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Goethe's literary essays

Chapter 43: MOLIÈRE’S MISANTHROPE
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About This Book

A selection of critical essays and conversations in which the author examines principles of art, architecture, poetry, and drama, arguing for close observation, a balance between imitation and invention, and the interplay of truth and probability in representation. The pieces offer methodological reflections on criticism, debates between classical and modern approaches, practical concerns of theatre and acting, and readings of major dramatists alongside commentary on other writers. Dialogues and aphoristic notes further clarify aesthetic concepts such as style, taste, originality, imagination, and the idea of a world literature.

MOLIÈRE’S MISANTHROPE

(1828)

Histoire de la Vie et des Ouvrages de Molière, par J. Taschereau. Paris, 1828.

This work deserves to be read carefully by all true lovers of literature, because it gives us new insight into the qualities and individuality of a great man. It will also be welcome to his devoted admirers, although they hardly need this in order to treasure him highly; to the attentive reader he has revealed himself sufficiently in his works.

Examine the Misanthrope carefully and ask yourself whether a poet has ever represented his inner spirit more completely or more admirably. We can well call the content and treatment of this play “tragic.” Such an impression at least it has always left with us, because that mood is brought before our mind’s eye which often in itself brings us to despair, and seems as if it would make the world unbearable.

Here is represented the type of man who despite great cultivation has yet remained natural, and who with himself, as well as others, would like only too well to express himself with complete truth and sincerity. But we see him in conflict with the social world, where one cannot move without dissimulation and shallowness.

In contrast to such a type Timon is merely a comic character. I wish that a talented poet would depict such a visionary who was always deceiving himself as to the world, and then was greatly put out with it, as if it had deceived him.