Allegro appassionato. (7562a).
Andante. (7562b).
Allegro. (7562c).
— Romance (E flat). (M.F. 37).
— Mélodie. (M.F. 41).
— Russian Songs. (M.F. 67).
— Barcarolle. (M.F. 107).
Saint-George, G. Désir.
— Canzonetta.
Scharwenka, X. Op. 20. Tone Pictures. (9408).
— Danse Polonaise. (M.F. 23).
Scholtz, H. 3 Albumblätter. (M.F. 47).
Schubert, F. Sonatine, Op. 137, No. 2, in A minor. Revue et doigtée par Emile Thomas.
— Ave Maria. Arr. by Emile Thomas.
Schubert, F. (of Dresden). L’Abeille (The Bee).
— Allegretto grazioso. (M.F. 83).
Schumann. Op. 94. 3 Romances. (7581).
— Abendlied. (M.F. 3).
— Op. 102. 5 Stücke im Volkston. (7583).
— Op. 113. Märchenbilder. (7584).
— Warum. (M.F. 90).
Simonetti, A. Rêverie.
Somervell, Arthur. Whims. (No. 3 of 3 Original Pieces).
— Alla Tedesca. (M.F. 39).
Squire, W. H. Serenade. Op. 15. (7122 b).
— Op. 26. Humoresque.
— Gavotte humoristique. (7586).
Strelezki, A. Appassionata.
— “Asphodel”, Chant sans paroles.
— Cavatina en Ré majeur.
— Romanza in E flat.
— En Valsant.
Struss, Fritz. 2 Characteristic Pieces. Op. 12:— No. 2. Idylle.
Sutcliffe, W. Romance.
Svendsen, J. S. Op. 26. Romance in G. (7587).
Tartini. Andante Cantabile (8th Sonata). (Jensen. V. 8).
— Giga in D. (Jensen. V. 9).
— Sonatas Nos. 4 and 10 of Op. 1. (7407).
— Sonata No. 8 in C minor. (7408).
— Sonata in C major, and Giga in D. (7409).
— Pastorale. Hermann, C.V.M.2).
Thirlwall. Favourite Airs, with Variations:—
No, 6. Old English Song (Malibran’s Favourite).
(9412 f).
Good study for the bow.
Thomas, Emile. 1ère Fantasie sur les Airs écossais.
— 2de Fantasie sur les Airs écossais.
— Danse Sicilienne.
— Danse des Fées.
— Légende.
— Méditation réligieuse.
Thomé, F. Op. 25. Simple Aveu.
Tschaïkowsky. Andante Cantabile. (M.F. 45).
— Romance, (M.F. 81).
— Troika. (M.F. 76).
— Album of Favourite Pieces:— 1. Mazurka. 2. Sweet Dream. 3. Neapolitan Song. 4. Autumn Song. 5. Barcarolle. 6. Andante cantabile. 7. Chant sans paroles. 8. Troïka. 9. Christmas. Edited and partly arranged by Fr. Hermann. (7590).
Nos. 2. 3. 4. and 5 III.
Veracini, F. M. Concert Sonata in E minor. (7424).
Vivaldi, A. Sonata in A. (7423).
Vieuxtemps, H. Op. 40. No. 1. Romance in F.
Volkmann, R. Hungarian Sketch. (M.F. 38).
— The Knights. (M.F. 46).
— Musical Picture Book (arranged by Hermann). Nos. 2, “The Postillion”: 3. The Russians are coming: 5. “The Cuckoo and the Wanderer”.
Wagner, R. Album-Leaf. (8699).
— Rienzi’s Prayer. (M.F. 65).
— Spinning Song (from Flying Dutchman). (M.F. 68).
Walger, Carl. Serenade.
Weber, C. M. von. Invitation à la Valse. (Thomas).
Wieniawski. Op. 12. No. 2. Chanson polonaise. (7494).
— “Kuyawiak”, 2de Mazurka. (7493).
— Gigue. (7492).
Effective and brilliant pieces. No. 1 of Op. 12 belongs to IV.
Wilhelmj, A. Walter’s Preislied (from the “Meistersinger”).
Wüerst, R. Op. 25. Two Romances.
Wurm, Marie. Estera Gavotte. (M.F. 79).
Step IV. All Positions.
