WeRead Powered by ReaderPub
Hell's Hatches cover

Hell's Hatches

Chapter 11: CHAPTER X ART AND SUSPENSE
Open in WeRead

Explore more books like this:

About This Book

A Franco-American painter narrates his experiences in the South Seas alongside the flamboyant Slant Allen, a hard-bitten sportsman whose prowess with horses and reputation collide with a sensational schooner incident for which newspapers crown him a hero. The narrator reveals the messy truth behind that voyage, then describes life on a remote island—beach races, rough characters, and the arrival of a girl—before chronicling a perilous sea passage, a grim tale of survival aboard the ill-fated schooner, confrontations among men driven by pride and fear, and a climactic reckoning on a coral-strewn reef.

Would not the fact that I was the only living man (Ranga, whatever he had seen or heard, would hardly need to be reckoned with as a witness) who knew the actual facts about the way he had "volunteered" to join the Cora at Kai awaken a desire in Allen's lawless breast to seal my mouth for good and all, now that he had so much to lose by the truth's coming out? The feeling that such would be the case—that the dizzily mounting fortunes of the ex-beach-comber would ultimately impel him to seek me out for an understanding—grew on me more and more as I turned the situation over in my mind, until at last it became a certainty, against which I felt justified in preparing as a boxer trains for a definitely scheduled prize fight.

I did not reckon it worth while to call at the Quarantine Station, which was some distance from the town and not easy to reach. I did, however, just before I put off to the ship, meet the young doctor with whom I had talked in the morning. The only thing which he was able to add to what he had already told me was in connection with the question I had raised respecting the cause of Bell's death. To be certain that he had been correct in stating that the latter had not died of plague, he had made a special inquiry. In response to this he had been shown a slide made from a smear they had taken of the late Skipper's blood. The bacteriologist had seen to that immediately the body was landed. It showed no traces whatever of plague bacilli. I could be quite assured on that point. The Chief was unwilling to hazard an opinion as to what the real cause of the man's death might have been. He seemed rather to regret that he had failed to order a post-mortem. Allen was still sleeping heavily, but would be right as a trivet beyond a doubt as soon as he woke up and gave them a chance to sweat some of the alcohol out of his hide. Pulse steady as a church.... Temperature a shade sub-normal. Marvellous constitution.... Wonderful fellow altogether. Any word of the girl? No, nothing. Ten pounds reward had been offered for the recovery of her body, or any recognizable part of it. Search was still going on, and he pointed across to the opposite foreshore, where a couple of spindling Hindu coolies—evidently sugar plantation contract hands—were earnestly engaged in performing "hari-kiri" upon a plethoric 'gator they had just bagged and towed to the beach.

The Doctor was already beginning to look ahead. Did I fancy Allen would be able to wangle it so as to get an entry in for the Melbourne Cup in the short time that remained before that classic was run? Entries closed some time ago, of course. He'd have to square it with the stewards some way. They might make a special exception, seeing who Allen was, and what he had just done. Any horse with his colours would carry a barrel of money, just out of sentiment if nothing else. Did I think he would wangle an entry?

"No," I replied, stepping down into my boat. "No, I'm afraid the chances are all against it." My mind had been torn with doubt over a number of things that day.... It was a relief to be asked to express an opinion on a matter respecting which I had no doubt.... Not a shred of it.

Captain Tancred welcomed me back to the Utupua with a significant grin. "So ye didna find the outlook ashore to yer likin' lad?" he boomed boisterously, thumping me on the back. "Weel, dinna ye mind, since ye wasna nabbed. I'll be findin' a wa' to slip ye aff in Sydney sae they wan't be puttin' nose to yer trail till ye're clean awa'." The look on the old boy's face was a study when, a few days later, after the tugs had nosed his ship into her berth at the Circular Quay, I stalked brazenly off down the gangway, with no more regard for the two Bobbies guarding the dock gate than they had for me. He had exacted two promises from me before he let me go: one, that I was to take him to see my pictures, and the other, that I would not fail to let him know if there ever came a time when he could be of Service to me.... "Real sarvice, lad; you'll be twiggin' wha' I mean." I gave both promises freely, just as I kept them later—yes, both of them.

As I had trunks, with all the common accessories of civilization, stored at the Australia, my transformation from a beach-comber to a fairly correct imitation of a comfortably heeled artist was the matter of but a few hours. My appearance at the Exhibition could not have been better timed. The affair had been extremely well handled from the first. I had been sending pictures to Sydney from all parts of the South Seas for the last eighteen months, packing them up as completed and getting them off whenever opportunity offered. Two or three had been lost, but, on the whole, I reckoned the plan safer than trying to take them round with me in one lot, at the risk of losing the bunch.


CHAPTER X
ART AND SUSPENSE

Nothing had been further from my mind than an Australian exhibition. I cared little for the provincial approbation of the Antipodes, and I was hardly ready for Paris—not quite yet. It was only at the reiterated requests of friends (two of them were young Australian artists I had known in my student days in Paris), to whom I was under real obligations for their kindness in receiving and storing my pictures as they dribbled into Sydney, that I finally gave consent to a public showing. In doing this, I had stipulated particularly that they were to take all the troubles and responsibilities of the affair, and that under no circumstances was I to be expected to appear in person—unless, of course, it suited my convenience and inclination at the time.

As I have said, the affair had been most intelligently handled from the first. There had not been enough of my canvases comfortably to fill the wing of the big New South Wales Government Museum and Art Gallery which was available for exhibitions, but my friends, rather than pull the show off at a less pretentious and worse lighted gallery, had added enough of their own pictures to relieve the coldness of otherwise blank walls. These were also South Sea marines—it was a straight seascape show throughout,—but more or less conventional in inspiration and execution. Benchley might have been painting marine backgrounds for an aquarium, so faithfully did he labour to reproduce every detail of jutting coral branches and floating seaweed. Crafts, on the other hand, had fallen early under the influence of Turner, and persisted in bulling the yellow ochre market by drenching his Great Barrier Reef seascapes with such a flood of golden light as was never seen save at the head of the Adriatic and now and then on the coasts of Tripoli and Algeria.

I would hardly characterize my own work as a compromise between these two extremes.... It was not that, though I was less of a slave to form than Benchley, and by no means so emancipated from it as Crafts. Rather, I should say, I was striving, independent of either classic or contemporary influence, to paint such depth, warmth and atmosphere into my tropical seascapes as would make them convey an intenser suggestion of reality. I did not expect water spaniels to pay me the subtle compliment of trying to gambol in my breakers, nor children to try to launch their toy sailboats in my lagoons.... Benchley's "colour photograph" effects were more likely to attain to those distinctions than my comparatively impressionistic sketches. What I was striving for was an effect that would compel some such comment as old Jackson had made the first time he stood off and conned my "Swells and Shells"—"Gawd bly'me, that's it! That water's wetter 'n a swept deck, an', s'elp me Mike, but I c'n bloomin' near sniff them bloody clams!"

