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Helena Brett's Career

Chapter 17: CHAPTER III
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About This Book

The novel follows a literary man whose domestic life and ties to a dependent sister are unsettled when a woman close to him pursues a public career in the artistic and publishing worlds. Her increasing exposure and professional success generate scandals, business entanglements, and a triangular conflict that forces reassessment of honour, usefulness, and marriage. Scenes alternate between wry domestic comedy and satirical sketches of authors, publishers, and artists, tracing how ambition, temptation, and commercial pressures reshape private loyalties and personal identity. The tone mixes irony with observational detail as characters weigh the costs and rewards of public life versus private duty.


"MY DEAR MISS HALLAM,

"You will be surprised to hear from me.

"The fact of the matter is—I find myself getting very bald now that I really have to use my pen for something that matters!—I have been thinking a lot of my jolly days in Devonshire, the tennis, the sea-walks, the picnics, everything with all of you, and (if I'm allowed to say it) especially with you yourself."


Here he leant back and read what he had written. It was not literature but he felt satisfied. He took up his pen again and wrote—


"I don't know that it's usual, but I am rather reserved and not too romantic, so that I am writing to ask whether you could think of being my wife. There has never been any one in my whole life of whom I have thought as I have thought of you these last five weeks. I could never tell you how I feel in words, and I see now that I can't on paper, but if you think in any way that you could grow fond of me, I am convinced that we could be immensely happy. I don't know that I have much to offer you; but if you talk to your mother about this, as no doubt you will, you must assure her that I can give you a comfortable home and that I hope, as the years go by, to make myself something of a name.

"I will say no more now. I shouldn't have dared say so much, if I had not thought that we got on rather well last month, and that if you did not welcome this letter, you would at any rate be able to forgive it.

"Yours,
    "HUBERT BRETT."


It was not certainly at all like any of the love-letters that he had written in fiction or read in the police-reports; but he had not inwardly approved of either. This seemed to him quite adequate. She was the sort of girl who wouldn't care for sentiment. He honestly believed she would write back sensibly and just say "Yes."

It is to be remarked that no question remained as to posting the letter or not, so soon as it was finished. He had begun it to see how it looked: now he felt that it was something fated. He must see what happened. Without waiting even to put on a hat, he hurried out to an adjacent pillar-box and dropped the letter in with hardly more emotion than if it had been an ordinary bill.


Going up to bed, without repentance for the night's wild work, and in fact oddly calm for any one in his position, he heard a curious noise inside his sister's room.

He stopped and listened at the door.

She was obviously sobbing.

Hubert suddenly felt softened towards her. So she cared, after all! She felt the separation after these long years!

Had he sometimes wronged her? Had he been impatient? Was she really fond of him; trying to consult his wishes and not to irritate him? Was he growing selfish?...

He very nearly tapped and went in to console her. Then he reflected that she almost certainly would engineer another scene, and that always gave him a bad night.




CHAPTER III

"WHY WOMEN WED"

Helena had never thought much about marriage. There was no reason indeed why she should, for she was young and to her it still appeared, like death to a small child, as something she was sure to reach some day but need not worry with just now.

She was, in fact, nineteen, but her ideas were those of nineteen fifty years ago or of fourteen to-day. Devonshire, for one thing, has slept on in its soft air, not much disturbed by any modern turmoil; and for another, Helena's mother had ideas. These, briefly put, consisted in not letting her daughter have any.

It is, however, only human, from Eve downwards, to defy authority and search for knowledge. Helena, knowing that it was her lot to marry, naturally felt some interest in the habit. Whenever she came on allusions to it, she stocked them in her brain, all in a healthy and quite natural way, wondering in an abstract manner whether it would be thus or thus with her. She never dared to talk about it to her mother. She had once mentioned her own hypothetic marriage, only to be told that girls did not speak of such things in fun, and it would be quite time enough when the occasion rose, and had she given the canary its clean water?

Mrs. Hallam was a loving mother with stern theories. Her own childhood had been a season of repression, yet she was satisfied enough with her morals as opposed to those of many round her. She intended, therefore, to repeat the process. She had no patience—this was her favourite expression—with the licence of young girls to-day: the manner in which they read any novel, went to any play. She had no patience with this rubbish about ignorance not being innocence. Of course it was; or if it wasn't, it had very much the same result, and that was everything. Girls read these trashy novels and got a notion that grown men and women spent their whole lives falling in and out of love. They naturally tried it and began flirtation as a sort of duty. If a girl knew nothing, she did not know what to do. If she had no notion what flirtation meant, she clearly couldn't do it—especially if she saw no men till she was safely beyond her teens.

In any case, till she was twenty, Helena had no plays, novels, or man-friends. Her reading was all lives, histories, and comic papers. Her days were spent with relatives or younger friends, when she was not alone.

She grew up an oddly fine tribute to the system, thus underlining the depressing axiom which comes at length to all who study education: that those who are going to be nice will turn out nice, whatever way you train their youth, and much the same about the nasty. She was simple, healthy, buoyant, cheerful, natural; everything that Hubert thought. And who shall blame her if she was a little immature?

Hubert's letter was a real excitement in her cloistered life.

She had enjoyed her meeting with him. Men were a novelty, and to her an author was still that thing of wonder which he appeared to a suburban hostess twenty years ago. She thought him marvellously clever at first sight, and rather alarming. Later, she thought him easy to get on with and amusing. He played tennis well, liked finding crabs, and Mother did not seem to mind them talking. It was quite a jolly change. She finally thought him a dear and missed him when he left for Town.

And now—this letter!

Nothing ever could be less expected. She read it and re-read, not knowing really what she ought to do. She was just as excited and laughed as gaily as he one day before—vaguely infected, no less, with a thrill of irresponsible adventure.

