215;
- his vocabulary of vituperation, 216, 217;
- not a philosopher, 217, 218;
- his struggle against odds, 218-220;
- his unselfishness, 220, 221;
- his relations with his wife, 221-223;
- his passion for heroes, 223-226, 232-234;
- his glorification of the individual will, 226;
- his earnestness, 227;
- a master portrait-painter, 228-232;
- the value he set on painted portraits, 232;
- his hatred of democracy, 232-251;
- his large capital of faith, 251-253;
- his religious belief, 251-257;
- his attitude of renunciation, 255, 256;
- his search for the truth, 256, 257;
- his egoism, 258;
- value of his teaching, 258-266;
- his isolation of soul, 262-264;
- his mission, 265;
- his Oliver Cromwell, 211, 212;
- his Frederick the Great, 211-217, 242.
- Carlyle family, the, 56-61, 67, 70, 71.
- Catbird (Galeoscoptes carolinensis), notes of, 117, 120, 125, 129.
- Cathedrals, Canterbury, 11-13;
- images in, 15;
- soil collected on the walls of, 21;
- Rochester, 21;
- St. Paul's, 182.
- Catskill Mountains, contrasted with the mountains of Scotland, 7;
- scenery in, 38;
- the valleys of, 149.
- Cattle, of the Scotch Highlands, 25.
- Cedar-bird, or cedar waxwing (Ampelis cedrorum), notes of, 115.
- Celandine, 172.
- Celts, the, 45.
- Chaffinch, or shilfa, 133, 134, 191;
- song of, 79, 90, 95, 129, 133, 134;
- nest of, 65, 190.
- Chat, yellow-breasted (Icteria virens), 117;
- song of, 117, 120, 125.
- Chewink, or towhee (Pipilo erythrophthalmus), notes of, 118, 120, 125, 129.
- Chickadee (Parus atricapillus), notes of, 129.
- Chiffchaff, notes of, 95, 143.
- Chipmunk (Tamias striatus), 195.
- Chippie. See Sparrow, social.
- Cicada, or harvest-fly, 194, 195.
- Cinquefoil, 17.
- Claytonia, or spring beauty, 164, 172.
- Clematis, wild, 17.
- Clouds, in England, 107;
- at sea, 269-273.
- Clover (Trifolium incarnatum), 93, 169.
- Clover, red, 16, 52.
- Clover, white, 16, 17, 165.
- Clover, yellow, 16.
- Clyde, the, sailing up, 2-7.
- Cockscomb, 160.
- Coleridge, Samuel Taylor, quotation from, 166, 167, 228.
- Coltsfoot, 170.
- Columbine, 38, 173.
- Commons, in England, 104.
- Convolvulus, 19.
- Copses, in England, 82.
- Cormorants, 189.
- Corn-crake, notes of, 132.
- Cow-bunting, or cowbird (Molothrus ater), notes of, 125.
- Cranesbill, 53.
- Creeper, European brown, 189.
- Crow, carrion, 193.
- Cuckoo (Coccyzus sp.), notes of, 127.
- Cuckoo, European, 65;
- notes of, 77, 78, 95, 123, 138, 148.
- Curlew, European, 107;
- notes of, 141.
- Daffodils, 165, 172.
- Daisy, English, 52, 159, 160, 196.
- Daisy, ox-eye, 160, 165, 196.
- Dalibarda, 164.
- Dandelion, 16, 165.
- Danton, Georges Jacques, 229.
- Darwin, Charles, 31, 32.
- Dead-nettle, 161.
- Democracy, Carlyle's opinion of, 232-251.
- De Quincey, Thomas, 230.
- Desmoulins, Camille, 229.
- Devil's Punch-Bowl, the, 88.
- Dicentra, 38, 164, 172.
- Dickens, Charles, 231.
- Dock, sorrel (Rumex acetosa), 170.
- Docks, 171.
- Dog-fish, 188.
- Dolphins, 274, 275.
- Doon, the, 46, 132, 134, 161, 162.
- Dover, the cliffs of, 13, 14.
- Ducks, wild, 186.
- Eagle, 187, 188.
- Earthworm, as a cultivator of the soil, 31, 32.
- Easing, 94, 103.
- Ecclefechan, 39;
- the journey from Edinburgh to, 49-55;
- in the village and churchyard of, 55-58, 61-64;
- birds'-nesting boys of, 64-66;
- walks about, 67-72;
- the "dogfight," 67.