Palaestra. A Collection of Pieces, Sonatas, Suites, and Concert Pieces for Violin solo with Pianoforte accompaniment; arranged in progressive order, carefully marked and annotated by E. Heim:—
Book VIa. Pieces up to the sixth position, by Max Brauer, C. Gurlitt, and J. S. Bach. (11476a).
Book VIb. Pieces up to the seventh position, by E. Thomas, R. Orlando Morgan, and J. Hoffmann. (11476b).
Book VIc. Supplement to Book A and B. Pieces by C. Ersfeld, C. Gurlitt, B. Molique, M. Hauser, and A. Strelezki. (11476c).
Book VIIa. Pieces up to the thirteenth position by A. Strelezki, P. Rode, de Angelis, and A. Moffat. (11477a).
Book VIIb. Pieces up to the thirteenth position by Beethoven, Baillot, de Angelis, and G. Papini. (11477b).
Book VIIc. Supplement to Books A and B. Pieces by Molique, Mazas, and de Bériot. (11477c).
Palaestra, a collection of graduated pieces, revised by Ernst Heim, offers the most suitable material for the study of style and phrasing; each book corresponds in difficulty with the same book of his Violin Duets, “Arena”, see page 125 and his Violin Studies, “Gradus ad Parnassum”, see page 115.
Bach, J. S. Aria from the Suite for Orchestra, arranged as a Concert Piece on the fourth string by Ernst Heim.
Bache, F. E. Romance. Op. 21. (7664).
Baillot, P. Rondo sur un Air Moldavien. (Hermann, C.V.M.4).
Becker, A. Op. 20. Adagio. (2078).
Beer-Walbrunn. Op. 3. Short Fantasia in G min. (2930).
Beethoven. 6 Quartets. Op. 18. F, G, D, C minor. A and B flat. Arranged by F. Hermann. (7341-6).
Beethoveniana. 3 Bks. Extracts from the pianoforte Sonatas, arranged for violin and piano by F. Hermann. (7330a-c).
Bériot, C. de. Op. 32. 2nd Concerto in B minor.
— Op. 100. Scène de Ballet (E. Heim).
Bortniansky. Adoration. (M.F. 111).
Coleridge-Taylor, S. Op. 9. Two Romantic Pieces, “Lament” and “Merry-making”. (7352).
— Op. 14. Legend (from the Concertstück), (7353).
Of decided originality; for musically gifted students only.
— Valse-Caprice. Op. 23. (7358).
— Danse nègre, from “African Suite.” Op. 35. (6100d).
— A Negro Love-Song. Op. 35, No. 2. (7359b).
Corelli. Adagio and Allegro. (Hermann, C.V.M. 1).
Cui, César. Berceuse.
Danbé, J. Berceuse.
David, Ferd. Etude. (M.F. 36).
De-Angelis, G. Pensée mélancolique. Op. 8.
Ernst. Elegy. (7366).
Field. Nocturnes (Hermann). (2128).
Fleurs des Opéras. Tannhäuser. (Courvoisier). (7470).
Goltermann, G. Berceuse. (M.F. 109).
Gounod. Faust. Potpourri by R. Hofmann. (5445 c).
Gurlitt, C. Op. 105. Ouverture des Marionettes. (7371).
— Op. 137. “Commedietta” Ouverture. (8676).
Grieg, E. Op. 8. Sonata in F.
— Op. 13. Sonata in G minor (7522).
— Op. 45. Sonata in C minor.
Three of the freshest and most poetical of modern sonatas.
Hartog, Henri. Prière, 3me Morceau de Salon.
— Réverie, 2d Morceau de Salon.
Hauser, M. Chanson de Berceau. (M.F. 53).
— Ungarisch. (M.F. 71).
Haydn. Andante. (M.F. 97).
Heller, Stephen. Feuillet d’Album. Transcrit par h. W. Ernst. (E. Heim).
Henselt, A. Chant d’amour. (M.F. 29).
Hiller, F. Zur Guitarre. (M.F. 49).
Hoffmann, J. Bourrée; Gavotte.
