GREAT POEMS OF THE WORLD WAR
BEFORE ACTION
LIEUT. WILLIAM NOEL HODGSON
Military Cross, Devon Regiment—Killed in Battle
From “Verse and Prose in Peace and War.” John Murray, Publisher, London. Permission to reproduce in this book.
BY all the glories of the day,
And the cool evening’s benison;
By the last sunset touch that lay
Upon the hills when day was done:
By beauty lavishly outpoured,
And blessings carelessly received,
By all the days that I have lived,
Make me a soldier, Lord.
And the cool evening’s benison;
By the last sunset touch that lay
Upon the hills when day was done:
By beauty lavishly outpoured,
And blessings carelessly received,
By all the days that I have lived,
Make me a soldier, Lord.
By all of human hopes and fears,
By all the wonders poets sing,
The laughter of unclouded years,
And every sad and lovely thing:
By the romantic ages stored
With high endeavor that was his,
By all his mad catastrophes,
Make me a man, O Lord.
By all the wonders poets sing,
The laughter of unclouded years,
And every sad and lovely thing:
By the romantic ages stored
With high endeavor that was his,
By all his mad catastrophes,
Make me a man, O Lord.
I, that on my familiar hill
Saw with uncomprehending eyes
A hundred of Thy sunsets spill
Their fresh and sanguine sacrifice,
Ere the sun swings his noonday sword
Must say good-bye to all of this:
By all delights that I shall miss,
Help me to die, O Lord.
Saw with uncomprehending eyes
A hundred of Thy sunsets spill
Their fresh and sanguine sacrifice,
Ere the sun swings his noonday sword
Must say good-bye to all of this:
By all delights that I shall miss,
Help me to die, O Lord.
ALAN SEEGER
WASHINGTON VAN DUSEN
in The Chicago Tribune
NO beauty could escape his loving eyes,
Not even ruthless war could hide from view
The smiling fields where crimson poppies grew,
Nor mar the sunset’s rose and purple dyes;
He watched a vine-clad slope, with glad surprise
To hear grapepickers sing, although they knew
Just on the other side, the cannon threw
Their deadly shells and woke the startled skies.
Not even ruthless war could hide from view
The smiling fields where crimson poppies grew,
Nor mar the sunset’s rose and purple dyes;
He watched a vine-clad slope, with glad surprise
To hear grapepickers sing, although they knew
Just on the other side, the cannon threw
Their deadly shells and woke the startled skies.
But over all that made Champagne so fair,
He saw the grandeur of the field of strife,
Exulting in the cause that placed him there,
He felt a calm, mid all the carnage rife,
And faced the battle with a spirit rare,
“For death may be more wonderful than life.”
He saw the grandeur of the field of strife,
Exulting in the cause that placed him there,
He felt a calm, mid all the carnage rife,
And faced the battle with a spirit rare,
“For death may be more wonderful than life.”
THE NURSE
in London Punch
Reproduced by special permission of the Proprietors of “Punch”
HERE in the long white ward I stand,
Pausing a little breathless space,
Touching a restless fevered hand,
Murmuring comforts commonplace—
Pausing a little breathless space,
Touching a restless fevered hand,
Murmuring comforts commonplace—
Long enough pause to feel the cold
Fingers of fear about my heart;
Just for a moment, uncontrolled,
All the pent tears of pity start.
Fingers of fear about my heart;
Just for a moment, uncontrolled,
All the pent tears of pity start.
While here I strive, as best I may,
Strangers’ long hours of pain to ease,
Dumbly I question—Far away
Lies my beloved even as these?
Strangers’ long hours of pain to ease,
Dumbly I question—Far away
Lies my beloved even as these?
THE LITTLE HOME PAPER
CHARLES HANSON TOWNE
in The American Magazine
Permission to reproduce in this book
THE little home paper comes to me,
As badly printed as it can be;
It’s ungrammatical, cheap, absurd—
Yet, how I love each intimate word!
For here am I in the teeming town,
Where the sad, mad people rush up and down,
And it’s good to get back to the old lost place,
And gossip and smile for a little space.
As badly printed as it can be;
It’s ungrammatical, cheap, absurd—
Yet, how I love each intimate word!
For here am I in the teeming town,
Where the sad, mad people rush up and down,
And it’s good to get back to the old lost place,
And gossip and smile for a little space.
The weather is hot; the corn crop’s good;
They’ve had a picnic in Sheldon’s Wood.
And Aunt Maria was sick last week;
Ike Morrison’s got a swollen cheek,
And the Squire was hurt in a runaway—
More shocked than bruised, I’m glad they say.
Bert Wills—I used to play with him—
Is working a farm with his Uncle Jim.
They’ve had a picnic in Sheldon’s Wood.
And Aunt Maria was sick last week;
Ike Morrison’s got a swollen cheek,
And the Squire was hurt in a runaway—
More shocked than bruised, I’m glad they say.
Bert Wills—I used to play with him—
Is working a farm with his Uncle Jim.
The Red Cross ladies gave a tea,
And raised quite a bit. Old Sol MacPhee
Has sold his house on Lincoln Road—
He couldn’t carry so big a load.