- Edinburgh, 48, 49, 178.
- Edward, Thomas, 187, 188.
- Elder, English, 10.
- Elecampane, 171.
- Elm, English, 19, 97.
- Emerson, Ralph Waldo, as a poet of the woods, 43, 44;
- quotations from, 43, 44, 102, 176, 210, 213, 214, 218, 221;
- statement on fields, 53;
- his friendship with Carlyle, 203, 204;
- compared and contrasted with Carlyle, 203-210, 212;
- his correspondence with Carlyle, 203, 204, 208-210, 225.
- England, tour in, 9;
- walks in, 9-20;
- the green turf of, 20-23, 29, 31, 32;
- building-stone of, 26;
- humanization of nature in, 27, 28;
- repose of the landscape in, 29-34;
- foliage in, 29-31;
- cultivated fields of, 32, 33;
- grazing in, 33;
- the climate as a promoter of greenness, 33, 34;
- pastoral beauty of, 35, 36;
- lack of wild and aboriginal beauty in, 36, 37;
- no rocks worth mentioning in, 37;
- woods in, 38-43;
- plowing in, 53, 54;
- country houses and village houses in, 62, 63;
- haying in, 80, 108, 109, 153;
- a farm and a farmer in the south of, 77, 80, 81;
- sunken roads of, 94, 95;
- inns of, 96, 97, 100-103;
- sturdiness and picturesqueness of the trees in, 97;
- commons in, 104;
- weather of, 106, 107;
- the bird-songs of, compared with those of New York and New England, 113-129;
- impressions of some birds of, 131-145;
- stillness at twilight in, 194, 195.
- See Great Britain.
- English, the, contrasted with the Scotch, 45;
- a prolific people, 176-178.
- Europe, animals and plants of, more versatile and dominating than those of America, 184-186.
- Farming in the south of England, 80, 81.
- Fells, in the north of England, 158.
- Fern, maiden-hair, 173.
- Fieldfare, 186.
- Finch, purple (Carpodacus purpureus), song of, 118, 120, 123, 129.
- Finches, songs of, 122, 123.
- Fir, Scotch, 39.
- Flicker. See High-hole.
- Flowers, wild, American more shy and retiring than British, 163, 164, 196;
- species fewer but individuals more abundant in Great Britain than in America, 165;
- effect of latitude on the size and color of, 168;
- effect of proximity to the sea on, 168, 169;
- British less beautiful but more abundant and noticeable than American, 172, 173;
- British and American sweet-scented, 173;
- abundance of British, 196.
- Flycatcher, British, 121, 189.
- Flycatcher, great crested (Myiarchus crinitus), notes of, 118, 121.
- Flycatcher, little green or green-crested (Empidonax virescens), notes of, 121.
- Fog, at sea, 271, 272.
- Foliage, in England and America, 29-31.
- See Trees.
- Footpath, an English, 89, 90.
- Forget-me-not, 196.
- Fox, European red, 187, 188.
- Foxglove, 90, 133, 148, 165;
- a beautiful and conspicuous flower, 166;
- in poetry, 166, 167, 196.
- Frederick the Great, 242.
- Frogs, 194.
- Froude, James Anthony, his Thomas Carlyle, 258, 259.
- Furze, or whin, 169, 170.
- Gannets, 189.
- Garlic, hedge, 172.
- Geranium, wild, 168.
- Gillyflower, 162.
- Glasgow, 2, 8, 9, 46, 47, 72.
- Globe-flower, 162.
- Goat Fell, 6.
- Godalming, 89, 91, 92, 101, 102.
- Goethe, 225, 227.
- Goldenrod, 18, 196.
- Goldfinch, American (Spinus tristis), notes of, 118, 120, 122, 123, 129.
- Goldfinch, European, 140;
- song of, 122, 129, 140.
- Goose, solan, 189.
- Grasmere, 148-151.
- Grasshoppers, 194.
- Graves, "extinct," 70, 71.
- Great Britain, wild flowers of, 159-174, 196;
- species less numerous than in America but individuals more abundant, 164, 165;
- weeds in, 170, 171;
- prolific life of, 175-197.
- See England, Scotland, and Wales.
- Greenfinch, or green linnet, 140;
- notes of, 18, 86, 129, 140.
- Greenock, Scotland, 3, 4.
- Grosbeak, blue (Guiraca cœrulea), song of, 123.
- Grosbeak, cardinal, or cardinal (Cardinalis cardinalis), song of, 92, 123.
