This etext was produced by David Widger <widger@cecomet.net>

[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]

GERFAUT

By CHARLES DE BERNARD

BOOK 2.

CHAPTER VI

GERFAUT'S STORY

While the two friends are devouring to the very last morsel the feast prepared for them by Madame Gobillot, it may not be out of place to explain in a few words the nature of the bonds that united these two men.

The Vicomte de Gerfaut was one of those talented beings who are the veritable champions of an age when the lightest pen weighs more in the social balance than our ancestors' heaviest sword. He was born in the south of France, of one of those old families whose fortune had diminished each generation, their name finally being almost all that they had left. After making many sacrifices to give their son an education worthy of his birth, his parents did not live to enjoy the fruits of their efforts, and Gerfaut became an orphan at the time when he had just finished his law studies. He then abandoned the career of which his father had dreamed for him, and the possibilities of a red gown bordered with ermine. A mobile and highly colored imagination, a passionate love for the arts, and, more than all, some intimacies contracted with men of letters, decided his vocation and launched him into literature.

The ardent young man, without a murmur or any misgivings, drank to the very dregs the cup poured out to neophytes in the harsh career of letters by editors, theatrical managers, and publishers. With some, this course ends in suicide, but it only cost Gerfaut a portion of his slender patrimony; he bore this loss like a man who feels that he is strong enough to repair it. When his plans were once made, he followed them up with indefatigable perseverance, and became a striking example of the irresistible power of intelligence united to will-power. Reputation, for him, lay in the unknown depths of an arid and rocky soil; he was obliged, in order to reach it, to dig a sort of artesian well. Gerfaut accepted this heroic labor; he worked day and night for several years, his forehead, metaphorically, bathed in a painful perspiration alleviated only by hopes far away. At last the untiring worker's drill struck the underground spring over which so many noble ones breathlessly bend, although their thirst is never quenched. At this victorious stroke, glory burst forth, falling in luminous sparks, making this new name—his name—flash with a brilliancy too dearly paid for not to be lasting.

At the time of which we speak, Octave had conquered every obstacle in the literary field. With a versatility of talent which sometimes recalled Voltaire's "proteanism," he attacked in succession the most difficult styles. Besides their poetic value, his dramas had this positive merit, the highest in the theatre world they were money-makers; so the managers greeted him with due respect, while collaborators swarmed about him. The journals paid for his articles in their weight in gold; reviews snatched every line of his yet unfinished novels; his works were illustrated by Porret and Tony Johannot—the masters of the day— and shone resplendent behind the glass cases in the Orleans gallery. Gerfaut had at last made a place for himself among that baker's dozen of writers who call themselves, and justly, too, the field-marshals of French literature, of which Chateaubriand was then commander-in-chief.

What was it that had brought such a person a hundred leagues from the opera balcony, to put on a pretty woman's slipper? Was the fair lady one of those caprices, so frequent and fleeting in an artist's thoughts, or had she given birth to one of those sentiments that end by absorbing the rest of one's life?

The young man seated opposite Gerfaut was, physically and morally, as complete a contrast to him as one could possibly imagine. He was one of the kind very much in request in fashionable society. There is not a person who has not met one of these worthy fellows, destined to make good officers, perfect merchants, and very satisfactory lawyers, but who, unfortunately, have been seized with a mania for notoriety. Ordinarily they think of it on account of somebody else's talent. This one is brother to a poet, another son-in-law to a historian; they conclude that they also have a right to be poet and historian in their turn. Thomas Corneille is their model; but we must admit that very few of our writers reach the rank attained by Corneille the younger.

Marillac was train-bearer to Gerfaut, and was rewarded for this bondage by a few bribes of collaboration, crumbs that fall from the rich man's table. They had been close friends since they both entered the law school, where they were companions in folly rather than in study. Marillac also had thrown himself into the arena of literature; then, different fortunes having greeted the two friends' efforts, he had descended little by little from the role of a rival to that of an inferior. Marillac was an artist, talent accepted, from the tip of his toes to the sole of his boots, which he wished to lengthen by pointed toes out of respect for the Middle Ages; for he excelled above all things in his manner of dressing, and possessed, among other intellectual merits, the longest moustache in literature.

If he had not art in his brain, to make up for it he always had its name at his tongue's end. Vaudeville writing or painting, poetry or music, he dabbled in all these, like those horses sold as good for both riding and driving, which are as bad in the saddle as in front of a tilbury. He signed himself "Marillac, man of letters"; meanwhile, aside from his profound disdain for the bourgeois, whom he called vulgar, and for the French Academy, to which he had sworn never to belong, one could reproach him with nothing. His penchant for the picturesque in expression was not always, it is true, in the most excellent taste, but, in spite of these little oddities, his unfortunate passion for art, and his affection for the Middle Ages, he was a brave, worthy, and happy fellow, full of good qualities, very much devoted to his friends, above all to Gerfaut. One could, therefore, pardon him for being a pseudo-artist.

"Will your story be a long one?" said he to the playwright, when Catherine had conducted them after supper to the double-bedded room, where they were to pass the night.

"Long or short, what does it matter, since you must listen to it?"

"Because, first, I would make some grog and fill my pipe; otherwise, I would content myself with a cigar."

"Take your pipe and make your grog."

"Here!" said the artist, running after Catherine, "don't rush downstairs so. You are wanted. Fear nothing, interesting maid; you are safe with us; but bring us a couple of glasses, brandy, sugar, a bowl, and some hot water."

"They want some hot water," cried the servant, rushing into the kitchen with a frightened look; "can they be ill at this hour?"

"Give the gentlemen what they want, you little simpleton!" replied Mademoiselle Reine; "they probably want to concoct some of their Paris drinks."

When all the articles necessary for the grog were on the table, Marillac drew up an old armchair, took another chair to stretch his legs upon, replaced his cap with a handkerchief artistically knotted about his head, his boots with a pair of slippers, and, finally, lighted his pipe.

"Now," said he, as he seated himself, "I will listen without moving an eyelid should your story last, like the creation, six days and nights."

Gerfaut took two or three turns about the room with the air of an orator who is seeking for a beginning to a speech.

"You know," said he, "that Fate has more or less influence over our lives, according to the condition of mind in which we happen to be. In order that you may understand the importance of the adventure I am about relating to you, it will be necessary for me to picture the state of mind which I was in at the time it happened; this will he a sort of philosophical and psychological preamble."

