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Greek wayfarers, and other poems

Chapter 33: THE ENCOUNTER
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About This Book

A lyrical collection evokes ancient and modern Greece through mythic retellings, ritual scenes, and landscape vignettes. Poems range from dramatic addresses to figures of legend to intimate portraits of contemporary Easter processions, seafaring rites, funerary stelæ, and rural labor, using vivid sensory detail of temples, hills, and the sea. Themes of memory, reverence, loss, and cultural continuity recur as the poet moves between narrative lyric, ekphrastic responses to antiquities, and pastoral sketches. The result is a varied formal palette that intertwines classical allusion with observations of everyday life and seasonal celebration.

THE ENCOUNTER

’Twas there in Tempé that he lay
Under a plane-tree, fast asleep,
His pipes far-flung.—Pan! growing gray;
Lines on his mocking face; his gay
Scuffling hoofs forgot to leap.
The river pleaded, “Wake the God”;
The birds sat by with soft aside;
Up from the delicate spring-sod
I saw the eager flowers nod,
And little leaves my language tried.
I woke Pan. Bore the deep earth-gaze
On my false being, false to life
By all the dreary modern ways:
“Pan,” I dared whisper—“long the days—
One needs thy music in the Strife.
“Full many a spring when poppies fired
This brook-side, did I play for you.”
Pan answered me: “My music tired,
For colder music you desired;
So be it—I am weary too!”
“Forgive me for my sad unworth,
Oh, patient Pan,” I murmured low.
“I know that I have failed the earth;
Only, perhaps, by spirit-birth,
My children thy wild pipes will know.”
Pan frowned: “Nay, all the world doth rave;
Against the Pipe; they rant, like you!
Go, people my deserted cave
With theories and books. Zeus save
That I should hinder what you do!”
Far back in Tempé’s leafy glade
The dappled sunshine filtered through,
And dewdrops opalled every blade.
I was not of the god afraid.—
And still there was a thing to do.
“Ah, Pan, dear Pan,” I softly cried,
“Who is it that shall save but thee?
Thy music, god, the whole world wide,
Is listened for on country-side,
And every dreamer bows the knee!
“By musky grapes in rosy hands,
And all the golden fruits that glow,
A happy lover understands
Thy fluting, hearts in sober lands
Languish till they thy clear pipe know!
“Ah, Pan—play on! Forgive the souls
Whom knowledge cheats of love; forgive
That life exacts its bitter tolls
And leads to artificial goals.
Oh! Play! that we may surelier live!”
I bent, I touched the shaggy hoof,
The horns; I looked into the eyes
Clear as rock pools, and yet aloof
Like wild bird’s, then I saw the proof
That Pan is kind beyond surmise.
Tears! In Pan’s eyes!—I sprang away
(Not even Pan should see me weep)—
Yet on through Tempé, all that day
I heard wild, happy piping.—Yea,
I wakened Pan!—He’s not asleep!