THE SERVIAN LANGUAGE AND LITERATURE.
The Servian alphabet was first fixed and the language reduced to certain general rules only within the present century. The language extends, with some slight variations of dialect, and various systems of writing, over the Turkish and Austrian provinces of Servia, Bosnia, Herzegovina, Montenegro, and Dalmatia, and the eastern part of Croatia. The southern sky, and the beauties of natural scenery that abound in all these regions, so favorable to the development of poetical genius, appear also to have exerted a happy influence on the language. While it yields to none of the other Slavic dialects in richness, clearness, and precision, it far surpasses them all in euphony.
The most interesting feature of the literature of these countries is their popular poetry. This branch of literature still survives among the Slavic race, particularly the Servians and Dalmatians, in its beauty and luxuriance, while it is almost extinct in other nations. Much of this poetry is of unknown antiquity, and has been handed down by tradition from generation to generation. From the gray ages of paganism it reaches us like the chimes of distant bells, unconnected, and half lost in the air. It often manifests the strong, deep-rooted superstitions of the Slavic race, and is full of dreams, omens, and forebodings; witchcraft, and a certain Oriental fatalism, seeming to direct will and destiny. Love and heroism form the subject of all Slavic poetry, which is distinguished for the purity of manners it evinces. Wild passions or complicated actions are seldom represented, but rather the quiet scenes of domestic grief and joy. The peculiar relation of brother and sister, particularly among the Servians, often forms an interesting feature of the popular songs. To have no brother is a misfortune, almost a disgrace, and the cuckoo, the constant image of a mourning woman in Servian poetry, was, according to the legend, a sister who had lost her brother.
This poetry was first collected by Vuk Stephanovitch Karadshitch (b. 1786), a Turkish Servian, the author of the first Oriental Servian grammar and dictionary, who gathered the songs from the lips of the peasantry. His work, published at Vienna in 1815, has been made known to the world through a translation into German by the distinguished authoress of the "Languages and Literature of the Slavic Nations," from which this brief sketch has been made. Nearly one third of these songs consist of epic tales several hundred verses in length. The lyric songs compare favorably with those of other nations, but the long epic extemporized compositions, by which the peasant bard, in the circle of other peasants, in unpremeditated but regular and harmonious verse, celebrates the heroic deeds of their ancestors or contemporaries, have no parallel in the whole history of literature since the days of Homer.
The poetry of the Servians is intimately interwoven with their daily life. The hall where the women sit spinning around the fireside, the mountain on which the boys pasture their flocks, the square where the village youth assemble to dance, the plains where the harvest is reaped, and the forests through which the lonely traveler journeys, all resound with song. Short compositions, sung without accompaniment, are mostly composed by women, and are called female songs; they relate to domestic life, and are distinguished by cheerfulness, and often by a spirit of graceful roguery. The feeling expressed in the Servian love-songs is gentle, often playful, indicating more of tenderness than of passion. In their heroic poems the Servians stand quite isolated; no modern nation can be compared to them in epic productiveness, and the recent publication of these poems throws new light on the grand compositions of the ancients. The general character of these Servian tales is objective and plastic; the poet is, in most cases, in a remarkable degree above his subject; he paints his pictures, not in glowing colors, but in prominent features, and no explanation is necessary to interpret what the reader thinks he sees with his own eyes. The number and variety of the Servian heroic poems is immense, and many of them, until recently preserved only by tradition, cannot be supposed to have retained their original form; they are frequently interwoven with a belief in certain fanciful creatures of pagan superstition, which exercise a constant influence on human affairs. The poems are often recited, but most frequently sung to the music of a rude kind of guitar. The bard chants two lines, then he pauses and gives a few plaintive strokes on his instrument; then he chants again, and so on. While in Slavic poetry generally the musical element is prominent, in the Servian it is completely subordinate. Even the lyric poetry is in a high degree monotonous, and is chanted rather than sung.
Goethe, Grimm, and "Talvi" drew attention to these songs, many translations of which were published in Germany, and Bowring, Lytton, and others have made them known in England.
At present there is much intellectual activity among the Servians in various departments of literature, tragedy, comedy, satire, and fiction, but the names of the writers are new to Europeans, and not easily remembered.
THE BOHEMIAN LANGUAGE AND LITERATURE.
John Huss, Jerome of Prague, Tycho Brahe, Kepler, Comenius, and others.
The Bohemian is one of the principal Slavic languages. It is spoken in Bohemia and in Moravia, and is used by the Slovaks of Hungary in their literary productions. Of all the modern Slavic dialects, the Bohemian was the first cultivated; it early adopted the Latin characters, and was developed under the influence of the German language. In its free construction, the Bohemian approaches the Latin, and is capable of imitating the Greek in all its lighter shades.
The first written documents of the Bohemians are not older than the introduction of Christianity into their country; but there exists a collection of national songs celebrating battles and victories, which probably belongs to the eighth or ninth century. During the eleventh and twelfth centuries the influence of German customs and habits is apparent in Bohemian literature; and in the thirteenth and fourteenth this influence increased, and was manifest in the lyric poetry, which echoed the lays of the German Minnesingers. Of these popular songs, however, very few are left.
In 1348 the first Slavic university was founded in Prague, on the plan of those of Paris and Bologna, by the Emperor Charles IV., who united the crowns of Germany and Bohemia. The influence of this institution was felt, not merely in the two countries, but throughout Europe.
The name of John Huss (1373-1415) stands at the head of a new period in Bohemian literature. He was professor at the university of Prague, and early became acquainted with the writings of Wickliffe, whose doctrines he defended in his lectures and sermons. The care and attention he bestowed on his compositions exerted a decided and lasting influence on the language. The old Bohemian alphabet he arranged anew, and first settled the Bohemian orthography according to fixed principles. Summoned to appear before the council of Constance to answer to the charges of heresy, he obeyed the call under a safe-conduct from the Emperor Sigismund. But he was soon arrested by order of the council, condemned, and burned alive.
Among the coadjutors of Huss was Jerome of Prague, a professor in the same university, who in his erudition and eloquence surpassed his friend, whose doctrinal views he adopted, but he had not the mildness of disposition nor the moderation of conduct which distinguished Huss. He wrote several works for the instruction of the people, and translated some of the writings of Wickliffe into the Bohemian language. On hearing of the dangerous situation of his friend he hastened to Constance to assist and support him. He, too, was arrested, and even terrified into temporary submission; but at the next audience of the council he reaffirmed his faith, and declared that of all his sins he repented of none more than his apostasy from the doctrines he had maintained. In consequence of this avowal he was condemned to the same fate as his friend.
These illustrious martyrs were, with the exception of Wickliffe, the first advocates of truth a century before the Reformation. Since then, in no language has the Bible been studied with more zeal and devotion than in the Bohemian. The long contest for freedom of conscience which desolated the country until the extinction of the nation is one of the great tragedies of human history.
The period from 1520 to 1620 is considered the golden age of Bohemian literature. Nearly two hundred writers distinguished the reign of Rudolph I. (1526-1611), and among them were many ladies and gentlemen of the court, of which Tycho Brahe, Kepler, and other scientific men, from foreign countries, were the chief ornaments. Numerous historical works were published, theology was cultivated with talent and zeal, the eloquence of the pulpit and the bar acquired a high degree of cultivation, and in religious hymns all sects were equally productive.
The triumph of the Catholic party, which followed the battle of the White Mountain, near Prague (1620), gave a fatal blow to Bohemia. The leading men of the country were executed, exiled, or imprisoned; the Protestant religion was abolished, and the country was declared a hereditary Catholic monarchy. The Bohemian language ceased to be used in public transactions; and every book written in it was condemned to the flames as necessarily heretical. Great numbers of monks came from southern Europe, and seized whatever native books they could find; and this destruction continued to go on until the close of the last century.