Very naturally, then, since the sea was what I was painting, the impressions of anyone who didn't know the sea as intimately as did my beach-combing cronies of Kai wasn't going to worry me much. The opinions of men who knew less about the subject of my pictures, and more about how pictures in general were painted, didn't strike me as anything that counted very seriously. Nevertheless when, at Brisbane on the voyage south, I got the Sydney papers with the account of the opening of the show, it was a good deal of a satisfaction to find that my work appeared to have got over with the art critics. These had, of course (since they were denied Jackson's facility of expression), to confine themselves to the jargon of their kind. It was plain, however, that they had been favourably impressed, and were doing the best they could with their comparatively restricted vocabularies. Mere city dwellers, too, most of them, one had to allow for their limited capacity of appreciation for something—the sea—which they knew only from other pictures. But even allowing for that, it was reassuring to find that they were coming across so whole-heartedly. Such capsules of praise as they had in stock were scattered with lavish hands for whoso would to swallow. "The soul of the sea palpitates through every canvas," said the Herald; "you leave the gallery with the tang of blown brine fresh in your nostrils," said the Telegraph; "Australia is honoured with having the first chance to see this brilliantly distinctive work," said the illustrated Australasian, and promised four full pages of reproductions of the "gems of the collection" in its next issue. The young lady (I judged she was young) who was on the job for the Melbourne Age gushed breathlessly for a column and a half. This was a sample: "In 'Mother-of-Pearl' he has woven with a warp of sunbeams and a woof of rainbow—a shimmering brocade of exultantly sentient brightness!" Capsules of praise, every one of these; but they were from the top shelf beyond a doubt, and the fact that they had been reached for indicated that at least something of my message had dribbled over the frames.

The Bulletin had done rather better than the others in commissioning for the occasion an "art critic" who (as transpired in the course of his half-page article) had sailed his own sixty-footer to Auckland and back. He, at least, had met the sea on more intimate terms than was possible through Sunday mixed-bathing at Coogee and Manley (with occasional ferryboat passages, about the limit the others had gone, I reckoned). Said he, in speaking of "The Seventh Son of a Seventh Son": "The beat of the eternal sea was behind every slash of the brush with which this Franco-American wizard of light and colour painted that rolling mountain of water. I felt my fingers involuntarily clutching at the spokes of the wheel to bring her up to meet the menace of that curling crest. I forgot where I was ... I almost felt the heave of a deck beneath my feet...."

I rather liked that, I must confess; though perhaps it didn't give me quite the double-barrelled thrill of "Heifer" Halligan's comment when I sent for him to pass judgment on that same picture before the paint of my finishing touches upon it was dry. A month before, as I have already mentioned, I had given the "Heifer" a pretty severe pummelling with the four-ounce gloves, and, like the good sport he was, to show that there was no hard feeling on the score of his battered optics, he had volunteered to sail me in his sloop to Tuka-tuva (the reef on which Bell lost the Flying Scud, it may be recalled) so that I could make some close-range studies of hard-running waves at the point of breaking. And, just to show that there was no hard feeling on my part over the wallop below my belt with which the "Heifer" had finally brought the bout to a close, I accepted. The studies had been made—just a few slashes on oil-cloth with a rather useful waterproof paint I had mixed specially for "sloppy" stunts like that—with my shivering anatomy lashed to the Wet-Eyed Susy's bowsprit, while the "Heifer" tacked back and forth just beyond the line where the pull of the shoaling reef, dragging at their bases, let the green-black tops of the combers tumble over in a thunderous roar. As he was really taking a good deal of a chance of losing his handy little pearler, if nothing else, it was only right that the "Heifer's" request for a first look-see at the completed picture should have the call.

He studied it in silence for a minute or two, legs wide apart and his bullet head cocked judicially to one side. Then his fine teeth were bared in a broad grin and he vented a throaty chuckle of amused admiration. Said he: "Mister Whitney, that hulkin' ol' lalapalooser there looks like he has all the kick behint him of that bally wallop on the solar plexus you floored me with the other day." Not even the Sydney Bulletin's dilletante yachtsman could do quite as well as that—from my standpoint, at least. But of course I had a weakness for the Kai viewpoint.

The Exhibition had been opened early in the week—the usual affair of the kind, "Under the Patronage and in the Presence of His Excellency, the Governor General and Lady X——," and a long list of specially invited guests. Amiable old Lord X—— had made one of the happy little speeches for which he was famous. Then they had all had tea and a look at the pictures. This inevitable formal session out of the way, the show was opened to the general public. Under the stimulus of the astonishingly enthusiastic press, the public had come through beyond all expectations. For the next three days the crush at the gallery was, as the Bulletin had it, like a "bargain day rush at Morden's." On Friday, it was advertised, Sir Joseph Preston, R.A., a very distinguished English artist visiting in Australia, had consented to speak at the Exhibition on "The Painter with the New Method and the New Message." This was the day of my arrival in Sydney. It did not occur to me at first just who the subject of the discourse was to be. When it finally came home to me, I began speeding up my transformation process at once. By dint of rushed valeting and dressing, I just managed to reach the gallery as Sir Joseph was getting under way.

I won't endeavour to set down his speech, not even in outline. It was highly complimentary from first to last—and not even condescending, which was as surprising as pleasing when one considered how lofty an eminence Sir Joseph occupied in the art world. One thing I was just a bit disappointed about, though, was that the speaker seemed to assume that the pictures on exhibition represented my ultimate expression, the best I could do, or could be expected to do; whereas I knew that I had hardly got my foot well planted on the first rung of the ladder. I regretted without resenting this. I hadn't painted my hopes and ambitions into the pictures, so how was Sir Joseph Preston, more than anybody else, to see what I was driving at? I rather wanted to tell him about it, though. I hadn't talked with an artist of the old boy's calibre since I was in Paris, and not often there.

I was just screwing up my nerve to push in and introduce myself, when Benchley pounced upon me with a joyous whoop and did the thing as a matter of course. Totally oblivious of the widening circle of wondering cackle that arose as the news of my unexpected, and not undramatic, appearance spread outward through the jam, I held forth to the beaming Royal Academician on the things that had been passing through my mind. The great man fired as though he had been of tow and my words—my ideas—were a torch laid to the inflammable mass of him.

"Magnificent! Perfectly ripping!" he exclaimed with enthusiasm; "but what a shame I didn't know that ten minutes ago so that I could have told them! By Jove, I'll tell them now! Better yet—jolly good idea; you tell them. Just the things you've been telling me."

Benchley, Crafts and my other sponsors descended upon me like a pack of hounds at those words, and the first thing I knew I had been hustled up onto their little dais, and Sir Joseph was introducing me as "a gentleman who can make a few pertinent additions to my late remarks."

I hadn't been called upon for a speech since I won the middle-weight boxing championship of Harvard in my Junior year, and speaking was by no means my long suit even in those days. I bucked up and went through it now though, just as I did on that first occasion. It's no very difficult thing to get away with when you know what you want to say—and have the crowd with you. I spoke briefly, but very earnestly—very much to the point, too, I think. When the crowd had quieted down a bit, tea was served. The next morning, when I read the papers in bed, it was to discover that I had become a fully fledged—or perhaps maned is the proper word—lion.

In one of those same papers there was an interesting item of news about another lion. The special representative the Herald had rushed to Townsville immediately the news of the Cora Andrews affair had been received, wired that the Hon. Hartley Allen, replying from the Quarantine Station to a note the correspondent had addressed him there, announced definitely that it was his intention to pay a visit to his old home town of Sydney. He would leave by the first steamer sailing after the doctors had certified him free of the danger of plague infection.

