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Heartsease and Rue

Chapter 89: BOTH.
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About This Book

A diverse collection of poems organized into five parts—Friendship, Sentiment, Fancy, Humor and Satire, and Epigrams—blends reflective lyric, occasional tributes, playful imaginative pieces, and pointed social critique. Many poems dwell on personal bonds, memory, and mortality, while others explore fanciful scenes and formal experiment; several adopt a conversational or address-like stance. The book alternates earnest, elegiac tones with buoyant or ironic verse, closing with compact epigrams that distil the poet’s wit and judgment into concise aphorisms.

Walking alone where we walked together,
When June was breezy and blue,
I watch in the gray autumnal weather
The leaves fall inconstant as you.
If a dead leaf startle behind me,
I think ’tis your garment’s hem,
And, oh, where no memory could find me,
Might I whirl away with them!

CASA SIN ALMA.

RECUERDO DE MADRID.

A CHRISTMAS CAROL.

FOR THE SUNDAY-SCHOOL CHILDREN OF THE CHURCH OF THE DISCIPLES.

MY PORTRAIT GALLERY.

PAOLO TO FRANCESCA.

SONNET.

Scottish Border.

SONNET.

On being asked for an Autograph in Venice.

THE DANCING BEAR.

THE MAPLE.

NIGHTWATCHES.

DEATH OF QUEEN MERCEDES.

PRISON OF CERVANTES.

TO A LADY PLAYING ON THE CITHERN.

THE EYE’S TREASURY.

PESSIMOPTIMISM.

THE BRAKES.

A FOREBODING.

What were the whole void world, if thou wert dead,
Whose briefest absence can eclipse my day,
And make the hours that danced with Time away
Drag their funereal steps with muffled head?
Through thee, meseems, the very rose is red,
From thee the violet steals its breath in May,
From thee draw life all things that grow not gray,
And by thy force the happy stars are sped.
Thou near, the hope of thee to overflow
Fills all my earth and heaven, as when in Spring,
Ere April come, the birds and blossoms know,
And grasses brighten round her feet to cling;
Nay, and this hope delights all nature so
That the dumb turf I tread on seems to sing.

 

 

III.

FANCY.

 

 

UNDER THE OCTOBER MAPLES.

LOVE’S CLOCK.

A PASTORAL.

DAPHNIS waiting.

“O Dryad feet,
Be doubly fleet,
Timed to my heart’s expectant beat
While I await her!
'At four,' vowed she;
’Tis scarcely three,
Yet by my time it seems to be
A good hour later!”

CHLOE.

“Bid me not stay!
Hear reason, pray!
’Tis striking six! Sure never day
Was short as this is!”

DAPHNIS.

BOTH.

“Early or late,
When lovers wait,
And Love’s watch gains, if Time a gait
So snail-like chooses,
Why should his feet
Become more fleet
Than cowards' are, when lovers meet
And Love’s watch loses?”

ELEANOR MAKES MACAROONS.

Light of triumph in her eyes,
Eleanor her apron ties;
As she pushes back her sleeves,
High resolve her bosom heaves.
Hasten, cook! impel the fire
To the pace of her desire;
As you hope to save your soul,
Bring a virgin casserole,
Brightest bring of silver spoons,—
Eleanor makes macaroons!
Almond-blossoms, now adance
In the smile of Southern France,
Leave your sport with sun and breeze,
Think of duty, not of ease;
Fashion, ’neath their jerkins brown,
Kernels white as thistle-down,
Tiny cheeses made with cream
From the Galaxy’s mid-stream,
Blanched in light of honeymoons,—
Eleanor makes macaroons!
Now for sugar,—nay, our plan
Tolerates no work of man.

Hurry, then, ye golden bees;
Fetch your clearest honey, please,
Garnered on a Yorkshire moor,
While the last larks sing and soar,
From the heather-blossoms sweet
Where sea-breeze and sunshine meet,
And the Augusts mask as Junes,—
Eleanor makes macaroons!
Next the pestle and mortar find,
Pure rock-crystal,—these to grind
Into paste more smooth than silk,
Whiter than the milkweed’s milk:
Spread it on a rose-leaf, thus,
Cate to please Theocritus;
Then the fire with spices swell,
While, for her completer spell,
Mystic canticles she croons,—
Eleanor makes macaroons!
Perfect! and all this to waste
On a graybeard’s palsied taste!
Poets so their verses write,
Heap them full of life and light,
And then fling them to the rude
Mumbling of the multitude.
Not so dire her fate as theirs,
Since her friend this gift declares
Choicest of his birthday boons,—
Eleanor’s dear macaroons!
February 22, 1884.

TELEPATHY.

SCHERZO.

“FRANCISCUS DE VERULAMIO SIC COGITAVIT.”

That’s a rather bold speech, my Lord Bacon,
For, indeed, is’t so easy to know
Just how much we from others have taken,
And how much our own natural flow?
Since your mind bubbled up at its fountain,
How many streams made it elate,
While it calmed to the plain from the mountain,
As every mind must that grows great?
While you thought ’twas You thinking as newly
As Adam still wet with God’s dew,
You forgot in your self-pride that truly
The whole Past was thinking through you.
Greece, Rome, nay, your namesake, old Roger,
With Truth’s nameless delvers who wrought
In the dark mines of Truth, helped to prod your
Fine brain with the goad of their thought.
I heard the proud strawberry saying,
“Only look what a ruby I’ve made!”
It forgot how the bees in their maying
Had brought it the stuff for its trade.
And yet there’s the half of a truth in it,
And my Lord might his copyright sue;
For a thought’s his who kindles new youth in it,
Or so puts it as makes it more true.
The birds but repeat without ending
The same old traditional notes,
Which some, by more happily blending,
Seem to make over new in their throats;
And we men through our old bit of song run,
Until one just improves on the rest,
And we call a thing his, in the long run,
Who utters it clearest and best.

AUSPEX.

THE PREGNANT COMMENT.

THE LESSON.

SCIENCE AND POETRY.

A NEW YEAR’S GREETING.

THE DISCOVERY.

WITH A SEASHELL.

THE SECRET.