Hofmann, Richard. Potpourris on Popular Melodies from classical and modern Operas and Oratorios, arranged by R. Hofmann:—
| Wagner. | Der fliegende Holländer. | (5438 c). |
| Wagner. | Lohengrin. | (5439 c). |
| Wagner. | Rienzi. | (5440 c). |
| Wagner. | Tannhäuser. | (5441 c). |
| Rossini. | Il Barbiere di Seviglia. | (5442 c). |
| Rossini. | Guillaume Tell. | (5443 c). |
| Auber. | Masaniello. | (5444 c). |
| Gounod. | Faust. | (5445 c). |
— 8 Vortragsstücke. Op. 103:— No. 2. Barcarola. 3. Aria. 4. Bolero. 6. Zigeunertanz. 7. Cavatina. 8. Perpetuum mobile.
Holländer, G. Op. 50. Waldmärchen.
Jensen, Gustav. Op. 39. Capriccio.
Jensen, G. Bolero in D minor.
Kalliwoda, J. W. Op. 237. Ländler. (M.F. 57).
Kreuz, E. Op. 20. Barcarolle, from Concerto.
Lassen, E. Liederstrauss. (M.F. 50).
Belongs to III, except the opening on the G string.
Leclair. “Le Tombeau”. Sonata. (7428).
Molique, B. 6 melodies. Op. 36. (Ernst Heim). (11561).
Moffat, A. Melodie amoureuse.
— Punchinello. Gavotte.
Morgan, R. Orlando. Ballade. Op. 28.
Moszkowski, M. Op. 17, No. 2. Minuet (E. Thomas).
— Op. 23. “Les Nations” (arranged by Nachèz). (7530).
A less difficult arrangement by E. Thomas is also published. (7531).
— Valse brillante. Arranged by Emile Thomas. (7532).
Mozart, W. A. Adagio and Rondo. (7420).
Noskowski, S. Dumka. Op. 29. (Emile Thomas.)
— Zingaresca. Op. 27. (M.F. 80).
— Les Larmes. Op. 36, No. 1.
Palmer, G. A Dream. Nocturne.
Papini, G. Deux Airs Suédois. (11622).
Parkyns, Beatrice. Berceuse.
Popper, D. Romance. (7548).
Rachmaninoff, S. Romance in D minor.
— Hungarian Dance.
Raff, Joachim. Six Morceaux. Op. 85:—No. 1, Marcia; No. 3, Cavatina; No. 4, Scherzino; No. 5, Canzona; No. 6, Tarantella.
These pieces dedicated to the late Ludwig Straus are gems of violin literature. The Cavatina is one of the most popular violin pieces.
— Méditation. (M.F. 25).
— Op. 73, 78, 128, 129, 145. 5 Sonatas. (2568 a-e).
Some movements of these fine Sonatas belong to V.
Reger, Max. Op. 1. Sonata in D minor. (7535).
Op. 3. Sonata in D major. (7536).
Rode. Concerto No. 7.
Rubinstein, A. Op. 13. Sonata in G.
One of the composer’s most genial works.
— Sonata in D. Op. 18. (7564).
Saint-George, G. Chant sans Paroles.
Sauret, E. Souvenir d’Orient. 6 Morceaux, Op. 63:—
Book 1. Souvenir de Constantinople. Danse et Ronde. (11694 a).
Book 2. La Revue, Gondoliera et A Péra. (11694 b).
Interesting pieces, full of oriental colouring.
— Morceaux caractéristiques. Op. 47:—
No. 1, Canzona; No. 2, Impromptu.
— Scènes Villageoises. Op. 50. 5 Morceaux de Salon:—
No. 1, Le Matin; No. 2, Pastorale; No. 3, Vieille chanson;
No. 4, Danse; No. 5, Idylle.
Scharwenka, Xaver. Op. 3. Cinq Danses polonaises. Arranged by G. Holländer:—
No. 2 (F sharp minor); No. 3 (D major).
Nos. 1, 4 and 5 belong to V.
— Phantasiestück. (M.F. 33).
Schubert. Op. 70, 159, 160 and 162.
Schumann. Op. 105 and 121, Sonatas in A minor and D minor. (7579, 7580).
— Op. 73. Fantasiestück.
Simonetti, A. Mazurka.
Sinding. Op. 10. Suite. (2477).
— Op. 27. Sonata in E major. (2826).
— Op. 30. Romance. (2827).
— Op. 61. 4 Pieces. 3 Bks. (3050 a-c).
Sinding’s compositions rank among the finest works by modern Scandinavian composers. The Suite Op. 10, resembles in style the “Holberg” Suite by Grieg.