That was good news. The best I could have hoped for. It confirmed my growing belief that I was not going to have to do much, if any, seeking in order to meet my man. And it was a hundred to one that the doctor with whom I had talked on the Utupua had told Allen of the conversation as soon as the latter came out of his long sleep, I was even inclined to the opinion that his decision to go south as soon as he could had been influenced by a desire to find out once and for all what attitude I was going to take toward him. This was all to the good. There was no need of my hurrying back to Townsville now. I could stay in Sydney and enjoy my triumph while watching that of the Hon. Hartley Allen develop. With a lighter heart than I had known since the rumble of the Cora's anchor chain awakened me on that day of hateful memory in Kai, I tumbled out of bed, took a cold bath, and went down to the dining-room for breakfast—the greatest burst of early matutinal energy I had shown in years.

The avidity of the interest of the public in the Hon. Hartley Allen increased day by day as the time approached for the hero to come south. All of the important papers had special men on the job in Townsville, and every scrap of news bearing the least relation to the man of the hour was instantly put on the wires and rushed into print. Save for that one announcement that he intended visiting Sydney, Allen himself gave out nothing. The correspondents had to confine themselves to reports of his continued improvement in health, as passed out to them by the doctors, and to speculation—columns of it—as to what effect Allen's return might be expected to have upon racing. His elder brother—Sir James, who was now in England—had allowed Hartley's stable to run down a good deal after the latter had been shipped off to the Islands. There were a few good horses left after the best of the string had been sold to pay off debts, and these would form a nucleus which could not fail to develop quickly into a factor to be reckoned with in the meets of next season. There was no limit to the discussion of this phase of the affair, Melbourne and Sydney racing experts devoting even more space to it than the special men in Townsville.

Of the story of the Cora Andrews there was nothing new whatever being brought out. If Allen was telling the doctors at the Quarantine Station anything, it must have been in confidence, for these professed to have learned nothing further every time the correspondents pressed them for details. The schooner herself, it was reported, had broken from her mooring during a gale and been driven upon the beach of Cleveland Bay, some miles from the town. A hole had been stove in her bow and it would be impossible to get her off before considerable repairs were carried out. As she had not been disinfected since the removal of the plague victims, there would probably be some delay about the repairs, especially as the question of her ownership was in doubt. She had belonged to the man who sailed her in the labour-recruiting trade, and he was dead. So was the Skipper who had taken her over in the Louisiades. It looked like the Hon. Hartley Allen had the most valid claim to her, but that was a matter to be adjusted by the courts in any event. In the meantime, the schooner, as she was lying in fairly quiet water, was probably safe until the next gale. Thus the papers.

When Allen finally came out of quarantine it transpired that he would have a wait of three days on his hands before there was a steamer departing for the south. The delay was unavoidable, although an enthusiastic Sydney paper had suggested that the Admiral commanding the Australian Naval Station should detach a gunboat to bring the hero home. Allen, it appeared, had actually tried to avoid meeting the newspaper men, and consented to do so finally only on the condition that he would not be expected to give out anything in the way of an interview in respect to his past, present or future. As they had no alternative in the matter, the correspondents accepted the ultimatum, but only—as most of them confessed—in the hope of getting it modified when action was joined. They were doomed to disappointment.

Allen received them on the veranda of a house that had been put at his disposal by a prominent local shipping man—a detached bungalow in the grounds of the latter's home on the outskirts of the town. They reported him looking rather soft—a good two stone heavier than his former riding weight. He was heavily browned from the tropical sun, showed a tinge of yellow—doubtless from malaria and dengue,—and his face was deeply lined about the eyes and mouth. He looked to have aged rather more than the five years of his absence: but life in the Islands was hardly the rest cure most Australians fancied it. No, not by a long shot.

Except for his refusal to tell anything whatever of the story of how he had brought the plague ship through the Great Barrier Reef, Allen had been very courteous and agreeable to the pressmen. They all agreed that he was in good fettle—quite full of beans. Indeed, it was Allen who did all of the interviewing. Persistently refusing to answer any questions about himself, he was avid of interest concerning all that had happened in the racing world during his absence. What were the real facts behind the breakdown of the Colchester filly after she had won the Victoria National so handily? Who was that colt Ballarat Boy out of?—the one that had upset all the dope in the spring meet at Adelaide. Were Tod Sloan and Skeets Martin still piling up wins in England? What was the secret of their success? Was there any chance of these or any other of the Yank jockeys coming to Australia?

Answering such questions as these for an hour was the way that bunch of high-salaried feature writers interviewed the Hon. Hartley Allen. And when, as one of them put it in somewhat mixed simile, they were "pumped dry as a last year's dope sheet," the hero announced that the interview was over.

Disappointed in their endeavours to pry any pearls from the oyster into which Allen (for reasons best known to himself) had metamorphosed himself, the correspondents made the best of a bad job by playing up the modesty of the man they had been sent a thousand miles or so to interview. Modest was an adjective that—in the light of what most of them knew of Allen's past—it hadn't occurred to any of them to use before. Now, however, they made up for lost time. The modest hero did this, or the modest hero said that.... There was modesty in the way he stroked his chin, in the shrug of his shoulders, in the way he crossed and uncrossed his legs when sitting. His habit of looking sideways when speaking was rated as a sign of modesty; so was the trick of stroking his cheroot between thumb and forefinger as he smoked. Modesthero—those words became permanently wedded in my mind during the week that I was reading leaders written with them for an inspiration, the report of sermons preached with them as a text. I cannot hear the one of them to this day without thinking of the other. Modest hero! In the estimation of the public "Slant" Allen, whom I had always thought of as the most egotistic man I had ever known, remained that to the—until public estimation ceased to interest him.

There was one little item of news telegraphed from Townsville which I read with a good deal of grim amusement. The day before his departure Allen was given some kind of a send-off in the Town Hall. As he was riding down the main street on his way to this affair, a man ducked under the rope holding the crowd back at the curb, rushed at the open carriage and aimed a blow at the breast of the hero with a knife. No whit perturbed, the latter had coolly deflected the thrust by striking up the assailant's elbow with his left hand. Then, seizing the ruffian's wrist with his right hand, he had brought it sharply down on the edge of the carriage door, shattering the bones and causing the knife to fall from the relaxed fingers to the pavement. Infuriated by the dastardly attack, the crowd had set upon the would-be assassin, who was only saved from being mauled to death through the interference of none other than Allen himself.

The correspondents were much impressed, not only by the behaviour of the generous-hearted hero in intervening to save the life of the man who had just tried to take his own, but also—and especially—by a curious little circumstance in connection therewith. It was observed, in short, that, while Allen had defended his own body most effectually with his bare hands, as soon as he saw that the man who had attacked him was on the verge of being killed by a bloody-minded mob, quite beyond police control, he whipped out a revolver and used the menace of it to clear a space around the trampled body of his late assailant. The correspondents all thought that was rather fine; indeed, I was inclined to think so myself.

Allen had flatly refused to lodge a complaint against the man who had tried so desperately to knife him, and even declined to help the police in their attempt to identify the fellow. "Just an old Island affair, the big-hearted hero had explained with a careless laugh, as he turned on his way to receive the Golden Key symbolizing the Freedom of the Queen City of Northern Queensland." That was the way the Herald man had it.

