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Helena Brett's Career

Chapter 72: CHAPTER XXIX
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About This Book

The novel follows a literary man whose domestic life and ties to a dependent sister are unsettled when a woman close to him pursues a public career in the artistic and publishing worlds. Her increasing exposure and professional success generate scandals, business entanglements, and a triangular conflict that forces reassessment of honour, usefulness, and marriage. Scenes alternate between wry domestic comedy and satirical sketches of authors, publishers, and artists, tracing how ambition, temptation, and commercial pressures reshape private loyalties and personal identity. The tone mixes irony with observational detail as characters weigh the costs and rewards of public life versus private duty.




CHAPTER XXVIII

WOMAN PROPOSES

Ruth had abandoned her pleading at a clever moment, for she had left Helena with a sense of pity, and pity means more to a woman than conviction.

Poor old Hubert! She was glad now, oh so glad, that she had spared him. It had been on her tongue yesterday, when he was so contemptuous about her book being popular claptrap, herself an amateur, to answer: "Well, I have found out about your own work too: it tries to be popular and isn't,"—to tell him she had also learnt that one could write without upsetting the whole household by one's fads and poses.... But in the end she hadn't. Perhaps it was as Ruth had said: every one would always spare him. Something, in any case, had held her back, and now she was glad; for that once said, it would have been too late. She felt that Ruth had spoken truly: he never could have cared for her again.

Poor old Hugh!

Buoyed by this feeling, crushing under it all others, she went to her bureau and unlocked the drawer where she kept her secret manuscript. There were three chapters. She would destroy them before her mood changed. Then she would go to him and say that he was right, she was not clever in the way that he was—she was an amateur. He would take days perhaps, yes even weeks, before he could forgive her quite; but it was as Ruth had just said. The rivalry gone, he would soon learn to bear the rest. He would have won back his self-sufficiency, ... poor Hugh!

She took out the written sheets with all the feelings of a mother who sacrifices her own son, touching them gently as if even in this last hour they had been something sacred.

Then—weak if you will, but do not be too hard upon the-Mother-soul—then she began to read.... just a few sentences.

And as she read, the whole thing leapt to instant life; began to grow, as poor Virginia had grown. She saw the painter, strong in a way—not Geoffrey Alison at all—but with a fatal vanity. Yes, that would be his fall, of course. He would be all right with the women he admired; there were so many, he was safe enough: but when he met the woman who admired him——!

She had not thought of it like that before. She did not know where the idea had come from now. Before it went she hurriedly seized up her pen, to add a note to the confused synopsis.

Then she remembered.

What was the use if she was just going to destroy it?

If——!

And its constant sequel: Why?

Why should she destroy her work?

It was her work no less than Hubert's work was his, however much more easily she worked. That hers came to her brain, she knew not whence, whilst he hammered out his from formulæ, was very likely nothing much against it.

Why had he said this second book would never sell? It interested her: why should it not interest others? How could he possibly know, when he had never seen it?

It was mere jealousy of course.

Ruth had said practically that. She had said that he could not endure rivalry; he must be supreme, if only in a little house. He knew that her book had sold better, ever so much better than any of his own, and that was what he really minded. Yes, she saw it all now; all from the beginning. He had not minded in the least that she should think him (as he still believed) self-centred, cruel, or neglectful; that had not pained him in the least, he had not really minded her publishing the book. No, what had really hurt him always—she saw now—was the book's success; what Ruth had called his own eclipse. He had worked, as he said, for fifteen years; he had called it a "job"; and in one moment she had cut him out!

That, Helena decided in a rapid flash, was the whole mainspring of his anger.

And was she to sacrifice her work to satisfy the petty vanity of such a man? Was she to admit her failure, to feign life-long admiration for his work, when she knew that with practice she could almost certainly do better?

No!

The answer came decisively.

As if to clinch it, she thrust the manuscript back in its drawer and turned the key with a decisive twist.

She would not sacrifice her own career to his conceit. He had spoilt Ruth's life, used her as a housekeeper until she was too old for anybody else; then turned her out—and now he thought he could spoil hers. And every one would spare him, because they were sorry! Why should she spare him? Why should she be sorry?

Helena stood with her fingers still upon the key, transfixed by the enormity of this new thought.

Why should she either smother her ambition or else creep away, sparing him the reason; leaving Ruth to be his victim once again?—poor Ruth, emerging into life again, escaped from this vampire who had left her an old withered woman at the age of forty.

No, she would not. Others might spare him; she would tell the truth.