"Thunder!" interrupted Marillac, "if I had known that, I would have ordered a second bowl."

"You will remember," continued Gerfaut, paying no attention to this pleasantry, "the rather bad attack of spleen which I had a little over a year ago?"

"Before your trip to Switzerland?"

"Exactly."

"If I remember right," said the artist, "you were strangely cross and whimsical at the time. Was it not just after the failure of our drama at the Porte Saint-Martin?"

"You might also add of our play at the Gymnase."

"I wash my hands of that. You know very well that it only went as far as the second act, and I did not write one word in the first."

"And hardly one in the second. However, I take the catastrophe upon my shoulders; that made two perfect failures in that d—-d month of August."

"Two failures that were hard to swallow," replied Marillac, "We can say, for our consolation, that there never were more infamous conspiracies against us, above all, than at the Gymnase. My ears ring with the hisses yet! I could see, from our box, a little villain in a dress coat, in one corner of the pit, who gave the signal with a whistle as large as a horse-pistol. How I would have liked to cram it down his throat!" As he said these words, he brought his fist down upon the table, and made the glasses and candles dance 'upon it.

"Conspiracy or not, this time they judged the play aright. I believe it would be impossible to imagine two worse plays; but, as Brid Oison says, 'These are things that one admits only to himself'; it is always disagreeable to be informed of one's stupidity by an ignorant audience that shouts after you like a pack of hounds after a hare. In spite of my pretension of being the least susceptible regarding an author's vanity of all the writers in Paris, it is perfectly impossible to be indifferent to such a thing—a hiss is a hiss. However, vanity aside, there was a question of money which, as I have a bad habit of spending regularly my capital as well as my income, was not without its importance. It meant, according to my calculation, some sixty thousand francs cut off from my resources, and my trip to the East was indefinitely postponed.

"They say, with truth, that misfortunes never come singly. You know Melanie, whom I prevented from making her debut at the Vaudeville? By taking her away from all society, lodging her in a comfortable manner and obliging her to work, I rendered her a valuable service. She was a good girl, and, aside from her love for the theatre and a certain indolence that was not without charm, I did not find any fault in her and grew more attached to her every day. Sometimes after spending long hours with her, a fancy for a retired life and domestic happiness would seize me. Gentlemen with brains are privileged to commit foolish acts at times, and I really do not know what I might have ended in doing, had I not been preserved from the danger in an unexpected manner.

"One evening, when I arrived at Melanie's, I found the bird had flown. That great ninny of a Ferussac, whom I never had suspected, and had introduced to her myself, had turned her head by making capital out of her love for the stage. As he was about to leave for Belgium, he persuaded her to go there and dethrone Mademoiselle Prevost. I have since learned that a Brussels banker revenged me by taking this Helene of the stage away from Ferussac. Now she is launched and can fly with her own wings upon the great highway of bravos, flowers, guineas—"

"And wreck and ruin," added Marillac. "Here's to her health!"

"This triple disappointment of pride, money, and heart did not cause, I hope you will believe me, the deep state of melancholy into which I soon fell; but the malady manifested itself upon this occasion, for it had been lurking about me for a long time, as the dormant pain of a wound is aroused if one pours a caustic upon its surface.

"There is some dominant power in each individual which is developed at the expense of the other faculties, above all when the profession one chooses suits his nature. The vital powers thus condensed manifest themselves externally, and gush out with an abundance which would become impossible if all the faculties were used alike, and if life filtered away, so to speak. To avoid such destruction, and concentrate life upon one point, in order to increase the action, is the price of talent and individuality. Among athletes, the forehead contracts according as the chest enlarges; with men of thought, it is the brain which causes the other organs to suffer, insatiable vampire, exhausting at times the last drop of blood in the body which serves as its victim. This vampire was my torturer.

"For ten years I had crowded romance upon poetry, vaudeville upon drama, literary criticism upon leader; I proved, through my own self, in a physical way, the phenomena of the absorption of the senses by intelligence. Many times, after several nights of hard work, the chords of my mind being too violently stretched, they relaxed and gave only indistinct harmony. Then, if I happened to resist this lassitude of nature demanding repose, I felt the pressure of my will exhausting the sources at the very depths of my being. It seemed to me that I dug out my ideas from the bottom of a mine, instead of gathering them upon the surface of the brain. The more material organs came to the rescue of their failing chief. The blood from my heart rushed to my head to revive it; the muscles of my limbs communicated to the fibres of the brain their galvanic tension. Nerves turned into imagination, flesh into life. Nothing has developed my materialistic beliefs like this decarnation of which I had such a sensible, or rather visible perception.

"I destroyed my health with these psychological experiments, and the abuse of work perhaps shortened my life. When I was thirty years old my face was wrinkled, my cheeks were pallid, and my heart blighted and empty. For what result, grand Dieu! For a fleeting and fruitless renown!

"The failure of my two plays warned me that others judged me as I judged myself. I recalled to mind the Archbishop of Granada, and I thought I could hear Gil Blas predicting the failure of my works. We can not dismiss the public as we can our secretary; meanwhile, I surrendered to a too severe justice in order to decline others' opinions. A horrible thought suddenly came into my mind; my artistic life was ended, I was a worn-out man; in one word, to picture my situation in a trivial but correct manner, I had reached the end of my rope.

"I could not express to you the discouragement that I felt at this conviction. Melanie's infidelity was the crowning touch. It was not my heart, but my vanity which had been rendered more irritable by recent disappointments. This, then, was the end of all my ambitious dreams! I had not enough mind left, at thirty years of age, to write a vaudeville or to be loved by a grisette!

"One day Doctor Labanchie came to see me.

"'What are you doing there' said he, as he saw me seated at my desk.

"'Doctor,' said I, reaching out my hand to him, 'I believe that I am a little feverish.'

"'Your pulse is a little rapid,' said he, after making careful examination, 'but your fever is more of imagination than of blood.'

"I explained to him my condition, which was now becoming almost unendurable. Without believing in medicine very much, I had confidence in him and knew him to be a man who would give good advice.