Among the Bohemian emigrants who continued to write in their foreign homes, Comenius (1592-1691) surpassed all others. When the great persecution of the Protestants broke out he fled to Poland, and in his exile he published several works in Latin and in Bohemian, distinguished for the classical perfection of their style.
In the latter part of the eighteenth century the efforts to introduce into Bohemia the German as the official language of the country awoke the national feeling of the people, and produced a strong reaction in favor of their native tongue. When the tolerant views of Joseph II. were known, more than a hundred thousand Protestants returned to their country; books long hidden were brought to light, and many works were reprinted. During the reign of his two successors, the Bohemians received still more encouragement; the use of the language was ordained in all the schools, and a knowledge of it was made a necessary qualification for office. Among the writers who exerted a favorable influence in this movement may be mentioned Kramerius (1753-1808), the editor of the first Bohemian newspaper, and the author of many original works; Dobrovsky (1753-1829), the patriarch of modern Slavic literature, and one of the profoundest scholars of the age; and Kollar (b. 1763), the leading poet of modern times in the Bohemian language. Schaffarik (b. 1795), a Slovak, is the author of a "History of the Slavic Language and Literature," in German, which has, perhaps, contributed more than any other work to a knowledge of Slavic literature. Palacky, a Moravian by birth, was the faithful fellow- laborer of Schaffarik; his most important work is a "History of Bohemia."
Since 1848 there has arisen a school of poets whose writings are more in accordance with those of the western nations. Among them are Hálek (d. 1874) and Cech, the most celebrated of living Bohemian poets. Caroline Soêtla (b. 1830) is the originator of the modern Bohemian novel. Since 1879 many poems have appeared, epic in their character, taking their materials both from the past and the present. In various branches of literature able writers are found, too numerous even to name.
THE POLISH LANGUAGE AND LITERATURE.
Rey, Bielski, Copernicus, Czartoryski, Niemcewicz, Mickiewicz, and others.
The Polish language is the only existing representative of that variety of idioms originally spoken by the Slavic tribes, which, under the name of Lekhes, in the sixth or seventh century, settled on the banks of the Vistula and Varta. Although very little is known of the progress of the language into its present state, it is sufficiently obvious that it has developed from the conflict of its natural elements with the Latin and German idioms. Of the other Slavic dialects, the Bohemian is the only one which has exerted any influence upon this tongue. The Polish language is refined and artificial in its grammatical structure, rich in its words and phrases, and, like the Bohemian, capable of faithfully imitating the refinements of the classical languages. It has a great variety and nicety of shades in the pronunciation of the vowels, and such combinations of consonants as can only be conquered by a Slavic tongue.
The literary history of Poland begins, like that of Bohemia, at the epoch of the introduction of Christianity. In the year 965, Miecislav, Duke of Poland, married the Bohemian princess Dombrovka, who consented to the marriage on the condition of the duke becoming a convert to Christianity; and from that time the Polish princes, and the greater part of the nation, adopted the new faith. The clergy in those early ages in Poland, as well as elsewhere, were the depositaries of mental light; and the Benedictine monks who, with others, had been invited to the converted country, founded convents, to which they early attached schools. Their example was followed, at a later period, by other orders, and for several centuries the natives were excluded from all clerical dignities and privileges, and the education of the country was directed by foreign monks. They burned the few writings which they found in the vernacular tongue, and excited unnatural prejudices against it. From the ninth to the sixteenth century Polish literature was almost entirely confined to the translation of a part of the Bible and a few chronicles written in Latin. Among these must be noticed the chronicle of Martin Gallus (d. 1132), an emigrant Frenchman, who is considered as the oldest historian of Poland.
Casimir (1333-1370) was one of the few princes who acquired the name of the Great, not by conquests, but by the substantial benefits of laws, courts of justice, and means of education, which he procured for his subjects. In his reign was formed the first code of laws, known by the name of "Statute of Wislica," a part of which is written in the Polish language; and he laid the foundation of the university of Cracow (1347), which, however, was only organized half a century later. Hedevig, the granddaughter of Casimir, married Jagello of Lithuania, and under their descendants, who reigned nearly two centuries, Poland rose to the summit of power and glory. With Sigismund I. (1505-1542), and Sigismund Augustus (1542-1613), a new period of Polish literature begins. The university of Cracow had been organized in 1400, on the model of that of Prague, and this opened a door for the doctrines, first of the Bohemian, then of the German reformers. The wild flame of superstition which kindled the fagots for the disciples of the new doctrines in Poland was extinguished by Sigismund I. and Sigismund II., in whom the Reformation found a decided support. Under their administration Poland was the seat of a toleration then unequaled in the world; the Polish language became more used in literary productions, and was fixed as the medium through which laws and decrees were promulgated.
Rey of Naglowic (1515-1569), who lived at the courts of the Sigismunds, is called the father of Polish poetry. Most of his productions are of a religious nature, and bear the stamp of a truly poetical talent. John Kochanowski (1530-1584) published a translation of the Psalms, which is still considered as a classical work. His other poems, in which Pindar, Anacreon, and Horace were alternately his models, are distinguished for their conciseness and terseness of style. Rybinski (fl. 1581) and Simon Szymonowicz (d. 1629), the former as a lyric poet, the latter as a writer of idyls, maintain a high rank.
The Poles possess all the necessary qualities for oratory, and the sixteenth century was eminent for forensic and pulpit eloquence. History was cultivated with much zeal, but mostly in the Latin language. Martin Bielski (1500-1576) was the author of the "Chronicle of Poland," the first historical work in Polish. Scientific works were mostly written in Latin, the cultivation of which, in Poland, has ever kept pace with the study of the vernacular tongue. Indeed, the most eminent writers and orators of the sixteenth century, who made use of the Polish language, managed the Latin with equal skill and dexterity, and in common conversation both Latin and Polish were used.
Among the scientific writers of Latin is the astronomer Copernicus (1473- 1543). He early went to Italy, and was appointed professor of mathematics at Rome. He at length returned to Poland, and devoted himself to the study of astronomy. Having spent twenty years in observations and calculations, he brought his scheme to perfection, and established the theory of the universe which is now everywhere received.
The interval between 1622 and 1760 marks a period of a general decadence in Polish literature. The perversion of taste which, at the beginning of that age, reigned in Italy, and thence spread over Europe, reached Poland; and for nearly a hundred and fifty years the country, under the influence of the Jesuits, was the victim of a stifling intolerance, and of a general mental paralysis. But in the reign of Stanislaus Augustus (1762-1795), Poland began to revive, and the national literature received a new impulse. Though the French language and manners prevailed, and the bombastic school of Marini was only supplanted by that of the cold and formal poets of France, the cultivation of the Polish language was not neglected; a periodical work, to which the ablest men of the country contributed, was published, public instruction was made one of the great concerns of the government, and the power of the Jesuits was destroyed.
The dissolution of the kingdom which soon followed, its partition and amalgamation with foreign nations, kindled anew the patriotic spirit of the Poles, who devoted themselves with more zeal than ever to the cultivation of their native language, the sole tie which still binds them together. The following are the principal representatives of this period: Stephen Konarski (1700-1773), a writer on politics and education, who devoted himself entirely to the literary and mental reform of his country; Zaluski (1724-1786), known more especially as the founder of a large library, which, at the dismemberment of Poland, was transferred to St. Petersburg; and, above all, Adam Czartoryski (1731-1823), and the two brothers Potocki, distinguished as statesmen, orators, writers, and patrons of literature and art. At the head of the historical writers of the eighteenth century stands Naruszewicz (1753-1796), whose history of Poland is considered as a standard work. In respect to erudition, philosophical conception, and purity of style, it is a masterpiece of Polish literature. Krasicki (1739-1802), the most distinguished poet under Stanislaus Augustus, was called the Polish Voltaire. His poems and prose writings are replete with wit and spirit, though bearing evident marks of French influence, which was felt in almost all the poetical productions of that age.
