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Goethe's literary essays

Chapter 46: LAURENCE STERNE
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About This Book

A selection of critical essays and conversations in which the author examines principles of art, architecture, poetry, and drama, arguing for close observation, a balance between imitation and invention, and the interplay of truth and probability in representation. The pieces offer methodological reflections on criticism, debates between classical and modern approaches, practical concerns of theatre and acting, and readings of major dramatists alongside commentary on other writers. Dialogues and aphoristic notes further clarify aesthetic concepts such as style, taste, originality, imagination, and the idea of a world literature.

LAURENCE STERNE

(1827)

In the swift progress of literary, as of human, culture it happens commonly that we forget the person to whom we owe the first stimulus, the original influence. What is, and what flourishes here and now, we believe had to be so and had to happen so. But in this we are wrong, for we lose sight of those who guided us to the right path. From this point of view I call attention to a man who first gave the stimulus to the great epoch in the second half of the last century, an epoch of clearer human knowledge, nobler toleration, gentler humanity.

Of this man, to whom I owe so much, I am often reminded, especially when the talk is of truth and error, which fluctuate here and there among mankind. A third word may be added of gentler meaning, that is, “singularity” (Eigenheit), for there are certain human phenomena which can be best expressed by this term. Viewed externally they are erroneous, but from within full of truth, and rightly considered, of the highest psychological importance. They are those qualities which constitute the individual; the universal is thereby specified, and in the most peculiar of them there always shines some intelligence, reason, and good-will which charms us and fetters us. From this standpoint, “Yorick” Sterne, revealing in the tenderest way the human in men, has called these “singularities,” in so far as they express themselves in action, “ruling passions.” For certainly they are what drive men in a certain direction, push them along on a consistent track, and without requiring reflection, conviction, purpose or strength of will, keep them continually in life and motion. It is immediately apparent how closely related habit is to them; for it promotes that convenience in which our idiosyncrasies love to saunter undisturbed.