"'You work too much,' said he, shaking his head. 'Your brain is put to too strong a tension. This is a warning nature gives you, and you will make a mistake if you do not follow it. When you are sleepy, go to bed; when you are tired, you must have rest. It is rest for your brain that you now need. Go into the country, confine yourself to a regular and healthy diet: vegetables, white meat, milk in the morning, a very little wine, but, above all things, no coffee. Take moderate exercise, hunt— and avoid all irritating thoughts; read the 'Musee des familles' or the 'Magasin Pittoresque'. This regime will have the effect of a soothing poultice upon your brain, and before the end of six months you will be in your normal condition again.'

"'Six months!' I exclaimed. 'You wretch of a doctor, tell me, then, to let my beard and nails grow like Nebuchadnezzar. Six months! You do not know how I detest the country, partridges, rabbits and all. For heaven's sake, find some other remedy for me.'

"'There is homoeopathy,' said he, smiling. 'Hahnemann is quite the fashion now.'

"'Let us have homoeopathy!'

"'You know the principles of the system: 'Similia similibus!' If you have fever, redouble it; if you have smallpox, be inoculated with a triple dose. So far as you are concerned, you are a little used up and 'blase', as we all are in this Babylon of ours; have recourse, then, as a remedy, to the very excesses which have brought you into this state. Homoeopathize yourself morally. It may cure you, it may kill you; I wash my hands of it.'

"The doctor was joking, I said to myself after he had left. Does he think that passions are like the Wandering Jew's five sous, that there is nothing to do but to put your hand in your pocket and take them out at your convenience when necessary. However, this idea, strange as it seemed, struck me forcibly. I decided to try it.

"The next day at seven o'clock in the evening, I was rolling along the road to Lyons. Eight days later, I was rowing in a boat on Lake Geneva. For a long time I had wanted to go to Switzerland, and it seemed as if I could not have chosen a better time. I hoped that the fresh mountain air and the soft pure breezes from the lakes would communicate some of their calm serenity to my heart and brain.

"There is something in Parisian life, I do not know what, so exclusive and hardening, that it ends by making one irresponsive to sensations of a more simple order.

"'My kingdom for the gutter in the Rue du Bac!' I exclaimed with Madame de Stael from the height of the Coppet terrace. The spectacle of nature interests only contemplative and religious minds powerfully. Mine was neither the one nor the other. My habits of analysis and observation make me find more attraction in a characteristic face than in a magnificent landscape; I prefer the exercising of thought to the careless gratification of ecstasy, the study of flesh and soul to earthly horizons, of human passions to a perfectly pure atmosphere.

"I met at Geneva an Englishman, who was as morose as myself. We vented our spleen in common and were both bored together. We travelled thus through the Oberland and the best part of Valais; we were often rolled up in our travelling robes in the depths of the carriage, and fast asleep when the most beautiful points of interest were in sight.

"From Valais we went to Mont-Blanc, and one night we arrived at
Chamounix—"

"Did you see any idiots in Valais?" suddenly interrupted Marillac, as he filled his pipe the second time.

"Several, and they were all horrible."

"Do you not think we might compose something with an idiot in it? It might be rather taking."

"It would not equal Caliban or Quasimodo; will you be so kind as to spare me just now these efforts of imagination, and listen to me, for I am reaching the interesting part of my story?"

"God be praised!" said the artist, as he puffed out an enormous cloud of smoke.

"The next day the Englishman was served with tea in his bedroom, and when I asked him to go to the 'Mer de Glace' he turned his head toward the wall; so, leaving my phlegmatic companion enveloped in bedclothes up to his ears, I started alone for the Montanvert.

"It was a magnificent morning, and small parties of travellers, some on foot, others mounted, skirted the banks of the Arve or climbed the sides of the mountain. They looked like groups of mice in the distance, and this extreme lessening in size made one comprehend, better than anything else, the immense proportions of the landscape. As for myself, I was alone: I had not even taken a guide, this was too favorite a resort for tourists, for the precaution to be necessary. For a wonder, I felt rather gay, with an elasticity of body and mind which I had not felt in some time.

I courageously began climbing the rough pathway which led to the Mer de
Glace, aiding myself with a long staff, which I had procured at the inn.

"At every step I breathed with renewed pleasure the fresh, pure, morning air; I gazed vaguely at the different effects of the sun or mist, at the undulations of the road, which sometimes rose almost straight up in the air, sometimes followed a horizontal line, while skirting the open abyss at the right. The Arve, wending its course like a silvery ribbon, seemed at times to recede, while the ridges of the perpendicular rocks stood out more plainly. At times, the noise of a falling avalanche was repeated, echo after echo. A troupe of German students below me were responding to the voice of the glaciers by a chorus from Oberon. Following the turns in the road, I could see through the fir-trees, or, rather, at my feet, their long Teutonic frock-coats, their blond beards, and caps about the size of one's fist. As I walked along, when the path was not too steep, I amused myself by throwing my stick against the trunks of the trees which bordered the roadside; I remember how pleased I was when I succeeded in hitting them, which I admit was not very often.

"In the midst of this innocent amusement, I reached the spot where the reign of the Alpine plants begins. All at once I saw, above me, a rock decked with rhododendrons; these flowers looked like tufts of oleanders through the dark foliage of the fir-trees, and produced a charming effect. I left the path in order to reach them sooner, and when I had gathered a bouquet, I threw my staff and at the same time uttered a joyous cry, in imitation of the students, my companions on this trip.

"A frightened scream responded to mine. My staff in its flight had crossed the path and darted into an angle in the road. At that same moment, I saw a mule's head appear with ears thrown back in terror, then the rest of its body, and upon its back a lady ready to fall into the abyss. Fright paralyzed me. All aid was impossible on account of the narrowness of the road, and this stranger's life depended upon her coolness and the intelligence of her beast. Finally the animal seemed to regain its courage and began to walk away, lowering its head as if it could still hear the terrible whistle of the javelin in his ears. I slipped from the rock upon which I stood and seized the mule by the bridle, and succeeded in getting them out of a bad position. I led the animal in this way for some distance, until I reached a place where the path was broader, and danger was over.

"I then offered my apologies to the person whose life I had just compromised by my imprudence, and for the first time took a good look at her. She was young and well dressed; a black silk gown fitted her slender form to perfection; her straw hat was fastened to the saddle, and her long chestnut hair floated in disorder over her pale cheeks. As she heard my voice, she opened her eyes, which in her fright she had instinctively closed; they seemed to me the most beautiful I had ever seen in my life.