The methodist minister’s had a call
From a wealthy parish near St. Paul.
And old Herb Sweet is married at last—
He was forty-two. How the years rush past!
And raised quite a bit. Old Sol MacPhee
Has sold his house on Lincoln Road—
He couldn’t carry so big a load.
The methodist minister’s had a call
From a wealthy parish near St. Paul.
And old Herb Sweet is married at last—
He was forty-two. How the years rush past!
But here’s an item that makes me see
What a puzzling riddle life can be.
“Ed Stokes,” it reads, “was killed in France
When the Allies made their last advance.”
Ed Stokes! That boy with the laughing eyes
As blue as the early-summer skies!
He wouldn’t have killed a fly—and yet,
Without a murmur, without a regret,
What a puzzling riddle life can be.
“Ed Stokes,” it reads, “was killed in France
When the Allies made their last advance.”
Ed Stokes! That boy with the laughing eyes
As blue as the early-summer skies!
He wouldn’t have killed a fly—and yet,
Without a murmur, without a regret,
He left the peace of our little place,
And went away with a light in his face;
For out in the world was a job to do,
And he wouldn’t come home until it was through!
Four thousand miles from our tiny town
And its hardware store, this boy went down.
Such a quiet lad, such a simple chap—
But he’s put East Dunkirk on the map!
And went away with a light in his face;
For out in the world was a job to do,
And he wouldn’t come home until it was through!
Four thousand miles from our tiny town
And its hardware store, this boy went down.
Such a quiet lad, such a simple chap—
But he’s put East Dunkirk on the map!
NO MAN’S LAND
CAPT. JAMES H. KNIGHT-ADKIN
in The Spectator
NO Man’s Land is an eerie sight
At early dawn in the pale gray light.
Never a house and never a hedge
In No Man’s Land from edge to edge,
And never a living soul walks there
To taste the fresh of the morning air.
Only some lumps of rotting clay,
That were friends or foemen yesterday.
At early dawn in the pale gray light.
Never a house and never a hedge
In No Man’s Land from edge to edge,
And never a living soul walks there
To taste the fresh of the morning air.
Only some lumps of rotting clay,
That were friends or foemen yesterday.
What are the bounds of No Man’s Land?
You can see them clearly on either hand,
A mound of rag-bags gray in the sun,
Or a furrow of brown where the earthworks run
From the Eastern hills to the Western sea,
Through field or forest, o’er river and lea;
No man may pass them, but aim you well
And Death rides across on the bullet or shell.
You can see them clearly on either hand,
A mound of rag-bags gray in the sun,
Or a furrow of brown where the earthworks run
From the Eastern hills to the Western sea,
Through field or forest, o’er river and lea;
No man may pass them, but aim you well
And Death rides across on the bullet or shell.
But No Man’s Land is a goblin sight
When patrols crawl over at dead o’ night;
Boche or British, Belgian or French,
You dice with death when you cross the trench.
When the “rapid,” like fire-flies in the dark,
Flits down the parapet spark by spark,
And you drop for cover to keep your head
With your face on the breast of the four months’ dead.
When patrols crawl over at dead o’ night;
Boche or British, Belgian or French,
You dice with death when you cross the trench.
When the “rapid,” like fire-flies in the dark,
Flits down the parapet spark by spark,
And you drop for cover to keep your head
With your face on the breast of the four months’ dead.
The man who ranges in No Man’s Land
Is dogged by the shadows on either hand
When the star-shell’s flare, as it bursts o’erhead,
Scares the great gray rats that feed on the dead,
And the bursting bomb or the bayonet-snatch
May answer the click of your safety-catch.
For the lone patrol, with his life in his hand,
Is hunting for blood in No Man’s Land.
Is dogged by the shadows on either hand
When the star-shell’s flare, as it bursts o’erhead,
Scares the great gray rats that feed on the dead,
And the bursting bomb or the bayonet-snatch
May answer the click of your safety-catch.
For the lone patrol, with his life in his hand,
Is hunting for blood in No Man’s Land.
THE GOLD STAR
EDGAR A. GUEST
Copyright, 1918, by Edgar A. Guest. Special permission to reproduce in this book.
THE star upon their service flag has changed to gleaming gold;
It speaks no more of hope and life, as once it did of old,
But splendidly it glistens now for every eye to see
And softly whispers: “Here lived one who died for liberty.
It speaks no more of hope and life, as once it did of old,
But splendidly it glistens now for every eye to see
And softly whispers: “Here lived one who died for liberty.
“Here once he walked and played and laughed, here oft his smile was known;
Within these walls today are kept the toys he used to own.
Now I am he who marched away and I am he who fell;
Of service once I spoke, but now of sacrifice I tell.
Within these walls today are kept the toys he used to own.
Now I am he who marched away and I am he who fell;
Of service once I spoke, but now of sacrifice I tell.
“No richer home in all this land is there than this I grace,
For here was cradled manhood fine; within this humble place
A soldier for the truth was born, and here, beside the door,
A mother sits and grieves for him who shall return no more.
For here was cradled manhood fine; within this humble place
A soldier for the truth was born, and here, beside the door,
A mother sits and grieves for him who shall return no more.