Niemcewicz (1787-1846) is regarded as one of the greatest poets of the eighteenth and nineteenth centuries. Having fought by the side of Kosciusko, and shared his fate as a prisoner, he accompanied him to America, where he became the friend and associate of Washington, whose life he afterwards described. His other works consist of historical songs, dramas, and a history of the reign of Sigismund.
There is no branch of literature in which the Poles have manifested greater want of original power than in the drama, where the influence of the French school is decided, and, indeed, exclusive. Novels and tales, founded on domestic life, are not abundant in Polish literature; philosophy has had few votaries, and the other sciences, with the exception of the mathematical and physical branches, have been, till recently, neglected.
The failure of the revolution of 1830 forms a melancholy epoch in Polish history, and especially in Polish literature. The universities of Warsaw and Wilna were broken up, and their rich libraries removed to St. Petersburg. Even the lower schools were mostly deprived of their funds, and changed to Russian government schools. The press was placed under the strictest control, the language and the national peculiarities of the country were everywhere persecuted, the Russian tongue and customs substituted, and the poets and learned men either silenced or banished. Yet since that time the national history has become more than ever a chosen study with the people; and as the results of these researches, since 1830, cannot be written in Poland, Paris has become the principal seat of Polish learning. One of the first works of importance published there was the "History of the Polish Insurrection," by Mochnachi (1804- 1835), known before as the author of a work on the Polish literature of the nineteenth century, and as the able editor of several periodicals. Lelewel, one of the leaders of the revolution, wrote a work on the civil rights of the Polish peasantry, which has exercised a more decided influence in Poland than that of any modern author. Miekiewicz (1798- 1843), a leader of the same revolution, is the most distinguished of the modern poets of Poland. His magnificent poem of "The Feast of the Dead" is a powerful expression of genius. His "Sonnets on the Crimea" are among his happiest productions, and his "Sir Thaddeus" is a graphic description of the civil and domestic life of Lithuania. Mickiewicz is the founder of the modern romantic school in Poland, to which belong the most popular productions of Polish literature. Zalesski, Grabowski, and others of this school have chosen the Ukraine as the favorite theatre of their poems, and give us pictures of that country, alternately sweet, wild, and romantic.
Of all the Slavic nations, the Poles have most neglected their popular poetry, a fact which may be easily explained in a nation among whom whatever refers to mere boors and serfs has always been regarded with the utmost contempt. Their beautiful national dances, however, the graceful Polonaise, the bold Masur, the ingenious Cracovienne, are equally the property of the nobility and peasantry, and were formerly always accompanied by singing instead of instrumental music. These songs were extemporized, and were probably never committed to writing.
The centre of literary activity in Poland is Warsaw, which, in spite of the severe restrictions on the press, has always maintained its preëminence.
ROUMANIAN LITERATURE.
Carmen Sylva.
The kingdom of Roumania, composed of the principalities of Moldavia and Wallachia, united in 1859, has few literary monuments. The language is Wallachian, in which the Latin predominates, with a mixture of Slavic, Turkish, and Tartar, and has only of late been classed with the Romance languages, by the side of Italian, Spanish, and Portuguese. There are some historical fragments of the fifteenth century remaining; the literature that followed was mostly theological. In recent times a great number of learned and poetical works have been produced, and political movements have led to many political writings and to the establishment of many newspapers.
The most distinguished name in Roumanian literature is that of "Carmen Sylva," the nom de plume of the beautiful and gifted queen of that country, whose writings in prose and verse are remarkable for passionate feeling, grace, and finished execution.
DUTCH LITERATURE.
1. The Language.—2. Dutch Literature to the Sixteenth Century: Maerlant;
Melis Stoke; De Weert; the Chambers of Rhetoric; the Flemish Chroniclers;
the Rise of the Dutch Republic.—3. The Latin Writers: Erasmus; Grotius;
Arminius; Lipsius; the Scaligers, and others; Salmasius; Spinoza;
Boerhaave; Johannes Secundus.—4. Dutch Writers of the Sixteenth Century:
Anna Byns; Coornhert; Marnix de St. Aldegonde, Bor, Visscher, and
Spieghel.—5. Writers of the Seventeenth Century: Hooft; Vondel; Cats;
Antonides; Brandt, and others; Decline in Dutch Literature.—6. The
Eighteenth Century: Poot; Langendijk; Hoogvliet; De Marre; Feitama;
Huydecoper; the Van Harens; Smits; Ten Kate; Van Winter; Van Merken; De
Lannoy; Van Alphen; Bellamy; Nieuwland, Styl, and others.—7. The
Nineteenth Century: Feith; Helmers; Bilderdyk; Van der Palm; Loosjes;
Loots, Tollens, Van Kampen, De s'Gravenweert, Hoevill, and others.
1. THE LANGUAGE.—The Dutch, Flemish, and Frisic languages, spoken in the kingdoms of Holland and Belgium, are branches of the Gothic family. Toward the close of the fifteenth century, the Dutch gained the ascendency over the others, which it has never since lost. This language is energetic and flexible, rich in synonyms and delicate shades, and from its fullness and strength, better adapted to history, tragedy, and odes, than to comedy and the lighter kinds of poetry. The Flemish, which still remains the literary language of the southern provinces, is inferior to the Dutch, and has been greatly corrupted by the admixture of foreign words. The Frisic, spoken in Friesland, is an idiom less cultivated than the others, and is gradually disappearing. In the seventeenth century it boasted of several writers, of whom the poet Japix was the most eminent. The first grammar of the Frisic language was published by Professor Rask, of Copenhagen, in 1825. In some parts of Belgium the Walloon, an old dialect of the French, is still spoken, but the Flemish continues to be the common language of the people, although since the establishment of Belgium as an independent kingdom the use of the French language has prevailed among the higher classes.
2. DUTCH LITERATURE TO THE SIXTEENTH CENTURY.—When the obscurity of the dark ages began to disappear with the revival of letters, the Netherlands were not last among the countries of Europe in coming forth from the darkness. The cities of Flanders were early distinguished for the commercial activity and industrial skill of their inhabitants. Bruges reached the height of its splendor in the beginning of the fifteenth century, and was for some time one of the great commercial emporiums of the world, to which Constantinople, Genoa, and Venice sent their precious argosies laden with the products of the East. At the close of the thirteenth century Ghent, in wealth and power, eclipsed the French metropolis; and at the end of the fifteenth century there was, according to Erasmus, no town in all Christendom to compare with it for magnitude, power, political institutions, or the culture of its citizens. The lays of the minstrels and the romances of chivalry were early translated, and a Dutch version of "Reynard the Fox" was made in the middle of the thirteenth century. Jakob Maerlant (1235-1300), the first author of note, translated the Bible into Flemish rhyme, and made many versions of the classics; and Melis Stoke, his contemporary, wrote a rhymed "Chronicle of Holland."
The most important work of the fourteenth century is the "New Doctrine," by De Weert, which, for the freedom of its expression on religious subjects, may be regarded as one of the precursors of the Reformation.