- Grosbeak, rose-breasted (Habia ludoviciana), notes of, 118, 120, 123, 129, 144, 145.
- Grote, George, 231.
- Ground-chestnut. See Pig-nut.
- Grouse, 186.
- Grouse, ruffed (Bonasa umbellus), 39.
- Gudgeon, 94.
- Gulls, European, 175, 186, 189.
- Haggard falcon, 14.
- Hairbird. See Sparrow, social.
- Hamilton, Duke of, his parks, 39, 40, 193.
- Hanger, the, 40, 41, 104.
- Harbledown hill, 11, 12.
- Hare, European, 23, 188, 194.
- Harebell, 168.
- Harvest-fly. See Cicada.
- Hawk, 186.
- Hawthorne, Nathaniel, 44.
- Haymaking in England, 80, 108, 109, 153.
- Hazlemere, 89.
- Heather, 170.
- Hedgehog, 19.
- Hedge-sparrow, 65;
- notes of, 129;
- nest of, 65.
- Hellebore, green, 172.
- Helvellyn, 153-156.
- Hepatica, 172.
- Herb Robert, 18, 163.
- Herring, on the coast of Scotland, 188, 189.
- High-hole, or flicker (Colaptes auratus), notes of, 118, 120.
- Hitchin, 109, 110.
- Honey-bee, 185.
- Honeysuckle, wild, 90.
- House-martin, or martlet, or window-swallow, 142;
- notes of, 142;
- nest of, 69, 142.
- Hummingbird, ruby-throated (Trochilus colubris), notes of, 115.
- Hunt, Leigh, 230.
- Hyacinth, wild, or bluebell, 163, 172, 196.
- Hyla, 194.
- Indigo-bird, or indigo bunting (Passerina cyanea), song of, 120, 123, 127, 129.
- Inns, English, 96, 97, 100-103.
- Insects, music of, 194, 195.
- Ireland, the peat of, 1.
- Irving, Edward, 72, 227.
- Jackdaw, 12, 186;
- notes of, 142.
- Jay, British, 93, 98;
- notes of, 142.
- Jewel-weed, 173.
- Johnson, Samuel, 225.
- Junco, slate-colored. See Snowbird.
- Katydids, 194.
- Keats, John, quotations from, 111, 166.
- Kent, walks in, 9-14.
- Kingbird (Tyrannus tyrannus), notes of, 118, 121, 127.
- Kinglet, European golden-crested, or golden-crested wren, 121, 189;
- song of, 140.
- Kinglet, golden-crowned, or golden-crowned wren (Regulus satrapa), song of, 121.
- Kinglet, ruby-crowned (Regulus calendula), 122;
- song of, 121, 122.
- Lady's-slipper, 172.
- Lake district, the, 148-158.
- Lake Mohunk, 37.
- Lamb, Charles, 228.
- Lapwing, or pewit, 141;
- cry of, 107.
- Lark. See Skylark and Wood-lark.
- Lark, grasshopper, notes of, 127.
- Leechmere bottom, 103-105.
- Lichens, in America and in England, 36, 37.
- Linnet, English, song of, 122, 123, 129.
- Linnet, green. See Greenfinch.
- Liphook, 106, 107.
- Live-for-ever, 171.
- Lockerbie, 52.
- London, streets above streets in, 178;
- overflowing life of, 181, 182;
- a domestic city, 182, 183.
- Longfellow, Henry Wadsworth, 44.
- Loosestrife, purple, 168.
- Maidstone, 10.
- Mainhill, 54, 55.
- Maple, European, 30, 31, 173.
- Marigold, corn, 173.
- Martin, purple (Progne subis), 125;
- notes of, 129.
- Martlet. See House-martin.
- Mavis. See Thrush, song.
- Meadowlark (Sturnella magna), notes of, 118, 120, 129.
- Meadow-sweet, 17, 169.
- Medeola, 164.
- Midges, 98.
- Mill, John Stuart, 229, 230.
- Milton, John, quotations from, 42.
- Mirabeau, Comte de, 228, 229.
- Mockingbird (Mimus polyglottos), song of, 127-129.
- Moschatel, 172.
- Mountains, of Scotland, 6, 7, 21-25;
- of the Lake district, 153-158.
- Mouse, European field, 186.
- Mullein, 171.
- Mustard, wild, 171.
- Nettle, 18, 20, 160, 161.
- Nettle, Canada, 161.
- Newt, red, 39.
