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George Meredith: A Study

Chapter 3: PREFACE.
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About This Book

This study offers a concise critical portrait of George Meredith, tracing his slow recognition as a novelist and analysing his style, influence, and psychological method. Lynch contrasts Meredith's analytical, sometimes obscure diction with contemporaries and examines how his fiction popularizes philosophical thought. Subsequent chapters survey individual novels — Richard Feverel, Rhoda Fleming, Evan Harrington, The Adventures of Harry Richmond, Sandra Belloni, Beauchamp's Career, The Egoist, Diana of the Crossways, Tragic Comedians, and Shaving of Shagpat — and close with a consideration of his men and women, highlighting recurring concerns with consciousness, social perception, and moral imagination.

PREFACE.

A couple of months ago I was asked to give a lecture in Paris on a modern English writer, and I naturally selected my favourite, the subject of this little book. It was afterwards suggested to me that the lecture would bear expansion, a task I the more readily undertook because I was happy enough to learn that my humble effort had sent at least three intellectual foreigners to the fountainhead to study for themselves the novels of Mr. Meredith, curious to see if I had not overrated his merits, as is the habit of enthusiastic disciples, and greatly astonished to find their expectations disappointed, and my estimate unexaggerated.

While still engaged upon this work I received from London Mr. Le Gallienne’s book, ‘George Meredith,’ and not having by me copies of ‘Modern Love’ or the other poems of Mr. Meredith, I availed myself of his quotations of the famous sonnet and ‘A Meeting.’ I have also taken from Mr. Lane’s Bibliography, added to Mr. Le Gallienne’s book, the dates of the appearance of each of the novels, as my own copies all belong to the recent uniform editions published by Messrs. Chapman and Hall.

HANNAH LYNCH.