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Fugitive Poetry

Chapter 7: IDLENESS.
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A varied collection of short lyrical poems and sonnets that move between biblical and devotional scenes, intimate domestic vignettes, and observant nature studies. Many pieces attend to childhood, grief, consolation, and moral reflection, while others capture rural labor, evening starlight, and playful social moments. Forms range from narrative sketches and occasional hymns to brief meditative lyrics, unified by an emotive, accessible diction. The arrangements favor episodic impressions and reflective moods over a single plot, offering concise portraits of feeling and scene that alternate piety, sentiment, and everyday observation.

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Title: Fugitive Poetry

Author: Nathaniel Parker Willis

Release date: April 26, 2010 [eBook #32146]

Language: English

Credits: Produced by Louise Davies, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK FUGITIVE POETRY ***

FUGITIVE POETRY.



FUGITIVE POETRY:

BY N.P. WILLIS.

"If, however, I can, by lucky chance, in these days of evil, rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sorrow; if I can, now and then, penetrate the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good humor with his fellow beings and himself, surely, surely, I shall not then have written entirely in vain."

Washington Irving.

BOSTON:
PUBLISHED BY PEIRCE AND WILLIAMS.
1829.

DISTRICT OF MASSACHUSETTS, to wit:

DISTRICT CLERK'S OFFICE.

Be it remembered, that on the eleventh day of September, A.D. 1829, in the fifty-fourth year of the Independence of the United States of America, Peirce and Williams, of the said district, have deposited in this office the title of a book, the right whereof they claim as proprietors in the words following, to wit:

"Fugitive Poetry: By N.P. Willis.

"'If, however, I can, by lucky chance, in these days of evil, rub out one wrinkle from the brow of care, or beguile the heart of one moment of sorrow; if I can, now and then, penetrate the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good humor with his fellow beings, and himself, surely, surely, I shall not then have written entirely in vain.' Washington Irving."

In conformity to the Act of the Congress of the United States, entitled "An Act for the encouragement of learning, by securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned;" and also to an Act entitled "An Act supplementary to an Act, entitled 'An Act for the encouragement of learning, by securing the copies of maps, charts, and books, to the authors and proprietors of such copies during the times therein mentioned;' and extending the benefits thereof to the arts of designing, engraving, and etching historical and other prints."

JNO. W. DAVIS, } Clerk of the District
of Massachusetts.


TO

GEORGE JAMES PUMPELLY,

MY BEST AND MOST VALUED FRIEND,

THIS BOOK IS DEDICATED

BY THE AUTHOR.



CONTENTS.

Page.
The Shunamite9
Scene in Gethsemane13
Contemplation15
Sketch of a Schoolfellow18
Idleness21
On the Death of Edward Payson D.D.24
The Tri-Portrait26
January 1st, 182829
January 1st, 182930
Psyche, before the Tribunal of Venus32
On seeing a beautiful Boy at play34
The Child's first impression of a Star36
Dedication Hymn37
The Baptism38
The Table of Emerald39
The Annoyer42
Starlight44
Lassitude45
Roaring Brook46
The Declaration48
Isabel49
Mere Accident51

The Earl's Minstrel53
The Serenade57
Hero60
April62
To ——64
Twenty-two66
On the Picture of a child playing. By Fisher.68
To a sleeping Boy70
Sonnet73
Sonnet74
Sonnet75
Sonnet76
Sonnet77
Andre's Request78
Discrimination79
The Solitary80
Lines on the death of Miss Fanny V. Apthorp82
A Portrait83
May84
On seeing through a window a Belle completing her Toilet for a Ball86
To a Belle88


FUGITIVE POETRY.


THE SHUNAMITE.[A]