Now, indeed, was the moment to collect all the vague tit-bits she had garnered as to marriage and fit them into a connected whole. She knew so little, really, of this thing that he suggested, and Mother, she knew, would not help her. The comic papers were curious about it. They looked on all men who married as fools, sure to repent; all women who didn't as ludicrously tragic. The old maid was a figure to be as much mocked and pitied as the old bachelor was to be envied.

Well, if this were so, it must be jolly hard for women to find a man who would marry! (Logic teaches that absurd premises will often lead to sensible conclusions.)

She knew vaguely that one Asked Mamma. There was a book even called that in the old locked case in the big library. She also knew, however, that she must battle this thing out herself. Her mother would say no; what nonsense! Of that she felt sure. It was for her, then, to decide.

Lock up your Danäe, stern mothers, in all the towers that man's wit may devise; yet if she is born with a strong resolve knit on her pudgy, slobbered, baby face, you cannot possibly prevail. You battle with the forces of uncounted Time.

Mrs. Hallam sat happily in her white drawing-room and read the new Queen, while Helena, up in her bedroom, wrestled with the letter which her mother luckily had not seen arrive.

Of course it would be a big change, she supposed? Home was a bit dull, but she had got quite used to it and one knew what to do. Having a house must be an awful business, and yet—rather thrilling! Probably Mr. Brett would make a big name; he was so immensely clever; and then they'd have a great big house, and she'd ask Mother as a guest and give her all the things she liked and said she never got in her own house! She laughed at the idea. The whole thing was tremendously amusing.

As Hubert had thought, she was laudably unsloppy. Mrs. Hallam had never let her guess that there was any sentiment in the whole world beyond maternal love. That was the heart's whole duty for a girl who was an only child that had not even seen her father.

Yes, summing it all up, she really felt the chief thing was about women having to marry or else be a joke, whereas men were a huge lark if they did. Imagine if, in all her life, she never met another man who would be fool enough! Home was very nice, of course, but horribly monotonous. She might read novels now, oh yes; the ones that Mother chose; but it was just the others that she longed to read. She felt vaguely (for self-development is among the instincts natural to Man), that there was something being kept from her. She had not been meant, ever, to remain so ignorant. She felt that Mr. Brett would not wish to keep her back in the way Mother had. Besides, if she remained at home, some day her mother would die, and she be left—that dreaded thing—an old maid, all alone, for every one to mock. Nobody would want her then! Wouldn't it be awful to feel you had thrown away a chance that lots of women, she had gathered, never got? Fancy being Helena Hallam, that absurd name, all your life! H. H., one of her uncles had called her stupidly, and she had said then that it sounded like poor Miss Jowett in the village, whom everyone called "old J. J.," because her name was Jane. Oh yes, she would end at last as old H. H.—poor old H. H.—pottering about in her prim little garden with an antiquated, rat-like dog dragging itself crookedly along behind her. All the village poor would be so sorry when she died.

She shuddered at the thought. She always wanted to put poor J. J.'s old dog, the one with the pink satin bow, out of its misery. It would be kind, she knew. She could with the air-gun, but Mother had seemed really shocked.

She suddenly decided at this point that her thoughts had become depressing and not really helpful towards a decision. Without giving herself time to feel alarmed, she rose abruptly and went to the drawing-room.

She knew instinctively she must be firm.

This was the first thing ever that had really mattered, mattered to her as a separate person with a life to live, and she believed she knew already what she ought to do. She would listen, of course, to Mother's views—she owed that from a real love and gratitude—but she would not be bullied any longer.

She entered the room feeling herself in some way on a different footing. The latent, undeveloped thing that would be Helena had surged towards birth at a mere spark from the outer world.

"Mother," she began, quite simply, "I've had a letter from Mr. Brett. He has asked me to marry him and I think I rather shall."

Mrs. Hallam dropped her Queen. She did not often find herself surprised.

"You've what, dear?" she asked blankly. Then not waiting for any reply, "What do you know about marriage, my dear child? What do you know about Mr. Brett?"

"I don't want to be an old maid," answered Helena, playing her best card at once.

Mrs. Hallam met it with a scornful laugh. "Old maid!" she cried. "That is a preposterous idea you've got out of your comic papers."

"They're all I've ever read, histories and them," Helena said mildly; raising who shall say how many bitter doubts in the breast of a theorist.

"You're nothing but a child, my darling girl," the mother said more gently; "and even if you weren't, there's no disgrace in being what you call an old maid. Some of the world's best women have been that. You've got to think of far more serious matters than that before you can possibly decide on such a step as marriage;" and searching frantically for objections which she felt sure must exist, she fell back on her first thought. "What do you know about Mr. Brett?"

"I liked him better than any of the men I've met."

"You've not met any yet," snapped Mrs. Hallam; she had no patience with this nonsensical idea. Then, as her girl was silent, she realised that here too she had flung out a taunt mainly against her own theories.

Mrs. Hallam loved Helena with real devotion, and it was a torture now to feel that possibly her care had all been a mistake; had all been shipwrecked by the unexpected action of an extraordinary man. She knew for a fact—she had taken care—that she and he had not indulged in any sentimental rubbish. Mr. Brett had seemed to hate all that, and she had for this very reason asked him round so often. Helena and he had been like boy and girl, brother and sister, playing games or finding their dear jelly-fish and crabs together, whilst he had talked to her in just the way to broaden her views out a bit yet not stretch them too far. And now——!

It really was provoking. The silly girl—all girls were silly—would of course exalt him into the fine figure of her first love, the real man for her, the man that she was not allowed to marry....

Mrs. Hallam, always frail and white, seemed to shrink visibly beneath this trouble. She held out a thin hand to the puzzled Helena, and drew her down beside her on the sofa.