“Salute me, stranger, as you pass! I mark a soldier who
Gave up the joys of living here, to dare and die for you!
This is the home that once he knew, who fought for you and fell;
This is a shrine of sacrifice, where faith and courage dwell.”
Gave up the joys of living here, to dare and die for you!
This is the home that once he knew, who fought for you and fell;
This is a shrine of sacrifice, where faith and courage dwell.”
WATCHIN’ OUT FOR SUBS
U. A. L.
From Bert Leston Taylor’s column, “A Line o’ Type or Two,” in The Chicago Tribune
BOSUN’s whistle piping, “Starboard watch is on”
Sleepy army officer, waked at crack o’ dawn;
In the forward crow’s nest, watchin’ out for subs;
If they show a peeper, shoot the bloomin’ tubs.
Sleepy army officer, waked at crack o’ dawn;
In the forward crow’s nest, watchin’ out for subs;
If they show a peeper, shoot the bloomin’ tubs.
Ocean black and shiny, silly little moon;
Transports fore and aft of us—daylight comin’ soon;
Sleeping troopers sprawling on the deck below;
Something in the water makes the spindrift glow.
Transports fore and aft of us—daylight comin’ soon;
Sleeping troopers sprawling on the deck below;
Something in the water makes the spindrift glow.
In the forward crow’s nest—ah! the day is here!
Transports and destroyers looming far and near.
Ours the great adventure—gone is old romance!
Wake, ye new Crusaders! Look!—the shores of France!
Transports and destroyers looming far and near.
Ours the great adventure—gone is old romance!
Wake, ye new Crusaders! Look!—the shores of France!
FRENCH IN THE TRENCHES
WILLIAM J. ROBINSON
in The San Francisco Argonaut
Permission to reproduce in this book
I HAVE a conversation book; I brought it out from home.
It tells you the French for knife and fork and likewise brush and comb;
It learns you how to ask the time, the names of all the stars,
And how to order oysters and how to buy cigars.
It tells you the French for knife and fork and likewise brush and comb;
It learns you how to ask the time, the names of all the stars,
And how to order oysters and how to buy cigars.
But there ain’t no stores to buy in; there ain’t no big hotels,
When you spend your time in dugouts doing a wholesale trade in shells;
It’s nice to know the proper talk for theatres and such,
But when it comes to talking, why, it doesn’t help you much.
There’s all them friendly kind o’ things you’d naturally say
When you meet a feller casual like and pass the time o’ day.
Them little things that breaks the ice and kind of clears the air.
But when you use your French book, why, them things isn’t there.
When you spend your time in dugouts doing a wholesale trade in shells;
It’s nice to know the proper talk for theatres and such,
But when it comes to talking, why, it doesn’t help you much.
There’s all them friendly kind o’ things you’d naturally say
When you meet a feller casual like and pass the time o’ day.
Them little things that breaks the ice and kind of clears the air.
But when you use your French book, why, them things isn’t there.
I met a chap the other day a-rootin’ in a trench.
He didn’t know a word of ours, nor me a word of French;
And how we ever managed, well, I cannot understand,
But I never used my French book though I had it in my hand.
I winked at him to start with; he grinned from ear to ear;
An’ he says, “Bong jour, Sammy,” an’ I says “Souvenir”;
He took my only cigarette, I took his thin cigar,
Which set the ball a-rollin’, and so—well, there you are!
I showed him next my wife and kids; he up and showed me his,
Them funny little French kids with hair all in a frizz;
“Annette,” he says, “Louise,” he says, and his tears begin to fall;
We was comrades when we parted, though we’d hardly spoke at all.
He didn’t know a word of ours, nor me a word of French;
And how we ever managed, well, I cannot understand,
But I never used my French book though I had it in my hand.
I winked at him to start with; he grinned from ear to ear;
An’ he says, “Bong jour, Sammy,” an’ I says “Souvenir”;
He took my only cigarette, I took his thin cigar,
Which set the ball a-rollin’, and so—well, there you are!
I showed him next my wife and kids; he up and showed me his,
Them funny little French kids with hair all in a frizz;
“Annette,” he says, “Louise,” he says, and his tears begin to fall;
We was comrades when we parted, though we’d hardly spoke at all.
He’d have kissed me if I’d let him. We had never met before,
And I’ve never seen the beggar since, for that’s the way of war;
And though we scarcely spoke a word, I wonder just the same
If he’ll ever see them kids of his—I never asked his name.
And I’ve never seen the beggar since, for that’s the way of war;
And though we scarcely spoke a word, I wonder just the same
If he’ll ever see them kids of his—I never asked his name.
LITANY
ALLENE GREGORY
in Harriet Monroe’s Poetry Magazine
Permission to reproduce in this book
SAINT Genevieve, whose sleepless watch
Saved threatened France of old,
Above the ship that carries him
Your sacred vigil hold.
Saved threatened France of old,
Above the ship that carries him
Your sacred vigil hold.
Where all the fair green fields you loved
Are scarred with bursting shell,
Joan, the Maid who fought for France—
Oh, guard your young knight well.
Are scarred with bursting shell,
Joan, the Maid who fought for France—
Oh, guard your young knight well.