At the Police Station the prisoner was recognized at once as a man named Saunders, who had been convicted of a series of bullion robberies in the Kalgoorlie gold fields of Western Australia some years previously. Because of his diabolical practice of throwing red pepper and vitriol to blind his victims, he had gained the sobriquet of "The Squid." He had escaped after serving but eighteen months of his twenty-five-year sentence and made his way across the "Never-Never" to Port Darwin, where all trace of him was lost for the time. He was supposed to have slipped away to the Islands. This was confirmed a few months later, when a boatload of out-bound placer miners were held up and robbed of the fruits of their season's work in the Fly gold fields of New Guinea. Even if one of them, who had once been in Western Australia, had not identified Saunders, the fact that a jar of sulphuric acid had been thrown into the midst of the miners would have connected "The Squid" with the crime beyond a doubt. Australia had but fragmentary record of his later crimes, but he was known to have been mixed up in a number of pearl robberies in and about Thursday Island. He had continued to practise his vitriol-throwing trick (varying it occasionally with a fiendishly original stunt with some native concoction), and was still known as "The Squid." How long he had been lying low in Australia, or why he ventured there, he refused to tell; neither would he offer any explanation of his savage attack upon the hero of the hour. All he had said in the latter connection was: "'Slant' 'll twig why I took a flyer at returning the pig-sticker to him—it was his onct."

I understood at once that the root of "The Squid's" grudge against Allen struck back to that affair of the old pearl pirate's missionary-reared daughter—a copper-haired, ivory-browed Amazon of a girl who had become one of the most consummate sirens in the pearleries after a three-months trip with "Slant" to Singapore had broken her in. Amazing story the whole thing, from its beginning with the girl's mother—a teacher in the Gospel Propaganda Society's school at Thursday Island who had fallen afoul of one of "The Squid's" tentacles long before his conviction—to its ghastly finish, when the girl herself settled her accumulated account against all mankind with the body and soul of one—a hot-headed lump of a young missionary just out from London.

According to the version current in Kai, Allen had not been greatly to blame in the affair with the temperamental rack of bones and red braids that the girl was when she burst upon the Islands from the Auckland convent; but "The Squid" evidently felt that the man who had set the snowball (not a very apt metaphor, for I never heard the girl compared to anything so frigid) rolling was the one to settle with. I had heard of three or four rather ingeniously thought-out attempts he had made to square the account, all of which, however, had failed as a consequence of Allen's quickness of wit and hand in sudden emergency. The knife figuring in the Townsville attack, it occurred to me, was probably the one the resourceful "Slant" had put through "The Squid's" shoulder at twenty paces a fraction of a second before the latter had delivered a flask of red pepper from his upraised hand.

I also thought I understood why Allen had bluntly refused to make any explanation of the attack. A veritable Turk in his relations with women, that Island Lothario had also the Turk's dislike for discussing his women in public. When sober, Allen rarely if ever boasted about anything. When very drunk, he would occasionally toot a horn anent his racing wins; and once, when he was all but swamped—awash to the rails with "Three Star"—I had heard him give a maudlin monologue on men he had put away. But I—and no one else, so far as I knew—had ever heard him talk of the girls he had bagged, though the Lord knows there had been enough of them. (The nearest he ever came to it was in that little joke of his I have mentioned—the one about having "a son and a saddle in every island group in the South Pacific,"—and that was only a sort of delicate implication.) His close-mouthedness about women was one of a number of little things I couldn't help but liking in the rascal.

Since Allen and Saunders would not talk, and since the knife that figured in the affair—a heavy dirk, with a shark's hide handle and the mark of a Lisbon cutlerer on the blade—could not talk, the ever-baffled Townsville correspondents had been able to gather practically nothing about what their journalistic noses told them was a red-hot human interest story. Blocked on that trail, they devoted a lot of space to a discussion of the interesting revelation of the hero's Island nickname. More or less ingenious theories as to "Why 'Slant'?" filled the columns of the papers for a number of days. None of them was within a mile of the mark. One of the correspondents fancied the name had been given Allen because of his "aquilinity, his wiry slenderness, so that he clove the air like a slant of sunbeams as he rode." Another writer was sure the name was suggested by the hero's peculiar crouching seat—the slant of his back as he urged on his mount. They were quite incapable of going beyond Allen's physical characteristics, or of visualizing him save on horseback.

That added another little item to the list of things I could have enlightened the press and the public on about "Slant" Allen, and, in this particular instance, I wouldn't have minded passing on the facts at once. Indeed, I made rather a hit at a Government House luncheon one day by telling how the nearing hero (he was expected to be landing at Brisbane on the morrow) had qualified for his queer nickname. Jackson, who was responsible for the title, had confided to me how he came to bestow it. There was no story behind it, as some of the papers had hinted. Old "Jack," after having known Allen pretty intimately for a couple of years, came to the conclusion one day that the lanky Sydney-sider was the first man he ever met who persistently and consistently kept him guessing. Given a situation, and the foxy old highwayman had discovered that he could usually tell in advance how any given man would be likely to meet it. It was after he had guessed wrong about Allen some dozens of times, without once guessing right, that Jackson made up his mind that there was no forecasting the "slant of his course from the slant of the breeze." And because something in the mellifluous sound of the word struck pleasantly on the trader's ear, he began applying the name to the man who had inspired it. "No re'l reason for it," he explained; "but it sure do seem to fit 'im like a new copper bottom does a schooner."

The Governor General's Aide-de-camp, who was something of a follower of the ponies, confirmed Jackson's opinion and the fitness of the sobriquet. Said the gaily uniformed "Galloper": "The great secret of Allen's astonishing success as a point-to-point rider was his amazing faculty for bringing off the unexpected. Once, at Launceston, I saw him win on a hundred-to-one shot (how he happened to be riding the skate I don't know) by deliberately bolting the course and putting his mount full tilt through a thorn thicket. He was in tenth place, with a mile to go when he did it, and he won the race by a dozen lengths—his own and the waler's hide in tatters.

"Another unexpected win of Allen's," he continued with the wry grin of a man who speaks of dearly bought experience, "was that 'Totalisator' coup of his at Adelaide. His pals got in on the 'Tote' somehow, and—" A warning cough from Lord X—— checked the loquacious "Galloper's" tongue in mid-flight, and, with reddening gill, he faded away with: "Sorry, sir, but I forgot it isn't quite—quite the thing to remember that little chapter of Hartley Allen's past. Quite right, really. My mistake. Dead sorry, sir...."

There was no doubt that Allen was going to have a clean-scored slate to begin writing anew on. I was thinking of that, and "Why 'Slant'?", as I walked back to the hotel an hour later. "No forecasting the slant of his course from the slant of the breeze!"... "Faculty for bringing off the unexpected." I hoped that he wasn't going to disappoint me in the matter of bringing things to a showdown on his arrival in Sydney. But no.... My every instinct told me that he would not side-step that. So I made all preparations properly to receive "Slant" Allen, and, on the day of his triumphant home-coming, was waiting for him in my room at the Australia, as I have already told.