"Look here, dear," she said gently; "I want to talk seriously to you. Life isn't so easy as you think. I've kept you here, safe from all worries and responsibilities and guarded you so that everything has seemed quite simple; but there are worries and responsibilities. You've got to live your life now, you see, Helena, and you will have to learn the habit of making quick choices whether you go this way or that. Life is full of cross-roads, you will find, and not all of them lead right. You can't marry the first man you meet just because he asks you to. Later on you might meet some one who, you would then see, is the man you ought to have married.... I don't want to put such terrible ideas into your head, dear child; I've never spoken to you of them, but such things have occurred and may occur again."

Helena was really quite excited. This was the first, almost, she had ever heard of life and it seemed utterly tremendous. She was tired of having choices made for her. She felt a call to the cross-roads. She waited silently for more.

"You see, dear," went on Mrs. Hallam, pressing her child to her as though she could not at all afford to let her go and be left all alone, "you're young, very young, and though I've never told you, very beautiful. You need not fear about being an old maid!" whereat, half laughing and half crying, she kissed Helena, too dazed almost to respond. "That will be possibly life's most important choice. Don't make it, darling child, until you're fit for it. Stay with me," and there was a pathetic appeal in her words, "stay with me till I've taught you how to be reliant. You are a child still; I've kept you young; I hope I have been right; you're not fit to go out and grapple with the world. Stay with me, Helena; tell Mr. Brett that he must wait, and stay here, in your home, until I've made you strong enough to take your part in life."

"Stay here?" Helena repeated automatically.

For one brief moment the barred gates had swung open and she had gained a glimpse at life, its dangers and responsibilities perhaps, but all its splendid thrill and glorious chance. The few cold words from her prim mother had conjured up a rich glowing picture to this girl, who for years had chafed at the narrow round, longing for something—she knew not what, but something broader, something where she could be much more herself—longing, she knew now, for freedom and for life.

Mrs. Hallam looked at her with pain in her eyes.

"Aren't you happy, haven't you been happy here?" she asked.

"Why of course I have, you dearest of dear old mums," cried Helena, and pressed her lips against her mother's cheek; "but——," and she hesitated.

"But——?" asked her mother, smiling sadly. How ridiculous, how almost tragic, it all was! She threw back her mind to her own first romance and wondered where the man was now. "But——? Tell me, dear. I shall quite understand and I am sure you need not feel afraid of me!"

Helena thought deeply. Words were so difficult.

"But——," she said once again; and then, suddenly inspired, she started rapidly; "Well, it is what you said just now. I—I must live my own life. I want—I want to grow. I've not grown since I was fifteen. I felt so silly, like a child, when I was talking to—to Mr. Brett, and I am twenty now." She said this most imposingly.

"And so," said Mrs. Hallam, trying not to smile, "you want to marry Mr. Brett because he made you feel so silly when you talked to him?"

Helena flushed, still sensitive to ridicule. "I want to marry Mr. Brett," she said with dignity, "because he is clever, and being a fool, I admire cleverness more than anything in the whole world, and I believe he'd let me expand."

"Do you mean I have kept you back?" asked her mother, in low, earnest tones. She had accused herself.

"No, you've been splendid." Helena patted her hand. "No girl ever had such a good mother.... And now you are going to be good about this too, and not be troublesome and try to keep me here!" She jumped up and stood facing her, excitement and expectancy.

Mrs. Hallam was suddenly conscious of her weakness.

It had been so easy to be strong when she was dealing with a child—and she had kept Helena a child. Now, in this moment, she realised that she was dealing with a woman, a woman of a stronger will. Something, Mr. Brett perhaps, had altered Helena. Even her way of talking had changed in an instant.

"Expand" and "troublesome"——! She looked up and saw before her no longer an obedient child, but a girl almost bursting with the desire to live at nearly any cost.

Mrs. Hallam was naturally alarmed. She knew that any contest of the wills was useless. She fell back upon pathos.

"Helena dear," she said weakly, "you're twenty now. I don't want to dictate to you, to treat you as a child. You have the right, as you say, to live your own life. But do you think it right," and now her voice grew very feeble, very plaintive, "after I've done all I have for you, not to think of me at all?"

"What do you mean?" asked Helena with quite an emphasis upon the second word. She felt a dim mistrust of this new tone. She had been kindlier to opposition, for indeed at the moment she almost longed to fight.

Mrs. Hallam, anxious to explain, to justify once and for all, began again at the beginning.

"All these years, dear child, though you did not, could not of course guess it, I've been moulding you according to a theory of my own; not a new theory but what is far better, one that has stood the test of centuries. I wanted to form your character, your will, before you were brought face to face with life. That process is not quite complete yet, although you seem to think it is." She spoke the last words rather bitterly, then with a sudden change to gentleness, went on, "But even if it had been, do you think that when I've given up the best years of my life to you, it is fair for you to dash away, leaving me alone, and not to give me the reward of spending a few pleasant years with the dear child I have helped to form?"

She smiled lovingly, but Helena looked coldly back at her. It was the other's point of view, to her, which was not fair.

"I don't see that," she answered almost fiercely, surprised at her own words, oddly unlike herself of one hour ago and many years before. "That's not living your own life a bit. You didn't give those best years of your life to your mother. I shall often see you, and I expect you did yours. You gave the best years of your life to your daughter, you say, and I want to give my best years to mine."

Mrs. Hallam loathed excitement, thinking it bad form; but now she raised her voice. "My dear!" she cried. "Where did you get these most extraordinary notions? Was it from this Mr. Brett?"

"You said you liked all his ideas so much," laughed Helena, "and yet you're shocked because I want to marry him!"

"There is a difference, dear," retorted Mrs. Hallam, her calmness regained, "between liking a man's ideas and caring for him as a son-in-law."

Helena, however, in her new mood wanted something more direct than generalities. "What have you got against him then?" she flashed.