Towards the close of the fourteenth century there arose a class of wandering poets called Sprekers, who, at the courts of princes and elsewhere, rehearsed their maxims in prose or verse. In the fifteenth century they formed themselves into literary societies, known as "Chambers of Rhetoric" (poetry being at that time called the "Art of Rhetoric"), which were similar to the Guilds of the Meistersingers. These institutions were soon multiplied throughout the country, and the members exercised themselves in rhyming, or composed and performed mysteries and plays, which, at length, gave rise to the theatre. They engaged in poetical contests, distributed prizes, and were prominent in all national fêtes. The number of the rhetoricians was so immense, that during the reign of Philip II. of Spain more than thirty chambers, composed of fifteen hundred members, often entered Antwerp in triumphal procession. But the effect of these associations, composed for the most part of illiterate men, was to destroy the purity of the language and to produce degeneracy in the literature. The Chamber of Amsterdam, however, was an honorable exception, and towards the close of the sixteenth century it counted among its members distinguished scholars, such as Spieghel, Coornhert, Marnix, and Visscher, and it may be considered as the school which formed Hooft and Vondel.
During the reign of the House of Burgundy (1383-1477), which was essentially French in tastes and manners, the native tongue became corrupted by the admixture of foreign elements. The poets and chroniclers of the time were chiefly of Flemish origin; the most widely known among the latter are Henricourt (d. 1403), Monstrelet (d. 1453), and Chastelain (d. 1475). A translation of the Bible and a few more works close the literary record of the fifteenth century.
The invention of printing, the great event of the age, is claimed by the cities of Mayence, Strasbourg, and Harlem; but if the art which preserves literature originated in the Netherlands, it did not at once create a native literature, the growth of which was greatly retarded by the use of the Latin tongue, which long continued to be the organ of expression with the principal writers of the country, nearly all of whom, even to the present day, are distinguished for the purity and elegance with which they compose in this language.
The Reformation and the great political agitations of the sixteenth century ended in the independence of the northern provinces and the establishment of the Dutch Republic (1581) under the name of the United Provinces, commonly called Holland, from the province of that name, which was superior to the others in extent, population, and influence. The new republic rose rapidly in power; and while intolerance and religious disputes distracted other European states, it offered a safe asylum to the persecuted of all sects. The expanding energies of the people soon sought a field beyond the narrow boundaries of the country; their ships visited every sea, and they monopolized the richest commerce of the world. They alone supplied Europe with the productions of the Spice Islands, and the gold, pearls, and jewels of the East all passed through their hands; and in the middle of the seventeenth century the United Provinces were the first commercial and the first maritime power in the world. A rapid development of the literature was the natural consequence of this increasing national development, which was still more powerfully promoted by the great and wise William I., Prince of Orange, who in 1575 founded the university of Leyden as a reward to that city for its valiant defense against the Spaniards. Similar institutions were soon established at Groningen, Utrecht, and elsewhere; these various seats of learning produced a rivalry highly advantageous to the diffusion of knowledge, and great men arose in all branches of science and literature. Among the distinguished names of the sixteenth century those of the Latin writers occupy the first place.
3. LATIN WRITERS.—One of the great restorers of letters in Europe, and one of the most elegant of modern Latin authors, was Gerard Didier, a native of Rotterdam, who took the name of Erasmus (1467-1536). To profound learning he joined a refined taste and a delicate wit, and few men have been so greatly admired as he was during his lifetime. The principal sovereigns of Europe endeavored to draw him into their kingdoms. He several times visited England, where he was received with great deference by Henry VIII., and where he gave lectures on Greek literature at Cambridge. He made many translations from Greek authors, and a very valuable translation of the New Testament into Latin. His writings introduced the spirit of free inquiry on all subjects, and to his influence may be attributed the first dawning of the Reformation. But his caution offended some of the best men of the times. His treatise on "Free Will" made an open breach between him and Luther, whose opinions favored predestination; his "Colloquies" gave great offense to the Catholics; and as he had not declared for the Protestants, he had but lukewarm friends in either party. It has been said of Erasmus, that he would have purified and repaired the venerable fabric of the church, with a light and cautious touch, fearful lest learning, virtue, and religion should be buried in its fall, while Luther struck at the tottering ruin with a bold and reckless hand, confident that a new and more beautiful temple would rise from its ruins.
Hugo de Groot, who, according to the fashion of the time, took the Latin name of Grotius (1583-1645), was a scholar and statesman of the most diversified talents, and one of the master minds of the age. He was involved in the religious controversy which at that time disturbed Holland, and he advocated the doctrines of Arminius, in common with the great statesman, Barneveldt, whom he supported and defended by his pen and influence. On the execution of Barneveldt, Grotius was condemned to imprisonment for life in the castle of Louvestein; but after nearly two years spent in the prison, his faithful wife planned and effected his escape. She had procured the privilege of sending him a chest of books, which occasionally passed and repassed, closely scrutinized. On one occasion the statesman took the place of the books, and was borne forth from the prison in the chest, which is still in the possession of the descendants of Grotius, in his native city of Delft. The States-General perpetuated the memory of the devoted wife by continuing to give her name to a frigate in the Dutch navy. After his escape from prison, Grotius found an asylum in Sweden, from whence he was sent ambassador to France. His countrymen at length repented of having banished the man who was the honor of his native land, and he was recalled; but on his way to Holland he was taken ill and died before he could profit by this tardy act of justice. The writings of Grotius greatly tended to diffuse an enlightened and liberal manner of thinking in all matters of science. He was a profound theologian, a distinguished scholar, an acute philosopher and jurist, and among the modern Latin poets he holds a high place. The philosophy of jurisprudence has been especially promoted by his great work on natural and national law, which laid the foundation of a new science.
Arminius (1560-1609), the founder of the sect of Arminians or Remonstrants, was distinguished as a preacher and for his zeal in the Reformed Religion. He attempted to soften the Calvinistic doctrines of predestination, in which he was violently opposed by Gomarus. He counted among his adherents Grotius, Barneveldt, and many of the eminent men of Holland. Other eminent theologians of this period were Drusius and Coeceius.
Lipsius (1547-1606) is known as a philologist and for his treatises on the military art of the Romans, on the Latin classics, and on the philosophy of the Stoics. Another scholar of extensive learning, whose editions of the principal Greek and Latin classics have rendered him famous all over Europe, was Daniel Heinsius (1580-1655). Gronovius and several of the members of the Spanheim family became also eminent for their scholarship in various branches of ancient learning.
The two Scaligers, father and son (1483-1554) (1540-1609), Italians, resident in Holland, are eminent for their researches in chronology and archaeology, and for their valuable works on the classics. Prominent among those who followed in the new path of philological study opened by the elder Scaliger was Vossius, or Voss (1577-1649), who excelled in many branches of learning, and particularly in Latin philology, which owes much to him. He left five sons, all scholars of note, especially the youngest, Isaac Vossius (1618-1689).
Peter Burmann (1668-1741) was a scholar of great erudition and industry.
Christian Huyghens (1629-1695) was a celebrated astronomer and mathematician, and many great men in those branches of science flourished in Holland in the seventeenth century. Among the great philologists and scholars must also be mentioned Hemsterhuis, Ruhnkenius, and Valckenaer.
Menno van Coehorn (1641-1704) was a general and engineer distinguished for his genius in military science; his great work on fortifications has been translated into many foreign languages. Helmont and Boerhaave have acquired world-wide fame by their labors in chemistry; Linnaeus collected the materials for his principal botanical work from the remarkable botanical treasures of Holland; and zoology and the natural sciences generally counted many devoted and eminent champions in that country.
Salmasius (1588-1653), though born in France, is ranked among the writers of Holland. He was professor in the University of Leyden, and was celebrated for the extent and depth of his erudition. He wrote a defense of Charles I. of England, which was answered by Milton, in a work entitled "A Defense of the English People against Salmasius' Defense of the King." Salmasius died soon after, and some did not scruple to say that Milton killed him by the acuteness of his reply.
