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God's drum, and other cycles from Indian lore cover

God's drum, and other cycles from Indian lore

Chapter 65: V
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About This Book

A sequence of poems evokes dawn through dusk, prairie winds and dust, ritual dances and spirit songs, and mythic reckonings framed as a red apocalypse. Later cycles portray terraced Pueblo landscapes, potters, corn maidens, and ruined pueblos, while final pieces invoke Aztec gods and cosmology. The language is lyrical and imagistic, alternating intimate observation of natural life with ceremonially inflected reflections on death, renewal, and the drumlike rhythms of the earth.

V

Still do the valley’s ancient hills,
Oblivious of man’s passing years,
Renew their bloom with the summer sun
And gloam with gray cloud-fallen tears:
Above their purple crests still climb
The storm’s dark streamers ’thwart the heaven——
Like ghosts of old marauders come
Bright-arrowed with the jagged levin:
And still upon the mesa top
The dead pueblo’s ruined walls
Flare back defiance where the light
In crimson splendor o’er them falls:
About the plaza strewn with shards
Like phantom footsteps fitful go
The phantom winds and idly shift
The downs of thistles to and fro:
And sway the purple huaco’s spires,
And bend the sunflower’s yellow head
O’er wild verbenas lavender
And Indian paintbrush saffron-red:
And ruffle faint the placid pool
That gathers on the kiva’s floor
To mirror still the cloudy forms
Pictured upon its walls of yore:
While in the chambers long untrod
The broken vigas and the clay
Imprinted with the builder’s hand
Yet crumble in their slow decay:
And underneath the mounded stones
That mark the ancient wall and keep,
With gaud and trinket nigh their bones,
Do they that builded sleep their sleep:
There, warded by the broken church
And tumulus that bears the Rood,
Rememberless the ruins lie,
Dead, mid the valley’s solitude:
Above them, with his pinions spread
Majestic in his noiseless flight,
The Eagle wheels; then soars him far
To vanish in the western night.