Mrs. Hallam spread her thin hands soothingly. "Nothing, dear, absolutely nothing. Do not let us have a scene. I thought him a charming man; possibly rather self-centred, but clever, cultured, and with, I am sure, good motives. I feel certain he will do extremely well. If you had wished to marry him in five years—but at twenty——!" She spoke as though it were fourteen.

"Well," remarked Helena slowly, as though reviewing the whole situation from impartial ground, "I suppose the wedding won't be to-morrow. Don't you usually wait a bit?"

Her mother noticed that there was no hypothesis—no "wouldn't be"—about it. She saw no good in a conflict. The girl was twenty, the man probably twelve or more years older; there was nothing, she almost regretfully admitted, to be said against him; they had seemed good chums. Most mothers would have been delighted, for he was making himself a name as a novelist. Yet she was not, for he had come with this preposterously worded letter to wreck all her plans. She had thought him so safe, from the mere fact that he had no romance or sentiment about him. He was so safe, yes, for Helena; a real platonic friendship; opening her eyes a little to the bigger world outside, but altogether to be trusted not to put ridiculous ideas into her head. He was the first man with whom she had ever trusted Helena at all alone, and now——!

"Mother," laughed Helena, suddenly clasping her fondly round the neck, "I can see from your cross face you do mean to be troublesome! Now just be good instead and say that we may be at any rate engaged? It will be such fun, and we can see then how we feel about it."

Mrs. Hallam by now knew with all certainty that she was weak. She felt a vague sense of relief that Helena had asked permission; at one moment she had not expected that.... If she refused it, what would be the end? Possibly elopement, suicide, or some other of those awful means that modern girls employed so freely.... Whereas if she said yes, she still retained her grip as mother and might use what authority she had to disillusion slowly this girl, who looked on her engagement as mere fun.

"Very well, my own dear daughter," she said and suddenly found herself crying.

To Helena also things had turned out otherwise than she expected. She had not ever thought that she would get her mother's leave. For one moment it was almost a shock! She felt suddenly thrust out beyond recall upon a journey all mysterious to her. She was not sure, now, that she ever meant to do more than assert her right to do just as she wanted.

Did she want to marry Hubert Brett? She was not really sure.

She wanted certainly to get away from Home....

Five more years of this—that was what her mother hinted at—five more years of being ignorant, of seeing no one, knowing nothing about anything that mattered, being just your mother's daughter—five more wasted years!...

So that, after having dried her mother's tears and told her, very truly, how much she had always and would always love her, she hurried upstairs to her writing-desk with quite a new sensation of life being a most vital and palpitating thing. Her days had been all terribly alike: this was so different and thrilling!

The only thing was—how did one begin?

She wished she had asked Mother. She couldn't very well go down and ask her now. Besides, she might just change her mind.

"Mr." looked so stiff like that; yet she did not like, quite, to call him Hubert yet.

She gave a little laugh of excitement. What fun it all was! She wondered if other people felt like this, when they were getting married. They probably knew all about it?

Oh yes, of course; she'd go by his letter....

But no; because when he wrote they were not engaged!

So finally she thought it best to leave a blank and start straight off—


"I really don't know at all what I ought to say. I am no good at letters and this is very difficult, but I too enjoyed all our walks and things, and if you really want to marry me I don't see why we shouldn't be engaged. I liked you very much down here and hope I shall make you happy. Mother doesn't seem very keen about it, I think she thinks I am too young though I am twenty, but she has given her consent and will, I am sure, come round to it, so don't worry.

"I'm afraid you'll think this letter very stupid, but you know how ashamed I always was of my ignorance. I seem to know nothing! It is very nice indeed of any one like you to care for me.

"Yours,
    "HELENA HALLAM.

"P.S.—You won't be able to tease me any more about my name, afterwards!"


Perhaps to any real anthologist or expert of love-letters this would seem but little better than the attempt it answered; yet if success must be judged by results, it cannot have been much amiss, since for the first time in his life Hubert Brett was melted to a display of ridiculous emotion. "Dear little girl!" he murmured aloud and kissed the last words before her signature.

As for Helena, having run out to the village and posted the letter unread by her mother—a cause of yet further misgiving to the theorist—she began to wonder ever so little whether she had done quite wisely.

From somewhere (who can say whence, since some things are inborn in Man?) she had got the notion, possibly ridiculous, that courting and proposals were quite different from this. Even in the Lives and comic papers men knelt and that sort of thing. She felt she had been cheated rather of Romance.

As things were, with her so ignorant and Mother like that, it was all a little of a worry.

But it was also a way out....




CHAPTER IV

HYMEN

If Hubert had known how difficult a job it was to get married, he would never have attempted it. Or so at least he told himself. All Boyd's advice, all his own misgivings about lonely age, all Ruth's scenes, would not have driven him to so much real hard work that had no definite connection with his mapped and beloved life-career.

He always had imagined that the thing took half an hour, and even then was managed by some luckless friend you roped in as best man. And here he was, worried all day about presents, relatives, guests, leases, settlements, and heaven itself even probably could not say what else, till he despaired about his autumn work.

Ruth, in particular, drove him almost frantic.

He was absolutely certain she loathed his marrying, and yet to judge from the outside, nothing in the whole world could have pleased her more than making the arrangements. She would talk for forty minutes about buying six new pairs of socks. Her air of Willing Service maddened him. When she had nothing else to do, she would divide her time between telling him that he was a cold lover and assuring him that there was no need whatsoever to worry about her. She would be all right. He mustn't think of her....

"I don't," he would hurl back at length, firmly convinced of her hypocrisy (he was a great believer in his intuitions), at which point she usually cried. Then he would go out and shake the pictures crooked by slamming the door. At their next meeting, all forgiveness, Ruth would take up again the subject of those socks.

Finally he abandoned all idea of finishing his novel. This would be the first blank autumn since he started writing. He felt cross with Fate.

In all this, romanticists will no doubt be gratified to hear, Helena was the sole consolation.