CHAPTER XI
A HERO'S HOMECOMING

It was two o'clock when I began powdering and screening the yellow-hued inner lining of my sea shells. Subconsciously, I must have set three in my mind as the time my caller would come, for it was not until that hour that I ceased my absorbingly interesting labours and looked at my watch. So far as I can recall, I felt no concern one way or the other. I simply noted that the hour had gone by without bringing my expected visitor, and went back to my work.

As a matter of fact, having just made a most gratifying discovery, I was rather glad that the interruption had not come. I had isolated a new and wonderful colour—a dark coppery gold that I had yearned for every time I saw sunlight filtering through brine onto the gently undulating leaves of reef-rooted kelp. Now I had it; and it was not an accident—I could do it again. By standing on edge a fragment of one of the big bivalves I was experimenting with, I discovered that a sharp blow with the side of my pestle caused the thinnest of chips to fly from its enamel-like lining. These, glassily translucent as they fell, when reduced in the mortar gave a warm, almost glowing powder of exactly the hue I sought. Now if I could only devise a way of mixing it effectively....

So well were my innermost faculties set to respond to that expected knock, that, when it came, not even the mazes of exultant speculation in which my discovery had set my brain—my outward wits—to wandering, prevented instant ganglionic reaction. I didn't have to think. That had all been done an hour before, and the necessary orders given. At the alarm, these had only to be carried out as prearranged. My legs and arms simply obeyed the directions that had been registered for them in some convenient little nerve-knots strung along my spinal column. That carried me, stepping softly, out of the bathroom, through the bedroom, and past the middle of the sitting-room, well beyond the direct line of vision of anyone opening the door from the hall. It was a position from which I must see anyone coming in before he was able to locate me. The rest of the order—carried out simultaneously—had to do with laying the pestle lightly on the bathroom table and thrusting the hand that had been wielding it deep into the right-hand pocket of my old shooting jacket.

In the second or two that it had taken me to reach the middle of the sitting-room from the bathroom, my wits had relinquished their rainbow dreams and were back on their workaday job. They it was which, now the limit of ganglionic action had been reached, stepped in and took command. It was not from nervousness that I swallowed once and flashed my tongue across my lips before speaking. I only wanted to be sure my voice was as firm as I knew the resolution directing it to be. Speaking sharply, but in a tone not above the ordinary, I said: "Come in, Allen!"

Among the several little surprises in store for me in the course of the next few minutes, not the least came when the man on the other side of the door coughed and cleared his throat as his hand began to turn the knob. I was just telling myself that such palpable symptoms of nervousness were very unlike "Slant" Allen to display, when the door swung inwards and "Slant" Allen stepped into the room. Allen, but not the Allen I had known. Absolutely nerved to readiness as I was, the contrast of this flushed, slightly embarrassed, almost diffident young chap and the ruthless, cold-blooded badman I had made every preparation—physical and mental—to meet came nigh to taking me aback. It was like clambering up out of a companionway, all set for a hurricane sweeping the deck—and finding it calm. For an instant my jaw must have come near to sagging in the amazement that swept over me. I pulled myself together quickly, though, and if Allen noticed my momentary lapse, he gave no sign of it.

He was the first to speak. "So you were expecting me?" he said, but not as though greatly surprised.

"Ra-ther," I replied with emphasis. "Look at this!" and I pulled out the revolver from my right-hand pocket, released the hair-trigger adjustment, slid the safety-catch, and laid it on the table by the window. I would not have been guilty of such an obvious act of bravado had not my preternaturally acute senses told me that, so far as Allen was concerned at least, there was not going to be any occasion to use the weapon. That feeling persisted even when, as Allen turned slightly in the act of closing the door, I noticed a very perceptible bulge where the flimsy corner of his pongee coat swept his lean right flank. The instant he entered the room I knew that, whatever motives had brought him there, the intention of trying to kill me was not among them. Scarcely less strong were my doubts that I would be able to establish any valid grounds for killing him. My old sneaking liking for certain things about the debonair rascal was not dead.

He grinned appreciatively at the sight of the gun, and then, with a perfunctory "You don't mind, do you?" stepped over and picked it up. I watched him without misgivings, my mind still busy adjusting itself to the new aspect.

"Was that the toy you used the day you put a bullet hole through the crown of my new hundred-dollar Payta hat?" he asked, fingering the exquisitely turned barrel admiringly. "My own fault, of course. I egged you on by expressing some doubts of your ability to do it from your jacket pocket. This looks like ..."

"Same gun—same jacket—new pocket," I cut in laconically; adding: "I was prepared to repeat the operation just now—with about half a finger less elevation on the muzzle."

It was the real old Allen grin that opened out as the significance of those concluding words sunk home. Not the mocking smirk which had curled his lips so much of the time, but a good, broad, healthy grin that betokened genuine inward enjoyment. The fellow—I had remarked it before—had a really keen and inclusive sense of humour—even inclusive enough to permit his hearty participation in a laugh that was on himself. But that irritating sneer (which had died on his lips as a full realization of Bell's bigness in giving him his choice of going on the Cora or remaining at Kai came to him)—that sneer, with the amused contempt for all the world it connoted, did not reappear. Indeed, I am not sure that I ever saw it again. Had there been some inward change in the man to dry up the fount of contempt from which that ironic smirk rose to his lips? I wasn't clear on that point yet: but certainly he had been profoundly shaken—deeply stirred.

Save for that expansive grin of real amusement, Allen made no comment on my implication that I had been waiting to send a bullet—a few inches below the crown of his hat. "Sweetest balanced little piece of light artillery I ever trained," he remarked inconsequentially, holding the revolver at arm's length and squinting along the sights to where his reversed image menaced back from the depths of a full-length mirror. He really admired the little gun—I could see that by the way his fist closed on the checked vulcanite grip, by the caressing touch of his forefinger on the locked trigger.

"Made to order by the S. and W. people for my father," I explained, trying to fall in with his mood as far as I could. If he had come to talk about revolvers—well, who in Australia knew more about them than I did? I continued:

"There's two or three of the Governor's own little gadgets on it, and one or two I had added myself. The one that I like best is that safety-catch.... Stranger can't release it till he's been shown how. You never can tell who may be picking up a gun that's left lying around, you know. You'll have to admit it would be doubly painful for a man to be plunked with his own revolver."

I couldn't for the life of me have refrained from that last little sally, and Allen seemed to enjoy it as much as I did. His broadened grin showed an extra tooth or two at each end as he relaxed his extended arm. "I haven't the least intention of trying to impose that indignity on you," he laughed. "Besides, you needn't fear that the significance of that sag in your left-hand pocket has been lost on me. Had me covered from there all the time, didn't you?"

"As a matter of fact, I had," I replied, beginning to grin myself; "but this confounded sawed-off Mauser automatic has an upkick that makes anything like delicate work quite out of the question. I could wing you with it from there, no doubt; but the job wouldn't be a pretty one—nothing that I could take any pride in."

I laid the stubby automatic on the table where the other weapon had been, saying that I always did hate the drag of a gun in my pocket. Then, letting my glance wander to the bulge on Allen's right hip, I added pointedly: "... especially when I can't see any immediate use ahead for it."

