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Hellenistic sculpture

Chapter 11: FOOTNOTES
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About This Book

A concise survey of sculpture from the Hellenistic period, organized by regional schools—Pergamon, Alexandria, Rhodes, mainland Greece—and a chapter on Greco‑Roman developments. It outlines stylistic shifts toward greater naturalism, expressive movement, dramatic composition, individualized portraiture and a widening range of subjects, and considers sculptural techniques and typologies through selected plates and museum examples. The narrative traces relationships between local workshops, major monuments and later Roman adaptation, while offering references and an appendix that gathers the author’s published work and sources for further study.

FOOTNOTES

1 N. H. xxxiv. 52.

2 Pliny, N. H. xxxvi. 24.

3 Collignon, Pergame, figure on p. 204; Brunn-Bruckmann, Denkmäler, Pl. 159.

4 N. H. xxxvi. 35.

5 Collignon, Sculpture grecque, ii, Fig. 302.

6 Collignon, Sculpture grecque, ii, Fig. 282.

7 Amelung, Antiken in Florenz, Pl. 14.

8 Ibid., p. 62.

9 Ibid., Pl. 17.

10 Annali dell’ Instituto, 1851, Pl. E.

11 Collignon, Sculpture grecque, ii. 546.

12 Seneca, Controv. x. 5.

13 Collignon, Pergame, figure on p. 206.

14 Amelung, Antiken in Florenz, p. 43.

15 Klein, Praxiteles, Fig. 35.

16 Furtwängler, Der Satyr aus Pergamon, 40es Programm zum Winckelmannsfeste, 1880.

17 Collignon, Sculpture grecque, ii, Fig. 318.

18 Bulle, Der schöne Mensch, Pl. 162.

19 Fig. 42.

20 Klein, Geschichte, iii. 57 ff.; Bienkowski, Darstellungen der Gallier.

21 E. Gardner, Handbook of Greek Sculpture, Fig. 129.

22 Ibid., Fig. 130.

23 Pliny, N. H. xxxiv. 84.

24 Catalogue du Musée du Caire, no. 27475.

25 Fraenkel, Inschriften von Pergamon, pp. 70–84.

26 Revelation ii. 13.

27 Klein, Geschichte, iii. 122 ff.

28 Die hell. Reliefbilder.

29 Roman Art.

30 Vid. inf., p. 29.

31 Collignon, Pergame, figure on p. 222.

32 Fig. 8.

33 Wiegand und Schrader, Priene, p. 366.

34 Cf. Wace, Annual of the British School at Athens, ix. 225, for summary of views; Röm. Mittheil. xix, Pfuhl, Zur alexand. Kunst, pp. 1 ff.