"She looked at the precipice and turned away with a shudder. Her glance rested upon me, and then upon the rhododendrons which I held in my hand.

"The frightened expression on her face was replaced immediately by one of childish curiosity.

"'What pretty flowers!' she exclaimed, in a fresh, young voice. "Are those rhododendrons, Monsieur?'

"I presented her my bouquet without replying; as she hesitated about taking it, I said:

"'If you refuse these flowers, Madame, I shall not believe that you have pardoned me.'

"By this time, the persons who were with her had joined us. There were two other ladies, three or four men mounted upon mules, and several guides. At the word rhododendron, a rather large, handsome fellow, dressed in a pretentious style, slipped from his mule and climbed the somewhat steep precipice in quest of the flowers which seemed to be so much in favor. When he returned, panting for breath, with an enormous bunch of them in his hand, the lady had already accepted mine.

"'Thank you, Monsieur de Mauleon,' said she, with a rather scornful air; 'offer your flowers to these ladies.' Then, with a slight inclination of the head to me, she struck her mule with her whip, and they rode away.

"The rest of the company followed her, gazing at me as they passed, the big, fashionable fellow especially giving me a rather impertinent glance. I did not try to pick a quarrel with him on account of this discourteous manifestation. When the cavalcade was at some distance, I went in search of my stick, which I found under a tree on the edge of the precipice; then I continued climbing the steep path, with my eyes fastened upon the rider in the black silk gown, her hair flying in the wind and my bouquet in her hand.

"A few moments later, I reached the pavilion at the Montanvert, where I found a gay company gathered together, made up principally of English people. As for myself, I must admit the frivolous, or, rather mundane, bent of my tastes; the truly admirable spectacle presented to my eyes interested me much less than the young stranger, who at this moment was descending with the lightness of a sylph the little road which led to the Mer de Glace.

"I do not know what mysterious link bound me to this woman. I had met many much more beautiful, but the sight of them had left me perfectly indifferent. This one attracted me from the first. The singular circumstances of this first interview, doubtless, had something to do with the impression. I felt glad to see that she had kept my bouquet; she held it in one hand, while she leaned with the other upon a staff somewhat like my own. The two other ladies, and even the men had stopped on the edge of the ice.

Monsieur de Mauleon wished to fulfil his duties as escort, but at the first crevasse he had also halted without manifesting the slightest desire to imitate the chamois. The young woman seemed to take a malicious pleasure in contemplating her admirer's prudent attitude, and, far from listening to the advice he gave her, she began to run upon the ice, bounding over the crevasses with the aid of her stick. I was admiring her lightness and thoughtlessness, but with an uneasy feeling, when I saw her suddenly stop. I instinctively ran toward her. An enormous crevasse of great depth lay at her feet, blue at its edges and dark in its depths. She stood motionless before this frightful gulf with hands thrown out before her in horror, but charmed like a bird about to be swallowed by a serpent. I knew the irresistible effect upon nervous temperaments of this magnetic attraction toward an abyss. I seized her by the arm, the suddenness of the movement made her drop her staff and flowers, which fell into the depths of the chasm.

"I tried to lead her away, but after she had taken a few steps, I felt her totter; she had grown pale; her eyes were closed. I threw my arm about her, in order to support her and turned her face toward the north; the cold air striking her revived her, and she soon opened her beautiful brown eyes. I do not know what sudden tenderness seized me then, but I pressed this lovely creature within my grasp, and she remained in my arms unresistingly. I felt that I loved her already.

"She remained for a moment with her languishing eyes fixed on mine, making no response, perhaps not even having heard me. The shouts of her party, some of whom were coming toward her, broke the charm. With a rapid movement, she withdrew from my embrace, and I offered her my arm, just as if we were in a drawing-room and I was about to lead her out for a dance; she took it, but I did not feel elated at this, for I could feel her knees waver at every step. The smallest crevasse, which she had crossed before with such agility, now inspired her with a horror which I could divine by the trembling of her arm within mine. I was obliged to make numerous detours in order to avoid them, and thus prolonged the distance, for which I was not sorry. Did I not know that when we reached our destination, the world, that other sea of ice, was going to take her away from me, perhaps forever? We walked silently, occasionally making a few trivial remarks, both deeply embarrassed. When we reached the persons who awaited her, I said, as she disengaged my arm:

"'You dropped my flowers, Madame; will it be the same with your memory of me?'

"She looked at me, but made no reply. I loved this silence. I bowed politely to her and returned to the pavilion, while she related her adventure to her friends; but I am quite sure she did not tell all the details.

"The register for travellers who visit the Montan-Vert is a mixture of all nationalities, and no tourist refuses his tribute; modest ones write down their names only. I hoped in this way to learn the name of the young traveller, and I was not disappointed. I soon saw the corpulent Monsieur de Mauleon busily writing his name upon the register in characters worthy of Monsieur Prudhomme; the other members of the little party followed his example. The young woman was the last to write down her name. I took the book in my turn, after she had left, and with apparent composure I read upon the last line these words, written in a slender handwriting:

"Baroness Clemence de Bergenheim."

CHAPTER VII

GERFAUT ASKS A FAVOR

"The Baroness de Bergenheim!" exclaimed Marillac. "Ah! I understand it all now, and you may dispense with the remainder of your story. So this was the reason why, instead of visiting the banks of the Rhine as we agreed, you made me leave the route at Strasbourg under the pretext of walking through the picturesque sites of the Vosges. It was unworthy of you to abuse my confidence as a friend. And I allowed myself to be led by the nose to within a mile of Bergenheim!"

"Peace," interrupted Gerfaut; "I have not finished. Smoke and listen.

"I followed Madame de Bergenheim as far as Geneva. She had gone there from here with her aunt, and had availed herself of this journey to visit Mont Blanc. She left for her home the next day without my meeting her again; but I preserved her name, and it was not unknown to me. I had heard it spoken in several houses in the Faubourg Saint-Germain, and I knew that I should certainly have an opportunity of meeting her during the winter.

