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Greek wayfarers, and other poems

Chapter 48: GREEK FARMERS
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About This Book

A lyrical collection evokes ancient and modern Greece through mythic retellings, ritual scenes, and landscape vignettes. Poems range from dramatic addresses to figures of legend to intimate portraits of contemporary Easter processions, seafaring rites, funerary stelæ, and rural labor, using vivid sensory detail of temples, hills, and the sea. Themes of memory, reverence, loss, and cultural continuity recur as the poet moves between narrative lyric, ekphrastic responses to antiquities, and pastoral sketches. The result is a varied formal palette that intertwines classical allusion with observations of everyday life and seasonal celebration.

GREEK FARMERS

In green Laconia, where the hedges are
Spring-starred with flowers, and the little brooks
Wake all the mountains from their solemn dreams
Of the old days, when gods moved strong and white
On hill and sea, or slept within the clouds;
There are great slopes, broken with tillage, rough
With clumsy ploughing, thick with olive-trees.
And here they stand, the tall, black-bearded men,
Whose eyes, unblinking, look into the sun.
Men, plainly bred from tribal wanderings,
Whose blood is fevered fire, men whose lands
Are bare with waste and bloodshed; men who stand
Gazing at strangers with shy interest;
Who, when you question their fresh peasant-eyes
Straighten up from their field-tasks and reply:
“These are our flocks and pastures—we are Greeks!”
Black-bearded men who sow, What is the Seed?
For Greece has lain beneath the Turkish plough,
And all her hills and mountains smoke again
With treachery, rape, and murder. On the seas
The nations wait to grasp; the kings and crews
Who play the Blood-game snap at little lands
Like dogs at flies. Yea, that fair seed ye sow,
Is it Greek seed? though sown by mongrel hands?
Seed of a greatness far exceeding theirs,
The lands that would despoil Greece? Will it grow
That seed, Deucalion’s hope, Athena’s pride,
Is it once more the sacred seed that fell
Out of Demeter’s hand on holy ground?
Or, is it Cadmus-sown, for crops of Hell?
Truthfully, farmers, can ye stand and say:
“These are our fields and pastures, we are Greeks”?
They make no answer—strong, black-bearded men,
Grimly at work on the Phigalian Hill
Where the grey Bassæ Temple guards the corn.
They make no answer in the mountain towns
Arcadian, where pink-roofed houses splotch
The hillsides and where hidden teamsters climb
Thicketed bridle-paths beside the streams.
They cannot tell us, if they know, what seed
The sculptors, patriots, and statesmen sowed;
Nor even if these furrows that they plow
Will bring a season’s harvest to their doors.
But, as we pass them, under upland oaks,
Under the fig-trees in the rocky gorge,
They walk with strange, fleet steps, so tireless,
So strong, with eyes set on some distant goal,
Till we, too, puzzled, murmur: “They are Greeks.”
Oh, fateful World! insatiate modern life—
Driven by urgencies too great to tell,
Destroying, recreating, balancing—
What of this Old World, dreaming modern dreams,
Yet with the old dream dwelling in the land
To teach it Pride? Shall we dare face a Greek—
With all his shining temples at his back,
With the eternal Thought behind his name,—
As he were German, Russian, Turk, Chinese?
If these black-bearded mongrels share the pride
Of Argonauts and claim a classic birth
And till the wild land, dropping in the seed,
Forever saying softly, “We are Greeks,”
Why should they garner any other crop,
Why should they bend and toil for better gain
Than seeing New Greece realize her dream?