Either missing the point of that gentle hint, or else ignoring it completely, Allen went on playing with the little S. & W. Breaking it gently with practised hand, he studied with bent head the smooth, easy action of the automatic ejector. Just a bit more of a bend, and the six cartridges slid noiselessly forth and fell into his hand. He commenced shoving them back, one by one. It was the last, or the next to the last, of the greasy cylinders that slipped from his fingers, struck the floor and rolled under the table. I remarked with admiration the magnificent swell of the flexed saddle muscles as the thin pongee tightened over the bent thighs; the narrow hips, the lean, powerful back, the—

"Good God!"

The voice, hoarse with awe and surprise, was mine; but my own mother would hardly have recognized it. For an instant my quaking knees almost let me collapse to the floor; then my faltering inward control stiffened and clapped the brakes on my skidding nerves. By the time Allen, startled by my sudden exclamation, straightened up from his scramble after the still unretrieved cartridge, I had myself fully in hand again. I could not be sure whether his flush and quick breathing were from surprise or the stooping posture in which he had been.

"Did you speak, Whitney?" he asked, after running his eyes over the room and assuring himself that no one had entered. I held his eyes with my own till I was sure my voice was steadied. When I spoke, it was deliberately and evenly. "So Rona came back," I said.

The train of lightning mental processes by which I had arrived at that astonishing conclusion had not much of an edge on Allen's quick comprehension of what had started that train going. For only the briefest instant his eyes were blank with surprise. Then, with a look of complete understanding, he clapped a hand to the side of his neck and began smoothing straight the limp collar of his soft silk shirt. The ghost of what would have been a sheepish grin flickered up and died away, and to his face came something of that half-embarrassed, half-eager look that had sat upon it when he entered the room, as he said: "Yes, Rona has come back. That was one of the things I came to see you about. She—we—the both of us have a bit of a favour to ask of you."

Quite the master of myself now (and of the situation, too, I thought), I came back banteringly with: "If it's that red, white and blue neck of yours you want tied up, I have one of B. and W.'s little First Aid cases in my bag...."

It was the shockingly torn and bruised neck that had been revealed when Allen's collar had slipped back as he stooped to recover the rolling cartridge that set my swift train of thought going. This must have been something of the order of it, but electrically rapid of action: Lacerated neck—old Chinaman at Ponape whose neck was scratched when Rona ran away from him—Rona a specialist in neck-scratching—probably scratched Allen's neck (Question—Was it done in the course of one of the attacks she was known to have made upon him on the Cora?)—Could not have been done on the Cora, as they had left her over two weeks ago and these half-healed scratches were not over five or six days old.—Hence, Rona had scratched Allen's neck inside of the last week, and, therefore, could not have drowned herself in Ross Creek a fortnight ago. Conclusion—Rona has come back.

It had taken not over a second or two for my quickened mind to run that devious course, and Allen's must have covered a good part of it in even less time. The wits of the both of us were keenly on edge. There could not but have been a fine display of sparks had he been in his wonted aggressive mood. But he had not come for fighting, physical or mental, it seemed. He had come to ask a favour—"for the both of us."

"For the both of us!" The significance lurking in those words had eluded me for a moment in the sudden adjustment my mind was called upon to make in coming to a realization of the fact that Rona—the lissome lovely Rona—was not dead—that the bright flame of her was unquenched after all. But: "a favour for the both of us!" A sudden chill checked and throttled the thrill that had started to flood my being. "A favour for both of us!" "So—Bell dead—'Slant' Allen takes the girl in the end!" I said to myself. Then, the echo of Kai's estimate of Allen's track strategy: "An easy starter but a hell of a finisher, 'Slant'. Don't worry about what he's doing when the starting flag drops; watch him head into the stretch." "... head into the stretch," I repeated to myself. "Then what about the finish? Is he already under the wire?"

These thoughts, like the train preceding them, must have flashed through my mind very quickly, for it was Allen's voice replying to my badinage about First Aid for his lacerated neck that brought me out of them.

"The neck's doing very well, thank you," he was saying, "considering that its windpipe was closed for all of sixty seconds, and that most of the hide was clawed off from it all the way round."

That was really very interesting intelligence, but my mind, deep in another channel, was quite incapable of compassing the significance of it for the moment.

"So you've landed the girl after all," I said woodenly, cursing myself inwardly for the gallery play that had left both guns beyond my reach. For of course he had deliberately put Bell out of the running—shouldered him in the stretch.... Reviving suspicions brought also a realization of what it was up to me to do, now that there was no longer doubt....

"That depends very largely upon you." Allen's quick reply cut short further conjecture.

"Depends upon me?" I interrupted incredulously. "What do you mean by that? Oh, I see. Now that you've put Bell out of the way, perhaps you think that I, as his closest friend, ought to—to distribute his estate, so to speak. If that is the way you figure it, let me tell you that all the distributing you can count on me for will take the form of spraying lead over your worthless hide. You won't mind handing me one of those guns, will you? I don't mind which."

It would have been sheer madness—straight suicide,—that outburst, had Allen been moved by the least desire to get me out of his way. I have never been quite able to make up my mind as to whether it was my instinctive feeling that he had no such desire that prompted me to take more leeway than prudence—nay, the commonest motive of self-preservation—would have dictated; or whether I simply lost my head—let my feelings get away with me. It may well have been the latter, for shocks had been crowding pretty thick, and it was hardly to be expected that the gears of my self-control wouldn't slip a cog now and then under the strain.

Allen's brows drew together in a black scowl for a brief space, and his eyes contracted and grew hard as steel. Then, slowly, the scowl smoothed out, leaving only a deep flush behind it. It was not replaced by his former look of anxious embarrassment, however. Rather his expression was one of a serious, controlled determination.

"That matter of my putting Captain Bell out of the way, as you choose to phrase it," he said sharply, "is one of the things I called to talk with you about. Since you've stated so plainly what you intend to do about it—assuming it's a fact,—perhaps it would be in order to take it up before—before the other matter. As for these pistols.... Since they're yours, help yourself to both of them." Stepping back from the table, well out of reach of the guns, he added: "But I'd rather appreciate it if you could see your way to refraining from using them until I'm through with what I've got to say; after that ..." (he gave his shoulders an indifferent shrug) "it's up to you. Do what you think best with them. I don't want them—neither one of them."

"Of course not," I sneered. "Quite naturally, you'd prefer to use your own. Quite right, too. Get it out of your hip-pocket while you've got a chance. That's a new chum's way of carrying a gun, anyhow. I'm just a bit surprised to see a practised killer like Mister 'Slant' Allen resorting to it. No chance in the world to make an even break of it with a man with a gun in his side-pocket. Tail of your coat's always getting mixed up with your fingers just when you want to use them."

Allen had braced himself after my first taunt came so near to getting him going, and this second one—galling as it must have been—hardly moved him. Only the faintest flutter of a corrugation between the brows told that another scowl had been repressed. The half-surprised tap he gave to the bulge on his hip—a gesture that would most certainly have drawn a shot from me had I had a gun in hand—suggested that he really had forgotten that there was anything there. I am positive that I could have grabbed a revolver from the table and beaten him to it on the draw. A move so naïve on the part of an old gunman convinced me, even before he had spoken a word, that I had let my feelings send me off at half-cock.

"I haven't a pistol in my hip-pocket," he said evenly. "Never did carry one there, and wouldn't be likely to begin it if I was going gunning for a specialist like you. You'll have to take my word for that. Yes, and since I'm going to ask you to take my word—my unsupported word—for a number of other things, it may be in order to try to make you believe that my word, when I give it to you straight, isn't quite—that it isn't on just the same plane with the rest of my doings."

