WeRead Powered by ReaderPub
George Eliot; a Critical Study of Her Life, Writings and Philosophy cover

George Eliot; a Critical Study of Her Life, Writings and Philosophy

Chapter 21: X.
Open in WeRead

Explore more books like this:

About This Book

A biographical and critical study traces the author's upbringing and formative influences, her work as translator and editor, marriage, and literary career, linking personal history to recurring themes. It examines stylistic traits, narrative methods, theory of the novel, poetic practice, philosophical outlook, and religious and ethical tendencies, showing how analytic habits shaped her fiction and essays. Major novels and poems receive chapter-by-chapter analysis focused on themes, structure, and moral perspective. The study concludes by weighing the strengths and limitations of her thought and method and provides a bibliography for further reading.

The basis of Bray's philosophy was idealism and pantheism, assuming form under the influence of modern science. He quoted Emerson frequently, and the school of thought Emerson represents affected him greatly. On the other hand, he was then a strong phrenologist, had imbibed much of the teaching of Combe's Constitution of Man, and he eagerly embraced those notions of the relations of body and mind which have been propagated in the name of physical science.

The same double influence is to be seen at work upon the next thinker who was destined to give direction to George Eliot's philosophy. Feuerbach was a disciple of Hegel, whose influence is deeply marked through all his earlier writings. He also was affected by physical science, and he found in sensationalism an element for his system. To him all thought is the product of experience; he founded his ideas on materials which can be appropriated only through the activity of the senses. The external world affects the senses and generates feeling, feeling produces ideas. Feeling re-acts upon the external world, interprets it according to its own wants. Feeling is thus the source of all knowledge; feeling is the basis alike of religion and philosophy. Feuerbach, as well as Bray, finds that man creates the outward world in consciousness; all that is out of man which he can know, is but a reflection of what is in him. This conception of consciousness, this pure idealism, becomes the source of Feuerbach's philosophy of religion. He says that religion is based on the differences between man and the brute; man has consciousness, which is only present in a being to whom his species, his essential nature, is an object of thought. Man thinks, converses with himself, is at once I and Thou, can put himself in the place of another. Religion is identical with self-consciousness, and expresses man's sense of the infinitude of his own faculties. Man learns about himself through what is objective to him, but the object only serves to bring out what is in him; his own nature becomes the absolute to him. Consciousness marks the self-satisfaction, self-perfection of man, that all truth is in him. As feeling is the cause of the outward world, or of that notion of it man has, it becomes the organ of religion. The nature of God is nothing else than an expression of the nature of feeling. As man lives mainly in feeling, finds there the sources of all his mental and moral life, he comes to regard feeling as the divinest part of his nature, the noblest and most excellent; so it becomes to him the organ of the divine. When man thinks what is infinite he in reality does nothing more than to perceive and affirm that to him feeling has an infinite power. If you feel the infinite, you feel and affirm the infinitude of the power of feeling. The object of the intellect is intellect objective to itself; the object of feeling is feeling objective to itself. God is pure, unlimited, free feeling. In religion, consciousness of the object and self-consciousness coincide. The object of any subject is nothing else than the subject's own nature taken objectively. God is like our thoughts and dispositions; consciousness of God is self-consciousness, knowledge of God is self-knowledge. Religion is the unveiling of a man's hidden treasures, the revelation of his intimate thoughts, the open confession of his love secrets. It is to the understanding Feuerbach attributes man's capacity for objectifying himself or of attributing to the outward world those qualities which really exist only within. Man's consciousness of God is nothing else than his consciousness of his species. "Man has his highest being, his God, in himself; not in himself as an individual, but in his essential nature, his species. No individual is an adequate representative of his species, but only the human individual is conscious of the distinction between the species and the individual. In the sense of this distinction lies the root of religion. The yearning of man after something above himself is nothing else than the longing after the perfect type of his nature, the yearning to be free from himself, i.e., from the limits and defects of his individuality. Individuality is the self-conditioning, the self-limitation of the species. Thus man has cognizance of nothing above himself, of nothing beyond the nature of humanity; but to the individual man this nature presents itself under the form of an individual man. All feelings which man experiences towards a superior man, nay, in general, all moral feelings which man has towards man, are of a religious nature. Man feels nothing towards God which he does not also feel towards man." The dogmas of Christianity are interpreted by Feuerbach from this standpoint of conceiving religion as a projection of feeling upon the outward world. So he explains the incarnation as man's love for man, man's yearning to help his fellows, the renunciation and suffering man undergoes for man. The passion of Christ represents freely accepted suffering for others in love of them. The trinity typifies the participated, social life of the species; it shows the father, mother and son as the symbols of the race. The logos or son is the nature of the imagination made objective, the satisfaction of the need for mental images, the reflected splendor of the imagination. Faith in providence is faith in one's own worth; it indicates the divine reality and significance of our own being. Prayer is an expression of the power of feeling, a dialogue of man with his own heart. Faith is confidence in the reality of the subjective in opposition to the limitations or laws of nature and reason. Its specific object is miracle; faith and miracle are absolutely inseparable. That which is objectively miracle is subjectively faith. Faith is the miracle of feeling; it is nothing else than belief in the absolute reality of subjectivity. The power of miracle is the power of the imagination, for imagination corresponds to personal feeling; it sets aside all limits, all laws painful to the feelings, and thus makes objective to man the immediate, absolutely unlimited satisfaction of his subjective wishes. The belief in miracle accepts wishes as realities. In fact, the fundamental dogmas of Christianity are simply realized wishes of the heart. This is true, because the highest law of feeling is the immediate unity of will and deed, of wishing and reality. To religion, what is felt or wished is regarded as real. In the Redeemer this is realized, wish becomes fact. All things are to be wrought, according to religion, by belief. Thus the future life is a life where feeling realizes every desire. Its whole import is that of the abolition of the discordance which exists between wish and reality. It is the realization of a state which corresponds to the feelings, in which man is in unison with himself. The other world is nothing more than the reality of a known idea, the satisfaction of a conscious desire, the fulfilment of a wish. "The sum of the future life is happiness, the everlasting bliss of personality, which is here limited and circumscribed by nature. Faith in the future life is therefore faith in the freedom of subjectivity from the limits of nature; it is faith in the eternity and infinitude of personality, and not of personality viewed in relation to the idea of the species, in which it forever unfolds itself in new individuals, but of personality as belonging to already existing individuals; consequently, it is the faith of man in himself. But faith in the kingdom of heaven is one with faith in God; the context of both ideas is the same; God is pure absolute subjectivity released from all natural limits; he is what individuals ought to be and will be; faith in God is therefore the faith of man in the infinitude and truth of his own nature; the Divine Being is the subjective human being in his absolute freedom and unlimitedness."

