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Heartsease and Rue

Chapter 62: THE PROTEST.
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About This Book

A diverse collection of poems organized into five parts—Friendship, Sentiment, Fancy, Humor and Satire, and Epigrams—blends reflective lyric, occasional tributes, playful imaginative pieces, and pointed social critique. Many poems dwell on personal bonds, memory, and mortality, while others explore fanciful scenes and formal experiment; several adopt a conversational or address-like stance. The book alternates earnest, elegiac tones with buoyant or ironic verse, closing with compact epigrams that distil the poet’s wit and judgment into concise aphorisms.

Goddess, reclimb thy heaven, and be once more
An inaccessible splendor to adore,
A faith, a hope of such transcendent worth
As bred ennobling discontent with earth;
Give back the longing, back the elated mood
That, fed with thee, spurned every meaner good;
Give even the spur of impotent despair
That, without hope, still bade aspire and dare;
Give back the need to worship that still pours
Down to the soul that virtue it adores!
Nay, brightest and most beautiful, deem naught
These frantic words, the reckless wind of thought;
Still stoop, still grant,—I live but in thy will;
Be what thou wilt, but be a woman still!
Vainly I cried, nor could myself believe
That what I prayed for I would fain receive.
My moon is set; my vision set with her;
No more can worship vain my pulses stir.
Goddess Triform, I own thy triple spell,
My heaven’s queen,—queen, too, of my earth and hell!

THE BLACK PREACHER.

A BRETON LEGEND.

At Carnac in Brittany, close on the bay,
They show you a church, or rather the gray
Ribs of a dead one, left there to bleach
With the wreck lying near on the crest of the beach,
Roofless and splintered with thunder-stone,
’Mid lichen-blurred gravestones all alone;
’Tis the kind of ruin strange sights to see
That may have their teaching for you and me.
Something like this, then, my guide had to tell,
Perched on a saint cracked across when he fell;
But since I might chance give his meaning a wrench,
He talking his patois and I English-French,
I’ll put what he told me, preserving the tone,
In a rhymed prose that makes it half his, half my own.
An abbey-church stood here, once on a time,
Built as a death-bed atonement for crime:
’Twas for somebody’s sins, I know not whose;
But sinners are plenty, and you can choose.

Though a cloister now of the dusk-winged bat,
’Twas rich enough once, and the brothers grew fat,
Looser in girdle and purpler in jowl,
Singing good rest to the founder’s lost soul.
But one day came Northmen, and lithe tongues of fire
Lapped up the chapter-house, licked off the spire,
And left all a rubbish-heap, black and dreary,
Where only the wind sings miserere.
No priest has kneeled since at the altar’s foot,
Whose crannies are searched by the nightshade’s root,
Nor sound of service is ever heard,
Except from throat of the unclean bird,
Hooting to unassoiled shapes as they pass
In midnights unholy his witches' mass,
Or shouting “Ho! ho!” from the belfry high
As the Devil’s sabbath-train whirls by.
But once a year, on the eve of All-Souls,
Through these arches dishallowed the organ rolls,
Fingers long fleshless the bell-ropes work,
The chimes peal muffled with sea-mists mirk,
The skeleton windows are traced anew
On the baleful flicker of corpse-lights blue,
And the ghosts must come, so the legend saith,
To a preaching of Reverend Doctor Death.
Abbots, monks, barons, and ladies fair
Hear the dull summons and gather there:
No rustle of silk now, no clink of mail,
Nor ever a one greets his church-mate pale;
No knight whispers love in the châtelaine’s ear
His next-door neighbor this five hundred year;
No monk has a sleek benedicite
For the great lord shadowy now as he;
Nor needeth any to hold his breath,
Lest he lose the least word of Doctor Death.
He chooses his text in the Book Divine,
Tenth verse of the Preacher in chapter nine:—
“'Whatsoever thy hand shall find thee to do,
That do with thy whole might, or thou shalt rue;
For no man is wealthy, or wise, or brave,
In that quencher of might-be’s and would-be’s, the grave.'
Bid by the Bridegroom, 'To-morrow,' ye said,
And To-morrow was digging a trench for your bed;
Ye said, 'God can wait; let us finish our wine;'
Ye had wearied Him, fools, and that last knock was mine!”
But I can’t pretend to give you the sermon,
Or say if the tongue were French, Latin, or German;
Whatever he preached in, I give you my word
The meaning was easy to all that heard;
Famous preachers there have been and be,
But never was one so convincing as he;
So blunt was never a begging friar,
No Jesuit’s tongue so barbed with fire,
Cameronian never, nor Methodist,
Wrung gall out of Scripture with such a twist.
And would you know who his hearers must be?
I tell you just what my guide told me:
Excellent teaching men have, day and night,
From two earnest friars, a black and a white,
The Dominican Death and the Carmelite Life;
And between these two there is never strife,
For each has his separate office and station,
And each his own work in the congregation;
Whoso to the white brother deafens his ears,
And cannot be wrought on by blessings or tears,
Awake in his coffin must wait and wait,
In that blackness of darkness that means too late,
And come once a year, when the ghost-bell tolls,
As till Doomsday it shall on the eve of All-Souls,
To hear Doctor Death, whose words smart with the brine
Of the Preacher, the tenth verse of chapter nine.