- Nightingale, a glimpse of, 99;
- at the head of a series of British song-birds, 142, 143;
- notes of, 77-79, 87, 89, 92, 96, 99, 102, 110, 111, 114, 116, 123, 124, 128, 129, 140, 145.
- Nightjar, notes of, 84.
- Nuthatch, European, 140, 189.
- Oak, English, 19, 97.
- Ocean, the, voyage across, 267-269;
- clouds, 269-273;
- fog, 271, 272;
- the weather, 273, 274;
- animal life, 274, 275;
- the end of the voyage, 275, 276.
- Orchids, purple, 168.
- Oriole, Baltimore (Icterus galbula), notes of, 118, 120, 125, 129.
- Oriole, orchard, or orchard starling (Icterus spurius), song of, 120, 125.
- Otter, 187.
- Ousel, ringed, 24.
- Ousel, water, 149, 150.
- Oven-bird. See Wagtail, wood.
- Owl, 188.
- Pansy, wild, 65.
- Partridge, European, 186;
- nest of, 186.
- Peat, 1.
- Pewee, wood (Contopus virens), notes of, 39, 121.
- Pewit. See Lapwing.
- Phœbe-bird (Sayornis phœbe), notes of, 121.
- Pig-nut, or ground-chestnut, 162, 163.
- Pine, white, 173.
- Pipit, American, or titlark (Anthus pensilvanicus), song of, 129.
- Pipit, meadow, nest and eggs of, 162, 189.
- Pipit, mountain, 24.
- Plane-tree, European, 30.
- Plantain, 19.
- Plantain, narrow-leaved, 16, 17.
- Plato, 225, 226.
- Plowing, in England and Scotland, 53, 54.
- Polecat, 187.
- Polecat Hill, 88.
- Pond-lily, European white, 173.
- Poppy, 52, 165, 173, 196.
- Primrose, 172, 196.
- Privet, 19.
- Prunella, 16, 17, 53, 168.
- Quail, or bob-white (Colinus virginianus), 190.
- Rabbit, European, 187, 193, 194.
- Railway-trains, the view from, 51.
- Rats, 187.
- Redbreast. See Robin redbreast.
- Redstart, American (Setophaga ruticilla), song of, 129.
- Redstart, European, notes of, 129.
- Reed-sparrow, song of, 129.
- Repentance Hill, 67, 68.
- Road-mender, an old, 67.
- Robin, American (Merula migratoria), song of, 114, 120, 129, 136.
- Robin redbreast, 189;
- song of, 90, 98, 105, 123, 127, 129, 139, 145;
- nest of, 65.
- Rochester Castle, 21, 191.
- Rochester Cathedral, 21.
- Rogers, Samuel, 231.
- Rook, 191, 192;
- notes of, 142;
- nest of, 192.
- Rook-pie, 191, 192.
- Rose, wild, 17.
- Rothay, the river, 149, 150.
- Rousseau, Jean Jacques, 229.
- Rue-anemone, 172.
- Rumex acetosa, 170.
- Rydal Mount, 41.
- St. John's-wort, 19.
- St. Paul's Cathedral, 182.
- Salisbury Crags, 48, 49.
- Salmon, 188.
- Sandpiper, European, notes of, 40, 115, 141.
- Sandpiper, spotted (Actitis macularia), notes of, 115, 120.
- Scotch, the, contrasted with the English, 45;
- acquaintances among, 46, 47;
- a trait of, 47, 48;
- their love for Burns, 48.
- Scotland, first sight of, 2-7;
- mountains of, 6, 7, 21-25;
- tour through, 8;
- moorlands of, 25;
- streams and lakes of, 25, 26;
- plowing in, 53, 54;
- work of women and girls in the fields in, 54;
- country houses and village houses in, 62, 63;
- free use of paint in, 69, 70.
- See Great Britain.
- Scotsbrig, 62.
- Scott, Sir Walter, Carlyle on, 201, 202, 225.
- Sea. See Ocean.
- Sedge-warbler, song of, 85.
- Selbourne, 40, 103-105, 108, 109.
- Shackerford, 94-102.
- Shakespeare, quotations from, 42, 69, 78, 147, 161-164, 184;
- and other authors, 147, 210, 212.
- Shakespeare's Cliff, 14.
- Shawangunk Mountains, 37.
- Shilfa. See Chaffinch.
- Ship-building on the Clyde, 4-6.
- Shottery, the fields about, 16, 17.