Sitt, Hans. Op. 71. No. 1. Romance.
— Op. 71. No. 2. Nocturne.
— Op. 71, No. 3. Scherzo-Tarantelle.
Sjögren. Op. 19. Sonata in G minor. (2215).
This composer is a highly talented member of the modern Scandinavian School.
Smetana. 2 Salon-Pieces. (2634 a-b).
Fine and characteristic pieces of the famous Czechian master.
Somervell, Arthur. 3 Original Pieces:—
No. 1, Romance; No. 2, Barcarolle.
Spohr, L. Op. 2. Concerto in D minor.
— Op. 135. Three Duettinos. (No. 2, Scherzo; 3. Sarabande). (8695).
The Barcarolle, No. 1, belongs to II.
— Op. 95. Duet in G minor. (9409).
— Op. 112. Duet in E. (9410).
— Op. 113. Hamburg Sonata. (9411).
— 3 Adagios from the Violin Concertos (Fr. Hermann). (11705).
Stanford, Villiers. Légende.
Strelezki, A. Romanza in F.
— Serenade. Op. 191, No. 4. (Thomas).
Sutcliffe, W. Gavotte Romantique.
Thirlwall. Favourite Airs, with Variations:—
| No. 1. | English Air. | (9412 a). |
| No. 2. | Scotch Air (Annie Laurie). | (9412 b). |
| No. 3. | Irish Air (Sprig of Shillelagh). | (9412 c). |
| No. 4. | Welsh Air (Poor Mary Ann). | (9412 d). |
| No. 5. | Northumbrian Air (Weel may the Keel row). | (9412 e). |
| No. 7. | No. 7. Ye Banks and Braes. | (9412 g). |
| No. 8. | No. 8. Carnaval de Venise. | (9412 h). |
These pieces are excellent bowing exercises.
Thomé, F. 1er Andante Religioso. Op. 70.
Tschaïkowsky. Christmas. (Noël). (M.F. 117).
— Sérénade mélancolique. Op. 26.
Vieuxtemps, H. Rêverie. Adagio. Op. 22, No. 3. (7594 c).
— Elégie. Op. 30. Revised by K. Scholz. (7595).
— Souvenir de Beauchamps. Op. 32, No. 1. (Fr. Hermann.) (11751).
— Suite. Op. 43. (2582 a).
Volkmann, R. Chant du Troubadour, Morceau de Salon, Op. 10. Revu par R. Scholz.
Wagner, R. March (from Tannhäuser). (M.F. 73).
Weber. 6 Sonatas. Complete (David). (191).
Wichtl. Fantasias on National Songs. Op. 119:—
| No. 1. | Home, sweet Home. | (9413 a). |
| No. 2. | Long, long ago. | (9413 b). |
| No. 3. | The Red Sarafan. | (9413 c). |
| No. 4. | Santa Lucia. | (9413 d). |
| No. 5. | Robin Adair. | (9413 e). |
| No. 6. | Die drei Rosen. | (9413 f). |
Wieniawski, H. Légende. Op. 17. (7495).
Wüerst, R. Russian Suite. F. Hermann. (7501).
Step V. Difficult.
(Octaves, Springing Bow, Staccato etc.)
Palaestra. A Collection of Pieces, Sonatas, Suites, and Concert Pieces for Violin Solo with Pianoforte Accompaniment; arranged in progressive order, carefully marked and annotated by Ernst Heim:—
Book VIIIa. Concert Piece with employment of staccato, by Spohr. Concert pieces with employment of springing bow by Bach and Paganini. (11478 a).
Book VIIIb. Concert pieces with octave passages by Noskowski and Coleridge-Taylor. Concert Pieces with double-stop and chord passages by Beethoven and J. Hoffmann. (11478 b).
Book VIIIc. Supplement to Books A and B. Concert Pieces by David, Vieuxtemps, Sauret and Wieniawski. (11478 c).
Book IXa. Concert Sonatas in classical style by Leclair and Tartini. (11479 a).
Book IXb. Concert Pieces in modern style by Ernst and Spohr. (11479 b).
Book IXc. Supplement to Books a and b. Concert Pieces in modern style by Wieniawski, Nicodé, and Vieuxtemps. (11479 c).