But if by sea or if by land
God set death in his way—
Then, Mother of the Sacrificed,
Teach me what prayer to pray!
God set death in his way—
Then, Mother of the Sacrificed,
Teach me what prayer to pray!
RAGNAROK
The Twilight of the Gods
ARTHUR GUITERMAN
in The Bellman, Minneapolis
Permission to reproduce in this book
HO! Heimdal sounds the Gjallar-horn:
The hosts of Hel rush forth
And Fenris rages redly
From his shackles in the North;
Unleashed is Garm, and Lok is loosed,
And freed is Giant Rime;
The Rainbow-bridge is broken
By the hordes of Muspelheim.
The wild Valkyries ride the wind
With spear and clanging shield
Where all the Hates embattled
Are met on Vigrid-field;
For there shall fall the Mighty Ones
By valiant men adored—
Great Odin, Tyr the fearless,
And Frey that sold his sword.
And Thor shall slay the dragon
Whose breath shall be his bane.
The gods themselves shall perish;
The sons of the gods shall reign!
The hosts of Hel rush forth
And Fenris rages redly
From his shackles in the North;
Unleashed is Garm, and Lok is loosed,
And freed is Giant Rime;
The Rainbow-bridge is broken
By the hordes of Muspelheim.
The wild Valkyries ride the wind
With spear and clanging shield
Where all the Hates embattled
Are met on Vigrid-field;
For there shall fall the Mighty Ones
By valiant men adored—
Great Odin, Tyr the fearless,
And Frey that sold his sword.
And Thor shall slay the dragon
Whose breath shall be his bane.
The gods themselves shall perish;
The sons of the gods shall reign!
Old Time shall sound the boding horn
Again and yet again,
To rouse the warring passions
That swell the hearts of men.
Revolt shall wake, and Anarchy,
With all their horrid throng—
Revenge, Destruction, Rapine,
The spawn of ancient Wrong,
With all the hosts of slaughter
That our own sins must breed—
Cold Hate, Oppression’s daughter,
And Rage, the child of Greed.
Then, though we stand to battle
As men have ever stood,
Down, down shall crash our temples,
The Evil and the Good;
Yea, all that now we cherish
Must pass—but not in vain.
The gods we love shall perish;
The sons of the gods shall reign!
Again and yet again,
To rouse the warring passions
That swell the hearts of men.
Revolt shall wake, and Anarchy,
With all their horrid throng—
Revenge, Destruction, Rapine,
The spawn of ancient Wrong,
With all the hosts of slaughter
That our own sins must breed—
Cold Hate, Oppression’s daughter,
And Rage, the child of Greed.
Then, though we stand to battle
As men have ever stood,
Down, down shall crash our temples,
The Evil and the Good;
Yea, all that now we cherish
Must pass—but not in vain.
The gods we love shall perish;
The sons of the gods shall reign!
So, strong in faith, or weak in doubt,
Or berserk-mad, we range
Our spears in that long battle
Which means not Death, but Change.
Our highest with our lowest
Must own the grim behest,
And Good shall yield for Better—
Else how should come the Best?
Yet if we win our portion
How dare we crave the whole?
And if we still press forward,
Why need we know the goal?
But those whose hearts are constant
And those whose souls are wise
Have said that from our ashes
A nobler race shall rise
From shreds of shattered altars
To rear the Perfect Fane.
Our little gods must perish
That God Himself shall reign!
Or berserk-mad, we range
Our spears in that long battle
Which means not Death, but Change.
Our highest with our lowest
Must own the grim behest,
And Good shall yield for Better—
Else how should come the Best?
Yet if we win our portion
How dare we crave the whole?
And if we still press forward,
Why need we know the goal?
But those whose hearts are constant
And those whose souls are wise
Have said that from our ashes
A nobler race shall rise
From shreds of shattered altars
To rear the Perfect Fane.
Our little gods must perish
That God Himself shall reign!
THE KID HAS GONE TO THE COLORS
WILLIAM HERSCHELL
in The Indianapolis News
Permission to reproduce in this book
THE Kid has gone to the Colors
And we don’t know what to say;
The Kid we have loved and cuddled
Stepped out for the Flag today.
We thought him a child, a baby,
With never a care at all,
But his country called him man-size
And the Kid has heard the call.
And we don’t know what to say;
The Kid we have loved and cuddled
Stepped out for the Flag today.
We thought him a child, a baby,
With never a care at all,
But his country called him man-size
And the Kid has heard the call.
He paused to watch the recruiting
Where, fired by the fife and drum,
He bowed his head to Old Glory
And thought that it whispered: “Come!”
The Kid, not being a slacker,
Stood forth with patriot-joy
To add his name to the roster—
And God, we’re proud of the boy!
Where, fired by the fife and drum,
He bowed his head to Old Glory
And thought that it whispered: “Come!”
The Kid, not being a slacker,
Stood forth with patriot-joy
To add his name to the roster—
And God, we’re proud of the boy!
The Kid has gone to the Colors;
It seems but a little while
Since he drilled a schoolboy army
In a truly martial style.
But now he’s a man, a soldier,
And we lend him listening ear,
For his heart is a heart all loyal,
Unscourged by the curse of fear.