It is not probable that George Eliot confined her philosophic studies to the writings of Charles Bray and Feuerbach, but it is quite certain that in their books which she did faithfully study, are to be found some of the leading principles of her philosophy. What gives greater confirmation to the supposition that her philosophy was largely shaped under their influence is the fact that her intimate friend, Sara Hennell, drew from the same sources for the presentation of theories quite identical with hers. Sara Hennell's Thoughts in Aid of Faith, published in 1860, is an attempt to show that the religious sentiments may be retained when the doctrines of theology are intellectually rejected, that a disposition of the heart akin to Paul's may be present though conviction be extinct. In securing this result, she too takes Feuerbach as her guide, and his teachings she claims are fully corroborated by the philosophy of Herbert Spencer. Religion she regards as the result of the tendency of man's mind towards philosophy, the outgrowth of the activity of his mental faculties seeking satisfaction for themselves in explaining the world given for his contemplation and study. "The growth of religion in the human intelligence (thereby distinguished from mere blind emotion), is coincident with, or rather immediately consequent upon, the power of forming abstract ideas; that is to say, it is a generalization effected by the operation of the intellect upon the sentiments and emotions, when these have attained to so great extent and distinctness as to become self-conscious." Man early objectifies the qualities he finds in himself and his fellows, regards them as entities, is prostrated in awe and worship before them, conceives them to be gods. He attributes to outward objects his subjective states, and regards them as like himself, only infinitely more powerful. His emotions he believes are caused by these objective beings, and he thinks he is inspired, that the gods are at work within him. Feeling becomes the voice of God, the revelator of religions and theologies. Christianity Miss Hennell regards as "the form in which the religious affections, struggling against earthly limitations, have created for themselves the satisfaction they demand, and, therefore, in so far, real, just as the affections are real." Feeling, she says, is real as logic, and must equally have its real foundation. That is, feeling gives us the truth, actually answers to the realities of things as man can know them. She is here an ontologist, and she is convinced that feeling is a direct witness of the deeper knowledge and reality which man seeks in religion. The permanency and validity of religion she believes in, and she testifies to its wholesome and ennobling effect upon the race. "Christianity, having formed an actual portion of the composition both of our own individual experience and of the world's history, can no more be annihilated out of them than the sum of what we learned during a certain number of years of our childhood, from the one, or the effects of any notable occurrence, such as the fall of the Roman Empire, or the Norman invasion, from the other;—Christianity on every view, whether of its truth or falsity, and consequently of its good or bad effect, has undoubtedly contributed to make us what we are; without it we should have grown into something incalculably different from our present selves…. And how can it be otherwise than real to us, this belief that has nourished the souls of us all, and seems to have moulded actually anew their internal constitution, as well as stored them up with its infinite variety of external interests and associations? What other than a very real thing has it been in the life of the world, sprang out of, and again causing to spring forth, such volumes of human emotion? making a current, as it were, of feeling, that has drawn within its own sphere all the moral vitality of so many ages. In all this reality of influence there is indeed the testimony of Christianity having truly formed an integral portion of the organic life of humanity."

Though Miss Hennell is so earnest a believer in Christianity, yet she totally rejects the idea of any objective reality corresponding to its dogmas. This conclusion is based on the philosophic notion, which she shares with Bray, Feuerbach, George Eliot, Spencer and Lewes, that man has no real knowledge whatever except that which is given in consciousness. This philosophy, shared in common by these persons, is called by Lewes "reasoned realism," and by Spencer "transfigured realism." It accepts the reality of an outward world, but says that all man knows of it is, that it produces impressions on his senses which are transmuted into sensations. Sensations produce feelings, and feelings become ideas. According to Spencer, the steps of knowledge are three: the co-ordinating of sensations in a living organism; the registering of impressions within the organism in such a way as to build up a store of experiences; the transmission of the organism and its susceptibilities to offspring. Miss Hennell accepts Spencer's theory that feeling is the source of all our knowledge. Not only, as she says, does it "constitute the essential and main vitality of our nature," but when it is stored up in the human organism and inherited, it becomes the vital source out of which all moral and religious truth is built up. Experience, transformed into inherited feeling, takes on the form of those intuitions which "are the only reliable ground of solid belief." "These sentiments which are born within us, slumbering as it were in our nature, ready to be awakened into action immediately they are roused by hint of corresponding circumstances, are drawn out of the whole of previous human existence. They constitute our treasured inheritance out of all the life that has been lived before us, to which no age, no human being who has trod the earth and laid himself to rest with all his mortal burden upon her maternal bosom, has failed to add his contribution. No generation has had its engrossing conflict, surely battling out the triumphs of mind over material force, and through forms of monstrous abortions concurrent with its birth, too hideous for us now to bear in contemplation, moulding the early intelligence by every struggle, and winning its gradual powers,—no single soul has borne itself through its personal trial,—without bequeathing to us of its fruit. There is not a religious thought that we take to ourselves for secret comfort in our time of grief, that has not been distilled out of the multiplicity of the hallowed tears of mankind; not an animating idea is there for our fainting courage that has not gathered its inspiration from the bravery of the myriad armies of the world's heroes. All this best of humanity's hard earnings has been hoarded with generous care by our alma natura naturans; so that at last, in our rich ages, the mens naturafa opens its gaze with awful wonder upon its environment of spiritual possessions."

The intimate sympathy of George Eliot and Miss Hennell indicates that they followed much the same studies, and it is certain they arrived at very similar conclusions. That the one was directly influenced or led by the other there seem to be no reasons for believing. All that is probable is, that there was a close affinity of thought and purpose between them, and that they arrived at similar philosophical conclusions. The same is to be said in regard to George Eliot's relations to George Henry Lewes. Her theories of life, as has been already clearly indicated, were firmly fixed before she knew him, and her philosophical opinions were formed. The similarity of their speculative opinions doubtless had something to do with bringing them together; and it is certain that the tenor of their thoughts, their views about life, and their spiritual aspirations, were very much alike, giving promise of a most thorough sympathy in all their intellectual and moral pursuits. If she was influenced by him, he was quite as much influenced by her. Lewes accepted the philosophical side of Comte's Positive Philosophy, but the religious side of it he rejected and strongly condemned. In his History of Philosophy, he says, "Antagonism to the method and certain conclusions of the Politique positive led me for many years to regard that work as a deviation from the Positive Philosophy in every way unfortunate. My attitude has changed now that I have learned (from the remark of one very dear to me) to regard it as an Utopia, presenting hypotheses rather than doctrines, suggestions for inquirers rather than dogmas for adepts—hypotheses carrying more or less of truth, and serviceable as a provisional mode of colligating facts, to be confirmed or contradicted by experience." It is altogether probable, as in this case, that George Eliot gave Lewes the suggestive aid of her acute mind. If she was aided by him, it was only as one strong mind aids another, by collision and suggestion rather than by direct teaching.

Lewes may have had the effect to deepen and establish firmly the conclusions already reached by George Eliot, and a consideration of his philosophy must confirm this conjecture. He, too, makes feeling the basis of all knowing. From this point, however, he diverges widely from Herbert Spencer and the other English empiricists. Spencer regards matter and mind as two phases of an underlying substance, which he presents as the unknown and unknowable. Lewes at once denies the duality implied in the words matter and mind, motion and feeling, and declares these are one and the same thing, objectively or subjectively presented. Feeling is motion, and motion is feeling; mind is the spiritual aspect of the material organism, and matter is the objective aspect of feeling. Feeling is not the cause of motion, as idealism would suggest; and motion does not cause or turn into feeling, as materialism teaches. The two are absolutely identical; there is no dualism or antithesis. In the same way, cause and effect are but two aspects of one phenomenon; there is no separation between them, but one and the same thing before and after. He applies this idea to the conception of natural law, and declares it to be only the persistence of phenomena; that is, the persistence of feeling. He denies that there is any absolute behind phenomena; the absolute is in the phenomena, which is the only reality. The phenomenal universe is simply a group of relations, nothing more; and what seems to be, really exists, because the relations are real.