He was pleased with her—and he was pleased with his own cleverness in having lit upon her. If marriage was essential to him, he felt sure she was just the very girl to be a wife who wouldn't get upon his nerves. The more he saw of her, the more he liked her; and that, too, was encouraging. She had, of course, come up to London with her mother, no less busy than himself, and her delight with the great shapeless place—its crowds, its fogs, its lights—was beautiful to see. She never wanted to be taken to theatres or show-places; the spectacle of London being London was enough for her, as it should be, indeed, for any one. She loved the ceaseless motion, the sense of something getting done; the whole feeling of energy massed in a little space seemed to inspire this girl used only to the sleepy, uneventful fields.

"Well, and how do you like it? How does it strike you?" he asked, as from an omnibus he showed her, for the first time, that thrilling crowd which passes, ant-like, this way and that, seemingly purposeless yet always full of purpose, past the Bank of England. He loved to hear her quaint, unformed ideas.

Helena thought for a moment. "It makes me feel so useless," she replied.

She was a delightful child, Hubert told himself—unspoilt, original, and modest. When he forgot about his ruined novel, he certainly was happy. His unhid admiration helped a little to melt Mrs. Hallam, who was still looking pathetically for the absolute objection which she felt sure she ought at last to find. And all this while the day was coming near.

Mrs. Hallam had rather naturally planned that the wedding should take place in Devonshire; but the bridegroom had been so hideously shocked, and Helena thought a London wedding so much better "fun," that Mrs. Hallam, already feeling nobody, had given in to them with a weak smile. She did not mind where it took place, so long as they were happy and it was really for the best. Besides, she had a brother who lived in a big house in Langham Place. He always had been very mean, and was a bachelor, and it was time altogether that he did something for the family....

On the last night, however, before the wedding-day, she tuned herself at bedtime to a final effort. She was sad and depressed: they had talked long downstairs; her own instinct would have been to cry or go to sleep; but she decided that, for her own later peace of mind if for no higher motive, she must do something far less pleasant. So along she went to the second-best spare-room in the mean brother's house.

"Helena dear," she said, to meet her daughter's startled look, "I've come along, although we've had our talk downstairs, because I feel I can't sleep till I have asked you a question."

Helena was not greatly reassured. She had not really understood a lot of what her mother had sobbed out to her downstairs, and now when she had thought it all over and had been feeling very sorry for the poor lonely dear, there was to be another question!

"Why, what?" she asked, trying to put away unseen her going-away hat, which she had been trying on. She was afraid her mother might think it unfeeling.

"A very important question," answered Mrs. Hallam, dropping frailly on the sofa. "And I'm afraid you may think it an extraordinary one. Do you really love Hubert? Do you really want to marry him?"

Helena let go of the hat, which fell very gently on the floor beside the dressing-table; then she went across and put her arms around her mother.

"Why, you curious old dear," she said. "What on earth makes you ask that? I do call it extraordinary!" And she laughed.

But her mother was serious. "Don't think it would be wrong or wicked to say no if you do not. It would be very wicked not to...." She paused, and as Helena said nothing, she went on; "You see, darling child, I feel responsible. You are so young, and Mr. Brett being almost the first man you ever spoke to, except just at At Homes and so on—— It's not too late, my dear girl, although perhaps I should have spoken sooner if I could have brought myself to it. Girls often see more clearly at the last. We can easily announce that the wedding is postponed, and then you could come down home for a few months and see—if you're not sure——"

She spoke almost keenly by now, questioning with a hope quite pathetic. The world for her held nothing but her daughter.

In Helena, however, the words raised a depressing vision.

Home—Devonshire—the lanes and muddy fields—the vicar—the farmyard—the illustrated papers—the picked novels—the dull people—her dear, good mother's absurd care of her.... And then, flashing and dazzling by its contrast, London—its crowds and mystery—its freedom—Hubert, so brilliant and kind—those jolly times with him beside the sea or on the 'bus-tops—the talks on Art and Life and all the things she couldn't understand but longed to—the liberty to cease being a fool and ignorant—the open gate to real existence....

"I am sure," she answered, with a passion that surprised herself. "Quite sure." She was not sure about love, but she wished to marry....

Hubert, in fact, wanted to escape his fond sister and a lone old age; Helena desired to get away from a loving home and her own ignorance. It is quite possible to fall in love with even negative abstractions.

At any rate they were very fond of one another, and practised wedding-goers were able to make their usual remark: "How utterly devoted they seem! It is so nice to see them look at one another!"

Everybody said too, of course, that Helena had never looked so pretty. She had been arranging presents until one o'clock and not left time to get her hair in order, besides having been dog-tired for a week, and the wedding-veil is seldom becoming, but all the guests seemed pleased. Certainly, with bright eyes sparkling ever so gaily behind the old veil of Argentan lace, and little wisps of hair exuding everywhere, Helena, if not at her best, looked natural and young.

Hubert, on the other hand, looked old for his age and self-conscious as only a man can look at his own wedding, but yet unusually handsome. He had not recovered from the dismal farce of a bachelor dinner, where nobody had liked the champagne, the idea of speeches had fizzled out, and every one had gone home before ten o'clock. He was pale and nervous. Yet Helena's relatives decided quite honestly, and in fact unexpectedly, that he was a good-looking man, and even Helena was quite surprised. His new Sunday coat revealed a slim, tall figure generally hidden by old, well-loved tweeds, for he was not a London-dresser. A stiff collar made the greatest change in him, and (had he but guessed!) so soon she decided he must always wear one. His very agony improved his looks. Of the dark, clear-cut type, he was spoilt usually by a too erratic mouth, which rambled on his face and lent a look of weakness to the stern contour. To-day his lips were pressed and firm. He felt a fool and told himself that the whole business was astounding rubbish. If only she had liked it, he would have been married at a registrar's—or down in Devonshire!... He went about with an air of doom among the revellers, and all of them said once again, if with more truth than about Helena, that they had never seen him look so well.

