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Hazel bloom

Chapter 51: Painting.
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About This Book

A compact collection of lyrical poems and short narratives that meditate on motherhood, faith, and the consolations found in nature. Many pieces recall childhood and domestic scenes, confront suffering and loss, and draw on Christian imagery to offer comfort and moral reflection. The verse moves between contemplative monologue, descriptive nature writing, and occasional narrative sketches, balancing personal feeling with devotional and ethical concerns. Throughout, simple pleasures—flowers, seasons, quiet homelife—are set against questions of destiny, grief, and spiritual hope.

Painting.

O, beauteous Art! with heart o’erfilled with joy I stand
And offer up to God its silent, grateful praise
That He, in blessing, hath endowed a human hand
With gifts so near divine;
Thro’ these creations, warmed to life in Genius’ blaze,
Doth inspiration shine.
Here, oriental scenes are brought within my reach;
The beauty of the castled Rhine, in softened hues,
With fine, bewitching charm o’er-mastering speech,
My raptured gaze enchains;
I roam in dream the land whose purple vintage strews
With wealth its hills and plains.
And thus I dream and drink the blest enchantment in,
That flows from art, with full, ineffable delight;
Forgetting earth is cursed with sorrow, death and sin,
I taste supernal bliss,
And, in this ecstacy of joy, a world of light,
It seems, hath dropped to this.
Yet not with those I’d join who throng Art’s crowded hall,
Whose motive is to prove themselves profound in art
By use of bulky words, but which, in strident fall,
Each hearer doth impress
With lack of gift to grasp what colors may impart,
Or canvass may express.
Nor go with her whose hand, with long and tedious drill
Has learned to daub with paint—whose tongue, with flippant ease,
Can toss artistic nomenclature round at will,
Yet nothing knows of art—
Of art’s true self, whose secret power to hold and please
Is soul, in every part.
I’d put the shoes from off my feet, and then, alone
Before the work, would feel I stood on holy ground—
That there a spirit with its God had talked, and by His own
Had been informed, inspired—
Aye, minds should be, before they range this sacred bound,
In thoughtfullness attired.
And thus prepared, Perception’s polished plates receive
The artist’s dream, that seems with pulsing life aglow,
And o’er it Fancy’s magic fingers silent weave
Her draperies so real—
We seethe dimpling lake—we hear the streamlets liquid flow,
And shadowed coolness feel.