ARCADIA REDIVIVA.

I, walking the familiar street,
While a crammed horse-car jingled through it,
Was lifted from my prosy feet
And in Arcadia ere I knew it.
Fresh sward for gravel soothed my tread,
And shepherd’s pipes my ear delighted;
The riddle may be lightly read:
I met two lovers newly plighted.
They murmured by in happy care,
New plans for paradise devising,
Just as the moon, with pensive stare,
O’er Mistress Craigie’s pines was rising.
Astarte, known nigh threescore years,
Me to no speechless rapture urges;
Them in Elysium she enspheres,
Queen, from of old, of thaumaturges.
O sweetness of untasted life!
O dream, its own supreme fulfilment!
O hours with all illusion rife,
As ere the heart divined what ill meant!
Et ego,” sighed I to myself,
And strove some vain regrets to bridle,
“Though now laid dusty on the shelf,
Was hero once of such an idyl!
“An idyl ever newly sweet,
Although since Adam’s day recited,
Whose measures time them to Love’s feet,
Whose sense is every ill requited.”
Maiden, if I may counsel, drain
Each drop of this enchanted season,
For even our honeymoons must wane,
Convicted of green cheese by Reason.
And none will seem so safe from change,
Nor in such skies benignant hover,
As this, beneath whose witchery strange
You tread on rose-leaves with your lover.
The glass unfilled all tastes can fit,
As round its brim Conjecture dances;
For not Mephisto’s self hath wit
To draw such vintages as Fancy’s.
When our pulse beats its minor key,
When play-time halves and school-time doubles,
Age fills the cup with serious tea,
Which once Dame Clicquot starred with bubbles.
“Fie, Mr. Graybeard! Is this wise?
Is this the moral of a poet,
Who, when the plant of Eden dies,
Is privileged once more to sow it?
“That herb of clay-disdaining root,
From stars secreting what it feeds on,
Is burnt-out passion’s slag and soot
Fit soil to strew its dainty seeds on?
“Pray, why, if in Arcadia once,
Need one so soon forget the way there?
Or why, once there, be such a dunce
As not contentedly to stay there?”
Dear child, ’twas but a sorry jest,
And from my heart I hate the cynic
Who makes the Book of Life a nest
For comments staler than rabbinic.
If Love his simple spell but keep,
Life with ideal eyes to flatter,
The Grail itself were crockery cheap
To Every-day’s communion-platter.
One Darby is to me well known,
Who, as the hearth between them blazes,
Sees the old moonlight shine on Joan,
And float her youthward in its hazes.
He rubs his spectacles, he stares,—
’Tis the same face that witched him early!
He gropes for his remaining hairs,—
Is this a fleece that feels so curly?
“Good heavens! but now ’twas winter gray,
And I of years had more than plenty;
The almanac’s a fool! ’Tis May!
Hang family Bibles! I am twenty!
“Come, Joan, your arm; we’ll walk the room—
The lane, I mean—do you remember?
How confident the roses bloom,
As if it ne’er could be December!
“Nor more it shall, while in your eyes
My heart its summer heat recovers,
And you, howe’er your mirror lies,
Find your old beauty in your lover’s.”

THE NEST.

MAY.

PALINODE.—DECEMBER.

Like some lorn abbey now, the wood
Stands roofless in the bitter air;
In ruins on its floor is strewed
The carven foliage quaint and rare,
And homeless winds complain along
The columned choir once thrilled with song.
And thou, dear nest, whence joy and praise
The thankful oriole used to pour,
Swing’st empty while the north winds chase
Their snowy swarms from Labrador:
But, loyal to the happy past,
I love thee still for what thou wast.
Ah, when the Summer graces flee
From other nests more dear than thou,
And, where June crowded once, I see
Only bare trunk and disleaved bough;
When springs of life that gleamed and gushed
Run chilled, and slower, and are hushed;
When our own branches, naked long,
The vacant nests of Spring betray,
Nurseries of passion, love, and song
That vanished as our year grew gray;
When Life drones o’er a tale twice told
O’er embers pleading with the cold,—
I’ll trust, that, like the birds of Spring,
Our good goes not without repair,
But only flies to soar and sing
Far off in some diviner air,
Where we shall find it in the calms
Of that fair garden ’neath the palms.