It seems but a little while
Since he drilled a schoolboy army
In a truly martial style.
But now he’s a man, a soldier,
And we lend him listening ear,
For his heart is a heart all loyal,
Unscourged by the curse of fear.
A SCRAP OF PAPER
HERBERT KAUFMAN
From Mr. Kaufman’s book of poems, “The Hell-Gate of Soissons.” T. Fisher Unwin, Publishers (all rights reserved), London, England. Special permission to reproduce in this book.
“Just for a word, ‘neutrality’ ... just for a scrap of paper, Great Britain was going to make war.”—The German Chancellor to the British Ambassador in Berlin.
JUST for a “scrap of paper,”
Just for a Nation’s word,
Just for a clean tradition,
Just for a treaty slurred;
Just for a pledge defaulted,
Just for a dastard blow,
Just for an ally’s summons,
Just for a friend struck low;
Just for the weal of progress,
Just for a trust held dear,
Just for the rights of mankind,
Just for a duty clear;
Just for a Prussian insult,
Just for a splendid cause,
Just for the hope of progress,
Just for the might of laws;
Just for the kingdom’s peril,
Just for a deed of shame,
Just for defense of honor,
Just for the British name!
Just for a Nation’s word,
Just for a clean tradition,
Just for a treaty slurred;
Just for a pledge defaulted,
Just for a dastard blow,
Just for an ally’s summons,
Just for a friend struck low;
Just for the weal of progress,
Just for a trust held dear,
Just for the rights of mankind,
Just for a duty clear;
Just for a Prussian insult,
Just for a splendid cause,
Just for the hope of progress,
Just for the might of laws;
Just for the kingdom’s peril,
Just for a deed of shame,
Just for defense of honor,
Just for the British name!
POPPIES
CAPT. JOHN MILLS HANSON, F.A.
in The Stars and Stripes, A.E.F., France
POPPIES in the wheat fields on the pleasant hills of France,
Reddening in the summer breeze that bids them nod and dance;
Over them the skylark sings his lilting, liquid tune—
Poppies in the wheat fields, and all the world in June.
Reddening in the summer breeze that bids them nod and dance;
Over them the skylark sings his lilting, liquid tune—
Poppies in the wheat fields, and all the world in June.
Poppies in the wheat fields on the road to Monthiers—
Hark, the spiteful rattle where the masked machine guns play!
Over them the shrapnel’s song greets the summer morn—
Poppies in the wheat fields—but, ah, the fields are torn.
Hark, the spiteful rattle where the masked machine guns play!
Over them the shrapnel’s song greets the summer morn—
Poppies in the wheat fields—but, ah, the fields are torn.
See the stalwart Yankee lads, never ones to blench,
Poppies in their helmets as they clear the shallow trench,
Leaping down the furrows with eager, boyish tread
Through the poppied wheat fields to the flaming woods ahead.
Poppies in their helmets as they clear the shallow trench,
Leaping down the furrows with eager, boyish tread
Through the poppied wheat fields to the flaming woods ahead.
Poppies in the wheat fields as sinks the summer sun,
Broken, bruised and trampled—but the bitter day is won;
Yonder in the woodland where the flashing rifles shine,
With their poppies in their helmets, the front files hold the line.
Broken, bruised and trampled—but the bitter day is won;
Yonder in the woodland where the flashing rifles shine,
With their poppies in their helmets, the front files hold the line.
Poppies in the wheat fields; how still beside them lie
Scattered forms that stir not when the star shells burst on high;
Gently bending o’er them beneath the moon’s soft glance,
Poppies of the wheat fields on the ransomed hills of France.
Scattered forms that stir not when the star shells burst on high;
Gently bending o’er them beneath the moon’s soft glance,
Poppies of the wheat fields on the ransomed hills of France.
AS THE TRUCKS GO ROLLIN’ BY
LIEUT. L. W. SUCKERT, A.S., U.S.A.
in The Stars and Stripes, A.E.F., France
THERE’s a rumble an’ a jumble an’ a humpin’ an’ a thud,
As I wakens from my restless sleep here in my bed o’ mud,
’N’ I pull my blankets tighter underneath my shelter fly,
An’ I listen to the thunder o’ the trucks a-rollin’ by.
As I wakens from my restless sleep here in my bed o’ mud,
’N’ I pull my blankets tighter underneath my shelter fly,
An’ I listen to the thunder o’ the trucks a-rollin’ by.
They’re jumpin’ and they’re humpin’ through the inky gloom o’ night,
’N’ I wonder how them drivers see without a glim o’ light;
I c’n hear the clutches roarin’ as they throw the gears in high,
And the radiators boilin’ as the trucks go rollin’ by.
’N’ I wonder how them drivers see without a glim o’ light;
I c’n hear the clutches roarin’ as they throw the gears in high,
And the radiators boilin’ as the trucks go rollin’ by.
There’s some a-draggin’ cannons, you c’n spot the sound all right;
The rumblin’ ones is heavies, an’ the rattly ones is light;
The clinkin’ shells is pointin’ up their noses at the sky;
Oh, you c’n tell what’s passin’ as the trucks go rollin’ by.