She would go now, whilst Ruth was upstairs, and would tell him what she, what Ruth, what everybody thought. She would tell him that he was murdering the love of those who loved him by his own selfish blindness; that all this nonsense about moods and inspiration was mere pose, that you could write quite well wherever your two candlesticks were put; that every one saw through him but himself; that he should be proud of his wife's success, not jealous, if he had a spark of decent feeling in him; would tell him she too was ambitious, though a woman, she too had a life to live; that she was bored all day, with him at work, and now she meant to have her own work too; that Zoë had been right—yes, had been Helena, Helena not then but Helena as she was now; that she saw now, as Zoë had declared, she had been nothing but a background to his work. Now that was over and she would sacrifice herself no longer.

Oh yes, and she would tell him the rest too—that she was fond of him, would always be; admired him for his strength as much as she despised the flabby Mr. Alison of whom he had been jealous; that she would try to make him happy, comfortable and happy, not neglect the house; and they would be proud of each other's work, and even if she was not a success, her little earnings would all help to pay those horrid bills.

And if this did not satisfy him, if he could not live like that—well, then, there was what Ruth had said....

When he had heard the truth, the choice should lie with him! He might choose then between the sister and the author-wife. But they must have the truth. She would not sacrifice poor Ruth to him again. He had been spared enough already. The truth would make him happier. What could a man so selfish know of happiness?

Poor Ruth, contented with her mission, laying on her bed a dress that would astonish Hubert by contrast with the prim grey horrors of old time, little guessed how too thoroughly she had let in the light to Helena's young eyes!

Helena released the key and moved with firm resolve into the hall. She dared not stop to think. She strode across the narrow carpet and boldly turned the handle of his sacred room at this forbidden hour. She did not even knock.

There is much courage in a symbol.




CHAPTER XXIX

HELENA BRETT'S CAREER

Helena stood at the door, as on the day when she had lost her watch; and now again each detail stamped itself instantly upon her brain.

But this time Hubert was not working.

He sat at his desk, his hands stretched forward to hold open a paper laid before him. Helena even observed the wrapper from which it had come, rolled up quite tight beside the blotting-pad. She saw Hubert's air of rapt attention and noticed that he had not heard her enter. She saw two letters unopened on the table, and she thought how like him it was to open first a paper almost certainly sent him because it had some mention of himself. Yes, she could see now the blue pencil marks beside the paragraphs that he was reading. And they were exclamation marks....

Then, last of all, she recognised the paper.

It was People And Paragraphs—and he was reading that comment on the Hubert Bretts! She had destroyed the cutting; never thought of his dear friends.

In one moment all the words rehearsed died on her tongue. Afterwards perhaps, but for the moment she must comfort him. She could not hurt him more just now.

"Oh, Hubert," she cried, running to him and putting her hand impulsively upon his shoulder, all forgotten save the instinct to console, "they haven't sent you that?"

He turned round with quite a dazed look, apparently not in the least surprised to see her there. "Oh yes," he said in a hard voice, "there'll be lots of those. It's only just beginning." He stared dully at the spiteful, vulgar, words.

She knew what they must mean to him and once again her soul veered round to Ruth's mood of pity—pity and regret. It was her fault, this, she knew that; he had been right all through. He was so right and strong, and that was partly where her anger lay. She could have forgiven a weak idiot like Ally better.

She looked down at him; wavering, torn by two instincts, doubtful.

She looked. She could not see his face, but on the blotting-pad there dropped two tears.

She had not known that men could cry. Those two damp spots that spread on the green pad beneath her fascinated eyes told her of what his agony of tortured pride must be—and brought back to her memory those words of Ruth's; "He's nothing but a child: be gentle."

He was not strong and right. He did not have a soul of iron, this man: not despise her as a weakling. He was weak himself. He was a child and wanted sympathy....

Some other words of his came drifting back to her as she stared blankly at those spots of darker green and he sat with his head averted—was it in anger or in shame?

He never would have married a woman who wrote: hated clever women! All that came back to her. Had she played fair? He wanted somebody to help, encourage; could she be his rival? For better, for worse——

Suddenly she found herself talking.

"Hugh," she was saying, back on the words of a yet earlier rehearsal, "I'm so sorry. I've been such a beast, and I have wanted so to do the proper thing. I've been a beastly wife to you, and now I've come to say you're right. I can't finish the new book; I can't get on at all." She paused and said deliberately; "I'm just an amateur."

And in one moment, before she had finished, he was on his feet. He had his arms round her with all of his old love, and held her at arms' length, and looked at her with pride, as though she had just spoken of anything except her failure.