It is not necessary here to enter into a full presentation of Lewes's philosophy, but his theories about the functions of feeling are of importance, in view of George Eliot's acceptance of them. They have been summarized into the statement that "all truths are alike feelings, ideally distinguishable according to the aspects under which they are viewed. There is no motion apart from feeling, for the motion is the feeling; there is no force apart from matter which compels it to moves for the force is the matter, as matter is motion—differently viewed; there is no essence or substance which determines the properties, for the substance is the whole group of properties; there are no causes outside of effects, no laws outside the processes, no reality outside the phenomena, no absolute outside the relative, which determine things to be as they are and not otherwise, for all these are but different sides of one and the same thing." The central thought presented by Lewes is, that "for us there is nothing but feeling, whose subjective side is sensations, perceptions, memories, reasonings, the ideal constructions of science and philosophy, emotions, pleasures, pains; whose objective side is motion, matter, force, cause, the absolute." The outcome of this theory is, it enables Lewes to believe that the inner and outer practically agree, that our feelings give a sufficiently correct picture of the universe. In reality, the two do not agree, and even "science is in no respect a plain transcript of reality;" but so intimate are feeling and the outer world, that the inward report is to be regarded as practically a correct one.

In many ways Lewes differed from his contemporaries, disagreeing again and again with Spencer, Bain and Huxley. He often seems much nearer Schelling than Haeckel. He differs from Schelling in his demand for verification and the inductive method, and in claiming that all his conclusions are the result of scientific experiments and deductions. He agrees with Schelling in his rejection of mechanical processes and in his acceptance of a vital, organic method in nature and in social development. He differs from many of the other leaders of speculative science in his rejection of reflex action, maintaining that the brain is not the only seat of sensation, and that all cerebral processes are mental processes. With equal vigor he rejects the theory of animal automatism, and the assertion that animal actions can be completely expressed and accounted for in terms of nervous matter and motion. The laws of the mind, he maintained, are not to be deduced from physiological processes, but with them must be joined the psychical processes of the individual and the social man. He separates man by an impassable barrier from the lower animals, this gulf between them being due to human society and to the social acquisition of language. In the social factor he finds an important element of psychology, and one that must always come in to overturn any mechanical theories of mental activity.

It has been very truly said, that Lewes must be credited with the doctrine of the dependence of the human mind on the social medium. Others had hit upon this idea, and it had been very well developed by Spencer and Comte; but Lewes gave it a wider and profounder interpretation than any other. One of his critics says that Lewes "has the sort of claim to have originated this theory that Bacon has to be considered the discoverer of the inductive method." He not only held with Spencer and other evolutionists, that the human mind is the product of experience in contact with the outer world, that experience transmitted by heredity and built up into mental processes and conclusions; but he maintained that the social medium is a much greater and more important factor. The past makes the present; the social life develops the individual. Our language, our thought, as individuals, are the product of the collective life of the race. "We are to seek in the social organism for all the main conditions of the higher functions, and in the social medium of beliefs, opinions, institutions, &c., for the atmosphere breathed by the intellect. Man is no longer to be considered simply as an assemblage of organs, but also as an organ in a collective organism. From the former he derives his sensations, judgments, primary impulses; from the latter, his conceptions, theories and virtues. This is very clear when we learn how the intellect draws both its inspiration and its instrument from the social needs. All the materials of intellect are images and symbols, all its processes are operations on images and symbols. Language—which is wholly a social product for a social need—is the chief vehicle of symbolical operation, and the only means by which abstraction is affected…. Language is the creator and sustainer of that ideal world in which the noblest part of human activity finds a theatre, the world of thought and spiritual insight, of knowledge and duty, loftily elevated above that of sense and appetite. Into this ideal world man absorbs the universe as in a transfiguration. It is here that he shapes the programme of his existence; and to that programme he makes the real world conform. It is here he forms his highest rules of conduct. It is here he plants his hopes and joys. It is here he finds his dignity and power. The ideal world becomes to him the supreme reality." Lewes said that what a man thinks "is the necessary product of his organism and external conditions." The "organism itself is the product of its history; it is what it has become; it is a part of the history of the race." Because man is a creature of feeling he is susceptible to the influences of the outer world, and from the influences and experiences thus received the foundations of his mental life are laid. The structure erected on this foundation, however, is the product of man's social environment. As a social being, he inherits mental capacities, and all the instruments of mental, moral and social development, as these have been produced in the past. The social structure takes up and preserves the results of individual effort; and social capacity enlarges mental and moral power quite beyond what mere inheritance produces.

Lewes assigned as high a value to introspection as to observation in psychology, and said that whatever place is assigned to the one in scientific method must be assigned to the other. He therefore accorded a high value to imagination and intuition, and to all ideal constructions of life and its meanings which are based on science. All knowledge grows out of feeling, and must be expressible again in feeling, if it is to have any value. Accordingly, man's life is of little value apart from sentiment, and the emotional nature must always be satisfied. As Lewes begins his philosophy in feeling, he holds that the final object of philosophy is to develop feeling into a perfect expression, in accordance with the ideal wants of man's nature. In other words, the final and supreme object of philosophy is the expression of religion and the founding of a moral and spiritual system of life. He believed that religion will continue to regulate the evolution of humanity, and in "a religion founded on science and expressing at each stage what is known of the world and of man." As much as any zealous Christian believer he accepted man's need of spiritual culture and religious development. At the same time, his philosophy rejected a substantive absolute, or any other spiritual realities or existences apart from the universe given in feeling and consciousness. Accordingly, man must find his ideal satisfactions, his spiritual realities and moral ideals, within the limits of the universe as known to philosophy, and in the organic life of the race.

George Eliot was also largely influenced by the teachings of Auguste Comte. The place he assigned to positive knowledge and the inductive method, to feeling, to development and the influence of the past upon the present, were all accepted by her in an enthusiastic spirit. Altruism commanded her hearty belief, and to its principles she devoted her life. Comte's conceptions in regard to sentiment, and the vital importance of religion and social organization, had her entire assent. She differed from him in regard to spiritual and social organization, and she could not accept his arbitrary and artificial methods. One of the leaders of positivism in England [Footnote: Some Public Aspects of Positivism, the annual address before the Postivist Society, London, January 1, 1881, by Professor E.G. Beesley, of University College.] has given this account of her relations to its organized movements and to its founder:

"Her powerful intellect had accepted the teaching of Auguste Comte, and she looked forward to the reorganization of belief on the lines which he had laid down. Her study of his two great works was diligent and constant. The last time I saw her—a few days before her death—I found that she had just been reading over again, with closest attention, that wonderful treatise, The General View of Positivism, a book which always seems full of fresh wisdom, however often one comes back to it. She had her reservations, no doubt. There were details in Comte's work which did not satisfy her. But all who knew her were aware—and I speak from an acquaintance of eighteen years—that she had not only cast away every shred of theology and metaphysics, but that she had found refuge from mere negativism in the system of Comte. She did not write her positivism in broad characters on her books. Like Shakspere, she was first an artist and then a philosopher; and I imagine she thought it to be her business as an artist rather to paint humanity as it is than as she would have it to be. But she could not conceal her intellectual conviction, and few competent persons read her books without detecting her standpoint. If any doubt could have existed, it was set at rest by that noble poem on 'Subjective Immortality,' the clearest, and at the same time the most beautiful, expression that has yet been given to one of the most distinctive doctrines of positivism; a composition of which we can already say with certainty that it will enter into the positivist liturgies of all countries and through all time. Towards positivism as an organization, a discipline,—in short, as a church,—her attitude must be plainly stated. She had much sympathy with it, as she showed by regularly subscribing to positivist objects, as, for instance, to the fund of the central organization in Paris presided over by M. Laffitte. But she sought membership neither in that nor any other church. Like most of the stronger and thoroughly emancipated minds in this period of transition and revolutionary disturbance, she looked not beyond her own conscience for guidance and authority, but judged for herself, appealing to no external tribunal from the solitary judgment-seat within. I do not for a moment suppose that she looked on the organization of a church as unattainable; but she did not regard it as attained."

Another of her friends [Footnote: W.M.W. Call in the Westminster Review for July, 1881.] has indicated very clearly the nature and extent of her dissent from Comte. He remarks that "her apologetic representation of the Politique as an Utopia evinces that she did not admit the cogency of its reasoning, or regard the entire social reconstruction of Comte as demonstrably valid. Her dissatisfaction with some of his speculations, as expressed to ourselves in the spring of 1880, was very decided…. All membership with the positivist community she steadily rejected. That a philosophy originally so catholic as that of Comte should assume a sectarian character, was a contingency she foreboded and deprecated." In this last remark we doubtless have the explanation of George Eliot's dissent from Comte. She believed in an organic, vital development of a higher social structure, which will be brought about in the gradual evolution of humanity. Comte's social structure was artificial, the conception of one mind, and therefore as ill adapted to represent the wants of mankind as any other system devised by an individual thinker. His philosophy proper, his system of positive; thought, she accepted with but few reservations. Her views in this direction, as in many others, were substantially those presented by Lewes in his many works bearing on positivism. She was profoundly indebted to Comte, although in her later years she largely passed beyond his influence to the acceptance of the new evolution philosophy. In fact, she belonged to that school of English positivists which has only accepted the positive philosophy of Comte, and which has rejected his later work in the direction of social and religious construction. Lewes was the earliest of English thinkers to look at Comte in this way; but other representative members of the school are John Stuart Mill, George Eliot, Frederic Harrison and John Morley. Zealously accepting Comte's position that philosophy must limit itself to positive data and methods, they look upon the "Religion of Humanity," with Prof. Tyndall, as Catholicism minus Christianity, and reject it.

She certainly came nearer to Comte in some directions than to Herbert Spencer, for the latter has not so fully recognized those elements of the mental and social life which most attracted her attention. Her theory of duty is one which he does not accept. He insists in his Data of Ethics that duty will become less and less obligatory and necessary in the future, because all action will be in harmony with the impulses of the inner man and with the conditions of the environment. This conclusion is entirely opposed to the moral-theory of George Eliot, and is but one instance of their wide divergence. He insists, in his Study of Sociology, that the religious consciousness will not change its lines of evolution. He distinctly rejects the conclusion arrived at by George Eliot, that there is no Infinite Reality knowable to man, and that the substance and reality of religion is purely subjective. "That the object-matter of religion," he says, "can be replaced by another object-matter, as supposed by those who think the 'religion of humanity' will be the religion of the future, is a belief countenanced neither by induction nor by deduction. However dominant may become the moral sentiment enlisted on behalf of humanity, it can never exclude the sentiment alone properly called religious, awakened by that which is behind humanity and behind all other things." George Eliot was content with humanity, and believed that all religion arises out of the subjective elements of human life. At the same time that she made religion a development from feeling, she limited the moral law to emotional sanctions. On the contrary, Spencer is much more a rationalist, and insists on the intellectual basis both of morals and of religion. He makes less of feeling than she; and in this fact is to be found a wide gulf of separation between them. She could have been no more content with his philosophy than she was indebted to it in the construction of her own. As much one as they are in their philosophic basis and general methods, they are antagonistic in their conceptions about man and in the place assigned to nature in the development of religion. To George Eliot, religion is the development of feeling. To Spencer, it is the result of our "thought of a power of which humanity is but a small and fugitive product." In these, as in other directions, they were not in sympathy. Her realism, her psychologic method, her philosophic theories, her scientific sympathies, she did not derive from him, diligently as she may have studied his books.

George Eliot agreed with Comte and all other positivists in setting aside every inquiry into causes, and limiting philosophy to the search after laws. The idea of causes is idealistic, and a cause of any kind whatever is, according to these thinkers, not to be found. "The knowledge of laws," says Comte, "is henceforth to take the place of the search after causes." In other words, it is impossible for man to find out why anything is, he can only know how it is. George Eliot entirely agreed with Comte as to the universal dominion of law. She also followed him in his teachings about heredity, which he held to be the cause of social unity, morality, and the higher or subjective life. His conception of feeling as the highest expression of human life confirmed the conclusions to which she had already arrived from the study of Feuerbach. She was an enthusiastic believer in the Great Being, Humanity; she worshipped at that shrine. More to her than all other beliefs was her belief that we are to live for others. With Comte she said, "Altruism alone can enable us to live in the highest and truest sense." She would have all our doctrines about rights eliminated from morality and politics. They are as absurd, says Comte, as they are immoral.

George Eliot had a strong tendency towards philosophical speculations. While yet a student she expressed an ardent desire that she might live to reconcile the philosophy of Locke with that of Kant. In positivism, as developed and modified by Lewes, she found that reconciliation. She went far towards accepting the boldest speculations of the agnostic science of the time, but she modified it again and again to meet the needs of her own broader mind and heart. Yet it is related of her that in parting with one of the greatest English poets, probably Tennyson, when he said to her, "Well, good-by, you and your molecules," she replied, "I am quite content with my molecules." Her speculations led to the rejection of anything like a positive belief in God, to an entire rejection of faith in a personal immortality, and to a repudiation of all idealistic conceptions of knowledge derived from supersensuous sources. Her theories are best represented by the words environment, experience, heredity, development, altruism, solidarité, subjective immortality. These speculations confront the reader in nearly every chapter of her novels, and they gave existence to all but a very few of her poems.

X.

DISTINCTIVE TEACHINGS.

Science was accepted by George Eliot as furnishing the method and the proof for her philosophic and religious opinions. She was in hearty sympathy with Spencer and Darwin in regard to most of their speculations, and the doctrine of evolution was one which entirely approved itself to her mind. All her theories were based fundamentally on the hypothesis of universal law, which she probably interpreted with Lewes, in his Foundations of a Creed, as the uniformities of Infinite Activity. Not only in the physical world did she see law reigning, but also in every phase of the moral and spiritual life of man. In reviewing Lecky's Rationalism in Europe, she used these suggestive words concerning the uniformity of sequences she believed to be universal in the fullest sense:

The supremely important fact that the gradual reduction of all phenomena within the sphere of established law, which carries as a consequence the rejection of the miraculous, and has its determining current in the development of physical science, seems to have engaged comparatively little of his attention; at least he gives it no prominence. The great conception of uniform regular sequence, without partiality and without caprice—the conception which is the most potent force at work in the modification of our faith, and of the practical form given to our sentiments—could only grow out of that patient watching of external fact, and that silencing of preconceived notions, which are urged upon the mind by the problems of physical science. [Footnote: Fortnightly Review, May, 1865.]