I was just a bit surprised that he didn't take out whatever it was that created that bulge in his hip-pocket, but hardly reckoned it worth while mentioning. I was fully assured that, far from seeking trouble, it was the one thing he had steadfastly resolved to avoid. That was enough for the moment. He was also about to speak of the one thing I was interested in above all others—the doping of Bell. There was every reason why I should encourage him to speak of that. The matter of Rona would come up in due course. He evidently had something to say about her also.

"Sit down," I said, and extended my cigarette case.

He declined my fat gold-tipped Egyptians, heavily salted with kief (another accursed habit I had picked up in Paris), and lighted a slender Sumatra cheroot from his own case. It was not as a move of precaution (I was through with all pretence of that now) that I set the big lounging chair I shoved up for him so that he would sit facing the light. I merely wanted to watch his face. Yet even that was not necessary to satisfy me of his sincerity, at least for the moment. His every tone and gesture was sufficient proof of that.

"In the matter of the value of my word...." Allen was losing no time in getting to the point. "In the time you have spent mooching about the Islands, Whitney, you have doubtless heard me referred to by a good many hard names, such as pirate, murderer, thief, blackguard, jail-bird, crook, and so on without end. You've heard all of these, haven't you?"

"All, and many others," I assented readily. His frankness rather appealed to me just then.

"Quite right. Yet I dare say you didn't happen to hear the name of liar included among the number. If you did, it was used by some cove who had a grudge against me, and didn't care whether he stuck to facts or not. I don't mean that I haven't put over a lot of crooked deals in my time, nor that I haven't come out with a gratuitous falsehood now and then when it suited my purpose. I don't claim to be a George Washington. But I do mean just this: that when I have deliberately assured a man that a thing was, or was not so, I was giving him the dead straight of it to the best of my knowledge. And that's the way I'm speaking when I tell you that I haven't a revolver on me, and that that dope I slipped into Bell's whisky at Kai had nothing to do with his playing out on the voyage. As for the reason of that ..."

Allen frowned slightly and ceased speaking for a few seconds. When he resumed it was not to take up the thread where he had dropped it.

"I don't know whether you'll have difficulty in believing it or not, Whitney," he went on after a half-dozen puffs at his slow-burning cheroot; "but this is the first time since I was packed out of Australia five years ago that I've tried to explain to anyone anything I've said or done—tried to make out a case for myself. That was simply because I didn't give a damn whether anyone approved of it or not. The reason I am doing it now—well, there are two reasons."

He puffed quietly for a few moments again, as though gathering his thoughts. Then he continued: "The first reason is that I owe it to you for the consideration you showed in the matter of not telling them at Kai what an ass I'd made of myself. That was dead white, Whitney. I've got to give it you for that. No one but a thoroughbred could have held his tongue for five minutes about a thing like that, especially seeing you were under no obligations of any kind whatever to me. And, for all I can learn, you've held your tongue for a month. How do I know? Well, I know about Kai (the only ones I care much about anyway) through a letter Jackson got off to me from Samarai—after he'd delivered you over to old 'Choppy' Tancred to bring south. Got it the night before I left Townsville. It wasn't much of a literary effort, but he managed to say a few things that—things that I knew he wouldn't have said if you had given them the facts—all the facts about my departure in the Cora. As for Australia.... If you had been dishing up any inside dope in this nest of old women and busybodies, no fear that it wouldn't have come to me before this. I know them. Their tongues will waft gossip from Melbourne to Port Darwin quicker'n the telegraph. My word, don't I know them!"

Quickened puffs registered the bitterness of unpleasant memories as Allen fell silent for a brief interval. "I'm not fool enough to believe that you kept quiet here out of any regard for me," he went on presently. "That wouldn't be it, for you haven't any. I don't blame you. As a matter of fact, I don't seriously care what Australia thinks anyway. I'm through with them here for good and all. But the Islands are different. The rest of my life, such as it is, is going to be lived there, and the only men I have ever had any great respect for are living there now. So, whatever reason there was behind it, Whitney, I'm deeply grateful to you for not showing me up in Kai. It was dead white of you.—I say it again. I've thought of it a good many times since I got Jack's scrawl, and it was the first thing I intended to speak to you about today. Only, my slate got a bit upset. That little gun of yours deflected my thoughts, and then—but you saw how I got forced off on another tack.

"The other reason" (Allen hurried on as though anxious to avoid hearing any observations I might feel impelled to make on what he had just said) "why I am going to the trouble of trying to clear up your suspicions in the matter of Bell's death is because, if I don't, there will be no hope of your granting the request I have come to make of you—and I can't run any chances of failure with that.

"I didn't want to kill Bell, but—well, it seems that I was equal to playing a damn dirty trick to get him out of the way. I won't need to tell you why. I hate to drag the girl into it, but it can't be helped. She must have bewitched me, I'm afraid. Not intentionally. Quite to the contrary, she never gave me a look. I admired Bell—in spite of his rather standoffish way with me—as much as any man I ever met. That was the only reason I held myself in about the girl as long as I did. I don't know just what would have happened if the schooner hadn't come. Chances are, since I was getting pretty near the limit of my self-control, I would have blown off some other way.

"The opportunity which I saw to get rid of Bell in the schooner was too great a temptation to be resisted. So far as getting him clean away with the Cora was concerned, I have only my own hot-headedness to blame for failing. I was simply asking for trouble when I went prancing down to take over the girl before the schooner even had her hook broken out; and I found it. No more than I deserved, though."

Allen paused while the old humorous grin spread over his face for a moment. Then: "I trust you won't mind if I don't go into details about how I came to put my head into the noose," he said, still grinning. "It wasn't very edifying, you know—from my standpoint, I mean.

"But it would have made no difference even if Bell had got away, while the girl and I remained behind on the island. She wouldn't have had anything to do with me anyway—at any rate, not while she had any reason to hope that Bell was still alive,—and probably she would have knifed me at the first chance for the part I had in getting him away. She would have found the chance, too, let me tell you. That girl creates her own opportunities—there's no holding her once she takes the bit in her teeth. What she wants to do, that thing she does. And what she wants a man to do for her, that thing he does. She'll put through what she's after if she has to go through hell for it—and no minding whom she takes with her."

The queer unnerved look on Allen's face drew my first interruption. "So it's come to that?" was all I said.

"Yes, it's come to that," he assented, the seriousness of his eyes belying the whimsical smile on his lips. "But I'll be returning to that presently.

"About that dope I gave Bell," he went on—"it was absolutely harmless. I bought the stuff in Macassar a few months ago, more out of curiosity than anything else. The old Sultan at Ternate had told me about it, and I was just a bit interested in its effects. It was pretty concentrated, though not a hundredth of the strength of the essence from the same plant that Rona took it for—the deadly poison, which has the same pungent smell. It was a considerable overdose of the stuff I took one night that put me on to the fact that, after a short spell of rather pleasant mental stimulation, it would drug a man to sleep for an hour or two. Hardly any after-effects at all, except a deuce of a thirst for liquor for a few days. I had talked about it with Doc Wyndham two or three times, and am perfectly certain of what I tell you.