"So I remained at Geneva, yielding to a sensation as new as it was strange. It first acted upon my brain whose ice I felt melting away, and its sources ready to gush forth. I seized my pen with a passion not unlike an access of rage. I finished in four days two acts of a drama that I was then writing. I never had written anything more vigorous or more highly colored. My unconstrained genius throbbed in my arteries, ran through my blood, and bubbled over as if it wished to burst forth. My hand could not keep even with the course of my imagination; I was obliged to write in hieroglyphics.

"Adieu to the empty reveries brought about by spleen, and to the meditations 'a la Werther'! The sky was blue, the air pure, life delightful—my talent was not dead.

"After this first effort, I slackened a little! Madame de Bergenheim's face, which I had seen but dimly during this short time, returned to me in a less vaporous form; I took extreme delight in calling to mind the slightest circumstances of our meeting, the smallest details of her features, her toilette, her manner of walking and carrying her head. What had impressed me most was the extreme softness of her dark eyes, the almost childish tone of her voice, a vague odor of heliotrope with which her hair was perfumed; also the touch of her hand upon my arm. I sometimes caught myself embracing myself in order to feel this last sensation again, and then I could not help laughing at my thoughts, which were worthy of a fifteen-year-old lover.

"I had felt so convinced of my powerlessness to love, that the thought of a serious passion did not at first enter my mind. However, a remembrance of my beautiful traveller pervaded my thoughts more and more, and threatened to usurp the place of everything else. I then subjected myself to a rigid analysis; I sought for the exact location of this sentiment whose involuntary yoke I already felt; I persuaded myself, for some time yet, that it was only the transient excitement of my brain, one of those fevers of imagination whose fleeting titillations I had felt more than once.

"But I realized that the evil, or the good—for why call love an evil?— had penetrated into the most remote regions of my being, and I realized the energy of my struggle like a person entombed who tries to extricate himself. From the ashes of this volcano which I had believed to be extinct, a flower had suddenly blossomed, perfumed with the most fragrant of odors and decked with the most charming colors. Artless enthusiasm, faith in love, all the brilliant array of the fresh illusions of my youth returned, as if by enchantment, to greet this new bloom of my life; it seemed to me as if I had been created a second time, since I was aided by intelligence and understood its mysteries while tasting of its delights. My past, in the presence of this regeneration, was nothing more than a shadow at the bottom of an abyss. I turned toward the future with the faith of a Mussulman who kneels with his face toward the East—I loved!

"I returned to Paris, and applied to my friend Casorans, who knows the
Faubourg Saint-Germain from Dan to Beersheba.

"'Madame de Bergenheim,' he said to me, 'is a very popular society woman, not very pretty, perhaps, rather clever, though, and very amiable. She is one of our coquettes of the old nobility, and with her twenty-four carats' virtue she always has two sufferers attached to her chariot, and a third on the waiting-list, and yet it is impossible for one to find a word to say against her behavior. Just at this moment, Mauleon and d'Arzenac compose the team; I do not know who is on the waiting-list. She will probably spend the winter here with her aunt, Mademoiselle de Corandeuil, one of the hatefullest old women on the Rue de Varennes. The husband is a good fellow who, since the July revolution, has lived upon his estates, caring for his forests and killing wild boars without troubling himself much about his wife.'

"He then told me which houses these ladies frequented, and left me, saying with a knowing air:

"'Take care, if you intend to try the power of your seductions upon the little Baroness; whoever meddles with her smarts for it!'

"This information from a viper like Casorans satisfied me in every way.
Evidently the place was not taken; impregnable, that was another thing.

"Before Madame de Bergenheim's return, I began to show myself assiduously at the houses of which my friend had spoken. My position in the Faubourg Saint-Germain is peculiar, but good, according to my opinion. I have enough family ties to be sustained by several should I be attacked by many, and this is the essential point. It is true that, thanks to my works, I am regarded as an atheist and a Jacobin; aside from these two little defects, they think well enough of me. Besides, it is a notorious fact that I have rejected several offers from the present government, and refused last year the 'croix d'honneur'; this makes amends and washes away half my sins. Finally, I have the reputation of having a certain- knowledge of heraldry, which I owe to my uncle, a confirmed hunter after genealogical claims. This gains me a respect which makes me laugh sometimes, when I see people who detest me greet me as cordially as the Cure of Saint-Eustache greeted Bayle, for fear that I might destroy their favorite saint. However, in this society, I am no longer Gerfaut of the Porte-Saint-Martin, but I am the Vicomte de Gerfaut. Perhaps, with your bourgeois ideas, you do not understand—"

"Bourgeois!" exclaimed Marillac, bounding from his seat, "what are you talking about? Do you wish that we should cut each other's throats before breakfast to-morrow? Bourgeois! why not grocer? I am an artist— don't you know that by this time?"

"Don't get angry, my dear fellow; I meant to say that in certain places the title of a Vicomte has still a more powerful attraction than you, with your artistic but plebeian ideas, would suppose in this year of our Lord 1832."

"Well and good. I accept your apology."

"A vicomte's title is a recommendation in the eyes of people who still cling to the baubles of nobility, and all women are of this class. There is something, I know not what, delicate and knightly in this title, which suits a youngish bachelor. Duke above all titles is the one that sounds the best. Moliere and Regnard have done great harm to the title of marquis. Count is terribly bourgeois, thanks to the senators of the empire. As to a Baron, unless he is called Montmorency or Beaufremont, it is the lowest grade of nobility; vicomte, on the contrary, is above reproach; it exhales a mixed odor of the old regime and young France; then, don't you know, our Chateaubriand was a vicomte.

"I departed from my subject in speaking of nobility. I accidentally turned over one day to the article upon my family in the Dictionnaire de Saint-Allais; I found that one of my ancestors, Christophe de Gerfaut, married, in 1569, a Mademoiselle Yolande de Corandeuil.

"'O my ancestor! O my ancestress!' I exclaimed, 'you had strange baptismal names; but no matter, I thank you. You are going to serve me as a grappling iron; I shall be very unskilful if at the very first meeting the old aunt escapes Christophe.'

"A few days later I went to the Marquise de Chameillan's, one of the most exclusive houses in the noble Faubourg. When I enter her drawing-room, I usually cause the same sensation that Beelzebub would doubtless produce should he put his foot into one of the drawing-rooms in Paradise. That evening, when I was announced, I saw a certain undulation of heads in a group of young women who were whispering to one another; many curious eyes were fastened upon me, and among these beautiful eyes were two more beautiful than all the others: they were those of my bewitching traveller.