- Skylark, 80;
- in America, 116;
- at the head of a series of British song-birds, 142, 143;
- song of, 4, 11, 18, 86, 114, 116, 118, 119, 126, 129, 132.
- Snails, ants and snail, 180, 181;
- abundance of, in England, 195, 196.
- Snowbird, or slate-colored junco (Junco hyemalis), song of, 125.
- Solomon's-seal, 18.
- Sorrel, sheep, 170. See Dock.
- Southey, Robert, 231.
- Sparrow, bush or wood or field (Spizella pusilla), song of, 118, 120, 121, 127, 129, 143.
- Sparrow, English (Passer domesticus), 185;
- Carlyle on, 201.
- Sparrow, fox (Passerella iliaca), song of, 121, 129.
- Sparrow, savanna (Ammodramus sandwichensis savanna), notes of, 118, 129.
- Sparrow, social or chipping, or hair-bird, or chippie (Spizella socialis), song of, 120, 127.
- Sparrow, song (Melospiza fasciata), notes of, 118, 120, 129, 143.
- Sparrow, swamp (Melospiza georgiana), song of, 120.
- Sparrow, vesper (Poöcœtes gramineus), song of, 120, 129.
- Sparrow, white-crowned (Zonotrichia leucophrys), song of, 121.
- Sparrow, white-throated (Zonotrichia albicollis), song of, 121.
- Sparrows, songs of, 120, 121.
- Speedwell, blue, 160, 167, 196.
- Spring beauty. See Claytonia.
- Spurge, wood, 172.
- Squirrel, European, 195.
- Squirrel, flying (Sciuropterus volans), 186, 195.
- Squirrel, gray (Sciurus carolinensis var. leucotis), 39, 195.
- Squirrel, red (Sciurus hudsonicus), 195.
- Starling, European, 191;
- nest of, 191.
- Starling, orchard. See Oriole, orchard.
- Starling, red-shouldered, or red-winged blackbird (Agelaius phœniceus), notes of, 118, 120.
- Stone. See Building-stone.
- Stork, nest of, 187.
- Stratford-on-Avon, 15, 17, 19, 26, 169.
- Strawberry, wild, 164.
- Succory, 168.
- Swallow, barn (Chelidon erythrogaster), 2.
- Swallow, chimney, or chimney swift (Chætura pelagica), 190;
- notes of, 125, 142;
- nest of, 186.
- Swallow, cliff (Petrochelidon lunifrons), nests of, 178, 186.
- Swallow, European chimney, 2, 142;
- notes of, 2;
- nest of, 2, 142.
- Swallow, window. See House-martin.
- Swift, chimney. See Swallow, chimney.
- Swift, European, notes of, 142;
- nest of, 2, 191.
- Swordfish, 274.
- Tanager, scarlet (Piranga erythromelas), song of, 118, 120, 123, 127, 129.
- Tarns, 153-155.
- Teasel, 19.
- Tennyson, Alfred, quotations from, 30, 160, 163, 166, 167;
- residences, 43, 81, 103;
- Carlyle's portrait of, 230, 231.
- Thames, up the, 15.
- Thistle, Scotch, 20, 171.
- Thoreau, Henry D., 44.
- Thrasher, brown (Harporhynchus rufus), notes of, 117, 120, 125, 129;
- nest of, 117.
- Throstle. See Thrush, song.
- Thrush, hermit (Turdus aonalaschkæ pallasii), 120;
- song of, 123, 128, 129.
- Thrush, missel, song of, 114, 129.
- Thrush, song, or mavis, or throstle, song of, 98, 105, 114, 129, 134-136, 139, 145.
- Thrush, Wilson's. See Veery.
- Thrush, olive-backed or Swainson's (Turdus ustulatus swainsonii), song of, 145.
- Thrush, wood (Turdus mustelinus), notes of, 80, 118, 120, 123, 127, 129, 144, 145;
- nest of, 79, 80.
- Timothy grass, 169.
- Tit, great. See Titmouse, great.
- Tit, marsh, 189.
- Titlark. See Pipit, American.
- Titlark, European, notes of, 129.
- Titmouse, great, or great tit, 189;
- notes of, 129.
- Titmouse, long-tailed, 189.
- Toad, 194.
- Tomtit, nest of, 65.
- Towhee. See Chewink.
- Tree-cricket, 194.
- Trees, sturdiness and picturesqueness of English, 97.
- See Foliage.
- Trillium, painted, 172.