Palaestra, a collection of graduated pieces, revised by Ernst Heim, offers the most suitable material for the study of style and phrasing; each book corresponds in difficulty with the same book of his Violin Duets, “Arena”, see page 126 and his Violin Studies, “Gradus ad Parnassum”, see page 117.
Beethoven. Ten Sonatas. Joachim. (3031).
Op. 47 (known as the “Kreutzer”), the grandest of all violin sonatas, and Op. 30, No. 2 in C minor, belong to this Step, the other sonatas being less difficult. Op. 12, No. 1, and Op. 24, should first be taken by students passing from Mozart’s Sonatas to those of Beethoven.
— Op. 61. Concerto. (Wilhelmj). (189 a).
Bériot, C. de. Op. 30. Le Tremolo. Caprice. (9419).
— Op. 55. 5th Concerto in D.
Bériot and Osborne. Fantasia on “William Tell”.
Berlioz, Hector. Rêverie et Caprice. Romance, Op. 8. (E. Heim.) (11321).
Böhm, C. Op. 314, No. 2. Cavatina.
Bruch, M. Op. 42. Romanza in A minor.
Coleridge-Taylor, S. Hiawathan Sketches. Op. 16. No. 1, A Tale; No. 2. A Song; No. 3, A Dance. (7356).
—Two Gipsy Movements. Op. 20. (No. 1, A Gipsy Song; No. 2, A Gipsy Dance). (7357).
David, Ferd. Introd. and Variations on Air by Mozart. Op. 11. (8674).
Eller, L. Op. 3. Concert Fantasia on Styrian Melodies.
Hauser. Op. 43. Hungarian Rhapsody. (2567 a).
Holländer, G. Op. 10. Romance.
Kreutzer. Concertos, Nos. 13, 14, 18, 19. (1091 a-d).
Laub. Op. 7. Romance & Impromptu. (1092).
—Op. 8. Polonaise. (1093 a).
Lauterbach. Tarantelle. (2203).
Leonard, H. Op. 2. Souvenir de Haydn.
Lipinsky. Op. 21. Concert militaire. (2642).
Mackenzie, A. C. Op. 47, No. 1, Highland Ballad.
Mendelssohn. Op. 64. Concerto.
Moszkowski. Op. 16. No. 1. Ballade; No. 2, Bolero. (7528 a, b).
Nicodé, J. L. Romance. Op. 14.
Nicodé is one of the most talented and interesting among modern composers.
Paganini, N. Moto Perpetuo. Revised and the original Orchestral accompaniment arranged for the Pianoforte by Ernst Heim.
A most useful wrist study.
— Variations de bravoure sur Moïse.
A fine study for the G string.
Ragghianti, J. Aria di Danza (“La Monferina”).
An excellent study for saltato bowing.
Rust, F. W. Sonata in D minor.
Sauret, E. Op. 47, No. 3. Scène Polonaise. (11693).
Scharwenka, Xaver. Danses polonaises (Five Polish Dances.) Op. 3. Arrangées par G. Holländer. Nos. 1, 4 and 5. (7565).
Sinding. Op. 60. Concerto No. 2 in D major. (2976).
Sitt, Hans. Op. 21. 2nd Concerto in A minor.
Tartini. Trille du Diable. Sonata.
Vieuxtemps, H. Fantaisie-Caprice. Op. 11. (Hermann.) (7592).
— Fantaisie. Op. 21. (Fr. Hermann). (11750).
— Andante & Rondo. Op. 29. (2576).
— Rondino (Hermann). Op. 32, No. 2. (11752).
— Fantasia appassionata. Op. 35. (2580).
Wieniawski, H. Adagio élégique. Op. 5. (R. Scholz). (7498).
Step VI. Very difficult.
(Concertos etc.)
Palaestra. A Collection of Pieces, Sonatas, Suites, and Concert Pieces for Violin solo with Pianoforte accompaniment; arranged in progressive order, carefully marked and annotated by Ernst Heim:—
Book Xa. Concert Pieces in the Polyphonic style by Bach and Ernst. (11480 a).
Book Xb. Concert Pieces in the virtuoso style by Ernst and Paganini. (11480 b).
Book Xc. Supplement to Rooks a and b. Concert Pieces in the virtuoso style by Moszkowski and Vieuxtemps. (11480 c).