Boerhaave (1668-1738) was one of the most eminent writers on medical science in the eighteenth century, and from the time of Hippocrates no physician had excited so much admiration. Spinoza (1632-1677) holds a commanding position as a philosophical writer. His metaphysical system, as expounded in his principal work, "Ethica," merges everything individual and particular in the Divine substance, and is thus essentially pantheistic. The philosophy of Spinoza exercised a powerful influence upon the mind of Kant, and the master-minds and great poets of modern times, particularly of Germany, have drawn copiously from the deep wells of his suggestive thought.
Among the many Latin poets of Holland, John Everard (1511-1536) (called Jan Second or Johannes Secundus, because he had an uncle of the same name) is most celebrated. His poem entitled "The Basia or Kisses" has been translated into the principal European languages. Nicholas Heinsius (1620- 1681), son of the great philologist and poet Heinsius, wrote various Latin poems, the melody of which is so sweet that he was called by his contemporaries the "Swan of Holland."
4. DUTCH WRITERS OF THE SIXTEENTH CENTURY.—The first writer of this century in the native language was Anna Byns, who has been called the Flemish Sappho. She was bitterly opposed to the Reformation, and such of her writings as were free from religious intolerance evince more poetic fire than is found in those of her contemporaries. Coornhert (1522-1605) was a poet and philosopher, distinguished not less by his literary works than by his participation in the revolution of the Provinces. In purity of style and vigor of thought he far surpassed his predecessors. Marnix de St. Aldegonde (d. 1598) was a soldier, a statesman, a theologian, and a poet. He was the author of the celebrated "Compromise of the Nobles," and his satire on the Roman Catholic Church was one of the most effective productions of the time. He translated the Psalms from the original Hebrew, and was the author of a lyric which, after two centuries and a half, is still the rallying song of the nation on all occasions of peril or triumph.
Bor (1559-1635) was commissioned by the States to write a history of their struggles with Spain, and his work is still read and valued for its truthfulness and impartiality. Meteren, the contemporary of Bor, wrote the history of the country from the accession of the House of Burgundy to the year 1612—a work which, with some faults, has a high place in the literature.
Visscher (d. 1612) and Spieghel (d. 1613) form the connecting link between the sixteenth and seventeenth centuries. Visscher, the Maecenas of the day, was distinguished for his epigrammatic and fugitive poems, and rendered immense service to letters by his influence on the literary men of his time. His charming daughters were both distinguished in literature. Spieghel is best remembered by his poem, the "Mirror of the Heart," which abounds in lofty ideas, and in sentiments of enlightened patriotism.
5. THE SEVENTEENTH CENTURY.—At the close of the sixteenth century, although the language was established, it still remained hard and inflexible, and the literature was still destitute of dramatic, erotic, and the lighter kinds of poetry; but an earnest, patriotic, religious, and national character was impressed upon it, and its golden age was near at hand.
The commencement of the seventeenth century saw the people of the United Provinces animated by the same spirit and energy, preferring death to the abandonment of their principles, struggling with a handful of men against the most powerful monarchy of the time; conquering their political and religious independence, after more than half a century of conflict, and giving to the world a great example of freedom and toleration; covering the ocean with their fleets, and securing possessions beyond the sea a hundred times more vast than the mother country; becoming the centre of universal commerce, and cultivating letters, the sciences, and the arts, with equal success. Poetry was national, for patriotism predominated over all other sentiments; and it was original, because it recognized no models of imitation but the classics.
The spirit of the age naturally communicated itself to the men of letters, who soon raised the literature of the country to a classic height; first among these were Hooft, Vondel, and Jacob Cats.
Hooft (1581-1647), a tragic and lyric poet as well as a historian, greatly developed and perfected the language, and by a careful study of the Italian poets imparted to his native tongue that sonorous sweetness which has since characterized the poetry of Holland. He was the creator of native tragedy, as well as of erotic verse, in which his style is marked by great sweetness, tenderness, and grace. He rendered still greater service to the native prose. His histories of "Henry IV.," of the "House of Medici," and above all the history of the "War of Independence in the Low Countries," without sacrificing truth, often border on poetry, in their brilliant descriptions and paintings of character, and in their nervous and energetic style. Hooft was a man of noble heart; he dared to protect Grotius in the days of his persecution; he defended Descartes and offered an asylum to Galileo.
Vondel (1587-1660), as a lyric, epic, and tragic poet, far surpassed all his contemporaries, and his name is honored in Holland as that of Shakspeare is in England. His tragedies, which are numerous, are his most celebrated productions, and among them "Palamedes Unjustly Sacrificed" is particularly interesting as representing the heroic firmness of Barneveldt, who repeated one of the odes of Horace when undergoing the torture. Vondel excelled as a lyric and epigrammatic poet, and the faults of his style belonged rather to his age than to himself.
No writer of the time acquired a greater or more lasting reputation than Jacob Cats (1577-1660), no less celebrated for the purity of his life than for the sound sense and morality of his writings, and the statesmanlike abilities which he displayed as ambassador in England, and as grand pensioner of Holland. His style is simple and touching, his versification easy and harmonious, and his descriptive talent extraordinary. His works consist chiefly of apologues and didactic and descriptive poems. No writer of Holland has been more read than Father Cats, as the people affectionately call him; and up to the present hour, in all families his works have their place beside the Bible, and his verses are known by heart all over the country. An illustrated edition of his poems in English has been recently published in London.
Hooft and Vondel left many disciples and imitators, among whom are Antonides (1647-1684), surnamed Van der Goes, whose charming poem on the River Y, the model of several similar compositions, is still read and admired. Among numerous other writers were Huygens (b. 1596), a poet who wrote in many languages besides his own; Heinsius (b. 1580), a pupil of Scaliger, the author of many valuable works in prose and poetry; Vallenhoven, contemporary with Antonides, a religious poet; Rotgans, the author of an epic poem on William of England; Elizabeth Hoofman (b. 1664), a poetess of rare elegance and taste, and Wellekens (b. 1658), whose eclogues and idyls occupy the first place among that class of poems. As a historian Hooft found a worthy successor in Brandt (1626-1683), also a poet, but best known by his "History of the Reformation in the Netherlands," which has been translated into French and English, and which is a model in point of style. At this period the Bible was translated and commented upon, and biographies, criticisms, and many other prose works appeared. The voyages and discoveries of the Dutch merchants and navigators were illustrated by numerous narratives, which, for their interest both in style and detail, deserve honorable mention.
From the commencement of the last quarter of the seventeenth century, however, many causes combined to produce a decline in the literature of the Netherlands. The honors which were accorded not only by the Dutch universities, but by all Europe to their Latin writers and learned professors, were rarely bestowed on writers in the native tongue, and thus the minds of men of genius were turned to the study of the classics and the sciences. The Dutch merchants, while they cultivated all other languages for the facilities they thus gained in their commercial transactions, restricted by so much the diffusion of their own. Other causes of this decline are to be found in the indifference of the republican government to the interests of literature, and in the increasing number of alliances with foreigners, who were attracted to Holland by the mildness of its laws, in the growing commercial spirit and taste for luxury, and especially in the influence of French literature, which, towards the close of the seventeenth century, became predominant in Holland as elsewhere.
6. THE EIGHTEENTH CENTURY.—For the first three quarters of the eighteenth century the literature of Holland, like that of other countries of Europe, with the exception of France, remained stationary, or slowly declined. But in the midst of universal mediocrity, a few names shine with distinguished lustre. Among them that of Poot (1689-1732) is commonly cited with those of Hooft and Vondel. He was a young peasant, whose rare genius found expression in a sweet and unaffected style. He excelled in idyllic and erotic poetry, and while he has no rival in Holland, he may perhaps be compared to Burns in Scotland, and Béranger in France. The theatre of Amsterdam, the only one of the country, continued to confine itself to translations or imitations from the French. There appeared, however, at the commencement of this period, an original comic author, Langendijk (1662-1735), whose works still hold their place upon the stage, partly for their merit, and partly to do honor to the only comic poet Holland has produced.