A YOUTHFUL EXPERIMENT IN ENGLISH HEXAMETERS.

IMPRESSIONS OF HOMER.

BIRTHDAY VERSES.

WRITTEN IN A CHILD’S ALBUM.

ESTRANGEMENT.

PHŒBE.

Ere pales in Heaven the morning star,
A bird, the loneliest of its kind,
Hears Dawn’s faint footfall from afar
While all its mates are dumb and blind.
It is a wee sad-colored thing,
As shy and secret as a maid,
That, ere in choir the robins ring,
Pipes its own name like one afraid.
It seems pain-prompted to repeat
The story of some ancient ill,
But Phœbe! Phœbe! sadly sweet
Is all it says, and then is still.
It calls and listens. Earth and sky,
Hushed by the pathos of its fate,
Listen: no whisper of reply
Comes from its doom-dissevered mate.
Phœbe! it calls and calls again,
And Ovid, could he but have heard,
Had hung a legendary pain
About the memory of the bird;

A pain articulate so long
In penance of some mouldered crime
Whose ghost still flies the Furies' thong
Down the waste solitudes of time.
Waif of the young World’s wonder-hour,
When gods found mortal maidens fair,
And will malign was joined with power
Love’s kindly laws to overbear,
Like Progne, did it feel the stress
And coil of the prevailing words
Close round its being, and compress
Man’s ampler nature to a bird’s?
One only memory left of all
The motley crowd of vanished scenes,
Hers, and vain impulse to recall
By repetition what it means.
Phœbe! is all it has to say
In plaintive cadence o’er and o’er,
Like children that have lost their way,
And know their names, but nothing more.
Is it a type, since Nature’s Lyre
Vibrates to every note in man,
Of that insatiable desire,
Meant to be so since life began?
I, in strange lands at gray of dawn,
Wakeful, have heard that fruitless plaint
Through Memory’s chambers deep withdrawn
Renew its iterations faint.
So nigh! yet from remotest years
It summons back its magic, rife
With longings unappeased, and tears
Drawn from the very source of life.

DAS EWIG-WEIBLICHE.

THE RECALL.

ABSENCE.

MONNA LISA.

THE OPTIMIST.

ON BURNING SOME OLD LETTERS.

With what odorous woods and spices
Spared for royal sacrifices,
With what costly gums seld-seen,
Hoarded to embalm a queen,
With what frankincense and myrrh,
Burn these precious parts of her,
Full of life and light and sweetness
As a summer day’s completeness,
Joy of sun and song of bird
Running wild in every word,
Full of all the superhuman
Grace and winsomeness of woman?
Rarest woods were coarse and rough,
Sweetest spice not sweet enough,
Too impure all earthly fire
For this sacred funeral-pyre;
These rich relics must suffice
For their own dear sacrifice.
Seek we first an altar fit
For such victims laid on it:
It shall be this slab brought home
In old happy days from Rome,—
Lazuli, once blest to line
Dian’s inmost cell and shrine.
Gently now I lay them there,
Pure as Dian’s forehead bare,
Yet suffused with warmer hue,
Such as only Latmos knew.
Fire I gather from the sun
In a virgin lens: ’tis done!
Mount the flames, red, yellow, blue,
As her moods were shining through,
Of the moment’s impulse born,—
Moods of sweetness, playful scorn,
Half defiance, half surrender,
More than cruel, more than tender,
Flouts, caresses, sunshine, shade,
Gracious doublings of a maid
Infinite in guileless art,
Playing hide-seek with her heart.
On the altar now, alas,
There they lie a crinkling mass,
Writhing still, as if with grief
Went the life from every leaf;
Then (heart-breaking palimpsest!)
Vanishing ere wholly guessed,
Suddenly some lines flash back,
Traced in lightning on the black,
And confess, till now denied,
All the fire they strove to hide.
What they told me, sacred trust,
Stays to glorify my dust,
There to burn through dusk and damp
Like a mage’s deathless lamp,
While an atom of this frame
Lasts to feed the dainty flame.
All is ashes now, but they
In my soul are laid away,
And their radiance round me hovers
Soft as moonlight over lovers,
Shutting her and me alone
In dream-Edens of our own;
First of lovers to invent
Love, and teach men what it meant.

THE PROTEST.

THE PETITION.

FACT OR FANCY?

AGRO-DOLCE.

THE BROKEN TRYST.