"Only shows," whispered Mrs. Boyd, who did not love him or any author over-much, "that those artistic people could easily look gentlemen. It's nothing but a pose."

None the less, it was a genuine enough relief to Hubert when the time came at which he was able to go upstairs and shed his fair raiment. True, they were not his old tweeds that he was allowed to don, nor was the collar soft; but still he felt more himself as he hastily descended one flight and then waited ten minutes, with all of a new husband's still untamed impatience, for his wife to be ready.

At last, when he was within four minutes of being able to feel justified in shouting out that they would miss their train, Helena appeared: full of amused excitement, still thinking it all the greatest of great fun and very sweet in a quite married-looking velvet gown, with the most colossal muff that matched a very cloud of furs, and over all of it a plume that waved above her never steady hat until it looked like a pillar of thin smoke.

Hubert, all impatience, quite forgot to say that she looked charming. It was really lucky she had not been taught yet to expect it.

"Come along," he said instead. "We're getting a bit late. I rather dread this part!"

"Oh, I don't know," she laughed. She had loved all of it.

They went down to the lower flight, where all the guests were pitilessly ranged on each side of the broad Georgian stairs.

Of course there was the funny man, who will happen even in the best-born families. Perhaps he has some use at such a time as this. Ruth and Mrs. Hallam, both united in feeling tearful yet mutually hostile, found amusement in his constant parrot-cry of "Here they are!" or when he felt specially inspired, even "Here they aren't!" It was a relief to have any excuse at all to laugh.

And there at length they were, smiling gaily, shaking countless hands, quailing under genial pats, avoiding silver horseshoes and gold slippers. (Rice and confetti were vetoed by the mean brother.) And so into the car, with Ruth and Mrs. Hallam smiling crookedly through tears, until the funny man, dutifully fumbling with string and an old slipper, was lost in a vast cloud of steam or something white let out by the fresh-started engine, which sent the couple off amid a bellow of good-omened laughter, and every one surged in with relief to say good-bye and to agree they should have gone away much earlier. It had been hideously long, but weddings always were.

Helena, as a corner blotted out the house, came back into the car with a gay laugh.

"Got your camera, my dear?" asked Hubert. It is odd how soon a man acquires the air of a proprietor.

"I wish I'd thought of taking them as we went off," said Helena. "They looked so funny."

He made no reply. He seemed to be thinking. She wondered what about. Then, as he sat silent, she began to be afraid to interrupt his thoughts. Besides, she did not know quite what to say. It was so curious! She realised, with rather a shock, how little really she knew about this man, and here she was going away alone with him for life!... But probably brides always felt like that? It was a biggish thing to do, anyhow, getting married. She expected it would feel a bit funny with any one. Probably the man made very little difference....

And presently he spoke—if it is speaking to say, "Ah!"

They were at Charing Cross.

They had agreed to take old baggage and look a very long-established couple, but somehow porters and people were nudging each other with sympathetic joy long before they reached the first-class carriage with its wickedly big label marked "engaged."

Helena, embarrassed if amused, sat on the far side. Hubert leaned out of the window and bought all the evening papers. He knew that there had been reporters.

"May as well see what they put," he said, almost as though in apology. She could not understand his tones, but Mother had told her last night that men were funny things with curious ideas.

He took up one after another and flipped through them all.

"Solemnised—Langham Place—écru lace," he read from the first; and then more hurriedly, "Reception—residence—numerous and costly—happy couple—Riviera."

Judging from his extracts, Helena thought, they were all very much alike. She wondered if one man had written the whole lot, and if so, what all the rest of the reporters did.

Her husband's face grew blacker as he reached the last. He threw it down with a contemptuous laugh.

"Why, what is it?" she asked. "Don't you like them?" She still felt oddly shy about using his name. "Are you disappointed?"

"One doesn't expect much from journalists," he said. "One's never disappointed."

But he was.

One account said that he was "a" novelist, but that was all: no adjective before it, not even "well-known." The others didn't mention that he was an author.

They might have been just ordinary people.




PART II

HUBERT BRETT'S WIFE


CHAPTER V

ROUTINE

It was something of a career, Helena soon learnt, to be the wife of Hubert Brett.

Gradually, however, she got a grip of the rough lines of her whole duty. At first it had been difficult, for she was not methodical by nature; but now it all seemed natural, the ordinary thing. When you got into it, the day ran smoothly. She never even had to think by now. She had the housemaid's mind.

Everything in the little garden suburb home—for Hubert, capitulating to Kenneth Boyd all along the whole line, had settled out at Hampstead—every smallest detail was ordered to one end: the Work.

This, he reminded her so soon as they returned to England, was not just his pride or hobby: it was their existence. She had her three hundred pounds a year, which he wished her to keep, whilst his fixed income was a trifle less—his father had been that fatal sort of mongrel, half a cleric, half a City man—and for the rest they must depend upon his writing. How important then, but how essential, that he should be left free to do his very best.

"You're my little housekeeper," he told her playfully the first evening, always loving to treat her as a child. "You'll get new cooks about every other day and try new dishes out of shilling books with them, and I shall say: 'My dear, this isn't edible'—like that—and then you'll cry——"

"Oh no, I shan't!" she laughed back, for they got on extremely well in an unsentimental way. It was almost as though Hubert had merely exchanged his sister for a younger one.

"Well, I like to think you will," he answered. "I shall be hurt if you don't mind in the least when I'm cross.... But what I was going to say is: whatever domestic tragedies there are—and kitchens are the last home in England of poor Tragedy—don't bring them round to me. I don't mind what I eat, I'm very tame that way really; but I don't want to know who cooked the chop or where the large woman who cooked the last one is. Those details don't inspire an author, even with a realistic novel!" The which she thought great fun. She loved to hear him talk.