Hoogvliet (1689-1763) was distinguished as the author of a poem entitled "Abraham," which had great and merited success, and which still ranks among the classics; for some years after it appeared, it produced a flood of imitations.
De Marre (b. 1696), among numerous writers of tragedy, occupies the first place. From his twelfth year he was engaged in the merchant marine service, and besides his tragedies his voyages inspired many other works, the chief of which, a poem entitled "Batavia," celebrates the Dutch domination in the Asiatic archipelago. Feitama (1694-1758), with less poetic merit than De Marre, had great excellence. He was the first translator of the classics who succeeded in imparting to his verse the true spirit of his originals.
Huydecoper (d. 1778) was the first grammarian of merit, and he united great erudition with true poetic power. His tragedies are still represented.
Onno Zwier Van Haren (1713-1789) was also a writer of tragedy, and the author of a long poem in the epic style, called the Gueux (beggars), a name given in derision to the allied noblemen of the Netherlands in the time of Philip, and adopted by them. This poem represents the great struggle of the country with Spain, which ended in the establishment of the Dutch republic, and is distinguished for its fine episodes, its brilliant pictures, and its powerful development of character.
The only strictly epic poem that Holland has produced is the "Friso" of William Van Haren (1710-1758), the brother of the one already named. Friso, the mythical founder of the Frisons, is driven from his home on the shores of the Ganges, and, after many adventures, finds an asylum and establishes his government in the country to which he gives his name. This work with many faults is full of beauties. The brothers Van Haren were free from all foreign influence, and may justly be regarded as the two great poets of their time. The poems of Smits (1702-1750) are full of grace and sentiment, but, like those of almost all the Dutch poets, they are characterized by a seriousness of tone nearly allied to melancholy. Ten Kate (1676-1723) stands first among the grammarians and etymologists, and his works are classical authorities on the subject of the language.
Preëminent among the crowd of historians is Wagenaar (1709-1773), the worthy successor of Hooft and Brandt, whose "History of the United Provinces" is particularly valuable for its simplicity of style and truthfulness of detail.
Of the lighter literature, Van Effen, who had visited England, produced in French the "Spectator," in imitation of the English periodical, and, like that, it is still read and considered classical.
Towards the conclusion of the century, other periodicals were established, which, in connection with literary societies and academies, exercised great influence on literature. The contemporary writers of Germany were also read and translated, and henceforth in some degree they counterbalanced French influence.
First among the writers who mark the close of the eighteenth century are Van Winter (d. 1795), and his distinguished wife, Madame Van Merken (d. 1789). They published conjointly a volume of tragedies in which the chief merit of those of Van Winter consists in their originality and in the expression of those sentiments of justice, humanity, and equality before the law, which were just then beginning to find a voice in Europe.
Madame Van Merken, who, late in life, married Van Winter, has been called the Racine of Holland. To masculine energy and power she united all the virtues and sweetness of her own sex. Besides many long poems, she was the author of several tragedies, many of which have remarkable merit. Madame Van Merken gave a new impulse to the literature of her country, of which she is one of the classic ornaments, and prepared the way for Feith and Bilderdyk.
The Baroness De Lannoy, the contemporary of Madame Van Merken, was, like her, eminent in tragedy and other forms of poetry, though less a favorite, for in that free country an illustrious birth has been ever a serious obstacle to distinction in the republic of letters.
Nomz (d. 1803) furnished the theatre of Amsterdam with many pieces, original and translated, and merited a better fate from his native city than to die in the public hospital.
The poets who mark the age from Madame Van Merken to Bilderdyk, are Van Alphen, Bellamy, and Nieuwland. Van Alphen (d. 1803) is distinguished for his patriotism, originality, and deeply religious spirit. His poems for children are known by heart by all the children of Holland, and he is their national poet, as Cats is the poet of mature life and old age. Bellamy, who died at the early age of twenty-eight years (1786), left many poems characterized by originality, force, and patriotic fervor, no less than by beauty and harmony of style. Nieuwland (d. 1794), like Bellamy, rose from the lower order of society by the force of his genius; at the age of twenty-three he was called to the chair of philosophy, mathematics, and astronomy at Utrecht, and later to the university of Leyden. He was equally great as a mathematician and as a poet in the Latin language as well as his own. All his productions are marked by elegance and power.
Styl (d. 1804) was a poet as well as a historian; one of the most valuable works on the history of the country is his "Growth and Prospects of the United Provinces." Te Water, Bondam, and Van de Spiegel contributed to the same department.
Romance writing has, with few exceptions, been surrendered to women. Among the romances of character and manners, those of Elizabeth Bekker Wolff (d. 1804) are distinguished for their brilliant and caustic style, and those of Agatha Deken for their earnest and enlightened piety. The works of both present lively pictures of national character and manners.
7. THE NINETEENTH CENTURY.—The political convulsions of the last years of the eighteenth century and the early part of the nineteenth, which overthrew the Dutch Republic, revolutionized the literature not less than the state,—and the new era was illustrated by its poets, historians, and orators. But in the elevation of inferior men by the popular party, the more eminent men of letters for a time withdrew from the field, and the noblest productions of native genius were forgotten in the flood of poor translations which inundated the country and corrupted the taste and the language by their Germanisms and Gallicisms.
Among the crowd of poets, a few only rose superior to the influences of the time. Feith (d. 1824) united a lofty patriotism to a brilliant poetical genius; his odes and other poems possess rare merit, and his prose is original, forcible, and elegant.
Helmers (d. 1813) is most honored for his poem, "The Dutch Nation," which, with some faults, abounds in beautiful episodes and magnificent passages.
Bilderdyk (1756-1831) is not only the greatest poet Holland has produced, but he is equally eminent as a universal scholar. He was a lawyer, a physician, a theologian, a historian, astronomer, draftsman, engineer, and antiquarian, and he was acquainted with nearly all the ancient and modern languages. In 1820 he published five cantos of a poem on "The Destruction of the Primitive World," which, though it remains unfinished, is a superb monument of genius and one of the literary glories of Holland. Bilderdyk excelled in every species of poetry, tragedy only excepted, and his published works fill more than one hundred octavo volumes.
Van der Palm (b. 1763) occupies the same place among the prose writers of the nineteenth century that Bilderdyk does among the poets. He held the highest position as a pulpit orator and member of the Council of State, and his discourses, orations, and other prose works are models of style, and are counted among the classics of the country. His great work, however, was the translation of the Bible.
Since the time of Bilderdyk and Van der Palm no remarkable genius has appeared in Holland.
Loosjes (d. 1806) added to his reputation as a poet by his historical romances, and Fokke (d. 1812) was a satirist of the follies and errors of his age. Among the historians who have devoted themselves to the history of foreign countries are Stuart, Van Hamelsveld, and Muntinghe, who, in a short space of time, enriched their native literature with more than sixty volumes of history, of a profoundly religious and philosophical character, which bear the stamp of originality and nationality.
The department of oratory in Dutch literature, with the exception of that of the pulpit, is poor, and this is to be explained in part by the fact that the deliberations of the States-General were always held with closed doors. Holland was an aristocratic republic, and the few families who monopolized the power had no disposition to share it with the people, who, on the other hand, were too much occupied with their own affairs and too confident of the wisdom and moderation of their rulers, to wish to mingle in the business of state. The National Assembly, however, from 1775 to 1800, had its orators, chiefly men carried into public life by the events of the age, but they were far inferior to those of other countries.