The uniformities of nature have the effect upon man, through his nervous organization, of developing a responsive feeling and action. He learns to respond to that uniformity, to conform his actions to it. The habits thus acquired are inherited by his children, and moral conduct is developed. Heredity has as conspicuous a place in the novels of George Eliot as in the scientific treatises of Charles Darwin. She has attempted to indicate the moral and social influences of heredity, that it gives us the better part of our life in all directions. Heredity is but one phase of the uniformity of nature and the persistence of its forces. That uniformity never changes for man; his life it entirely ignores. He is crushed by its forces; he is given pain and sorrow through its unpitying disregard of his tender nature. Not only the physical world, but the moral world also, is unfailing in the development of the legitimate sequences of its forces. There is no cessation of activity, no turning aside of consequences, no delay in the transformation of causes into necessary effects.

George Eliot never swerves from this conception of the universe, physical and moral; everywhere cause is but another name for effect. The unbending order adopts man into its processes, helps him when he conforms to them, and gives him pain when he disregards them. The whole secret of man's existence is to be found in the agreement of his life with the invariable sequences of nature and moral activity; harmony with them brings true development, discord brings pain and sorrow. The unbending nature of law, and man's relations to it, she has portrayed in "Mr. Gilfil's Love Story," when describing Tina's sorrows.

While this poor little heart was being bruised with a weight too heavy for it, Nature was holding on her calm inexorable way, in unmoved and terrible beauty. The stars were rushing in their eternal courses; the tides swelled to the level of the last expectant weed; the sun was making brilliant day to busy nations oil the other side of the expectant earth. The stream of human thought and deed was hurrying and broadening onward. The astronomer was at his telescope; the great ships were laboring over the waves; the toiling eagerness of commerce, the fierce spirit of revolution, were only ebbing in brief rest, and sleepless statesmen were dreading the possible crisis of the morrow. What were our little Tina and her trouble in this mighty torrent, rushing from one awful unknown to another? Lighter than the smallest centre of quivering life in the water-drop, hidden and uncared for as the pulse of anguish in the breast of the tiniest bird that has fluttered down to its nest with the long-sought food, and has found the nest torn and empty.

The effect of the uniformities of nature upon man, as George Eliot regarded them, is not quite that which would be inferred from these words alone. While she believed that nature is as unbending and pitiless as is here indicated, yet that unbending uniformity, which never changes its direction for man, is a large influence towards the development of his higher life. It has the effect on man to develop feeling which is the expression of all that is best and most human in his life.

George Eliot believed that the better and nobler part of man's life is to be found in feeling. It is the first expression which he makes as a sentient being, to have emotions; and his emotions more truly represent him than the purely intellectual processes of the mind. She would have us believe that feeling is rather to be trusted than the intellect, that it is both a safer and a surer guide. In Middlemarch she says that "our good depends on the quality and breadth of our emotions." Her conception of the comparative worth of feeling and logic is expressed in Romola with a characteristic touch.

After all has been said that can be said about the widening influence of ideas, it remains true that they would hardly be such strong agents unless they were taken in a solvent of feeling. The great world-struggle of developing thought is continually foreshadowed in the struggle of the affections, seeking a justification for love and hope.

In Daniel Deronda, when considering the causes which prevent men from desecrating their fathers' tombs for material gain, she says, "The only check to be alleged is a sentiment, which will coerce none who do not hold that sentiments are the better part of the world's wealth." To the same effect is her saying in Theophrastus Such, that "our civilization, considered as a splendid material fabric, is helplessly in peril without the spiritual police of sentiments or ideal feelings." She expresses the conviction in Adam Bede, that "it is possible to have very erroneous theories and very sublime feelings;" and she does not hesitate through all her writings to convey the idea, that sublime feelings are much to be preferred to profound thoughts or the most perfect philosophy. She makes Adam Bede say that "it isn't notions sets people doing the right thing—it's feelings," and that "feeling's a sort o' knowledge." Feeling gives us the only true knowledge we have of our fellow-men, a knowledge in every way more perfect than that which is to be derived from our intellectual inquiries into their natures and wants. In Janet's Repentance this power of feeling to give us true knowledge of others, to awaken us to the deeper needs of our own souls, when we come in contact with those who are able to move and inspire us, is eloquently presented.

Blessed influence of one true loving human soul on another! Not calculable by algebra, not deducible by logic, but mysterious, effectual, mighty as the hidden process by which the tiny seed is quickened, and bursts forth into tall stem and broad leaf, and glowing tasselled flower. Ideas are often poor ghosts; our sun-filled eyes cannot discern them; they pass athwart us in thin vapor, and cannot make themselves felt. But sometimes they are made flesh; they breathe upon us with warm breath; they touch us with soft responsive hands; they look at us with sad, sincere eyes, and speak to us in appealing tones; they are clothed in a living human soul, with all its conflicts, its faith and its love. Then their presence is a power; then they shake us like a passion, and we are drawn after them with gentle compulsion, as flame is drawn to flame. [Footnote: Chapter XIX.]

She returns to the same subject when considering the intellectual theories of happiness and the proportion of crime there is likely to occur in the world. She shows her entire dissent from such a method of dealing with human woe, and she pleads for that sympathy and love which will enable us to feel the pain of others as our own. This fellow-feeling gives us the most adequate knowledge we can have.

It was probably a hard saying to the Pharisees, that "there is more joy in heaven over one sinner that repenteth than over ninety and nine just persons that need no repentance." And certain ingenious philosophers of our own day must surely take offence at a joy so entirely out of correspondence with arithmetical proportion. But a heart that has been taught by its own sore struggles to bleed for the woes of another—that has "learned pity through suffering"—is likely to find very imperfect satisfaction in the "balance of happiness," "doctrine of compensations," and other short and easy methods of obtaining thorough complacency in the presence of pain; and for such a heart that saying will not be altogether dark. The emotions I have observed are but slightly influenced by arithmetical considerations: the mother, when her sweet lisping little ones have all been taken from her one after another, and she is hanging over her last dead babe, finds small consolation in the fact that the tiny dimpled corpse is but one of a necessary average, and that a thousand other babes brought into the world at the same time are doing well, and are likely to live; and if you stood beside that mother—if you knew her pang and shared it—it is probable you would be equally unable to see a ground of complacency in statistics. Doubtless a complacency resting on that basis is highly rational; but emotion, I fear, is obstinately irrational; it insists on caring for individuals; it absolutely refuses to adopt the quantitative view of human anguish, and to admit that thirteen happy lives are a set-off against twelve miserable lives, which leaves a clear balance on the side of satisfaction. This is the inherent imbecility of feeling, and one must be a great philosopher to have got quite clear of all that, and to have emerged into the serene air of pure intellect, in which it is evident that individuals really exist for no other purpose than that abstractions maybe drawn from them—abstractions that may rise from heaps of ruined lives like the sweet savor of a sacrifice in the nostrils of philosophers, and of a philosophic Deity. And so it comes to pass that for the man who knows sympathy because he has known sorrow, that old, old saying about the joy of angels over the repentant sinner outweighing their joy over the ninety-nine just, has a meaning which does not jar with the language of his own heart. It only tells him that for angels too there is a transcendent value in human pain which refuses to be settled by equations; that the eyes of angels too are turned away from the serene happiness of the righteous to bend with yearning pity on the poor erring soul wandering in the desert where no water is; that for angels too the misery of one casts so tremendous a shadow as to eclipse the bliss of ninety-nine. [Footnote: Chapter XXII.]