The rumblin’ ones is heavies, an’ the rattly ones is light;
The clinkin’ shells is pointin’ up their noses at the sky;
Oh, you c’n tell what’s passin’ as the trucks go rollin’ by.
But most of ’em is packin’ loads o’ human Yankee freight
That’ll slam the ol’ soft pedal ontuh Heinie’s Hymn o’ Hate;
You c’n hear ’em singin’ “Dixie,” and the “Sweet Bye ’n’ Bye,”
’N’ “Where Do We Go From Here, Boys?” as the trucks go rollin’ by.
That’ll slam the ol’ soft pedal ontuh Heinie’s Hymn o’ Hate;
You c’n hear ’em singin’ “Dixie,” and the “Sweet Bye ’n’ Bye,”
’N’ “Where Do We Go From Here, Boys?” as the trucks go rollin’ by.
Some’s singin’ songs as, when I left, they wasn’t even ripe,
(A-showin’ ’at they’s rookies wot ain’t got a service stripe);
But jus’ the same they’re good ol’ Yanks, and that’s the reason why
I likes the jazz ’n’ barber shop o’ the trucks a-rollin’ by.
(A-showin’ ’at they’s rookies wot ain’t got a service stripe);
But jus’ the same they’re good ol’ Yanks, and that’s the reason why
I likes the jazz ’n’ barber shop o’ the trucks a-rollin’ by.
Jus’ God and Gen’rul Pershing knows where these here birds’ll light,
Where them bumpin’ trucks is bound for under camouflage o’ night,
When they can’t take aero pitchers with their Fokkers in the sky
Of our changes o’ location by the trucks a-rollin’ by.
Where them bumpin’ trucks is bound for under camouflage o’ night,
When they can’t take aero pitchers with their Fokkers in the sky
Of our changes o’ location by the trucks a-rollin’ by.
So, altho’ my bed is puddles an’ I’m soaked through to the hide,
My heart’s out with them doughboys on their bouncin’, singin’ ride;
They’re bound for paths o’ glory, or, p’raps, to fight ’n’ die—
God bless that Yankee cargo in the trucks a-rollin’ by.
My heart’s out with them doughboys on their bouncin’, singin’ ride;
They’re bound for paths o’ glory, or, p’raps, to fight ’n’ die—
God bless that Yankee cargo in the trucks a-rollin’ by.
THE GRAVES OF GALLIPOLI
L. L. (A. N. Z. A. C.)
From “The Anzac Book.” Cassell & Co., Ltd., Publishers, London. Special permission to reproduce in this book.
This poem is one of many that were written to commemorate the stubborn bravery of the Anzacs, the British soldiers from Australia and New Zealand. These indomitables came half way round the globe at Britain’s first call. Their first appearance was in Egypt, where they drove the German-led Turks back into the desert and saved the Suez canal. They were and are officially designated the “Australian and New Zealand Army Corps,” a title too long for common use. They have won fame and the world’s admiration as the “Anzacs,” a word made by running together the first letters of their official title. Australia’s own name for her soldier is Bill-Jim. “The Graves of Gallipoli” is one of the most noble and tender poems that have come to us out of the war.
THE herdman wandering by the lonely rills
Marks where they lie on the scarred mountain’s flanks,
Remembering that wild morning when the hills
Shook to the roar of guns, and those wild ranks
Surged upward from the sea.
Marks where they lie on the scarred mountain’s flanks,
Remembering that wild morning when the hills
Shook to the roar of guns, and those wild ranks
Surged upward from the sea.
None tends them. Flowers will come again in spring,
And the torn hills and those poor mounds be green.
Some bird that sings in English woods may sing
To English lads beneath—the wind will keep
Its ancient lullaby.
And the torn hills and those poor mounds be green.
Some bird that sings in English woods may sing
To English lads beneath—the wind will keep
Its ancient lullaby.
Some flower that blooms beside the southern foam
May blossom where our dead Australians lie,
And comfort them with whispers of their home;
And they will dream, beneath the alien sky,
Of the Pacific Sea.
May blossom where our dead Australians lie,
And comfort them with whispers of their home;
And they will dream, beneath the alien sky,
Of the Pacific Sea.
“Thrice happy they who fell beneath the walls,
Under their father’s eyes,” the Trojan said,
“Not we who die in exile where who falls
Must lie in foreign earth.” Alas! our dead
Lie buried far away.
Under their father’s eyes,” the Trojan said,
“Not we who die in exile where who falls
Must lie in foreign earth.” Alas! our dead
Lie buried far away.
Yet where the brave man lies who fell in fight
For his dear country, there his country is.
And we will mourn them proudly as of right—
For meaner deaths be weeping and loud cries:
They died pro patria!
For his dear country, there his country is.
And we will mourn them proudly as of right—
For meaner deaths be weeping and loud cries:
They died pro patria!
Oh, sweet and seemly so to die, indeed,
In the high flush of youth and strength and pride.
These are our martyrs, and their blood the seed
Of nobler futures. ’Twas for us they died.
Keep we their memory green.
In the high flush of youth and strength and pride.
These are our martyrs, and their blood the seed
Of nobler futures. ’Twas for us they died.
