Though inland far we be,
Our souls have sight of that immortal sea
Which brought us hither;
Can in a moment travel thither,
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.
LUCY.
She dwelt among the untrodden ways
Beside the springs of Dove,
A maid whom there were none to praise,
And very few to love.
A violet by a mossy stone
Half hidden from the eye:
Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
But she is in her grave, and, oh,
The difference to me!
THE SOLITARY REAPER.
Behold her, single in the field,
Yon solitary Highland lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the vale profound
Is overflowing with the sound.
No nightingale did ever chant
More welcome notes to weary bands
Of travelers in some shady haunt,
Among Arabian sands.
A voice so thrilling ne'er was heard
In spring-time from the cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the maiden sang
As if her song could have no ending,
I saw her singing at her work,
And o'er the sickle bending;
I listened, motionless and still,
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
SKATING AT NIGHT.
[From the Prelude.]
So through the darkness and the cold we flew,
And not a voice was idle; with the din
Smitten, the precipices rang aloud;
The leafless trees and every icy crag
Tinkled like iron; while far distant hills
Into the tumult sent an alien sound
Of melancholy not unnoticed, while the stars
Eastward were sparking clear, and in the west
The orange sky of evening died away.
Not seldom from the uproar I retired
Into a silent bay, or sportively
Glanced sideway, leaving the tumultuous throng,
To cut across the reflex of a star
That fled, and, flying still before me, gleamed
Upon the glassy plain; and oftentimes,
When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me—even as if the earth had rolled
With visible motion her diurnal round!
Behind me did they stretch in solemn train,
Feebler and feebler, and I stood and watched
Till all was tranquil as a dreamless sleep.
SAMUEL TAYLOR COLERIDGE.
THE SONG OF THE SPIRITS.
[From The Ancient Mariner.]
Sometimes, a-dropping from the sky,
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!
And now 'twas like all instruments,
And now like a lonely flute;
And now it is an angel's song
That makes the heavens be mute.
It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.
THE LOVE OF ALL CREATURES.
[From the same.]
O wedding guest, this soul hath been
Alone on a wide, wide sea:
So lonely 'twas that God himself
Scarce seemèd there to be.
O sweeter than the marriage feast,
'Tis sweeter far to me,
To walk together to the kirk
With a goodly company.
To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men and babes and loving friends,
And youths and maidens gay.
Farewell, farewell! but this I tell
To thee, thou wedding guest;
He prayeth well who loveth well
Both man and bird and beast.
He prayeth best who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.
ESTRANGEMENT OF FRIENDS.
[From Christabel.]
Alas! they had been friends in youth
But whispering tongues can poison truth,
And constancy lives in realms above,
And life is thorny and youth is vain,
And to be wroth with one we love
Doth work like madness in the brain.
And thus it fared, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart's best brother;
But never either found another
To free the hollow heart from paining.
They stood aloof, the scars remaining,
Like cliffs that had been rent asunder:
A dreary sea now flows between,
But neither heat, nor frost, nor thunder
Can wholly do away, I ween,
The marks of that which once has been.
WALTER SCOTT.
NATIVE LAND.
[From The Lay of the Last Minstrel.]
Breathes there the man, with soul so dead,
Who never to himself hath said.
This is my own, my native land?
Whose heart hath ne'er within him burned,
As home his footsteps he hath turned,
From wandering on a foreign strand?
If such there breathe, go mark him well;
For him no minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust from whence he sprung,
Unwept, unhonored, and unsung.
O Caledonia! stern and wild,
Meet nurse for a poetic child!
Land of brown heath and shaggy wood,
Land of the mountain and the flood,
Land of my sires! what mortal hand
Can e'er untie the filial band
That knits me to thy rugged strand?
Still, as I view each well-known scene,
Think what is now, and what hath been,
Seems as, to me, of all bereft
Sole friends thy woods and streams are left:
And thus I love them better still
Even in extremity of ill.
By Yarrow's stream still let me stray,
Though none should guide my feeble way
Still feel the breeze down Ettrick break,
Although it chill my withered cheek;
Still lay my head by Teviot's stone,
Though there, forgotten and alone,
The bard may draw his parting groan.
SUNSET ON THE BORDER.
[From Marmion.]
Day set on Norham's castled steep
And Tweed's fair river, broad and deep,
And Cheviot's mountains lone:
The battled towers, the donjon keep,
The loop-hole grates where captives
The flanking walls that round it sweep,
In yellow luster shone.
The warriors on the turrets high,
Moving athwart the evening sky
Seemed forms of giant height:
Their armor; as it caught the rays,
Flashed back again the western blaze,
In lines of dazzling light.
St. George's banner, broad and gay,
Now faded, as the fading ray
Less bright, and less was flung;
The evening gale had scarce the power
To wave it on the donjon tower,
So heavily it hung.
The scouts had parted on their search,
The castle gates were barred;
Above the gloomy portal arch,
Timing his footsteps to a march,
The warden kept his guard;
Low humming, as he passed along,
Some ancient border-gathering song.
PROUD MAISIE.
Proud Maisie is in the wood
Walking so early;
Sweet Robin sits on the bush
Singing so rarely.
"Tell me, thou bonny bird,
When shall I marry me?"
—"When six braw[184] gentlemen
Kirkward shall carry ye."
"Who makes the bridal bed,
Birdie, say truly?"
"The gray-headed sexton
That delves the grave duly.
"The glow-worm o'er grave and stone
Shall light thee steady;
The owl from the steeple sing
Welcome, proud lady."
[184] Brave, fine.
PIBROCH OF DONUIL DHU.
Pibroch of Donuil Dhu, Pibroch of Donuil,