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Greek dress

Chapter 3: LIST OF ILLUSTRATIONS
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About This Book

This chronological study surveys clothing worn in ancient Greek lands from pre-Hellenic remains through the Hellenistic age, drawing on archaeological finds, literary passages, sculpture, and vase-painting. The author contrasts two principal dress-types, Doric and Ionic, notes northern additions such as the chlamys and petasos, and considers regional and social variation. Separate chapters examine head-dress, materials, footwear, and toilet, while carefully chosen illustrations, suggested dimensions, and diagrams support practical reconstruction. Experimental draping is used to propose likely shapes and modes of wearing specific garments across periods.

LIST OF ILLUSTRATIONS

PAGE
Fig.  1.—Cupbearer of Knossos face 6
Figs. 2 and 3.—Snake Goddess and Votary 11
Fig.  4.—Fresco of a Dancing Girl 12
Fig.  5.—Statuette from Petsofa 12
Fig.  6.—Studniczka’s Diagram   18
Fig.  7.—(a) Vase—British Museum, (b and c) Vase-paintings by Klitias and Ergotimos, Florence face 26
Fig.  8.—From the François Vase 30
Fig.  9.—Diagram of the Doric Peplos   43
Fig. 10.—Metope from the Temple of Zeus, at Olympia face 44
Fig. 11.—Bronze Statue from Herculaneum, Naples 45
Fig. 12.—Vase-painting—British Museum 46
Fig. 13.—Vase-painting in the Polygnotan Style—Louvre 47
Fig. 14.—Vase-painting by Hieron—British Museum 49
Fig. 15.—Terra-cotta Statuette—British Museum 49
Fig. 16.—Vase-painting by Euxitheos—British Museum 50
Fig. 17.—Vase-painting by Falerii—Rome, Villa Giulia 50
Fig. 18.—Athena of Velletri 51
Fig. 19.—Bronze Statuette—British Museum 53
Fig. 20.—Vase-painting—British Museum 54
Fig. 21.—The Doric Himation 54
Fig. 22.—Vase-painting by Euphronios—Munich 55
Fig. 23.—The Chlamys and Petasos 55
Fig. 24.—Diagram of the Chlamys   55
Fig. 25.—Vase-painting from Lucania—British Museum face 61
Fig. 26.—Diagram of the Ionic Chiton   61
Fig. 27.—The Delphi Charioteer face 62
Fig. 28.—Vase-painting—Munich 63
Fig. 29.—Vase-painting by Brygos—British Museum 66
Fig. 30.—Diagram of the Sleeved Chiton with Overfold   66
Fig. 31.—Archaic Statue—Athens, Acropolis Museum face 75
Fig. 32.—Archaic Statue—Athens, Acropolis Museum 78
Fig. 33.—Diagram of the Archaic Ionic Himation   90
Fig. 34.—Drapery in the Style of the Archaic Statues in the Acropolis Museum, Athens face 91
Fig. 35.—Vase-painting—British Museum 93
Fig. 36.—Vase-painting—Ionic Dress 94
Fig. 37.—The Artemis of Gabii—Louvre 95
Fig. 38.—Vase-painting—Dress with two Overfolds 96
Fig. 39.—Fragments of a Sarcophagus Cover from Kertch 103
Fig. 40.—Embroidered Fragment from Kertch 105
Fig. 41.—(a and b) Fragments of a Sarcophagus Cover from Kertch. (c) Embroidered Fragment from Kertch 106
Fig. 42.—Men’s Head-dress—Archaic 108
Fig. 43.—(a) Head of Apollo from the Temple of Zeus, at Olympia. (b) Head of an Athlete—Athens Acropolis Museum 110
Fig. 44.—Archaic form of Petasos   111
Fig. 45.—Women’s Head-dress face 112
Fig. 46.—Sandals and Shoes 116
Fig. 47.—Boot   118
Fig. 48.—(a) A Bronze in the British Museum. (b) Foot of the Hermes of Praxiteles (from a cast in the British Museum). (c) A Terra-cotta Flask in the British Museum face 118
Fig. 49.—Sandals   119
Fig. 50.—Diagram of an Aryballos   121
Fig. 51.—Diagram of a Lekythos   121
Fig. 52.—(a) A Pyxis in the British Museum. (b) A Toilet-box in the British Museum face 122
Fig. 53.—(a) Bronze Box Mirror—British Museum. (b) Bronze Stand Mirror—British Museum face 124
Fig. 54.—Diagram of an Alabastron   125