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Greek Women

Chapter 23: LIST OF ILLUSTRATIONS
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About This Book

A survey of women's lives and social roles in ancient Greece, examining Homeric portrayals, myth and legend, civic and domestic institutions, religious functions, and the political influence exerted by women both publicly and behind the scenes. The text contrasts the recurrent extremes attributed to women—saintly devotion or destructive passion—and considers loyalty, enthusiasm, and moral stereotyping as recurring motifs. It integrates literary sources, mythic exempla, and archaeological findings to reconstruct daily life, legal status, marriage customs, and female agency, illustrating how women shaped events through personal influence, ritual participation, and occasional direct exercise of power.

"Age cannot wither her, nor custom stale

Her infinite variety."

Cleopatra's intimate relations with Rome's greatest men, and the conversion of her kingdom into a Roman province after her death, but emphasize the fact that all Hellenistic lands were at that time in the power of Rome and that the period of Græco-Roman culture had begun much earlier. In B.C. 146 had occurred the destruction of Corinth and the absorption of Old Greece into a part of the Roman province of Macedon, and from that time Rome exerted a marked influence over the social life of Hellas. One of the chief characteristics of this age was the freer life of women of all classes. Even in Athens and Boeotia, the mistress of the house obtained her rights as mother and hostess. Perhaps it was in imitation of what they saw in Rome, perhaps it was merely the natural process of evolution, but, at any rate, the recognition of the capabilities and the elevated position of woman was general. Plutarch is the best chronicler of Greek life in the first century after the Christian era, and his works abound in precepts on the relations of the sexes, in whose equality he was a firm believer, and on the proper training and education of woman. His own wife, Timoxena, paid visits and received guests even when her husband was absent, shared fully the intellectual life of her husband, and took part in all his public interests.

The age was mending its manners. New ideas were prevailing among men. Woman was becoming more and more fully a factor in the world. Yet, for her complete emancipation, there was need of a new dogma, a great revelation, which would bring about startling reforms in the moral and social life of mankind. Already "the Word had been made flesh, and dwelt among them full of grace and truth"; yet the great writers of the first century of our era, Dion, Plutarch, even Josephus, seem never to have heard of the new teaching which had been preached throughout Asia Minor and at Athens and Corinth--the new teaching of Jesus of Nazareth, which was destined to overturn the prevailing conception of woman and her status and to lead her into a fulness of life such as had never been conceived in the imagination of even the most elevated of her sex.

In Cleopatra and other Greek women considered in the volume, we have observed from time to time the highest development of feminine endowments, physical, intellectual, or sensuous. The ethereal beauty of Helen, the poetic fervor of Sappho, the intellectual temper of Aspasia, the artistic temperament of Phryne, and the seductive sensibility of Cleopatra--these exhibit phases of feminine perfection that have not found their counterparts in modern times. Yet in each instance mentioned there was the one thing needful--the corresponding development of the moral and spiritual nature. These women were but pagans. Each sought in her own way to attain the highest perfection possible to woman; still, for them the truth was but seen in a glass darkly, and their philosophy had not yet taught them concerning the higher life of the spirit as distinct from the body.

Yet the dominion established by Julius Caesar, which embraced all the Hellenistic lands, was even in Cleopatra's time preparing the way for the dominion of the Son of Man, who brought into the world new conceptions of womanhood, new influences destined to elevate and ennoble the sex and emphasize the higher elements in human character that the ancients had so sadly neglected. Pagan Woman attained unrivalled excellence in physical beauty, intellectual endowment, and sensuous charm; to Christian Woman was vouchsafed the light which dispelled the moral darkness of antiquity and made attainable the highest spiritual excellence.



CONTENTS



I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
GENERAL INRODUCTION
PREFACE
GREEK WOMEN
WOMEN OF THE HEROIC AGE
WOMEN OF THE ILIAD
WOMEN OF THE ODYSSEY
THE LYRIC AGE
SAPPHO
THE SPARTAN WOMAN
THE ATHENIAN WOMAN
ASPASIA
APHRODITE PANDEMOS
THE WOMAN QUESTION IN ANCIENT ATHENS
THE GREEK WOMAN IN RELIGION
THE GREEK WOMAN AND THE HIGHER EDUCATION
THE MACEDONIAN WOMAN
THE ALEXANDRIAN WOMAN


LIST OF ILLUSTRATIONS

SUBJECT

Aspasia
Circe
Sappho in her school of poetry in Lesbos
The Grecian toilette
Phryne
Cleopatra
ARTIST

Henry Holiday
Henri P. Motte
Hector Leroux
From an antique vase
Henry I. Siemiradsky
Alexandre Cabanel