"Darling little girl," he said, "don't, don't, you make me feel so bad. Don't say you've been a beast. Do you think I don't know what I've been to you? Do you think I don't know how true the whole book was?"

She smiled back at him, and he never saw the little bitterness or pathos there was in it, as she heard his old word of tolerant affection—"little."

He had not used that word for ages....

He drew her to him and kissed her very lovingly. "Oh, Helena," he murmured, close beside her ear, "if only you knew how I've missed you, how miserable I've been, how I have loathed myself. You splendid people think we horrid selfish beasts don't realise our vices. Oh yes, we do though, those of us who think, but we hope no one else observes them. I knew that I had bullied Ruth, sacrificed her life to mine, and I vowed when I married you—but what's the use? You never change your nature, and I'm just a selfish swine."

"Don't say such awful things, Hugh," she said gently.

He laughed. "I'd say them for ten years as penance if it did any good. But now you've told me, now I know you know, it's easier. When I get selfish, when I begin forgetting your side of the thing, you'll have to tell me; see? And if you don't, well I've still got your copy of The Confessions of——"

But she stopped his mouth with a kiss. "Hugh," she cried, going to the table and taking up the paper which had changed their lives, "we'll never mention that vile book again, and as for those who do"—she tore the paper savagely across. "And you must not say you are selfish. It's only that your work——"

"My work!" interrupted Hubert, with a discordant laugh. "I've done none this last week. I've thought—thought about myself, and that's good when you're forty but it isn't pleasant. Do you know what is wrong with me?"

"Nothing," she said gaily, for he spoke with a cavernal gloom and she desired to change his mood.

He utterly ignored her. "I took a long time finding myself out," he answered. "That's all. Everybody starts, about eighteen, thinking he's a genius and bound to end up on Olympus; then about twenty-five, we settle we're just common fools and take a city job. But I did not. I've gone on in what they call a fool's paradise; feeding upon praise and threatening those who did the other thing, until I really thought that I was some one great! Boyd always said that I was undeveloped; there was something lacking.... But I've got it now. I think I got it when you cut me out as author!"

"Don't, please," she cried, "you mustn't talk like that."

"I must," he answered gloomily. "I've given half my life to writing—and only just found out that I can't write!"

She came to him then. "Look here, dear," she said, taking his arm in quite a mother's way, "you're just beginning your success. Men never do succeed till forty. You've just found yourself. You're going to do splendid things and you will let me help."

"What? You and I collaborate?" Was there a tinge of the old-time suspicion?

"No," she said quickly. "I shan't ever write again; that's done with; we'll just talk the stories over when we're out upon our dear old rambles, and then, you see, you'll get the woman's view as well. And possibly I may get plots sometimes, although I couldn't write them."

"Then we'll sign Helena and Hubert Brett," he said in swift penitence, forcing himself to nobility. "That really does sound excellent!"

"No," she replied slowly, "you must always sign. You see your name is known. Helena Brett has never written anything, and Zoë Baskerville is dead—thank goodness!" She forced herself to smile. She must remain the amateur! That touch of pity, she knew, must be there if things were ever to be right again....

Perhaps he guessed a little, for suddenly he clasped her in his arms again. "My God, Helena," he cried passionately, "how insignificant and mean you make me feel! You women can forgive, and we're so obstinate. You've spared me such a lot, I know. If you had told me all I know you could, I never should have cared for you again! It's pretty damnable, that, isn't it? But swine like me go on repenting and repenting, and then we're twice as bad again. We're cursed, I think; we——"

She put her hand over his mouth. "It's over now," she said: "time up," and laughed, herself again.

He looked at her as at some miracle beyond his understanding. "And you won't ever long to—well, to be Zoë again?"

She looked him full in the face, and her eyes smiled happiness. "No," she said, "I've found myself out as well. I'm nothing but a woman after all!"

"The dearest woman in the whole world," he replied and kissed her.

Ruth knocked at the door.




THE END




PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.







BOOKS BY DESMOND COKE

NOVELS

  THE COMEDY OF AGE
  THE CALL
  THE PEDESTAL
  THE GOLDEN KEY
  BEAUTY FOR ASHES


STUDIES OF BOY NATURE

  THE BENDING OF A TWIG
  WILSON'S


HUMOUR (ex hypothesi)

  SANDFORD OF MERTON
  THE DOG FROM CLARKSON'S
  THE CURE


STORIES FOR BOYS

  THE HOUSE PREFECT
  THE SCHOOL ACROSS THE ROAD
  THE BENDING OF A TWIG (Revised Edn.)