The impulse given to literature by Bilderdyk and Van der Palm is not arrested. Among the numerous authors who have since distinguished themselves, are Loots, a patriotic poet of the school of Vondel; Tollens, who ranks with the best native authors in descriptive poetry and romance; Wiselius, the author of several tragedies, a scholar and political writer; Klyn (d. 1856); Van Walré and Van Halmaal, dramatic poets of great merit; Da Costa and Madame Bilderdyk, who, as a poetess, shared the laurels of her husband. In romance, there are Anna Toussaint, Bogaers, and Jan Van Lennep, son of the celebrated professor of that name, who introduced into Holland historical romances modeled after those of Scott, and who contributed much to discard French and to popularize the national literature. In prose, De Vries must be named for his eloquent history of the poetry of the Netherlands; Van Kampen (1776-1839) for his historical works; Geysbeck for his biographical dictionary and anthology of the poets, and De s'Gravenweert, a poet and the translator of the Iliad and Odyssey. Von Hoevell is the author of a work on slavery, which appeared not many years since, the effect of which can be compared only to that of "Uncle Tom's Cabin."
In Belgium, Conscience is a successful author of fiction and history, and his works have been frequently translated into other languages. De Laet, one of the ablest writers of the country in connection with Conscience, has done much for the revival of Flemish literature, which now boasts of many original writers in various departments.
The literature of the Netherlands, like the people, is earnest, religious, always simple, and often elevated and sublime. It is especially distinguished for its reflective and patriotic character, and bears the mark of that accurate study of the classic models which has formed the basis of the national education, and to which its purity of taste, naturalness, and simplicity are undoubtedly to be attributed. There exists no nation of equal population which, within the course of two or three centuries, has produced a greater number of eminent men.
From the age of Hooft and Vondel to the present day, though the Dutch literature may have submitted at times to foreign influence, and though, like all others, it may have paid its tribute to the fashions and faults of the day, it has still preserved its nationality, and is worthy of being known and admired.
SCANDINAVIAN LITERATURE.
1. Introduction. The Ancient Scandinavians; their Influence on the English
Race.—2. The Mythology.—3. The Scandinavian Languages.—4. Icelandic, or
Old Norse Literature: the Poetic Edda, the Prose Edda, the Scalds, the
Sagas, the "Heimskringla," The Folks-Sagas and Ballads of the Middle
Ages.—5. Danish Literature: Saxo Grammaticus and Theodoric; Arreboe,
Kingo, Tycho Brahe, Holberg, Evald, Baggesen, Oehlenschläger, Grundtvig,
Blicher, Ingemann, Heiberg, Gyllenbourg, Winther, Hertz, Müller, Hans
Andersen, Plong, Goldschmidt, Hastrup, and others; Malte Brun, Rask, Rafn,
Magnusen, the brothers Oersted.—6. Swedish Literature: Messenius,
Stjernhjelm, Lucidor, and others. The Gallic period: Dalin, Nordenflycht,
Crutz and Gyllenborg, Gustavus III., Kellgren, Leopold, Oxenstjerna. The
New Era: Bellman, Hallman, Kexel, Wallenberg, Lidnor, Thorild, Lengren,
Franzen, Wallin. The Phosphorists: Atterborn, Hammarsköld, and Palmblad.
The Gothic School: Geijer, Tegnér, Stagnelius, Almquist, Vitalis,
Runeberg, and others. The Romance Writers: Cederborg, Bremer, Carlén,
Knorring. Science: Swedenborg, Linnaeus, and others.
1. INTRODUCTION.—It is a singular fact that the progressive and expanding spirit which characterizes the English race should be so universally referred to their Anglo-Saxon blood, while the transcendent influence of the Scandinavian element is entirely overlooked. The so-called Anglo- Saxons were a handful of people in Holstein, where they may still be found in inglorious obscurity, the reluctant subjects of Denmark. The early emigrants who bore that name, were, it is true, from various portions of Germany; but even if the glory of our English ancestry be transferred from Anglen, and spread over the whole country, we find a race bearing no resemblance to the English in their more active and powerful qualities, but an intellectual people, possessed of a patient and conceding nature, which, without other more aspiring attributes, doubtless would have left the English people in the same condition of political slavery that the Germans continue in to this day. Of all those institutions so commonly and gratuitously ascribed to them, of representative government, trial by jury, and such machinery of political and social independence, there is not a vestige to be found in any age in Germany, from the Christian era to the present time. During the period of their dominion in England, the Anglo-Saxons, so far from showing themselves an enterprising people were notoriously weak, slothful, and degenerate, overrun by the Danes, and soon permanently subjected by the Normans. It is evident, from the trifling resistance they made, that they had neither energy to fight, nor property, laws, nor institutions to defend, and that they were merely serfs on the lands of the nobles or of the church, who had nothing to lose by a change of masters. It is to the renewal of the original spirit of the Anglo- Saxons, by the fresh infusion of the Danish conquerors into a very large proportion of the whole population, in the eleventh century, that we must look for the actual origin of the national character and institutions of the English people, and for that check of popular opinion and will upon arbitrary rule which grew up by degrees, and which slowly but necessarily produced the English law, character, and institutions. These belong not to the German or Anglo-Saxon race settled in England previous to the tenth or eleventh century, but to that small, cognate branch of Northmen or Danes, who, between the ninth and twelfth centuries, brought their paganism, energy, and social institutions to conquer, mingle with, and invigorate the inert descendants of the old race. That this northern branch of the common race has been the more influential in the society of modern Europe, we need only compare England and the United States with Saxony, Prussia, Hanover, or any country of strictly ancient Teutonic descent, to be satisfied. From whatever quarter civil, religious, and political liberty and independence of mind may have come, it was not from the banks of the Rhine or the forests of Germany.
The difference in the spirit of the two branches of the same original race was immense, even at the earliest period. When the Danes and Norwegians overran England, the Germans had, for six centuries, been growing more and more pliant to despotic government, and the Scandinavians more and more bold and independent. At home they elected their kings, and decided everything by the general voice of the Althing, or open Parliament. Abroad they became the most daring of adventurers; their Vikings spread themselves along the shores of Europe, plundering and planting colonies; they subdued England, seized Normandy, besieged Paris, conquered a large portion of Belgium, and made extensive inroads into Spain. They made themselves masters of lower Italy and Sicily under Robert Guiscard, in the eleventh century; during the Crusades they ruled Antioch and Tiberias, under Tancred; and in the same century they marched across Germany, and established themselves in Switzerland, where the traditions of their arrival, and traces of their language still remain. In 861 they discovered Iceland, and soon after peopled it; thence they stretched still farther west, discovered Greenland, and proceeding southward, towards the close of the tenth century they struck upon the shores of North America, it would appear, near the coast of Massachusetts. They seized on Novogorod, and became the founders of the Russian Empire, and of a line of Czars which became extinct only in 1598, when the Slavonic dynasty succeeded. From Russia they made their way to the Black Sea, and in 866 appeared before Constantinople, where their attacks were bought off only on the payment of large sums by the degenerate emperors. From. 902 to the fall of the empire, the emperors retained a large body-guard of Scandinavians, who, armed with double-edged battle-axes, were renowned through the world, under the name of Varengar, or the Väringjar of the old Icelandic Sagas.
Such were the ancient Scandinavians. To this extraordinary people the English and their descendants alone bear any resemblance. In them the old Norse fire still burns, and manifests itself in the same love of martial daring and fame, the same indomitable seafaring spirit, the same passion for the discovery of new seas and new lands, and the same insatiable longing, when discovered, to seize and colonize them.