None the less, it was not easy just at first. There was a hideous lot to remember for any one not good at lessons. The kitchen with its rows of plates, and all the currants and things you served out from tins—this was quite splendid. The hours and what you mustn't do were the real worries.

Hubert Brett, in the old days of city life, had never breakfasted till half-past nine. "They sleep in the city, and more is the pity, but you on the hills, awake!" exhorts the Harrow song. But Hubert did not see it in that light at all. Nine-thirty had been his hour down in London; nine-thirty seemed quite good enough up on the Hampstead hills. So nine-thirty it was—when it was not nine-forty-five.

This was the one fixed meal of the day.... Now work put in its claim.

At breakfast, he told people, was the only time that he could skim the daily; he was so intensely busy; and certainly he propped the Telegraph before him on the table every morning (this shocked Helena at first, for she had not seen any farces and had no notion it was ever done); but somehow or other he appeared never to have quite finished just the paragraph that he was reading when the meal concluded. There was an armchair temptingly near alike to table, fire, and cigarettes.

Helena's first important duty was to steer him tactfully from this chair to the harder one whereon he sat to write. She must not jar him, must not hurry him, or he lost every one of his ideas, and it was all her fault at lunch.... But, on the other hand, she must not let him sit there, gazing at a thrice-read page—"thinking out my day's work," he called it—till too late. This she certainly did not desire to do, for Lily never was allowed to come and clear the meal away till he had gone into his study (that upset him, too), so that delay bred chaos in the household.

When once, however, he was safely at his writing-table, all was quiet, must be, until lunch-time. These were his best hours for work. The small house brooded under a funereal silence.

Lunch was a movable affair.

Hubert could not endure clocks in his working-room. Their sound, which he declared was just not regular, got on his nerves, and he found himself on days when his inspiration would not flow, gazing at the dial with growing despair, like a bad sleeper who begins to count the hours which strike at ever lessening intervals, until he knows at last that now he will not sleep at all.

The writer's estimate of time varied largely with the amount of his success. When he was writing well, the hours would speed away and he would then emerge at half-past two or even—once—at three, full of a joy so intense as to ignore, or even to melt, the iciness of Helena and Lily. At other times, when his pen dragged itself along the paper sleepily or idly drew vague circles on the blotting-pad, he would get tired and hungry. On these days lunch was punctual at one o'clock.

After lunch, which was a meal solid almost to the limits of bad art, he would subside on the tempting armchair again and Helena be asked to bring him the weekly reviews. Not only the literary pages were digested; Hubert read the music, art, even the drama columns—everything except the science meetings in the Athenæum. This took, roughly, half-an-hour each day and the lonely time so occupied, he told Helena when he explained his ways to her, was devoted to "keeping in touch with the modern movements." There is no one English word for the Italian siesta.

Then came the part of the day to which Helena looked forward; the afternoon, when they took ever such long tramps with Spook, the small white Aberdeen, across the wide free heath, and so home to tea beside a comfortable fire. Helena could almost hate his work when at the stroke of five he would get up, more stern by now than in the sleepy morn, and leave her with the statutory kiss. And when it rained, so that this jolliest part of the day was lost and he said in a masculine way that it would be a chance to do some letters (instead of having fun indoors!), she would sit by the drenched windows and look out through the jerky raindrops with all the pathetic grievance against Fate of children in a seaside lodging on wet holidays.

This was a shorter bout of work and dinner was generally not later than half-past seven, though there were times of course when it had to be later. This led to Hubert's prophecy about the change of cooks not being too far from inspired.

After dinner was the other jolly time, if Hubert had worked well. If things had gone badly, he would mope and say that he was going to grow cabbages instead and silly things like that, which worried her because she knew he never would; but if a good sheaf of written paper was in his hand, he would read it to her, while she sat against his legs upon the hearthrug, and when she had said how good it was, they talked of other things—he talked so well—and it was all as comfy as could be in their own little home, and, oh, so different from Devonshire!

Sometimes she felt guilty about her poor mother, down there all alone among those stodgy people; but she wrote to her every Sunday, and sometimes on other days if Hubert was silent and gloomy (without of course letting her know why she wrote).

His moods puzzled her a good deal in those first days, but she supposed all really clever men were a bit odd or they would not be clever. Certainly it was curious that Hubert, who was so strong and splendid in most ways, was so awfully easily pleased or upset by anything about his books. Any success made him as cheery as could be and they would go to Kew or somewhere and he'd say; "Blow the evening work!" although she always said she was not sure they ought. Once, a few months after the wedding, a reader wrote to him from Surbiton and thanked him for a book of his he had just read, because he thought it beautiful and full of inspiriting ideas. Of course she had been immensely pleased, but Hubert had been more. He had shown it to every one who called for three weeks, and kept on wondering what sort of person could have written it, and left it about on tables, and she was sure the servants read it, and he told Mr. Alison about it twice, until she really began to wonder whether people wouldn't laugh at him, but didn't say so because he was so sensitive.

It was always the same, about a good review or anything. Sometimes, after one, he would ask in a thoughtful, puzzled way; "Why don't we ever go to a theatre, dear?" but by the next night something had probably upset him or he forgot, and she never reminded him because he did work hard—and, as he said, for her—and she was really very happy in their little home, so long as he was not at work.

And then, he was so easily upset.

A bad review had just the opposite effect. He got so violent about the critics, saying they were men who had failed to create, and any ass could say that elephants were rotten things but it took God to make one, and other awful things like that; or else he'd begin thinking who of his pals read the paper where the criticism was and sometimes even—if she couldn't stop him—write and tell them why the critic was so down on him, which she was half afraid they must think very silly; unless, perhaps, they were clever too, so understood.

Once, too, at the end of the first year, he quite frightened her.