"I exchanged a rapid glance with her, one only; after paying my respects to the mistress of the house, I mingled with a crowd of men, and entered into conversation with an old peer upon some political question, avoiding to look again toward Madame de Bergenheim.

"A moment later, Madame de Chameillan came to ask the peer to play whist; he excused himself, he could not remain late.

"'I dare not ask you to play with Mademoiselle de Corandeuil,' said she, turning toward me; 'besides, I understand too well that it is to my interest and the pleasure of these ladies, not to exile you to a whist table.'

"I took the card which she half offered me with an eagerness which might have made her suppose that I had become a confirmed whist expert during my voyage.

"Mademoiselle de Corandeuil certainly was the ugly, crabbed creature that Casorans had described; but had she been as frightful as the witches in Macbeth I was determined to make her conquest. So I began playing with unusual attention. I was her partner, and I knew from experience the profound horror which the loss of money inspires in old women. Thank heaven, we won! Mademoiselle de Corandeuil, who has an income of one hundred thousand francs, was not at all indifferent to the gain of two or three louis. She, therefore, with an almost gracious air, congratulated me, as we left the table, upon my manner of playing.

"'I would willingly contract an alliance, offensive and defensive with you,' said she to me.

"'The alliance is already contracted, Mademoiselle,' said I, seizing the opportunity.

"'How is that, Monsieur?' she replied, raising her head with a dignified air, as if she were getting ready to rebuke some impertinent speech.

"I also gravely straightened up and gave a feudal look to my face.

"'Mademoiselle, I have the honor of belonging to your family, a little distantly, to be sure; that is what makes me speak of an alliance between us as a thing already concluded. One of my ancestors, Christophe de Gerfaut, married Mademoiselle Yolande de Corandeuil, one of your great- grand-aunts, in 1569.'

"'Yolande is really a family name,' replied the old lady, with the most affable smile that her face would admit; 'I bear it myself. The Corandeuils, Monsieur, never have denied their alliances, and it is a pleasure for me to recognize my relationship with such a man as you. We address by the title of cousin relatives as far back as 1300.'

"'I am nearer related to you by three centuries,' I replied, in my most insinuating voice; 'may I hope that this good fortune will authorize me to pay my respects to you?'

"Mademoiselle de Corandeuil replied to my 'tartuferie' by granting me permission to call upon her. My attention was not so much absorbed in our conversation that I did not see in a mirror, during this time, the interest with which Madame de Bergenheim watched my conversation with her aunt; but I was careful not to turn around, and I let her take her departure without giving her a second glance.

"Three days later, I made my first call. Madame de Bergenheim received my greeting like a woman who had been warned and was, therefore, prepared. We exchanged only one rapid, earnest glance, that was all. Availing myself of the presence of other callers, numerous enough to assure each one his liberty, I began to observe, with a practised eye, the field whereon I had just taken my position.

"Before the end of the evening, I recognized the correctness of Casorans's information. Among all the gentlemen present I found only two professed admirers: Monsieur de Mauleon, whose insignificance was notorious, and Monsieur d'Arzenac, who appeared at first glance as if he might be more to be feared. D'Arzenac, thanks to an income of ten thousand livres, beside being a man of rank, occupies also one of the finest positions that one could desire; he is not unworthy of his name and his fortune. Irreproachable in morals as in manners; sufficiently well informed; of an exquisite but reserved politeness; understanding perfectly the ground that he is walking upon; making also more advances than is customary among the pachas of modern France, he was, without doubt, the flower of the flock in Mademoiselle de Corandeuil's drawing- room. In spite of all these advantages, an attentive examination showed me that his passion was hopeless. Madame de Bergenheim received his attentions very kindly—too kindly. She usually listened to him with a smile in which one could read gratitude for the devotion he lavished upon her. She willingly accepted him as her favorite partner in the galop, which he danced to perfection. His success stopped there.

"At the end of several days, the ground having been carefully explored and the admirers, dangerous and otherwise, having been passed in review, one after another, I felt convinced that Clemence loved nobody.

"'She shall love me,' said I, on the day I reached this conclusion. In order to formulate in a decisive manner the accomplishment of my desire, I relied upon the following propositions, which are to me articles of faith.

"No woman is unattainable, except when she loves another. Thus, a woman who does not love, and who has resisted nine admirers, will yield to the tenth. The only question for me was to be the tenth. Here began the problem to be solved.

"Madame de Bergenheim had been married only three years; her husband, who was good-looking and young, passed for a model husband; if these latter considerations were of little importance, the first was of great weight. According to all probability, it was too soon for any serious attack. Without being beautiful, she pleased much and many; a second obstacle, since sensibility in women is almost always developed in inverse ratio to their success. She had brains; she was wonderfully aristocratic in all her tastes.

Last, being very much the fashion, sought after and envied, she was under the special surveillance of pious persons, old maids, retired beauties in one word, all that feminine mounted police, whose eyes, ears, and mouths seem to have assumed the express mission of annoying sensitive hearts while watching over the preservation of good morals.

"This mass of difficulties, none of which escaped me, traced as many lines upon my forehead as if I had been commanded to solve at once all the propositions in Euclid. She shall love me! these words flashed unceasingly before my eyes; but the means to attain this end? No satisfactory plan came to me. Women are so capricious, deep, and unfathomable! It is, with them, the thing soonest done which is soonest ended! A false step, the least awkwardness, a want of intelligence, a quarter of an hour too soon or too late! One thing only was evident: it needed a grand display of attractions, a complete plan of gallant strategy; but, then, what more?

"That earthly paradise of the Montanvert was far from us, where I had been able in less time than it would take to walk over a quadrille, to expose her to death, to save her afterward, and finally to say to her 'I love you!' Passion in drawing-rooms is not allowed those free, dramatic ways; flowers fade in the candle-light; the oppressive atmosphere of balls and fetes stifles the heart, so ready to dilate in pure mountain air. The unexpected and irresistible influence of the glacier would have been improper and foolish in Paris. There, an artless sympathy, stronger than social conventions, had drawn us to each other—Octave and Clemence. Here, she was the Baroness de Bergenheim, and I the Vicomte de Gerfaut. I must from necessity enter the ordinary route, begin the romance at the first page, without knowing how to connect the prologue with it.

