INDEX
Academic methods of teaching fiction: 5, 10-4, 38-9, 42-4, 51, 108, 134-5, 154-5, 168-9, 171-2, 180-96.
Action: 96, 129-30, 135-7, 205-16.
Ambiguity: See Words.
Art Process, The: 17-25, 217-26.
Beginning a story: 75-6, 167-9, 176.
Big words: See Words.
Brackets: See Frames.
Characters: 76, 168-9, 170-1, 175-6, 179. (See also Characterization, Proper Names.)
Characterization: 100-1, 113-4, 117-8, 127-32, 132-9, 143-5, 170-81, 212-3.
Classical references: See References.
Classics, The: 208-10.
Coincidence: 104.
Color: 57, 58-9, 59-62, 75, 77, 89-90, 105, 117-8, 197-204.
Condensation: See Brevity.
Contrast: 150-1, 160-5. (See also Relief Scenes.)
Convincingness: 38, 52, 94-108. (See also Illusion.)
Copying: See Imitation.
Dialect: 62, 77, 89, 105, 106.
Dialogue: 76.
Dramatic element: 109-19.
Editorial offices: 227-43.
Ending a story: 147-50, 165-7.
Fiction, What it is: 17-24, 32-4, 64-6, 127-32, 140-2, 154, 212.
Fiction as a vehicle: 24, 32-4, 64-6.
Fictional references: See References.
First-person narratives: 68, 104-5, 151.
Force: 22.
Foreign words: See Words.
Frames or brackets: 68, 91-2, 104-5.
Friends as critics: 55, 63, 72-3, 198.
Historical references: See References.
Horror story, The: 123-5.
Illusion, Imposing and preserving the: 10, 23-5, 30-45, 52-181, 197-204.
Imagination response: 197-204.
Imitation, Evils of: 102-3, 104, 187-8, 191-5.
Improbabilities: 95-101.
Individuality: 118-9. (See also Imitation.)
Individuality vs. technique: See technique, Academic methods.
Literary, Being: 51, 195-6, 205-12, 214-5. (See also Literature.)
Literature: 1-3, 25-9, 80-2, 85, 195-6, 215. (See also Literary.)
Literature vs. Magazine fiction: 25-9.
Manuscript reading by editors: 182-4, 227-43.
Manuscripts, Preparing and submitting: 227-43.
Market, The: 227-43.
Material: 88, 95-101, 105-7, 117-8, 123-7, 143-5, 217-26.
Mistakes, Effect of on reader: 62-3, 77-9, 105-7. (See also Convincingness, Improbabilities.)
Models: See Imitation.
Motion pictures, Effect of: 115-7, 140.
Obtrusion of author: 66-9.
Overstrain of reader: 7, 87-93, 112.
Plot: 39, 79, 88, 93, 96-100, 101-3, 109-19, 145-7, 149, 154-69, 171, 212-3.
Plot, positive vs. negative: 145-7.
Proper names: 59-62, 73-5, 75-6.
Readers, Your: 7, 20, 22, 46-51, 71-3, 105-6, 120-3, 150, 151, 153, 160-5, 197-204, 215-6. (See also Illusion, Imagination Response.)
Realism: 126-32, 133-4, 140-1, 161-5.
References, Classical, historical, etc.: 59, 75, 89.
Rejections: 227-43.
Repetition: 86.
Repression: See Brevity.
Rules: 44-5, 51, 121-3, 134-5, 150-1, 154-5, 160-5, 172-5, 181, 182-96, 226. (See also Technique, Academic.)
Sentence length: 88, 117, 220.
Simplicity: 1-2, 8, 22, 79-86.
Structure: 23, 156-7. (See also Plot.)
Style: 27, 38-43, 44-5, 63-4, 64-9, 79-85, 104, 117-9, 121-2, 150, 191-6, 217-26. (See also Technique.)
Sympathies, Enlisting readers': 22, 120-53.
Tags: 175-80.
Technique, Over-emphasis on: 10-4, 38-44, 182-96. (See also Academic.)
Titles: 119.
Unconvincingness: See Convincingness.
Unusual words: See Words.
Words, Ambiguous: 73.
Words, Foreign: 58-9, 75, 89, 105, 106.
Words, (See also under Slang, Dialect, Proper Names.)