Among their wedding presents, duly numerous and costly—perhaps extreme in both respects for a suburban home—the one that Helena prized and used most was an enamelled watch. It was the size, roughly, of a shilling: deep translucent blue, decked with tiny pearls, and hung from an appropriate brooch by a thin golden chain. Too thin possibly, for on arrival home one morning from what she called her marketing, the little gewgaw, valued for ornament and use alike, was gone. A few links of the chain hung desolately from a brooch that, robbed of its purpose, now looked almost vulgar.

Without thinking, without reflecting that no one was allowed to interrupt him before lunch-time, she found her thoughts turning restfully, in quite a wifely way, to Hubert. She knocked at his door.

There was no answer but she had not waited for one. She burst in.

The room was full of industry. The very air seemed heavy with a wished-for silence. A clock would have been overpowering.

Hubert swung slowly round, with an expression on his face that made it clear he was attempting not to lose touch with some great idea. He kept a finger on the sheet before him.

Helena was rather alarmed. She had not seen his study in its present state, and as she stood there at the door a moment, her eyes took in the litter of loose paper; all the open books on table, chairs, and floor; the derelict type-writer, long abandoned as fatal to all inspiration; the velvet coat; and most of all, the worried look. Her plaint shrank instantly to an excuse.

"Oh Hugh," she said (she never could quite manage "Hubert"), "I am so sorry, but what do you think?"

"I can't imagine," he said in a cold voice so unlike his own. "What? Is your mother dead?"

Even Helena, so bad at scenting irony, could guess that he did not mean that.

"Of course she isn't," she replied; "but I've lost the lovely little watch she gave me, and I did love it so." She tried not to let too much sorrow come into her voice. He always looked upon her as a baby, anyhow.

Surely he was sorry? He said nothing. He looked at her so oddly that she grew alarmed.

"Isn't it awful?" she added uneasily.

Hubert rose slowly to his feet. "Really, Helena," he said, "you don't mean you've broken my whole morning's work just to tell me you've lost some silly trinket? You might have waited until lunch-time. Now, my whole chapter—well, it simply means I've got to start it all again."

He took up a sheet of paper, tore it dramatically through, and let the two halves fall upon the carpet. Helena, full of an astounded guilt, looked down to see how much of his work her thoughtlessness had wasted. But all the writing must have been upon the under side....

"Oh, Hugh dear," she said, longing to touch him yet not daring quite; he looked so cross and tall. "I am sorry. It was stupid of me. But I thought you'd be sorry and could—could do something."

She ended lamely and he was not touched by her faith in him.

"Of course," he said bitterly, "I shall at once scour the heath, like a police dog, on my hands and knees. I shall watch the termini. I shall telephone——"

"Oh, I am sorry," she broke in, "awfully. I never thought all that of course. I simply felt it was so terrible and you might help, because you always know about things, somehow."

That touched him at last. He melted suddenly.

"Well," he said quite cheerily, "it's done now, so bother the old work. We'll see if we can't find the thing and save a reward. That's another way of making money, eh?"

So after cross-examination as to routes and so on, out they went, and he it was who found the watch, exactly where—she now remembered—she had felt hot and pulled hard at the stiff clip of her chinchilla stole.

"Tally-ho!" he shouted gaily, holding it aloft and waving it; then as she ran delightedly across from her own line of search, "so I've not wasted my day's work in vain!"

She felt that more apologies must take the place of thanks. She also wished that she had never spoilt his work but paid five pounds reward instead. And she resolved that nothing short of thieves or fire would take her into his room before lunch again.

Bad news, hereafter, she obediently kept till dinner. His day's work was over, and he had recovered by next morning's bout.

Other things, too, she learnt. When possible, she would suppress a bad review or lose the paper until evening. Unluckily, he had them all sent by an agency and she did not often succeed. She always said, however, that nobody went by that paper.... She never praised a writer who was younger and more famous than himself. She was conveniently blind if envelopes arrived addressed in his own writing. She always saw that his room was left properly untidy—all except the flowers, which must never show the slightest sign of age. She came to avoid the word "reliable" and after six months never once split an infinitive at meals. Hubert at such moments would throw down his knife with a grimace of pain. He said it was a physical sensation, like cut corks, and spoilt his appetite, which she could never understand. And sometimes if it happened early in the day, she found at night that she had spoilt his work as well....

Such was the routine of Hubert Brett, ex-bachelor at thirty-five and writer of repute; all sacred and to be taken as an earnest matter—even that half-hour wherein he Kept In Touch With Modern Movements.

Helena learnt this, too, early.

There had been great excitement in the suburb after lunch. An aeroplane had passed upon its way to Hendon, and passed very low. The noise had been colossal, like six motorcycles. Every one, used as the place was to aeroplanes, had dashed out to the garden—every one but Hubert. Helena, even in her disappointment, could admire his self-restraint.

He seemed quite ignorant about it, too, when she made jokes upon the noise, as they set out for their tramp on the Heath.

"What time about?" he said. "Before lunch?"

"Why, Hugh," she laughed. "You must have heard! It sounded like a motor having its teeth drilled."

"No," he said. "I shouldn't have missed that. It is a sound I've never struck!"

She thought a moment. "Why, I know," she said. "You wouldn't have heard. Of course it was just after two and you were still keeping in touch with the movements."

To her surprise he stopped short, and looking up, she saw his cheeks were flushed below the eyes.

"My dear girl," he said pompously. "I enjoy your humourous way of looking at life, but it's a quite impossible position if a wife's going to be funny at the expense of her husband's ideals."

With which he strode onward and she fell in, a model wife, behind.

But she, of her simplicity, had meant it.

She had always admired his powers of concentration on those dull old literary weeklies. She had not even thought of sleep.

Every wife, perhaps, should be able to see through her husband the exact distance that he sees himself.