Palaestra, a collection of graduated pieces, revised by Ernst Heim, offers the most suitable material for the study of style and phrasing; each book corresponds in difficulty with the same book of his Violin Duets, “Arena”, see page 127, and his Violin Studies, “Gradus ad Parnassum”, see page 118.
Bach. Chaconne. (2474).
This edition of Bach’s great work is of special interest and value, as in it the accompaniments provided by Mendelssohn and Schumann may be compared.
— Adagio and Fugue from 5th Violin Sonata. (B. Molique.) (9401 a).
Brahms, J. Op. 77. Concerto.
Bruch, M. Op. 26. Concerto in G minor.
Dancla, C. Op. 50. Romance and Bolero.
A favorite and brilliant piece.
— Op. 53. Élégie et Barcarolle.
David, Ferd. Andante et Scherzo capriccioso. Op. 16. (E. Heim.) (7348).
Ernst, H. W. Fantaisie brillante sur la Marche et la Romance d’Otello de Rossini. Op. 11. (Ernst Heim.) (11401).
— Op. 22. Hungarian Melodies. (2849).
— Op. 23. Concerto in F minor. (2850).
Hauser. Op. 34. Bird on the tree. (2565).
Joachim, J. Op. 11. Hungarian Concerto.
Laub. Op. 8. Polonaise. (Wilhelmj). (1093 b).
Paganini. First Concerto in E flat. (1991).
— Le Streghe (Witches’ Dance).
— Le Carnaval de Venise.
— I Palpiti.
— Celebrated Compositions. (1990).
Rubinstein. Op. 46. Concerto in G major. (1339).
Sarasate, M. Airs Espagnols.
Spohr, L. 7th Concerto in E minor.
— 8th Concerto in A minor (Gesangscene).
— 9th Concerto in D minor.
Vieuxtemps. Fantaisie sur Norma. Op. 18. (2573).
— Second Concerto in F♯ min. Op. 19. (2574).
— 6 Morceaux de Salon. Op. 22:—
| No. 1. | Morceau brillant. | (7594 a). |
| No. 2. | Air varié. | (7594 b). |
| No. 4. | Souvenir du Bosphore. | (7594 d). |
| No. 5. | Tarentelle. | (7594 e). |
| No. 6. | L’Orage. | (7594 f). |
— Concerto in D min. Op. 31.
— La Chasse. Op. 32, No. 3 (Hermann). (11753).
— St. Patrick’s Day. Popular Melody. Op. 33, No. 2. (7497).
— Ballade et Polonaise. Op. 38. (7593).
Wieniawski, H. Polonaise de Concert. Op. 4. (R. Scholz). (7491).
— Souvenir de Moscou. Airs Russes. Op. 6. (R. Scholz). (7499).
— Capriccio-Valse. Op. 7. (Fr. Hermann). (11771).
— Romance sans Paroles. Op. 9. (Fr. Hermann). (11772).
— Carnaval Russe. Op. 11. (Fr. Hermann). (11773).
— Scherzo-Tarantelle. Op. 16. (Fr. Hermann). (11774).
String Trios.
Three Violins.
Hermann, Fr. The First Practice in Ensemble Playing. 32 Short Pieces, arranged. 2 Books. (5291 a, b). Ib.
Hofmann, Richard. 4 Pieces in an easy style for the use of Music-schools, Academies, etc. Op. 104. (5292). III.
Lachner, Ignaz. 3 Sonatinas. Op. 92:—II.
No. 1, in B flat major. (5293 a).
2, in G major. (5293 b).
3, in A. (5293 c).
Wohlfahrt, F. Op. 88. Melodic pieces. 2 Bks. I.
Wichtl. 3 Trios. Op. 79. II.
Two Violins and Violoncello.
Corelli, Arcangelo. Œuvres revues par J. Joachim et F. Chrysander. (In Score.) 8vo.:—
Livre I. Op. 1. 12 Sonate da Chiesa a tre (Du Violini, e Violone, o Arcileuto col Basso per l’Organo). In Roma, 1683. Op. 2:—12 Sonate da Camera a tre (Due Violini, e Violone, o Cembalo). In Roma, 1685. (4936 a). II.