"What should be my plan of campaign?

"Should I pose as an agreeable man, and try to captivate her attention and good graces by the minute attentions and delicate flattery which constitute what is classically called paying court? But D'Arzenac had seized this role, and filled it in such a superior way that all competition would be unsuccessful. I saw where this had led him. It needed, in order to inflame this heart, a more active spark than foppish gallantry; the latter flatters the vanity without reaching the heart.

"There was the passionate method—ardent, burning, fierce love. There are some women upon whom convulsive sighs drawn from the depths of the stomach, eyebrows frowning in a fantastic manner, and eyes in which only the whites are to be seen and which seem to say: 'Love me, or I will kill you!' produce a prodigious effect. I had myself felt the power of this fascination while using it one day upon a softhearted blond creature who thought it delightful to have a Blue-Beard for a lover. But the drooping corners of Clemence's mouth showed at times an ironical expression which would have cooled down even an Othello's outbursts.

"'She has brains, and she knows it,' said I to myself; 'shall I attack her in that direction?' Women rather like such a little war of words; it gives them an opportunity for displaying a mine of pretty expressions, piquant pouts, fresh bursts of laughter, graceful peculiarities of which they well know the effect. Should I be the Benedict to this Beatrice? But this by-play would hardly fill the prologue, and I very much wished to reach the epilogue.

"I passed in review the different routes that a lover might take to reach his end; I recapitulated every one of the more or less infallible methods of conquering female hearts; in a word, I went over my tactics like a lieutenant about to drill a battalion of recruits. When I had ended I had made no farther advance than before.

"'To the devil with systems!' exclaimed I; 'I will not be so foolish as wilfully to adopt the role of roue when I feel called upon to play the plain role of true lover. Let those who like play the part of Lovelace! As for myself, I will love; upon the whole, that is what pleases best.' And I jumped headlong into the torrent without troubling myself as to the place of landing.

"While I was thus scheming my attack, Madame de Bergenheim was upon her guard and had prepared her means of defence. Puzzled by my reserve, which was in singular contrast with my almost extravagant conduct at our first meeting, her woman's intelligence had surmised, on my part, a plan which she proposed to baffle. I was partly found out, but I knew it and thus kept the advantage.

"I could not help smiling at the Baroness's clever coquetry, when I decided to follow the inspirations of my heart, instead of choosing selfish motives as my guide. Every time I took her hand when dancing with her, I expected to feel a little claw ready to pierce the cold glove. But, while waiting for the scratch, it was a very soft, velvety little hand that was given me; and I, who willingly lent myself to her deception, did not feel very much duped. It was evident that the sort of halo which my merited or unmerited reputation had thrown over me had made me appear to her as a conquest of some value, a victim upon whom one could lavish just enough flowers in order to bring him to the sacrificial altar. In order to wind the first chain around my neck, Mauleon and D'Arzenac, 'a tutti quanti', were sacrificed for me without my soliciting, even by a glance, this general disbandment. I could interpret this discharge. I saw that the fair one wished to concentrate all her seductions against me, so as to leave me no means of escape; people neglect the hares to hunt for the deer. You must excuse my conceit.

"This conduct wounded me at first, but I afterward forgave her, when a more careful examination taught me to know this adorable woman's character. Coquetry was with her not a vice of the heart or of an unscrupulous mind; having nothing better to do, she enjoyed it as a legitimate pastime, without giving it any importance or feeling any scruples. Like all women, she liked to please; her success was sweet to her vanity; perhaps flattery turned her head at times, but in the midst of this tumult her heart remained in perfect peace. She found so little danger for herself in the game she played that it did not seem to her that it could be very serious for others. Genuine love is not common enough in Parisian parlors for a pretty woman to conceive any great remorse at pleasing without loving.

"Madame de Bergenheim was thus, ingenuously, unsuspectingly, a matchless coquette. Never having loved, not even her husband, she looked upon her little intriguing as one of the rights earned on the day of her marriage, the same as her diamonds and cashmeres. There was something touching in the sound of her voice and in her large, innocent eyes which she sometimes allowed to rest upon mine, without thinking to turn them away, and which said, 'I have never loved.' As for myself, I believed it all; one is so happy to believe!

"Far from being annoyed at the trap she laid for me, I, on the contrary, ran my head into it and presented my neck to the yoke with a docility which must have amused her, I think; but I hoped not to bear it alone. A coquette who coolly flaunts her triumphs to the world resembles those master-swimmers who, while spectators are admiring the grace of their poses, are struck by an unexpected current; the performer is sometimes swept away and drowned without his elegant strokes being of much service to him. Throw Celimene into the current of genuine passion—I do not mean the brutality of Alceste—I will wager that coquetry will be swept away by love. I had such faith in mine that I thought to be able to fix the moment when I should call myself victorious and sure of being obeyed.

"You know that sadness and ennui were considered etiquette last winter, in a certain society, which was thrown into mourning by the July revolution. Reunions were very few; there were no balls or soirees; dancing in drawing-rooms to the piano was hardly permissible, even with intimate friends. When once I was installed in Mademoiselle de Corandeuil's drawing-room upon a friendly footing, this cessation of worldly festivities gave me an opportunity to see Clemence in a rather intimate way.

"It would take too long to tell you now all the thousand and one little incidents which compose the history of all passions. Profiting by her coquetry, which made her receive me kindly in order to make me expiate my success afterward, my love for her was soon an understood thing between us; she listened to me in a mocking way, but did not dispute my right to speak. She ended by receiving my letters, after being constrained to do so through a course of strategies in which, truly, I showed incredible invention. I was listened to and she read my letters; I asked for nothing more.

"My love, from the first, had been her secret as well as mine; but every day I made to sparkle some unexpected facet of this prism of a thousand colors. Even after telling her a hundred times how much I adored her, my love still had for her the attraction of the unknown. I really had something inexhaustible in my heart, and I was sure, in the end, to intoxicate her with this philtre, which I constantly poured out and which she drank, while making sport of it like a child.