Again, she says in the same story,—

Surely, surely the only true knowledge of our fellow-man is that which enables us to feel with him—which gives us a fine ear for the heart-pulses that are beating under the mere clothes of circumstance and opinion. Our subtlest analogies of schools and sects must miss the essential truth, unless it be lit up by the love that sees in all forms of human thought and-work the life-and-death struggles of separate human beings.

George Eliot would have us believe, that until we can feel with man, enter sympathetically into his emotions and yearnings, we cannot know him. It is because we have common emotions, common experiences, common aspirations, that we are really able to understand man; and not because of statistics, natural history, sociology or psychology. The objective facts have their place and value, but the real knowledge we possess of mankind is subjective, grows out of fellow-feeling.

The mental life of man, according to George Eliot, is simply an expansion of the emotional life. At first the mental life is unconscious, it is instinctive, simply the emotional response of man to the sequences of nature. This instinctive life of the emotions always remains a better part of our natures, and is to be trusted rather than the more formal activities of the intellectual faculties. In the most highly developed intellects even, there is a subconscious mental activity, an instinctive life of feeling, which is rather to be trusted than reason itself. This is a frequently recurring statement, which George Eliot makes in the firmest conviction of its truthfulness. It appears in such a sentence as this, in The Mill on the Floss: "Watch your own speech, and notice how it is guided by your less conscious purposes." In Daniel Deronda it finds expression in the assertion that "there is a great deal of unmapped country within us which would have to be taken into account in an explanation of our gusts and storms." It is more explicitly presented in Adam Bede.

Do we not all agree to call rapid thought and noble impulses by the name of inspiration? After our subtlest analysis of the mental process, we must still say that our highest thoughts and our best deeds are all given to us.

George Eliot puts into the mouth of Mordecai the assertion that love lies deeper than any reasons which are to be found for its exercise. In the same way, she would have us believe that feeling is safer than reason. Daniel Deronda questions Mordecai's visions, and doubts if he is worth listening to, except for pity's sake. On this the author comments, in defence of the visions, as against reason.

Suppose he had introduced himself as one of the strictest reasoners: do they form a body of men hitherto free from false conclusions and illusory speculations? The driest argument has its hallucinations, too hastily concluding that its net will now at last be large enough to hold the universe. Men may dream in demonstrations, and cut out an illusory world in the shape of axioms, definitions and propositions, with a final exclusion of fact signed Q.E.D. No formulas for thinking will save us mortals from mistake in our imperfect apprehension of the matter to be thought about. And since the unemotional intellect may carry us into a mathematical dream-land where nothing is but what is not, perhaps an emotional intellect may have absorbed into its passionate vision of possibilities some truth of what will be—the more comprehensive massive life feeding theory with new material, as the sensibility of the artist seizes combinations which science explains and justifies. At any rate, presumptions to the contrary are not to be trusted. [Footnote: Chapter XLI.]

As explicit is a passage in Theophrastus Such, wherein imagination is regarded as a means of knowledge, because it rests on a subconscious expression of experience.

It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiae of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of probable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact, with far-reaching memories and stored residues of passion, bringing into new light the less obvious relations of human existence. [Footnote: Chapter XIII.]

Imagination, feeling and the whole inward life are being constantly shaped by our actions. Experience gives new character to the inward life, and at the same time determines its motives and its inclinations. The muscles develop as they are used; what has been once done it is easier to do again. In the same way, our deeds influence our lives, and compel us to repeat our actions. At least this is George Eliot's opinion, and one she is fond of re-affirming. After Arthur had wronged Hetty, his life was changed, and of this change wrought in his character by his conduct, George Eliot says,—

Our deeds determine us, as much as we determine our deeds; and until we know what has been or will be the peculiar combination of outward with inward facts which constitute a man's critical actions, it will be better not to think ourselves wise about his character. There is a terrible coercion in our deeds which may at first turn the honest man into a deceiver, and then reconcile him to the change; for this reason—that the second wrong presents itself to him in the guise of the only practicable right. The action which before commission has been seen with that blended common sense and fresh untarnished feeling which is the healthy eye of the soul, is looked at afterward with the lens of apologetic ingenuity, through which all things that men call beautiful and ugly are seen to be made up of textures very much alike. Europe adjusts itself to a fait accompli, and so does an individual character—until the placid adjustment is disturbed by a convulsive retribution. [Footnote: Chapter XXIX.]

What we have done, determines what we shall do, even in opposition to our wills. After Tito Melema had done his first act towards denying his foster-father, we have this observation of the author's:

Our deeds are like children that are born to us; they live and act apart from our own will. Nay, children may be strangled, but deeds never; they have an indestructible life both in and out of our consciousness; and that dreadful vitality of deeds was pressing hard on Tito for the first time.

When Tito had openly denied that father, at an unexpected moment, we hear the ever-present chorus repeating this great ethical truth:

Tito was experiencing that inexorable law of human souls, that we prepare ourselves for sudden deeds by the reiterated choice of good or evil that gradually determines character.

As a river moves in the channel made for it, as a plant grows towards the sunlight, so man does again what he has once done. The impression of his act is left upon his nature, it is taken up into his motives, it leads to feeling and impulse, it repeats itself in future conduct. His deed lives in memory, it lives in weakness or strength of impulse, it lives in disease or in health, it lives in mental listlessness or in mental vigor. What is done, determines our natures in their character and tendency for the future. "A man can never separate himself from his past history," says George Eliot in one of the mottoes of Felix Holt. We cannot rid ourselves of the effects of our actions; they follow us forever. This truth takes shape in Romola in these words:

Our lives make a moral tradition for our individual selves, as the life of mankind at large makes a moral tradition for the race; and to have once acted greatly, seems a reason why we should always be noble. But Tito was feeling the effect of an opposite tradition: he had now no memories of self-conquest and perfect faithfulness from which he could have a sense of falling.

A motto in Daniel Deronda reiterates this oft-repeated assertion.

  Deeds are the pulse of Time, his beating life,
  And righteous or unrighteous, being done,
  Must throb in after-throbs till Time itself
  Be laid in stillness, and the universe
  Quiver and breathe upon no mirror more.

