WeRead Powered by ReaderPub
God's drum, and other cycles from Indian lore cover

God's drum, and other cycles from Indian lore

Chapter 45: “THE ONLY GOOD INDIAN IS A DEAD INDIAN”
Open in WeRead

About This Book

A sequence of poems evokes dawn through dusk, prairie winds and dust, ritual dances and spirit songs, and mythic reckonings framed as a red apocalypse. Later cycles portray terraced Pueblo landscapes, potters, corn maidens, and ruined pueblos, while final pieces invoke Aztec gods and cosmology. The language is lyrical and imagistic, alternating intimate observation of natural life with ceremonially inflected reflections on death, renewal, and the drumlike rhythms of the earth.

“THE ONLY GOOD INDIAN IS A DEAD INDIAN”

So there he lies, redeemed at last!
His knees drawn tense, just as he fell
And shrieked out his soul in a battle-yell;
One hand with the rifle still clutched fast;
One stretched straight out, the fingers clenched
In the knotted roots of the sun-bleached grass;
His head flung back on the tangled mass
Of raven mane, the war-plume wrenched
Awry and torn; the painted face
Still foe-wards turned, the white teeth bare
’Twixt the livid lips, the wide-eyed glare,
The bronze cheek gaped by battle-trace
In dying rage rent fresh apart:—
A strange expression for one all good!—
On his naked breast a splotch of blood
Where the lead Evangel cleft his heart.
So there he lies at last made whole,
Regenerate! Christ rest his soul!