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God's drum, and other cycles from Indian lore cover

God's drum, and other cycles from Indian lore

Chapter 58: THE POTTERY PEDDLER
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About This Book

A sequence of poems evokes dawn through dusk, prairie winds and dust, ritual dances and spirit songs, and mythic reckonings framed as a red apocalypse. Later cycles portray terraced Pueblo landscapes, potters, corn maidens, and ruined pueblos, while final pieces invoke Aztec gods and cosmology. The language is lyrical and imagistic, alternating intimate observation of natural life with ceremonially inflected reflections on death, renewal, and the drumlike rhythms of the earth.

THE POTTERY PEDDLER

I saw him with his pack of wares,
Spoil of an ancient craft,——
His body supple as the bow
After the true-sped shaft:
I liked the weave of banded wool
That girt him at the thighs;
I liked the glint of gaudy things
That filled me with surmise:
The abalone at his ears,
His beaded turquoise string;
The kerchief round his glossy hair——
Red on a blackbird’s wing:
I liked the silver where its hue
Shone on his earth-brown skin,
And, oh, his patient eyes I liked,
All smouldering within.
I saw him loping up the road
Made by the white man’s hand:
His step was soundless, and he seemed
A phantom in the land.
I saw him on a white man’s street——
And, lo, the street was gone
A century of centuries
While still mine eyes looked on!
And I beheld him, lithe and proud,
Chief upon plain and hill,——
The eagle was his panoply,
The mountain lion his kill:
About him thronged his earth-brown kin,
Rhythmic with the drum,——
I saw their gleaming feathers
And their bright musicians come:
I saw them with their patterned robes,
Their glint of gaudy things,
Their greens, their reds, their silver whites,
Their dangles and their rings:
A century of centuries
While still mine eyes looked on:
An Indian—and the white man’s street
Ten thousand years agone!