Livre II. Op. 3. 12 Sonate da Chiesa a tre (Due Violini, e Violone, o Arcileuto col Basso per l’Organo). In Modena, 1689. Op. 4. 12 Sonate da Camera a tre (Due Violini, e Violone, o Cembalo). In Bologna, 1694. (4936 b). II.
— 6 Sonate da Camera a tre (due Violini, e Violone, o Cembalo). Opera IV. Arranged for 2 Violins and Violoncello (in parts), with all necessary indications for the mode of executing, for bowing and fingering by Gustav Jensen. (5303). I and II.
Gurlitt, Cornelius. Op. 105. Ouverture des Marionettes. (7312). II.
— Op. 137. “Commedietta” Ouverture. (5310). II.
— Our Favourite Tunes. (5345). I.
Handel. Zwei Suiten nach Händel’schen Original-Compositionen herausgegeben von Gustav Jensen. (5312). II.
Herrmann, E. Petites Variations faciles. Op. 13. (5332). Ib.
Pleyel, I. J. Œuvres. Arrangées par F. Hermann:—
— Op. 8. Six Trios. (7305). I.
— Op. 44. 3 Trios. (5353). III.
— Op. 48. Six Sonatinas. (5354). II and III.
Reinecke, C. Toy symphony (with 9 toy instruments). (7115). II.
Wanhal. 15 Trios Faciles. (5360). I.
Two Violins and Viola.
Hofmann, Richard. Op. 112. Trio. (5323). II and III.
Violin, Viola, and Violoncello.
Pleyel, I. J. Op. 44. 3 Trios. (5365). II and III.
Haydn. Op. 53. 3 Trios. III.
Mozart. Divertimento. Op. 19. III and IV.
Beethoven. Op. 8, 25. Serenade and Trios. IV.
Pianoforte Trios.
Piano, Violin, and Violoncello.
Barnett, John Francis. Trio. Op. 49, in C minor. (9299). IV.
Beethoven. 6 Quartets. Op. 18. Arranged by F. Hermann. 6 Books. (9291-96). IV.
Beethoveniana. Extraits des Sonates pour Piano de Beethoven arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27, No. 2. (7242 a). III.
Livre B. Op. 10, No. 3. Complete. (7242 b). III.
Livre C. Op. 2. No. 3; Op. 13; Op. 14. No. 2; Op. 31. No. 3. (7242 c). III.
Bennett, W. Sterndale. Chamber Trio. Op. 26. (9659). III.
Brahms, Johannes. Trio. Op. 8. (7246). V.
Dancla, J. C. 12 Mélodies. Arr. by Cornelius Gurlitt. (7248). Ib.
Dussek. J. L. Favourite Sonata. Op. 37. (7249). II.
Ellerton. Trio, in A. Op. 27. (9304). III.
— Trio, in G. Op. 45. (9305). II.
— Trio, in E minor. Op. 46. (9306). II.
— Trio, in C minor. Op. 47. (9307). II.
— Trio, in F. Op. 48. (9308). II.
Gade, Niels. Novelletten. Op. 29. (7257). IV.
— Trio. Op. 42. (7256). IV.
Gurlitt. C. Op. 105. Ouverture des Marionettes. (7258) II.
— Op. 137. “Commedietta” Ouverture. (7261). II.
— Our Favourite Tunes. Arranged by F. Hermann. (9310). Ia and b.
— Op. 181. Miniature Trio. (7259). II.
The same refinement of conception which characterises all Gurlitt’s compositions pervades also this work which on account of its simplicity is very suitable for beginners.
— Op. 129. Trio im leichten Style. (7260). II.
Happily conceived for youthful minds. The composer has been wise in giving as much importance and melodic interest as possible to every instrument.
— Op. 171. Third Trio (im leichteren Style). (7255). III.
The technique of this Trio makes greater demands than Op. 129, but the brilliant spirit pervading this work which appeals to slightly more advanced pupils, will amply repay its study.
Hennessy, Swan. Lieder an den Mond: 1. Um Mitternacht; 2. In der Frühe; 3. Am Abend. Op. 10. (9309). Ib.
Hermann, F. Sonatine en sol majeur. (7389 b). Ib.
— Sonatine en ré majeur. (7390 b). II.
Horsley. Trio in A. Op. 7. (9660). IV.
Hudson, J. W. Trio in D. (7263). II.
Ivimey, J. W. Trio. Op. 1, in D. (7262). IV.