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From Chaucer to Tennyson / With Twenty-Nine Portraits and Selections from Thirty Authors cover

From Chaucer to Tennyson / With Twenty-Nine Portraits and Selections from Thirty Authors

Chapter 127: BREAK, BREAK, BREAK.
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About This Book

A concise survey traces the development of English literature from the aftermath of the Norman Conquest through the nineteenth century, focusing on belles lettres and the language's evolution toward modern forms. Arranged in period chapters, it surveys major movements and representative genres — medieval and Renaissance poetry and drama, seventeenth- and eighteenth-century shifts, and nineteenth-century developments — and provides short selections, portraits, and recommended reading lists for each chapter. Anglo-Saxon texts and early Scottish vernacular literature are purposely omitted, and works in philosophy, history, and science are treated only incidentally.


In looking on the happy autumn fields,

And thinking of the days that are no more....


Ah, sad and strange as in dark summer dawns

The earliest pipe of half-awakened birds

To dying ears, when unto dying eyes

The casement slowly grows a glimmering square;

So sad, so strange, the days that are no more.


Dear as remembered kisses after death,

And sweet as those by hopeless fancy feigned

On lips that are for others; deep as love,

Deep as first love, and wild with all regret;

O death in life, the days that are no more.

THE PASSING OF ARTHUR.

[From Morte D'Arthur.]

And slowly answered Arthur from the barge:

"The old order changeth, yielding place to new,

And God fulfills himself in many ways,

Lest one good custom should corrupt the world.

Comfort thyself: what comfort is in me?

I have lived my life, and that which I have done

May He within himself make pure! but thou,

If thou shouldst never see my face again,

Pray for my soul. More things are wrought by prayer

Than this world dreams of. Wherefore, let thy voice

Rise like a fountain for me night and day.

For what are men better than sheep or goats

That nourish a blind life within the brain,

If, knowing God, they lift not hands of prayer

Both for themselves and those who call them friend?

For so the whole round earth is every way

Bound by gold chains about the feet of God.

But now farewell: I am going a long way

With these thou seest—if indeed I go—

(For all my mind is clouded with a doubt)

To the island-valley of Avilion;

Where falls not hail, or rain, or any snow,

Nor ever wind blows loudly; but it lies

Deep-meadow'd, happy, fair with orchard-lawns,

And bowery hollows crowned with summer sea,

Where I will heal me of my grievous wound."

So said he, and the barge with oar and sail

Moved from the brink, like some full-breasted swan

That, fluting a wild carol ere her death,

Ruffles her pure cold plume, and takes the flood

With swarthy webs. Long stood Sir Bedivere

Revolving many memories, till the hull

Looked one black dot against the verge of dawn,

And on the mere the wailing died away.

BUGLE SONG.

[From The Princess.]

The splendour falls on castle walls

And snowy summits old in story:

The long light shakes across the lakes

And the wild cataract leaps in glory.

Blow, bugle, blow, set the wild echoes flying.

Blow, bugle; answer, echoes, dying, dying, dying.


O hark, O hear! how thin and clear,

And thinner, clearer, farther going!

O sweet and far from cliff and scar

The horns of Elfland faintly blowing!

Blow, let us hear the purple glens replying:

Blow, bugle; answer, echoes, dying, dying, dying.


O love, they die in yon rich sky,

They faint on hill or field or river:

Our echoes roll from soul to soul,

And grow for ever and for ever.

Blow, bugle, blow, set the wild echoes flying,

And answer, echoes, answer, dying, dying, dying.

BREAK, BREAK, BREAK.

Break, break, break

On thy cold gray stones, O sea!

And I would that my tongue could utter

The thoughts that arise in me.


O well for the fisherman's boy,

That he shouts with his sister at play!

O well for the sailor lad,

That he sings in his boat on the bay!


And the stately ships go on

To their haven under the hill;

But O for the touch of a vanished hand,

And the sound of a voice that is still!


Break, break, break

At the foot of thy crags, O sea!

But the tender grace of a day that is dead

Will never come back to me.

PEACE OR WAR?

[From Maud.]

Peace sitting under her olive, and slurring the days gone by,

When the poor are hovelled and hustled together, each sex, like swine,

When only the ledger lives, and when only not all men lie;

Peace in her vineyard—yes!--but a company forges the wine.


And the vitriol madness flushes up in the ruffian's head,

Till the filthy by-lane rings to the yell of the trampled wife,

While chalk and alum and plaster are sold to the poor for bread,

And the spirit of murder works in the very means of life.


And Sleep must lie down armed, for the villainous centre-bits

Grind on the wakeful ear in the hush of the moonless nights,

While another is cheating the sick of a few last gasps, as he sits

To pestle a poisoned poison behind his crimson lights.


