A sequence of poems evokes dawn through dusk, prairie winds and dust, ritual dances and spirit songs, and mythic reckonings framed as a red apocalypse. Later cycles portray terraced Pueblo landscapes, potters, corn maidens, and ruined pueblos, while final pieces invoke Aztec gods and cosmology. The language is lyrical and imagistic, alternating intimate observation of natural life with ceremonially inflected reflections on death, renewal, and the drumlike rhythms of the earth.