It was a sultry day of summer time.
The sun pour'd down upon the ripen'd grain
With quivering heat, and the suspended leaves
Hung motionless. The cattle on the hills
Stood still, and the divided flock were all
Laying their nostrils to the cooling roots,
And the sky look'd like silver, and it seem'd
As if the air had fainted, and the pulse
Of nature had run down, and ceas'd to beat.
'Haste thee, my child!' the Syrian mother said,
'Thy father is athirst'—and from the depths
Of the cool well under the leaning tree,
She drew refreshing water, and with thoughts
Of God's sweet goodness stirring at her heart,
She bless'd her beautiful boy, and to his way
Committed him. And he went lightly on,
With his soft hands press'd closely to the cool
Stone vessel, and his little naked feet
Lifted with watchful care, and o'er the hills,
And thro' the light green hollows, where the lambs
Go for the tender grass, he kept his way,
Wiling its distance with his simple thoughts,
Till, in the wilderness of sheaves, with brows
Throbbing with heat, he set his burden down.
Childhood is restless ever, and the boy
Stay'd not within the shadow of the tree,
But with a joyous industry went forth
Into the reapers' places, and bound up
His tiny sheaves, and plaited cunningly
The pliant withs out of the shining straw,
Cheering their labor on, till they forgot
The very weariness of their stooping toil
In the beguiling of his earnest mirth.
Presently he was silent, and his eye
Closed as with dizzy pain, and with his hand
Press'd hard upon his forehead, and his breast
Heaving with the suppression of a cry,
He uttered a faint murmur, and fell back
Upon the loosen'd sheaf, insensible.
They bore him to his mother, and he lay
Upon her knees till noon—and then he died!
She had watch'd every breath, and kept her hand
Soft on his forehead, and gaz'd in upon
The dreamy languor of his listless eye,
And she had laid back all his sunny curls,
And kiss'd his delicate lip, and lifted him
Into her bosom, till her heart grew strong—
His beauty was so unlike death! She leaned
Over him now, that she might catch the low
Sweet music of his breath, that she had learn'd
To love when he was slumbering at her side
In his unconscious infancy—
—"So still!
'Tis a soft sleep! How beautiful he lies,
With his fair forehead, and the rosy veins
Playing so freshly in his sunny cheek!
How could they say that he would die! Oh God!
I could not lose him! I have treasured all
His childhood in my heart, and even now,
As he has slept, my memory has been there,
Counting like ingots all his winning ways—
His unforgotten sweetness—
—"Yet so still!—
How like this breathless slumber is to death!
I could believe that in that bosom now
There were no pulse—it beats so languidly!
I cannot see it stir; but his red lip!—
Death would not be so very beautiful!
And that half smile—would death have left that there?
—And should I not have felt that he would die?
And have I not wept over him?—and prayed
Morning and night for him?—and could he die?
—No—God will keep him. He will be my pride
Many long years to come, and this fair hair
Will darken like his father's, and his eye
Be of a deeper blue when he is grown;
And he will be so tall, and I shall look
With such a pride upon him!—He to die!"
And the fond mother lifted his soft curls,
And smiled, as if 'twere mockery to think
That such fair things could perish—
—Suddenly
Her hand shrunk from him, and the color fled
From her fix'd lip, and her supporting knees
Were shook beneath her child. Her hand had touch'd
His forehead, as she dallied with his hair—
And it was cold—like clay!—slow—very slow
Came the misgiving that her child was dead.
She sat a moment and her eyes were clos'd
In a still prayer for strength, and then she took
His little hand and press'd it earnestly—
And put her lip to his—and look'd again
Fearfully on him—and then, bending low,
She whisper'd in his ear, "My son!—My son!"
And as the echo died, and not a sound
Broke on the stillness, and he lay there still,
Motionless on her knee—the truth would come!
And with a sharp, quick cry, as if her heart
Were crush'd, she lifted him and held him close
Into her bosom—with a mother's thought—
As if death had no power to touch him there!

The man of God came forth, and led the child
Unto his mother, and went on his way.
And he was there—her beautiful—her own—
Living and smiling on her—with his arms
Folded about her neck, and his warm breath
Breathing upon her lips, and in her ear
The music of his gentle voice once more!
Oh for a burning word that would express
The measure of a mother's holy joy,
When God has given back to her her child
From death's dark portal! It surpasseth words.

[A] 2 Kings, iv. 18-37.


SCENE IN GETHSEMANE.

The moon was shining yet. The Orient's brow,
Set with the morning star, was not yet dim;
And the deep silence which subdues the breath
Like a strong feeling, hung upon the world
As sleep upon the pulses of a child.
'Twas the last watch of night. Gethsemane,
With its bath'd leaves of silver, seem'd dissolv'd
In visible stillness, and as Jesus' voice
With its bewildering sweetness met the ear
Of his disciples, it vibrated on
Like the first whisper in a silent world.
They came on slowly. Heaviness oppress'd
The Saviour's heart, and when the kindnesses
Of his deep love were pour'd, he felt the need
Of near communion, for his gift of strength
Was wasted by the spirit's weariness.
He left them there, and went a little on,
And in the depth of that hush'd silentness,
Alone with God, he fell upon his face,
And as his heart was broken with the rush
Of his surpassing agony, and death,
Wrung to him from a dying universe,
Were mightier than the Son of man could bear,
He gave his sorrows way, and in the deep
Prostration of his soul, breathed out the prayer,
"Father, if it be possible with thee,
Let this cup pass from me." Oh, how a word,
Like the forc'd drop before the fountain breaks,
Stilleth the press of human agony!
The Saviour felt its quiet in his soul;
And though his strength was weakness, and the light
Which led him on till now was sorely dim,
He breathed a new submission—"Not my will,
But thine be done, oh Father!" As he spoke,
Voices were heard in heaven, and music stole
Out from the chambers of the vaulted sky,
As if the stars were swept like instruments.
No cloud was visible, but radiant wings
Were coming with a silvery rush to earth,
And as the Saviour rose, a glorious one,
With an illumin'd forehead, and the light
Whose fountain is the mystery of God
Encalm'd within his eye, bow'd down to him,
And nerv'd him with a ministry of strength.
It was enough—and with his godlike brow
Re-written, of his Father's messenger,
With meekness, whose divinity is more
Than power and glory, he return'd again
To his disciples, and awak'd their sleep,
For "he that should betray him was at hand."