Keep we their memory green.
This be their epitaph. “Traveler, south or west,
Go, say at home we heard the trumpet call,
And answered. Now beside the sea we rest.
Our end was happy if our country thrives:
Much was demanded. Lo! our store was small—
That which we had we gave—it was our lives.”
Go, say at home we heard the trumpet call,
And answered. Now beside the sea we rest.
Our end was happy if our country thrives:
Much was demanded. Lo! our store was small—
That which we had we gave—it was our lives.”
BATTLE OF BELLEAU WOOD
EDGAR A. GUEST
This poem was chosen by Major General John A. Lejeune, Commandant of the United States Marine Corps, as his favorite of all the Marine Corps verse written during the war. It is republished here by permission of the author and of the publishers, Reilly and Lee, who hold the copyright.
IT was thick with Prussian troopers, it was foul with German guns;
Every tree that cast a shadow was a sheltering place for Huns.
Death was guarding every roadway, death was watching every field,
And behind each rise of terrain was a rapid-fire concealed;
But Uncle Sam’s Marines had orders: “Drive the Boche from where they’re hid.
For the honor of Old Glory, take the woods!” and so they did.
Every tree that cast a shadow was a sheltering place for Huns.
Death was guarding every roadway, death was watching every field,
And behind each rise of terrain was a rapid-fire concealed;
But Uncle Sam’s Marines had orders: “Drive the Boche from where they’re hid.
For the honor of Old Glory, take the woods!” and so they did.
I fancy none will tell it as the story should be told—
None will ever do full justice to those Yankee troopers bold.
How they crawled upon their stomachs through the fields of golden wheat
With the bullets spitting at them in that awful battle heat.
It’s a tale too big for writing; it’s beyond the voice or pen,
But it glows among the splendor of the bravest deeds of men.
None will ever do full justice to those Yankee troopers bold.
How they crawled upon their stomachs through the fields of golden wheat
With the bullets spitting at them in that awful battle heat.
It’s a tale too big for writing; it’s beyond the voice or pen,
But it glows among the splendor of the bravest deeds of men.
It’s recorded as a battle, but I fancy it will live,
As the brightest gem of courage human struggles have to give.
Inch by inch, they crawled to victory toward the flaming mounts of guns;
Inch by inch, they crawled to grapple with the barricaded Huns;
On through fields that death was sweeping with a murderous fire, they went
Till the Teuton line was vanquished and the German strength was spent.
As the brightest gem of courage human struggles have to give.
Inch by inch, they crawled to victory toward the flaming mounts of guns;
Inch by inch, they crawled to grapple with the barricaded Huns;
On through fields that death was sweeping with a murderous fire, they went
Till the Teuton line was vanquished and the German strength was spent.
Ebbed and flowed the tides of battle as they’ve seldom done before;
Slowly, surely, moved the Yankees against all the odds of war.
For the honor of the fallen, for the glory of the dead,
The living line of courage kept the faith and moved ahead.
They’d been ordered not to falter, and when night came on they stood
With Old Glory proudly flying o’er the trees of Belleau Wood.
Slowly, surely, moved the Yankees against all the odds of war.
For the honor of the fallen, for the glory of the dead,
The living line of courage kept the faith and moved ahead.
They’d been ordered not to falter, and when night came on they stood
With Old Glory proudly flying o’er the trees of Belleau Wood.
“POOR OLD SHIP!”
C. FOX SMITH
in Punch
Reproduced by special permission of the Proprietors of “Punch”
SHE wasn’t much to brag about, she wasn’t much to see,
A rusty, crusty hooker as a merchant ship could be;
They sunk her off the Longships light as night was coming on,
And we had to go and leave her there and, poor old ship, she’s gone.
All that was good of her, all that was bad of her,
All that we gave to her, all that we had of her,
Poor old ship, she’s gone!
A rusty, crusty hooker as a merchant ship could be;
They sunk her off the Longships light as night was coming on,
And we had to go and leave her there and, poor old ship, she’s gone.
All that was good of her, all that was bad of her,
All that we gave to her, all that we had of her,
Poor old ship, she’s gone!
The times we spent aboard her, they was oftener bad than good,
But bad or good, we’d live the lot all over if we could;
She’s stood her trick as well as us, she’s had her whack of fun,
She’s shared it all with sailormen, and poor old ship, she’s done.
Hard times and soft times and all times we’ve been with her,
Bad days and good days and all sorts we’ve seen with her,
And, poor old ship, she’s done!
But bad or good, we’d live the lot all over if we could;
She’s stood her trick as well as us, she’s had her whack of fun,
She’s shared it all with sailormen, and poor old ship, she’s done.
Hard times and soft times and all times we’ve been with her,
Bad days and good days and all sorts we’ve seen with her,
And, poor old ship, she’s done!
She’s stuck her crazy derricks up by half a hundred quays,
She’s dipped her dingy duster in the spray of all the seas;
Her funnels caked with Cape Horn ice and blistered in the sun,
She’s moseyed round above a bit, and, poor old ship, she’s done.
North seas and south, and they’ve all had a go at her,
Hot winds and cold, and they’ve all had a blow at her,
And, poor old ship, she’s done!