When a Mammonite mother kills her babe for a burial fee,

And Timour-Mammon grins on a pile of children's bones,

Is it peace or war? better, war! loud war by land and by sea,

War with a thousand battles, and shaking a hundred thrones.

STANZAS FROM IN MEMORIAM.

I envy not in any moods

The captive void of noble rage,

The linnet born within the cage,

That never knew the summer woods:


I envy not the beast that takes

His license in the fields of time,

Unfettered by the sense of crime,

To whom a conscience never wakes;


Nor, what may count itself as blest,

The heart that never plighted troth,

But stagnates in the weeds of sloth;

Nor any want-begotten rest.


I hold it true, whatever befall;

I feel it when I sorrow most;

'Tis better to have loved and lost

Than never to have loved at all.

SONG FROM MAUD.

For the black bat, night, has flown;

Come into the garden, Maud,

I am here at the gate alone;

And the woodbine spices are wafted abroad,

And the musk of the roses blown.


For a breeze of morning moves,

And the planet of Love is on high,

Beginning to faint in the light that she loves

On a bed of daffodil sky,

To faint in the light of the sun she loves,

To faint in his light, and to die.


All night have the roses heard

The flute, violin, bassoon;

All night has the casement jessamine stirred

To the dancers dancing in tune;

Till a silence fell with the waking bird,

And a hush with the setting moon.


I said to the lily, "There is but one

With whom she has heart to be gay.

When will the dancers leave her alone?

She is weary of dance and play."

Now half to the setting moon are gone,

And half to the rising day;

Low on the sand and loud on the stone

The last wheel echoes away.


I said to the rose, "The brief night goes

In babble and revel and wine.

O young lord-lover, what sighs are those

For one that will never be thine?

But mine, but mine," so I swore to the rose,

"For ever and ever mine."

ROBERT BROWNING.

INCIDENT OF THE FRENCH CAMP.

You know, we French stormed Ratisbon:

A mile or so away

On a little mound, Napoleon

Stood on our storming-day;

With neck out-thrust, you fancy how,

Legs wide, arms locked behind,

As if to balance the prone brow

Oppressive with its mind.


Just as perhaps he mused, "My plans

That soar, to earth may fall,

Let once my army-leader Lannes

Waver at yonder wall"—

Out 'twixt the battery-smokes there flew

A rider, bound on bound

Full-galloping; nor bridle drew

Until he reached the mound.


Then off there flung in smiling joy,

And held himself erect

By just his horse's mane, a boy:

You hardly could suspect—

(So tight he kept his lips compressed,

Scarce any blood came through)

You looked twice ere you saw his breast

Was all but shot in two.


"Well," cried he, "Emperor, by God's grace

We've got you Ratisbon!

The Marshal's in the market-place,

And you'll be there anon

To see your flag-bird flap his vans

Where I, to heart's desire,

Perched him!" The chiefs eye flashed; his plans

Soared up again like fire.


The chief's eye flashed; but presently

Softened itself, as sheathes

A film the mother-eagle's eye

When her bruised eaglet breathes;

"You're wounded!" "Nay," the soldier's pride

Touched to the quick, he said:

"I'm killed, sire!" And his chief beside,

Smiling the boy fell dead.

THE LOST LEADER.

Just for a handful of silver he left us,
Just for a ribbon to stick in his coat—
Found the one gift of which fortune bereft us,
Lost all the others, she lets us devote;
They, with the gold to give, doled him out silver,
So much was theirs who so little allowed:
How all our copper had gone for his service!
Rags—were they purple, his heart had been proud!
We that had loved him so, followed him, honored him,
Lived in his mild and magnificent eye,
Learned his great language, caught his clear accents,
Made him our pattern to live and to die!
Shakspere was of us,
Milton was for us,
Burns, Shelley were with us—they watch from their graves!
He alone breaks from the van and the freemen,
He alone sinks to the rear and the slaves!

We shall march prospering—not through his presence;
Songs may inspirit us—not from his lyre;
Deeds will be done, while he boasts his quiescence,
Still bidding crouch whom the rest bade aspire:
Blot out his name, then, record one lost soul more,
One task more declined, one more footpath untrod,
One more devil's triumph and sorrow for angels,
One wrong more to man, one more insult to God!
Life's night begins: let him never come back to us!

There would be doubt, hesitation, and pain,
Forced praise on our part—the glimmer of twilight,
Never glad confident morning again!
Best fight on well, for we taught him—strike gallantly,
Menace our heart ere we master his own;
Then let him receive the new knowledge and wait us,
Pardoned in heaven, the first by the throne!

MEETING AT NIGHT.

The gray sea and the long black land,

And the yellow half-moon large and low;

And the startled little waves that leap

In fiery ringlets from their sleep,

As I gain the cove with pushing prow

And quench its speed in the slushy sand.