CONTEMPLATION.

Thus mused Alethe. She was one to whom
Life had been like the witching of a dream,
Of an untroubled sweetness. She was born
Of a high race, and laid upon the knee,
With her soft eye perusing listlessly
The fretted roof, or, on Mosaic floors,
Grasped at the tessellated squares, inwrought
With metals curiously. Her childhood pass'd
Like faery—amid fountains and green haunts—
Trying her little feet upon a lawn
Of velvet evenness, and hiding flowers
In her sweet bosom, as it were a fair
And pearly altar to crush incense on.
Her youth—oh! that was queenly! She was like
A dream of poetry that may not be
Written or told—exceeding beautiful!
And so came worshippers; and rank bow'd down,
And breathed upon her heart, as with a breath
Of pride, and bound her forehead gorgeously
With dazzling scorn, and gave unto her step
A majesty as if she trod the sea,
And the proud waves, unbidden, lifted her.
And so she grew to woman—her mere look
Strong as a monarch's signet, and her hand
The ambition of a kingdom.
From all this
Turn'd her high heart away! She had a mind,
Deep and immortal, and it would not feed
On pageantry. She thirsted for a spring
Of a serener element, and drank
Philosophy, and for a little while
She was allay'd—till, presently, it turn'd
Bitter within her, and her spirit grew
Faint for undying waters.
Then she came
To the pure fount of God—and is athirst
No more—save when the "fever of the world"
Falleth upon her, she will go, sometimes,
Out in the starlight quietness, and breathe
A holy aspiration after heaven!


SKETCH OF A SCHOOLFELLOW.

His childhood had been wasted in the close
And airless city. He had never thought
That the blue sky was ample, or the stars
Many in heaven, or the chainless wind
Of a medicinal freshness. He had learn'd
Perilous tricks of manhood, and his hand
Was ready, and his confidence in himself
Bold as a quarreller's. Then he came away
To the unshelter'd hills, and brought an eye
New as a babe's to nature, and an ear
As ignorant of its music. He was sad.
The broad hill sides seem'd desolate, and the woods
Gloomy and dim, and the perpetual sound
Of wind and waters and unquiet leaves
Like the monotony of a dirge. He pined
For the familiar things until his heart
Sicken'd for home!—and so he stole away
To the most silent places, and lay down
To weep upon the mosses of the slopes,
And follow'd listlessly the silver streams,
Till he found out the unsunn'd shadowings,
And the green openings to the sky, and grew
Fond of them all insensibly. He found
Sweet company in the brooks, and loved to sit
And bathe his fingers wantonly, and feel
The wind upon his forehead; and the leaves
Took a beguiling whisper to his ear,
And the bird-voices music, and the blast
Swept like an instrument the sounding trees.
His heart went back to its simplicity
As the stirr'd waters in the night grow pure—
Sadness and silence and the dim-lit woods
Won on his love so well—and he forgot
His pride and his assumingness, and lost
The mimicry of the man, and so unlearn'd
His very character till he became
As diffident as a girl.
'Tis very strange
How nature sometimes wins upon a child.
Th' experience of the world is not on him,
And poetry has not upon his brain
Left a mock thirst for solitude, nor love
Writ on his forehead the effeminate shame
Which hideth from men's eyes. He has a full,
Shadowless heart, and it is always toned
More merrily than the chastened voice of winds
And waters—yet he often, in his mirth,
Stops by the running brooks, and suddenly
Loiters, he knows not why, and at the sight
Of the spread meadows and the lifted hills
Feels an unquiet pleasure, and forgets
To listen for his fellows. He will grow
Fond of the early star, and lie awake
Gazing with many thoughts upon the moon,
And lose himself in the deep chamber'd sky
With his untaught philosophies. It breeds
Sadness in older hearts, but not in his;
And he goes merrier to his play, and shouts
Louder the joyous call—but it will sink
Into his memory like his mother's prayer,
For after years to brood on.
Cheerful thoughts
Came to the homesick boy as he became
Wakeful to beauty in the summer's change,
And he came oftener to our noisy play,
Cheering us on with his delightful shout
Over the hills, and giving interest
With his keen spirit to the boyish game.
We loved him for his carelessness of himself,
And his perpetual mirth, and tho' he stole
Sometimes away into the woods alone,
And wandered unaccompanied when the night
Was beautiful, he was our idol still,
And we have not forgotten him, tho' time
Has blotted many a pleasant memory
Of boyhood out, and we are wearing old
With the unplayfulness of this grown up world.