- Trilliums, 164.
- Trosachs, the, 178.
- Trout, British, 84.
- Turf, of England and Scotland, 20-26, 29, 31, 32.
- Ulleswater, 153-155.
- Uvularia, 164.
- Valleys, 149.
- Veery, or Wilson's thrush (Turdus fuscescens), 120;
- song of, 128, 144, 145.
- Vervain, 168.
- Vetches, 196.
- Violet, bird's-foot, 173.
- Violet, yellow, 164.
- Vireo, brotherly love or Philadelphia (Vireo philadelphicus), song of, 129.
- Vireo, red-eyed (Vireo olivaceus), song of, 118, 120, 122, 127, 129, 143.
- Vireo, solitary or blue-headed (Vireo solitarius), 120, 122;
- song of, 129.
- Vireo, warbling (Vireo gilvus), song of, 122, 143.
- Vireo, white-eyed (Vireo noveboracensis), 122;
- song of, 120, 122, 129.
- Vireo, yellow-throated (Vireo flavifrons), notes of, 129.
- Vireos, songs of, 122, 128.
- Virgil, quotation from, 79.
- Wagtail, water. See Water-thrush, large-billed.
- Wagtail, wood, or golden-crowned thrush, or golden-crowned accentor, or oven-bird (Seiurus aurocapillus), song of, 124, 125, 127-129.
- Wales, rock scenery in, 37.
- Warbler, black-capped. See Blackcap.
- Warbler, black-throated green (Dendroica virens), song of, 129.
- Warbler, Canada (Sylvania canadensis), song of, 129.
- Warbler, garden, 141;
- song of, 105, 115, 123.
- Warbler, hooded (Sylvania mitrata), song of, 129.
- Warbler, Kentucky (Geothlypis formosa), song of, 123.
- Warbler, mourning (Geothlypis philadelphia), song of, 129.
- Warbler, reed, notes of, 116.
- Warbler, willow, or willow-wren, song of, 129, 136, 137;
- nest and eggs of, 66, 137, 189, 190.
- Warbler, yellow. See Yellowbird, summer.
- Water-lily. See Pond-lily.
- Water-plantain, 168.
- Water-thrush, large-billed or Louisiana, or water wagtail (Seiurus motacilla), 124;
- song of, 123-125, 129.
- Waxwing, cedar. See Cedar-bird.
- Weasel, 19, 187.
- Webster, Daniel, 231.
- Weeds, in Great Britain and in America, 170, 171.
- Westmoreland, 148-158.
- Whale, 274.
- Wheat-ear, 24, 156.
- Whin. See Furze.
- White, Gilbert, 78, 85, 89, 119-122, 127, 137.
- Whitethroat, song of, 86, 95, 105, 115, 123, 129, 137.
- Wolf, 185, 186.
- Wolmer Forest, 40, 107.
- Woodbine, 38.
- Woodcock, European, 186.
- Wood-frog, 39.
- Wood-lark, 87, 92, 140;
- song of, 125, 127, 129.
- Wood-pigeon, notes of, 86, 98.
- Woodruff, 163.
- Woods, of America, 38;
- of England, 38-43;
- in poetry, 42-44.
- Wordsworth, William, 43;
- quotations from, 110, 119, 151, 152, 157, 160, 165, 167;
- the poet of those who love solitude, 147;
- his house at Grasmere, 151;
- his attitude toward nature, 151, 152;
- his lonely heart, 157.
- Wren, British house, or Jenny Wren, 66;
- notes of, 18, 40, 86, 116, 121, 127, 129, 138;
- nest of, 86, 189, 190.
- Wren, European golden-crested. See Kinglet, European golden-crested.
- Wren, golden-crowned. See Kinglet, golden-crowned.
- Wren, house (Troglodytes aëdon), song of, 120, 121, 129.
- Wren, long-billed marsh (Cistothorus palustris), song of, 120, 121.
- Wren, willow. See Warbler, willow.
- Wren, winter (Troglodytes hiemalis), 121;
- song of, 121, 128, 129, 144, 145.
- Wrens, songs of, 121.
- Wryneck, 189.
- Yarrow, 17, 52.
- Yellowbird, summer, or yellow warbler (Dendroica æstiva), song of, 120, 129.
- Yellow-hammer, or yellow yite, notes of, 16, 18, 127, 129, 140, 143;
- nest of, 65.
- Yellow-throat, Maryland (Geothlypis trichas), song of, 118, 120, 129.