Feeling is to be preferred to logic, according to George Eliot, because it brings us the results of long-accumulating experiences, because it embodies the inherited experiences of the race. She was an earnest believer in "far-reaching memories and stored residues of passion," for she was convinced that the better part of all our knowledge is brought to us by inheritance. The deeds of the individual make the habits of his life, they remain in memory, they guide the purposes of the will, and they give motives to action. Deeds often repeated give impulse and direction to character, and these appear in the offspring as predispositions of body and mind. In this way our deeds "throb in after-throbs" of our children; and in the same manner the deeds of a people live in the life of the race and become guiding motives in its future deeds. As the deeds of a person develop into habits, so the deeds of a people develop into national tendencies and actions.

George Eliot was a thorough believer in the Darwinian theories of heredity, and she has in all her books shown the effects of hereditary conditions on the individual and even upon a people. Family and race are made to play a very important part in her writings. Other novelists disregard the conditions and limitations imposed by heredity, and consider the individual as unrestricted by other laws than those of his own will; but George Eliot gives conspicuous prominence to the laws of heredity, both individual and social. Felix Holt never ceases in her pages to be the son of his mother, however enlarged his ideas may become and broad his culture. Rosamond Vincy also has a parentage, and so has Mary Garth. Daniel Deronda is a Jew by birth, the son of a visionary mother and a truth-seeking father. This parentage expresses itself throughout his life, even in boyhood, in all his thought and conduct. Heredity shapes the destiny of Tito Melema, Romola, Fedalma, Maggie Tulliver, Will Ladislaw, Gwendolen Harleth and many another character in George Eliot's novels. It is even more strongly presented in her poems. In The Spanish Gypsy she describes Fedalma as a genuine daughter of her father, as inheriting his genius and tendencies, which are stronger than all the Spanish culture she had received. When Fedalma says she belongs to him she loves, and that love

is nature too, Forming a fresher law than laws of birth,—

Zarca replies,—

  Unmake yourself, then, from a Zincala—
  Unmake yourself from being child of mine!
  Take holy water, cross your dark skin white;
  Round your proud eyes to foolish kitten looks;
  Walk mincingly, and smirk, and twitch your robe:
  Unmake yourself—doff all the eagle plumes
  And be a parrot, chained to a ring that slips
  Upon a Spaniard's thumb, at will of his
  That you should prattle o'er his words again!

Fedalma cannot unmake herself; she has already danced in the plaza, and she is soon convinced that she is a Zincala, that her place is with her father and his tribe. The Prior had declared,—

                       That maiden's blood
  Is as unchristian as the leopard's,

and it so proves. His statement of reasons for this conviction expresses the author's own belief.

  What! Shall the trick of nostrils and of lips
  Descend through generations, and the soul
  That moves within our frame like God in worlds—
  Convulsing, urging, melting, withering—
  Imprint no record, leave no documents,
  Of her great history? Shall men bequeath
  The fancies of their palates to their sons,
  And shall the shudder of restraining awe,
  The slow-wept tears of contrite memory,
  Faith's prayerful labor, and the food divine
  Of fasts ecstatic—shall these pass away
  Like wind upon the waters, tracklessly?
  Shall the mere curl of eyelashes remain,
  And god-enshrining symbols leave no trace
  Of tremors reverent?

This larger or social heredity is that which claims much the larger share of George Eliot's attention, and it is far more clearly and distinctively presented in her writings. She gives a literary expression here to the teachings of the evolutionists, shows the application to life of what has been taught by Spencer, Haeckel and Lewes. In his Foundations of a Creed, Lewes has stated this theory in discussing "the limitations of knowledge." "It is indisputable," he says, "that every particular man comes into the world with a heritage of organized forms and definite tendencies, which will determine his feeling and thinking in certain definite ways, whenever the suitable conditions are present. And all who believe in evolution believe that these forms and tendencies represent ancestral experiences and adaptations; believe that not only is the pointer born with an organized tendency to point, the setter to set, the beaver to build, and the bird to fly, but that the man is born with a tendency to think in images and symbols according to given relations and sequences which constitute logical laws, that what he thinks is the necessary product of his organism and the external conditions. This organism itself is a product of its history; it is what it has become; it is a part of the history of the human race; it is also specially individualized by the particular personal conditions which have distinguished him from his fellow-men. Thus resembling all men in general characters, he will in general feel as they feel, think as they think; and differing from all men in special characters, he will have personal differences of feeling and shades of feeling, thought and combinations of thought…. The mind is built up out of assimilated experiences, its perceptions being shaped by its pre-perceptions, its conceptions by its pre-conceptions. Like the body, the mind is shaped through its history." In other words, experience is inherited and shapes the mental and social life. What some philosophers have called intuitions, and what Kant called the categories of the mind, Lewes regarded as the inherited results of human experience. By a slow process of evolution the mind has been produced and shaped into harmony with its environment; the results of inherited experience take the form of feelings, intuitions, laws of thought and social tendencies. Its intuitions are to be accepted as the highest knowledge, because the transmitted results of all human experience.

As the body performs those muscular operations most easily to which it is most accustomed, so men as social beings perform those acts and think those thoughts most easily and naturally to which the race has been longest accustomed. Man lives and thinks as man has lived and thought; he inherits the past. In his social life he is as much the child of the past as he is individually the son of his father. If he inherits his father's physiognomy and habits of thought, so does he socially inherit the characteristics of his race, its social and moral life. George Eliot was profoundly convinced of the value of this fact, and she has presented it in her books in all its phases. In her Fortnightly Review essay on "The Influence of Rationalism," she says all large minds have long had "a vague sense" "that tradition is really the basis of our best life." She says, "Our sentiments may be called organized traditions; and a large part of our actions gather all their justification, all their attractions and aroma, from the memory of the life lived, of the actions done, before we were born." Tradition is the inherited experience of the race, the result of its long efforts, its many struggles, after a larger life. It lives in the tendencies of our emotions, in the intuitions and aspirations of our minds, as the wisdom which our minds hold dear, as the yearnings of our hearts after a wider social life. These things are not the results of our own reasonings, but they are the results of the life lived by those who have gone before us, and who, by their thoughts and deeds, have shaped our lives, our minds, to what they are. Tradition is the inherited experience, feeling, yearning, pain, sorrow and wisdom of the ages. It furnishes a great system of customs, laws, institutions, ideas, motives and feelings into which we are born, which we naturally adopt, which gives shape and strength to our growing life, which makes it possible for us to take up life at that stage it has reached after the experiences of many generations. George Eliot says in Middlemarch that "a kind Providence furnishes the limpest personality with a little gum or starch in the form of tradition." We come into a world made ready for us, and find prepared for our immediate use a vast complex of customs and duties and ideas, the results of the world's experience. George Eliot believed, with Comte, that with each generation the influence of the past over the present becomes greater, and that men's lives are more and more shaped by what has been. In The Spanish Gypsy she makes Don Silva say that

  The only better is a Past that lives
  On through an added Present, stretching still
  In hope unchecked by shaming memories
  To life's last breath.

This deep conviction of the blessed influence of the past upon us is well expressed in the little poem on "Self and Life," one of the most fully autobiographical of all her poems, where she makes Life bid Self remember

  How the solemn, splendid Past
    O'er thy early widened earth
  Made grandeur, as on sunset cast
    Dark elms near take mighty girth.
      Hands and feet were tiny still
      When we knew the historic thrill,
      Breathed deep breath in heroes dead,
      Tasted the immortals' bread.