She’s dipped her dingy duster in the spray of all the seas;
Her funnels caked with Cape Horn ice and blistered in the sun,
She’s moseyed round above a bit, and, poor old ship, she’s done.
North seas and south, and they’ve all had a go at her,
Hot winds and cold, and they’ve all had a blow at her,
And, poor old ship, she’s done!
She’s trailed her smudge the whole world round in weather gray and blue,
She’s churned a dozen oceans with her bloomin’ nine-knot screw;
She’s sampled all the harbor mud from Cardiff to Canton,
And she’ll never clear another port, for, poor old ship, she’s gone.
Ports up and down, and she’s seen many a score of ’em;
Seas high and low, and she won’t sail no more of ’em,
For, poor old ship, she’s gone!
She’s churned a dozen oceans with her bloomin’ nine-knot screw;
She’s sampled all the harbor mud from Cardiff to Canton,
And she’ll never clear another port, for, poor old ship, she’s gone.
Ports up and down, and she’s seen many a score of ’em;
Seas high and low, and she won’t sail no more of ’em,
For, poor old ship, she’s gone!
And chaps that knowed her in her time, ’tween London and Rangoon,
In many a sailor’s drinking-place and water-front saloon,
Will set their drinks down when they hear her bloomin’ yarn is spun,
And say, “I sailed aboard her once, and, poor old ship, she’s done.
Many’s the hard word I once used to spend on her,
Ah, them was the great days, and now there’s an end on her,
Poor old ship, she’s done!”
In many a sailor’s drinking-place and water-front saloon,
Will set their drinks down when they hear her bloomin’ yarn is spun,
And say, “I sailed aboard her once, and, poor old ship, she’s done.
Many’s the hard word I once used to spend on her,
Ah, them was the great days, and now there’s an end on her,
Poor old ship, she’s done!”
PASSING THE BUCK
SERGT. NORMAN E. NYGAARD, 313TH SN. TN.
in The Stars and Stripes, A.E.F., France
THE Colonel has a job to do
That’s really hard, and puzzling, too;
He can’t quite figure what it needs,
So hands it out to Major Heeds.
That’s really hard, and puzzling, too;
He can’t quite figure what it needs,
So hands it out to Major Heeds.
And Major Heeds he thinks it o’er,
And thinks it o’er and o’er some more,
And he can’t make it out at all,
So Captain Jones, he takes a fall.
And thinks it o’er and o’er some more,
And he can’t make it out at all,
So Captain Jones, he takes a fall.
The Captain shoves his helmet back,
And puts his brains all on the rack;
But “D—n” is all that can be said,
And then it’s up to First Loot Head.
And puts his brains all on the rack;
But “D—n” is all that can be said,
And then it’s up to First Loot Head.
O’ course, he “knows,” but hasn’t time—
The work they shove on him’s a crime;
This, and then lots more to boot,
So on it goes to the Second Loot.
The work they shove on him’s a crime;
This, and then lots more to boot,
So on it goes to the Second Loot.
Now Lieutenant Young is just a kid,
A baby mouth by an eyebrow hid;
A job like that would knock him cold,
He hands it down to Top-soak Gold.
A baby mouth by an eyebrow hid;
A job like that would knock him cold,
He hands it down to Top-soak Gold.
The Top-soak, ’course, is swamped with work;
It never was his plan to shirk,
But Sergeant Reed, he’s just the man,
He’ll sure do it if any can.
It never was his plan to shirk,
But Sergeant Reed, he’s just the man,
He’ll sure do it if any can.
But that old sarge must sleep a lot:
This biz of overworkin’s rot;
He gives the Corp’rul loads of gas,
And so that duffer takes a pass.
This biz of overworkin’s rot;
He gives the Corp’rul loads of gas,
And so that duffer takes a pass.
But Corp’ruls don’t know what to do,
They’re only built for bossing, too;
So Corp’rul Jenks, he says he’s stuck,
And hands it on to a common buck.
They’re only built for bossing, too;
So Corp’rul Jenks, he says he’s stuck,
And hands it on to a common buck.
And when the job is finished right,
And all the things are clear as light,
Why, then, it’s found by all the Fates,
The job was done by Private Bates.
And all the things are clear as light,
Why, then, it’s found by all the Fates,
The job was done by Private Bates.
An’ it’s passin’ the buck,
An’ a-passin’ the buck,
An’ a-passin’ the buck along,
An’ on with the buck
With the best o’ luck,
An’ I hope you come out wrong.
An’ a-passin’ the buck,
An’ a-passin’ the buck along,
An’ on with the buck
With the best o’ luck,
An’ I hope you come out wrong.
THE RETURN
THEODORE HOWARD BANKS, JR.
in Everybody’s Magazine
in Everybody’s Magazine
Permission to reproduce in this book
WHEN I return, let us be very still;
No mirth, and but one deep, soul-searching glance,
Mindful of the unnumbered graves of France,
Where love lies buried on each trampled hill.
No mirth, and but one deep, soul-searching glance,
Mindful of the unnumbered graves of France,
Where love lies buried on each trampled hill.
BULLINGTON
C. FOX SMITH
in Punch