IDLENESS.

I love to go and mingle with the young
In the gay festal room—when every heart
Is beating faster than the merry tune,
And their blue eyes are restless, and their lips
Parted with eager joy, and their round cheeks
Flushed with the beautiful motion of the dance.
'Tis sweet, in the becoming light of lamps,
To watch a brow half shaded, or a curl
Playing upon a neck capriciously,
Or, unobserved, to watch in its delight,
The earnest countenance of a child. I love
To look upon such things, and I can go
Back to my solitude, and dream bright dreams
For their fast coming years, and speak of them
Earnestly in my prayer, till I am glad
With a benevolent joy—and this, I know,
To the world's eye, is only idleness!
And when the clouds pass suddenly away,
And the blue sky is like a newer world,
And the sweet growing things—forest and flower,
Humble and beautiful alike—are all
Breathing up odors to the very heaven—
Or when the frost has yielded to the sun
In the rich autumn, and the filmy mist
Lies like a silver lining on the sky,
And the clear air exhilarates, and life
Simply, is luxury—and when the hush
Of twilight, like a gentle sleep, steals on,
And the birds settle to their nests, and stars
Spring in the upper sky, and there is not
A sound that is not low and musical—
At all these pleasant seasons I go out
With my first impulse guiding me, and take
Woodpath, or stream, or sunny mountain side,
And, in my recklessness of heart, stray on,
Glad with the birds, and silent with the leaves,
And happy with the fair and blessed world—
And this, 'tis true, is only idleness!
And I should love to go up to the sky,
And course the heaven like stars, and float away
Upon the gliding clouds that have no stay
In their swift journey—and 'twould be a joy
To walk the chambers of the deep, and tread
The pearls of its untrodden floor, and know
The tribes of its unfathomable depths—
Dwellers beneath the pressure of a sea!
And I should love to issue with the wind
On a strong errand, and o'ersweep the earth,
With its broad continents and islands green,
Like to the passing of a presence on!—
And this, 'tis true, were only idleness!


ON THE DEATH OF EDWARD PAYSON, D.D.

A servant of the living God is dead!
His errand hath been well and early done,
And early hath he gone to his reward.
He shall come no more forth, but to his sleep
Hath silently lain down, and so shall rest.
There shall he meet his children who have gone
Before him, and as other years roll on,
And his loved flock go up to him, his hand
Again shall lead them gently to the Lamb,
And bring them to the living waters there.
Is it so good to die! and shall we mourn
That he is taken early to his rest?
Tell me! Oh mourner for the man of God!
Shall we bewail our brother that he died?


THE TRI-PORTRAIT.

There was a second sister who might witch
An angel from his hymn. I cannot tell
The secret of her beauty. It is more
Than her slight penciled lip, and her arch eye
Laughing beneath its lashes, as if life
Were nothing but a merry mask; 'tis more
Than motion, though she moveth like a fay;
Or music, though her voice is like a reed
Blown by a low south wind; or cunning grace,
Though all she does is beautiful; or thought,
Or fancy, or a delicate sense, though mind
Is her best gift, and poetry her world,
And she will see strange beauty in a flower
As by a subtle vision. I care not
To know how she bewitches; 'tis enough
For me that I can listen to her voice
And dream rare dreams of music, or converse
Upon unwrit philosophy, till I
Am wildered beneath thoughts I cannot bound
And the red lip that breathes them.
On my arm
Leaned an unshadowed girl, who scarcely yet
Had numbered fourteen summers. I know not
How I shall draw her picture—the young heart
Has such a restlessness of change, and each
Of its wild moods so lovely! I can see
Her figure in its rounded beauty now,
With her half-flying step, her clustering hair
Bathing a neck like Hebe's, and her face
By a glad heart made radiant. She was full
Of the romance of girlhood. The fair world
Was like an unmarred Eden to her eye,
And every sound was music, and the tint
Of every cloud a silent poetry.
Light to thy path, bright creature! I would charm
Thy being if I could, that it should be
Ever as now thou dreamest, and flow on
Thus innocent and beautiful to heaven!
We walked beneath the full and mellow moon
Till the late stars had risen. It was not
In silence, though we did not seem to break
The hush with our low voices; but our thoughts
Stirred deeply at their sources; and when night
Divided us, I slumbered with a peace
Floating about my heart, which only comes
From high communion. I shall never see
That silver moon again without a crowd
Of gentle memories, and a silent prayer,
That when the night of life shall oversteal
Your sky, ye lovely sisters! there may be
A light as beautiful to lead you on.


JANUARY 1, 1828.