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Greek wayfarers, and other poems

Chapter 14: “THE SEVEN-STRINGED MOUNTAIN LUTE”
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About This Book

A lyrical collection evokes ancient and modern Greece through mythic retellings, ritual scenes, and landscape vignettes. Poems range from dramatic addresses to figures of legend to intimate portraits of contemporary Easter processions, seafaring rites, funerary stelæ, and rural labor, using vivid sensory detail of temples, hills, and the sea. Themes of memory, reverence, loss, and cultural continuity recur as the poet moves between narrative lyric, ekphrastic responses to antiquities, and pastoral sketches. The result is a varied formal palette that intertwines classical allusion with observations of everyday life and seasonal celebration.

“THE SEVEN-STRINGED MOUNTAIN LUTE”

“Homer, Sappho, Anacreon, Pindar, Æschylus, Sophocles, Euripides, the very names are a song.”—M. C. M.

I knew, no matter how they plucked at me
Like golden fingers—all those cadenced names—
That never could I answer; for the power
Of their majestic harmonies was perfect flower.
No greater song, nor lovelier verse could be
Unless Greece lived another golden hour.
I tried to echo them. I vainly sought
Timid expression of their rhythmic fire;
My melodies with halting effort caught
Faintly their classic motive and desire.
Yet, while I failed, a miracle was wrought,
Themselves did sing! Thus, humble, I was taught
These names that are the plectrum and the lyre.