"It was the only stuff I could lay hands on that promised to do the trick. You see, I was afraid that if Bell wasn't drugged, he would become suspicious when I failed to return to the schooner, and come to look for me—perhaps even chuck up the stunt entirely. If he hadn't been pretty drunk (much the furthest along I ever saw him—probably on account of the beastly heat—you remember it?) he must have sniffed the half-dozen drops I put in his half-emptied glass of whisky while he was conning that old chart he had on the wall. It was a light dose (I've taken twice that much myself), and though he went under jolly fast—due to his being so far gone with whisky, probably—he was up and taking command of the schooner inside of an hour. And you'll remember how he was going right on ahead getting under way to catch the tide, even though I hadn't returned. The best nerves I ever saw in a man, bar none, that chap had. Will of iron and eyes for nothing but the thing he set out to do. There was a lot in common between him and the girl on that score. No wonder they were so strong for each other."

Allen fell silent again, stroking his cheroot between thumb and forefinger—the habit the correspondents had characterized as a sign of modesty. "I hope you won't insist on my telling any more about the voyage than I have to in connection with Bell's death," he said at last. "I hate to speak of it at all. The thing is almost as much of a nightmare in memory as it was in fact. You saw how things were on the schooner when we got away. Well, just picture them getting worse and worse day by day for—how long was it?—something over a week, I believe, but it seemed a lifetime. The whisky I kept bracing up with made it a lot easier for me to stand—kept me from going crazy and jumping overboard, as so many of the niggers did. But Bell—he didn't have the whisky—wouldn't have it. Yes, he kept up that mad joke of his about being a 'soba skippa' to the end. That was what killed him—just that, and nothing else. It was beyond a being of flesh and blood to do what he set himself out to do—and live. He tried to (my God, how he tried!)—and died.

"I never felt such pity for any living thing, unless it was old Recoil, my first steeplechaser, when he lived for twenty-four hours after staving in his chest against a stone wall. I was hardly more than a kid then. I lay in the straw of his box all that time with his battered, bleeding frame, and swore I'd kill the first man that tried to shoot him. Then I pulled myself together and did the humane job myself. But I couldn't shoot Bell, and he wouldn't shoot himself. That would have been the easy way out (since he had steeled his will against taking another drink), but he wouldn't follow that short-cut either. Said he was—how did he put it?—'goin' to ride the wata wagon all the way to po't, an' then fall off good and plenty.' Some Yankee expression about keeping strict teetotal, wasn't it?

"It got to me worse than the crazy niggers—watching the agony of his mind and body contorting the muscles of his face, as he tried to hide what he was going through. The girl was a good deal of help to him for the first day or two, and he admitted that he was glad she had decided to join his 'li'l' pa'ty at the last minnit.' But even she failed to create a diversion as his cravings for whisky became more and more intense, and he seemed to try to avoid her as much as he could toward the last—probably because he couldn't hide his suffering from her. I saw that it was killing him—that he would never last out the voyage on the course he was heading,—and tried hard to make him see that it was only reasonable to allow himself at least enough whisky to ease off the tension on his breaking nerves. But he wouldn't listen to it.

"'I gave it out official,' he said, 'that I was goin' to keep soba on my next ship, if I eva got one. An' soba's the wo'd.' To put an end to the matter, he turned his back on me and went for'ard among the niggers.

"After that I tried to explain to Rona (I had managed to get on speaking terms with her as soon as she became satisfied that Bell had not been poisoned) how things stood, in the hope that she would fall in with a plan I had for giving him small doses of whisky with the coffee he had taken to drinking with increasing frequency as the craving for liquor grew on him. She flew into a temper at once, however. Said that, far from helping me to give him whisky on the quiet, she would taste every cup of coffee after it was poured for him in the galley, and then take it to him herself. She ended by saying that if I tried that trick she would knife me with her own hands: in fact, rather regretted that she hadn't done it when she had a chance at Kai. I couldn't for the life of me see why the girl should take that attitude, when it was so plain that whisky was the only thing that would pull Bell through; but take it she did, and that was the end of it, at least as far as co-operation from her was concerned, I mean. That simply left it up to me to watch my chances and do the best I could on my own.

"Bell had insisted on standing watch-and-watch with me from the first, usually, in his own watch, taking the wheel himself, probably because it gave him something to occupy his mind—and his hands. (He was beginning to tear the skin of the palms of his hands from clenching and unclenching his fingers.) What broke him finally was discovering that he was no longer fit for a trick at the wheel. His eyes went bad rapidly under the strain, and it was not long before he could not distinguish the readings on the compass card. He told me about it at once, but was confident he could manage to hold a course by the stars. This went on all right as long as it was clear. But one night, when it was squally and overcast, he lost the 'Cross' (which had been giving him a shifting but fairly approximate bearing), and fell back on trying to keep her a couple of points off the wind. This would have done all right if the Trade had held from the southeast. But it hauled up to east in a squall, and Bell, following it around by the 'feel' of it on his face, had the schooner all but onto the Baluka Reef and shoal at daybreak. I let him extricate himself to save his feelings; but he knew that both the Bo'sun and I had twigged what had happened, and why, and it must have been the realization of the fact that he had become quite useless in navigating the ship that hastened the final collapse.

"He came on the following night for his watch—the 'graveyard,' from midnight to four in the morning,—but made no objection when I stuck on at the helm. We were closing the tangle of the Barrier Reef by then, you see, and it wouldn't have done to trust the wheel to a nigger. In fact, when I went on at eight the previous evening, it was practically the beginning of the thirty-six-hour trick at the wheel that ended when we anchored off Townsville.

"When Bell let me stay on at the wheel at midnight, he showed the first voluntary signs of giving in, not in the matter of closing his lips to whisky—nothing could affect his decision on that score,—but to the other alternative. I mean that he gave up hope of holding on till he had brought his ship to port—gave up hope of living to the end of the voyage. Up to that time he had always tried to pass the whole thing off as a sort of a joke, running on with patter like that about the 'wata wagon.' But he dropped all that from the moment I refused to give way to him at the wheel.

"'Youah quite right, Allen,' he said in a weary sort of voice, and went over and sat down on the rail of the cockpit. His voice was hollower still when he spoke again, maybe ten minutes later. 'Allen,' he croaked, 'I've got a hunch I'm not up to pullin' my weight in this heah schoona any longa. I'm all in—no mo'n so much ballast. Just a dead drag.'

"I didn't reply to that. I was too much awed—yes, awed—even to urge him again to take the drink I knew would be the saving of his mind—perhaps his life. He didn't speak again till after I roused him to prevent the main boom giving him a crack on the head as I put her about. (We were working through a nasty patch of broken coral—the outskirts of the Barrier—but scant seaway and fluky airs.) As he settled back on the weather rail of the cockpit he said, speaking very slow as though hard put to control his voice: 'Allen, I make it about two hundred miles to Townsville by youah noon position. Say thirty-six to forty hours' sailin', with the wind holdin' up. Do you reckon you an' Ranga—good man, Ranga—do you reckon you an' he ah up to pullin' it off alone? I'm—damn it all, I'm seem' hell-west-an'-crooked just as we hit the dirty navigatin' Allen, take my wud fo' it, this soba skippa stunt ain't all it's cracked up to be—not by a long shot. I'd rather ha' had the plague by a damn sight, Allen.'