"One day I found her thoughtful and silent. She did not reply to me with her usual sprightliness during the few moments that I was able to talk with her; the expression of her eyes had changed; there was something deeper and less glowing in their depths; instead of dazzling me by their excessive splendor, as had often happened to me before, they seemed to soften as they rested on mine; she kept her eyelids a trifle lowered, as if she were tired of being gazed at by me. Her voice, as she spoke, had a low, soft sound, a sort of inexplicable something which came from the very depths of her soul. She never had looked at me with that glance or spoken to me in that tone before. Upon that day I knew that she loved me.

"I returned to my home unutterably happy, for I loved this woman with a love of which I believed myself incapable.

"When I met Madame de Bergenheim again, I found her completely changed toward me; an icy gravity, an impassible calm, an ironical and disdainful haughtiness had taken the place of the delicious abandon of her former bearing. In spite of my strong determination to allow myself to love with the utmost candor, it was impossible for me to return to that happy age when the frowning brows of the beautiful idol to whom we paid court inspired us with the resolve to drown ourselves. I could not isolate myself from my past experiences. My heart was rejuvenated, but my head remained old. I was, therefore, not in the least discouraged by this change of humor, and the fit of anger which it portended.

"'Now,' said I to myself, 'there is an end to coquetry, it is beaten on all sides; it is gone, never to return. She has seen that the affair is a little too deep for that, and the field not tenable. She will erect barriers in order to defend herself and will no longer attack.' Thus we pass from the period of amiable smiles, sweet glances, and half-avowals to that of severity and prudery, while waiting for the remorse and despair of the denouement. I am sure that at this time she called to her help all her powers of resistance. From that day she would retreat behind the line of duty, conjugal fidelity, honor, and all the other fine sentiments which would need numbering after the fashion of Homer. At the first attack, all this household battalion would make a furious sortie; should I succeed in overthrowing them and take up my quarters in the trenches, there would then be a gathering of the reserve force, and boiling oil or tar would rain upon my head, representing virtue, religion, heaven, and hell."

"A sort of conjugal earthquake," interrupted Marillac.

"I calculated the strength and approximate duration of these means of defence. The whole thing appeared to me only a question of time, a few days or weeks at most—so long on the husband's account, so long on the father confessor's account. I deserved to be boxed on the ears for my presumption; I was.

"A combat is necessary in order to secure a victory. In spite of all my efforts and ruses, it was not possible for me to fight this combat; I did not succeed, in spite of all my challenges, in shattering, as I expected, this virtuous conjugal fortress. Madame de Bergenheim still persisted in her systematic reserve, with incredible prudence and skill. During the remainder of the winter, I did not find more than one opportunity of speaking to her alone. As I was a permanent fixture every evening in her aunt's parlors, she entered them only when other guests were there. She never went out alone, and in every place where I was likely to meet her I was sure to find a triple rampart of women erected between us, through which it was impossible to address one word to her. In short, I was encountering a desperate resistance; and, yet, she loved me! I could see her cheeks gradually grow pale; her brilliant eyes often had dark rings beneath them, as if sleep had deserted her. Sometimes, when she thought she was not observed, I surprised them fastened upon me; but she immediately turned them away.

"She had been coquettish and indifferent; she was now loving but virtuous.

"Spring came. One afternoon I went to call upon Mademoiselle de Corandeuil, who had been ill for several days. I was received, however, probably through some mistake of the servants. As I entered the room I saw Madame de Bergenheim; she was alone at her embroidery, seated upon a divan. There were several vases of flowers in the windows, whose curtains only permitted a soft, mysterious light to penetrate the room. The perfume from the flowers, the sort of obscurity, the solitude in which I found her, overcame me for a moment; I was obliged to pause in order to quiet the beating of my heart.

"She arose as she heard my name announced; without speaking or laying down her work, she pointed to a chair and seated herself; but instead of obeying her, I fell upon my knees before her and seized her hands, which she did not withdraw. It had been impossible for me to say another word to her before, save 'I love you!' I now told her of all my love. Oh! I am sure of it, my words penetrated to the very depth of her heart, for I felt her hands tremble as they left mine. She listened without interrupting me or making any reply, with her face bent toward me as if she were breathing the perfume of a flower. When I begged her to answer me, when I implored her for one single word from her heart, she withdrew one of her hands, imprisoned within mine, and placed it upon my forehead, pushing back my head with a gesture familiar to women. She gazed at me thus for a long time; her eyes were so languishing under their long lashes, and their languor was so penetrating, that I closed mine, not being able to endure the fascination of this glance any longer.

"A shiver which ran over her and which went through me also, like an electric shock, aroused me. When I opened my eyes I saw her face bathed in tears. She drew back and repelled me. I arose impetuously, seated myself by her side and took her in my arms.

"'Am I not a wretched, unhappy woman?' said she, and fell upon my breast, sobbing.

"'Madame la Comtesse de Pontiviers,' announced the servant, whom I would willingly have assassinated, as well as the visiting bore who followed in his footsteps.

"I never saw Madame de Bergenheim in Paris again. I was obliged to go to
Bordeaux the next day, on account of a lawsuit which you know all about.
Upon my return, at the end of three weeks, I found she had left. I
finally learned that she had come to this place, and I followed her.
That is the extent of my drama.

"Now you know very well that I have not related this long story to you for the sole pleasure of keeping you awake until one o'clock in the morning. I wanted to explain to you that it was really a serious thing for me, so that you might not refuse to do what I wish to ask of you."

"I think I understand what you are aiming at," said Marillac, rather pensively.

"You know Bergenheim; you will go to see him to-morrow. He will invite you to pass a few days with him; you will stay to dinner. You will see Mademoiselle de Corandeuil, in whose presence you will speak my name as you refer to our journey; and before night, my venerable cousin of 1569 shall send me an invitation to come to see her."

"I would rather render you any other service than this," replied the artist, walking up and down the room in long strides. "I know very well that in all circumstances bachelors should triumph over husbands, but that does not prevent my conscience from smiting me. You know that I saved Bergenheim's life?"

"Rest assured that he runs no very great danger at present. Nothing will result from this step save the little enjoyment I shall take in annoying the cruel creature who defied me today. Is it agreed?"

"Since you insist upon it. But then, when our visit is ended, shall we go to work at our drama or upon 'The Chaste Suzannah' opera in three acts? For, really, you neglected art terribly for the sake of your love affairs."

"The Chaste Suzannah or the whole Sacred History we shall put into vaudeville, if you exact it. Until to-morrow, then."

"Until to-morrow."