In expressive sentences, in the development of her characters, and in many other ways, she affirms this faith in tradition. In one of the mottoes in Felix Holt she uses a fine sentence, which is repeated in "A Minor Prophet."

Our finest hope is finest memory.

The finest hope of the race is to be found in memory of its great deeds, as its saddest loss is to be found in forgetfulness of a noble past. In The Mill on the Floss, when describing St. Ogg's, she attributes its sordid and tedious life to its neglect of the past and its inspiring memories.

The mind of St. Ogg's did not look extensively before or after. It inherited a long past without thinking of it, and had no eyes for the spirits that walk the streets, Since the centuries when St. Ogg with his boat, and the Virgin Mother at the prow, had been seen on the wide water, so many memories had been left behind, and had gradually vanished like the receding hill-tops! And the present time was like the level plain where men lose their belief in volcanoes and earthquakes, thinking to-morrow will be as yesterday, and the giant forces that used to shake the earth are forever laid to sleep. The days were gone when people could be greatly wrought upon by their faith, still less change it: the Catholics were formidable because they would lay hold of government and property, and burn men alive; not because any sane and honest parishioner of St. Ogg's could be brought to believe in the Pope. One aged person remembered how a rude multitude had been swayed when John Wesley preached in the cattle-market; but for a long while it had not been expected of preachers that they should shake the souls of men. An occasional burst of fervor in Dissenting pulpits on the subject of infant baptism was the only symptom of a zeal unsuited to sober times when men had done with change. Protestantism sat at ease, unmindful of schisms, careless of proselytism; Dissent was an inheritance along with a superior pew and a business connection; and Churchmanship only wondered contemptuously at Dissent as a foolish habit that clung greatly to families in the grocery and chandlering lines, though not incompatible with prosperous wholesale dealing. [Footnote: Chapter XII.]

This faith in tradition, as giving the basis of all our best life, is perhaps nowhere so expressively set forth by George Eliot as in The Spanish Gypsy. It is distinctly taught by all the best characters in the words they speak, and it is emphatically taught in the whole purpose and spirit of the poem. Zarca says his tribe has no great life because it has no great national memories. He calls his people

      Wanderers whom no God took knowledge of
  To give them laws, to fight for them, or blight
  Another race to make them ampler room;
  Who have no whence or whither in their souls,
  No dimmest lure of glorious ancestors
  To make a common breath for piety.

As his people are weak because they have no traditional life, he proposes by his deeds to make them national memories and hopes and aims.

                        No lure
  Shall draw me to disown them, or forsake
  The meagre wandering herd that lows for help—
  And needs me for its guide, to seek my pasture
  Among the well-fed beeves that graze at will.
  Because our race has no great memories,
  I will so live, it shall remember me
  For deeds of such divine beneficence
  As rivers have, that teach, men what is good
  By blessing them. I have been schooled—have caught
  Lore from Hebrew, deftness from the Moor—
  Know the rich heritage, the milder life,
  Of nations fathered by a mighty Past.

The way in which such a past is made is suggested by Zarca, in answer to a question about the Gypsy's faith; it is made by a common life of faith and brotherhood, that gives origin to a common inheritance and memories.

                           O, it is a faith
  Taught by no priest, but by their beating hearts
  Faith to each other: the fidelity
  Of fellow-wanderers in a desert place
  Who share the same dire thirst, and therefore share
  The scanty water: the fidelity
  Of men whose pulses leap with kindred fire,
  Who in the flash of eyes, the clasp of hands,
  The speech that even in lying tells the truth
  Of heritage inevitable as birth,
  Nay, in the silent bodily presence feel
  The mystic stirring of a common life
  Which makes the many one: fidelity
  To that deep consecrating oath our sponsor Fate
  Made through our infant breath when we were born
  The fellow-heirs of that small island, Life,
  Where we must dig and sow and reap with brothers.
  Fear thou that oath, my daughter—nay, not fear,
  But love it; for the sanctity of oaths
  Lies not in lightning that avenges them,
  But in the injury wrought by broken bonds
  And in the garnered good of human trust.
  And you have sworn—even with your infant breath
  You too were pledged.

George Eliot's faith in tradition, as furnishing the basis of our best life, and the moral purpose and law which is to guide it, she has concentrated into one question asked by Maggie Tulliver.

If the past is not to bind us, where can duty lie? We should have no law but the inclination of the moment.

Although this question is asked in regard to an individual's past, the answer to it holds quite as good for the race as for the individual. She repudiates all theories which give the individual authority to follow inclination, or even to follow some inner or personal guide. The true wisdom is always social, always grows out of the experiences of the race, and not out of any personal inspiration or enlightenment. Tradition furnishes the materials for reason to use, but reason does not penetrate into new regions, or bring to us wisdom apart from that we obtain through inherited experiences. George Eliot compares these two with each other in The Spanish Gypsy in the words of Sephardo.

                              I abide
  By that wise spirit of listening reverence
  Which marks the boldest doctors of our race.
  For Truth, to us, is like a living child
  Born of two parents: if the parents part
  And will divide the child, how shall it live?
  Or, I will rather say: Two angels guide
  The path of man, both aged and yet young,
  As angels are, ripening through endless years.
  On one he leans: some call her Memory,
  And some, Tradition; and her voice is sweet,
  With deep mysterious accords: the other,
  Floating above, holds down a lamp which streams
  A light divine and searching on the earth,
  Compelling eyes and footsteps. Memory yields,
  Yet clings with loving check, and shines anew
  Reflecting all the rays of that bright lamp
  Our angel Reason holds. We had not walked
  But for Tradition; we walk evermore
  To higher paths, by brightening Reason's lamp.

Man leans on tradition, it is the support of his life, by its strength he is able to move forward. Reason is a lamp which lights the way, gives direction to tradition; it is a beacon and not a support. Tradition not only brings us the wisdom of all past experience, but it develops into a spiritual atmosphere in which we live, move and have our being. This was Comte's idea, that the spiritual life is developed out of tradition, that the world's experiences have produced for us intangible hopes, yearnings and aspirations; awe, reverence and sense of subtle mystery: mystic trust, faith in invisible memories, joy in the unseen power of thought and love; and that these create for us a spiritual world most real in its nature, and most powerful in its influence. On every hand man is touched by the invisible, mystical influences of the past, spiritual voices call to him out of the ages, unseen hands point the way he is to go. He breathes this atmosphere of spiritual memories, he is fed on thoughts other men have made for his sustenance, he is inspired by the heroisms of ages gone before. In an article in the Westminster Review in July, 1856, on "The Natural History of German Life," in review of W.H. Riehl's books on the German peasant, and on land and climate, she presents the idea that a people can be understood only when we understand its history. Society, she says, has developed through many generations, and has built itself up in many memories and associations. To change it we must change its traditions. Nothing can be done de novo; a fresh beginning cannot be had. The dream of the French Revolution, that a new nation, a new life, a new morality, was to be created anew and fresh out of the cogitations of philosophers, is not in any sense to be realized. Tradition forever asserts itself, the past is more powerful than all philosophers, and new traditions must be made before a new life can be had for society. These ideas are well expressed by George Eliot in her review of Riehl's books.