2. THE MYTHOLOGY.—The mythology of the northern nations, as represented in the Edda, was founded on Polytheism; but through it, as through the religion of all nations, there is dimly visible, like the sun shining through a dense cloud, the idea of one Supreme Being, of infinite power, boundless knowledge, and incorruptible justice, who could not be represented by any corporeal form. Such, according to Tacitus, was the supreme God of the Germans, and such was the primitive belief of mankind. Doubtless, the poet priests, who elaborated the imaginative, yet philosophical mythology of the north, were aware of the true and only God, infinitely elevated above the attributes of that Nature, which they shaped into deities for the multitude whom they believed incapable of more than the worship of the material powers which they saw working in everything around them.
The dark, hostile powers of nature, such as frost and fire, are represented as giants, "jotuns," huge, chaotic demons; while the friendly powers, the sun, the summer heat, all vivifying principles, were gods. From the opposition of light and darkness, water and fire, cold and heat, sprung the first life, the giant Ymer and his evil progeny the frost giants, the cow Adhumla, and Bor, the father of the god Odin. Odin, with his brothers, slew the giant Ymer, and from his body formed the heavens and earth. From two stems of wood they also shaped the first man and woman, whom they endowed with life and spirit, and from whom descended all the human race.
There were twelve principal deities among the Scandinavians, of whom Odin was the chief. There is a tradition in the north of a celebrated warrior of that name, who, near the period of the Christian era, fled from his country, between the Caspian and the Black Sea, to escape the vengeance of the Romans, and marched toward the north and west of Europe, subduing all who opposed him, and finally established himself in Sweden, where he received divine honors. According to the Eddas, however, Odin was the son of Bor, and the most powerful of the gods; the father of Thor, Balder, and others; the god of war, eloquence, and poetry. He was made acquainted with everything that happened on earth, through two ravens, Hugin and Munin (mind and memory); they flew daily round the world, and returned every night to whisper in his ear all that they had seen and heard. Thor, the god of thunder, was the implacable and dreaded enemy of the giants, and the avenger and defender of the gods. His stature was so lofty that no horse could bear him, and lightning flashed from his eyes and from his chariot wheels as they rolled along. His mallet or hammer, his belt of strength and his gauntlets of iron, were of wonderful power, and with them he could overthrow the giants and monsters who were at war with the gods. Balder, the second son of Odin, was the noblest and fairest of the gods, beloved by everything in nature. He exceeded all beings in gentleness, prudence, and eloquence, and he was so fair and graceful that light emanated from him as he moved. In his palace nothing impure could exist. The death of Balder is the principal event in the mythological drama of the Scandinavians. It was foredoomed, and a prognostic of the approaching dissolution of the universe and of the gods themselves. Heimdall was the warder of the gods; his post was on the summit of Bifrost, called by mortals the rainbow—the bridge which connects heaven and earth, and down which the gods daily traveled to hold their councils under the shade of the tree Yggdrasil. The red color was the flaming fire, which served as a defense against the giants. Heimdall slept more lightly than a bird, and his ear was so exquisite that he could hear the grass grow in the meadows and the wool upon the backs of the sheep. He carried a trumpet, the sound of which echoed through all worlds. Loke was essentially of an evil nature, and descended from the giants, the enemies of the gods; but he was mysteriously associated with Odin from the infancy of creation. He instilled a spark of his fire into a man at his creation, and he was the father of three monsters, Hela or Death, the Midgard Serpent, and the wolf Fenris, the constant terror of the gods, and destined to be the means of their destruction.
Besides these deities, there were twelve goddesses, the chief of whom was Frigga, the wife of Odin, and the queen and mother of the gods. She knew the future, but never revealed it; and she understood the language of animals and plants. Freya was the goddess of love, unrivaled in grace and beauty—the Scandinavian Venus. Iduna was possessed of certain apples, of such virtue that, by eating of them, the gods became exempted from the consequences of old age, and retained, unimpaired, all the freshness of youth. The gods dwelt above, in Asgard, the garden of the Asen or the Divinities; the home of the giants, with whom they were in perpetual war, was Jotunheim, a distant, dark, chaotic land, of which Utgard was the chief seat. Midgard, or the earth, the abode of man, was represented as a disk in the midst of a vast ocean; its caverns and recesses were peopled with elves and dwarfs, and around it lay coiled the huge Midgard Serpent. Muspelheim, or Flameland, and Nifelheim or Mistland, lay without the organized universe, and were the material regions of light and darkness, the antagonism of which had produced the universe with its gods and men. Nifelheim was a dark and dreary realm, where Hela, or Death, ruled with despotic sway over those who had died ingloriously of disease or old age. Helheim, her cold and gloomy palace, was thronged with their shivering and shadowy spectres. She was livid and ghastly pale, and her very looks inspired horror.
The chief residence of Odin, in Asgard, was Valhalla, or the Hall of the Slain; it was hung round with golden spears, and shields, and coats of mail; and here he received the souls of warriors killed in battle, who were to assist him in the final conflict with the giants; and here, every day, they armed themselves for battle, and rode forth by thousands to their mimic combat on the plains of Asgard, and at night they returned to Valhalla to feast on the flesh of the boar, and to drink the intoxicating mead. Here dwelt, also, the numerous virgins called the Valkyriur, or Choosers of the Slain, whom Odin sent forth to every battle-field to sway the victory, to make choice of those who should fall in the combat, and to direct them on their way to Valhalla. They were called, also, the Sisters of War; they watched with intense interest over their favorite warriors and sometimes lent an ear to their love. In the field they were always in complete armor; led on by Skulda, the youngest of the Fates, they were foremost in battle, with helmets on their heads, armed with flaming swords, and surrounded by lightning and meteors. Sometimes they were seen riding through the air and over the sea on shadowy horses, from whose manes fell hail on the mountains and dew on the valleys; and at other times their fiery lances gleamed in the spectral lights of the aurora borealis; and again, they were represented clothed in white, with flowing hair, as cupbearers to the heroes at the feasts of Valhalla.
In the centre of the world stood the great ash tree Yggdrasil, the Tree of Life, of which the Christmas tree and the Maypole of northern nations are doubtless emblems. It spread its life-giving arms through the heavens, and struck its three roots down through the three worlds. It nourished all life, even that of Nedhog, the most venomous of serpents, which continually gnawed at the root that penetrated Nifelheim. A second root entered the region of the frost giants, where was the well in which wisdom and understanding were concealed. A third root entered the region of the gods; and there, beside it, dwelt the three Nornor or Fates, over whom even the gods had no power, and who, every day, watered it from the primeval fountain, so that its boughs remained green.
The gods were benevolent spirits—the friends of mankind, but they were not immortal. A destiny more powerful than they or their enemies, the giants, was one day to overwhelm them. At the Ragnarök, or twilight of the gods, foretold in the Edda, the monsters shall be unloosed, the heavens be rent asunder, and the sun and moon disappear; the great Midgard Serpent shall lash the waters of the ocean till they overflow the earth; the wolf Fenris, whose enormous mouth reaches from heaven to earth, shall rush upon and devour all within his reach; the genii of fire shall ride forth, clothed in flame, and lead on the giants to the storming of Asgard. Heimdall sounds his trumpet, which echoes through all worlds; the gods fly to arms; Odin appears in his golden casque, his resplendent cuirass, with his vast scimitar in his hand, and marshals his heroes in battle array. The great ash tree is shaken to its roots, heaven and earth are full of horror and affright, and gods, giants, and heroes are at length buried in one common ruin. Then comes forth the mighty one, who is above all gods, who may not be named. He pronounces his decrees, and establishes the doctrines which shall endure forever. A new earth, fairer and more verdant, springs forth from the bosom of the waves, the fields bring forth without culture, calamities are unknown, and in Heaven, the abode of the good, a palace is reared, more shining than the sun, where the just shall dwell forevermore.