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Greek wayfarers, and other poems

Chapter 37: PEACE, 1914
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About This Book

A lyrical collection evokes ancient and modern Greece through mythic retellings, ritual scenes, and landscape vignettes. Poems range from dramatic addresses to figures of legend to intimate portraits of contemporary Easter processions, seafaring rites, funerary stelæ, and rural labor, using vivid sensory detail of temples, hills, and the sea. Themes of memory, reverence, loss, and cultural continuity recur as the poet moves between narrative lyric, ekphrastic responses to antiquities, and pastoral sketches. The result is a varied formal palette that intertwines classical allusion with observations of everyday life and seasonal celebration.

PEACE, 1914

Why do the women walk so free and strong
In Thessaly?
It is because the Turks wreak no more wrong;
The Balkans ended, sunburnt soldiers throng,
In Thessaly.
Why do the old monks pray so hard for rain
In Thessaly?
It is because the mountain slopes again
Roll in green terraces of silver grain,
In Thessaly.
Why does the shepherd wear a broidered shirt
In Thessaly?
Because ’tis peace; clean is the goat-herd’s skirt,
The women spin; the needles are alert,
In Thessaly.
And why the young kids, white as snowy curds,
In Thessaly?
The farmers are successful with their herds;
The highway’s loud with guttural teamster-words,
In Thessaly.
Why are the threshing-floors so thickly set
In Thessaly?
Because, when harvest comes, and youth is met,
Comes the old will of Nature, sturdy yet,
In Thessaly.
And these deserted hovels that we see
In Thessaly,
Where the Peneios winds about the tree?
The villagers have gone across the sea
From Thessaly.
And this trim town of plaster and of thatch
In Thessaly?
America hangs fortune on the latch,
Our sons come back, then blooms the garden patch,
In Thessaly!
Then, this is no decadent race I see
In Thessaly?
Oh, stranger, who can tell? Hard things must be.
Only, the “Greeks were Greeks,” and Greeks are we
In Thessaly.