35 Fig. 6.

36 Fig. 25.

37 Amelung, Bull. Arch. Comm. xxv. 110.

38 Ausonia, iii. 117 (Amelung).

39 Wallis, Catalogue of Nemi Antiquities, no. 832.

40 Dieterich, Kleine Schriften, 1911, p. 440; Stuart Jones, Catalogue of the Museo Capitolino, p. 345.

41 Bulle, Der schöne Mensch, Pl. 187.

42 Stuart Jones, Catalogue of the Museo Capitolino, p. 344.

43 E. Gardner, op. cit., Fig. 144.

44 Lucian, Philops. 18.

45 Schrader, Marmorkopf eines Negers, plates, Winckelmannsfeste, 1900.

46 Brunn-Bruckmann, Denkmäler, Pl. 393.

47 Hekler, Greek and Roman Portraits, p. 113.

48 Reinach, Répertoire, i. 165.

49 Schreiber, Hell. Reliefbilder; Wickhoff, Roman Art.

50 Schreiber, op. cit., Pl. III.

51 Ibid., Pl. XII.

52 Ibid., Pl. 84.

53 Collignon, Sculpture grecque, ii, Fig. 354.

54 Stark, Niobe, p. 165.

55 E. Gardner, op. cit., Fig. 126.

56 Schreiber, op. cit., Pl. III.

57 Ibid., Pl. XI.

58 Brunn-Bruckmann, Denkmäler, Pl. 627 b.

59 E. Gardner, op. cit., Fig. 128; see below, p. 38.

60 Cedren, Hist. Comp. 306 B.

61 Ausstellung von Fundstücken aus Ephesos, figures on pp. 14 and 15.

62 Ibid., figure on p. 5.

63 E. Gardner, op. cit., Fig. 136.

64 N. H. xxxiv. 66.

65 N. H. xxxiv. 87.

66 Ibid. xxxiv. 73.

67 E. Gardner, op. cit., Fig. 128.

68 Annual of the British School at Athens, vol. xxi, Pl. I.

69 Ibid., Dickins, Followers of Praxiteles, p. 1.

70 E. Gardner, op. cit., Fig. 134.

71 Ibid., Fig. 135.

72 E. Gardner, op. cit., Fig. 136.

73 Reinach, Répertoire, ii. 555.

74 Brunn-Bruckmann, Denkmäler, Pl. 249.

75 E. Gardner, op. cit., Fig. 146.

76 Schreiber, Das Bildniss Alexanders, pp. 100 ff.

77 Archäol. Anzeiger, 1904, p. 212.

78 E. Gardner, op. cit., Fig. 127.

79 Helbig, Führer, no. 550.

80 Watzinger, Relief des Archelaos, 60tes Prog. zum Winckelmannsfeste.

81 Mendel, Catalogue des Musées Ottomans, pp. 320–8.

82 Annual of British School at Athens, vol. xxi, Pl. 1.

83 Fig. 31.

84 E. Gardner, op. cit., Fig. 122.

85 E. Gardner, op. cit., Fig. 135.

86 E. Gardner, op. cit., Fig. 134.

87 E. Gardner, op. cit., Fig. 145.

88 Furtwängler, Masterpieces, Pl. XV.

89 Fig. 26.

90 E. Gardner, op. cit., Fig. 115.

91 N. H. xxxiv. 80.

92 Klein, Geschichte, iii. 165.

93 Antike Sculpturen zu Berlin, no. 193.

94 Arndt-Brunn-Bruckmann, Texte, no. 578, Figs. 4 and 5.

95 Cf. my papers on Damophon in the Annual of the British School at Athens, vols. xii, xiii, xvii.

96 Annual of the British School at Athens, xvii. 81.

97 E. Gardner, op. cit., Fig. 142.

98 Furtwängler, Masterpieces, pp. 367 ff.

99 Vide p. 5, note 1.

100 Fig. 1.

101 Brunn-Bruckmann, Denkmäler, Pl. 299.

102 E. Gardner, op. cit., Fig. 148.

103 Ibid., Fig. 140.

104 Ibid., Fig. 141.

105 E. Gardner, op. cit., Fig. 147.

106 Sauer, Torso von Belvedere.

107 Pliny, N. H. xxxvi. 30.

108 Furtwängler, Ueber Statuenkopieen im Altertum, p. 545, Munich, 1896 (Abhandl. der K. Akademie).

109 Pliny, N.H. xxxvi. 33.

110 Klein, Geschichte der griech. Kunst, iii. 340.

111 E. Gardner, op. cit., Fig. 49.

112 Dickins, Catalogue of the Acropolis Museum, no. 698.

113 E. Gardner, op. cit., Fig. 151.

114 Brunn-Bruckmann, Denkmäler, Pl. 308.

115 Kekulé, Die Gruppe des Künstlers Menelaos; Brunn-Bruckmann, Denkmäler, Pl. 309.

116 Stuart Jones, Catalogue of the Museo Capitolino, p. 297.

117 E. Gardner, op. cit., Fig. 150.

118 Helbig, Führer, nos. 1290–6.

119 Hauser, Die Neu-Attischen Reliefs.

120 Brunn-Bruckmann, Denkmäler, Pl. 60.

121 Collignon, Sculpture grecque, ii, Fig. 345; Röm. Mittheil., 1888, Pl. 10.

122 Collignon, Sculpture grecque, ii, Fig. 340.

123 Helbig, Führer, nos. 975 and 970.

124 Studniczka, Ara Pacis; Petersen, Ara Pacis Augustae.

125 E. Strong, Roman Sculpture, Pl. XXXIV.

126 Monumenti, Supplemento, Pl. XXXIII-XXXVI.

127 Burlington Magazine, November 1908.

128 Annual of the British School, vols. xii, xiii, xvii.

129 Annual of the British School, xi.

130 J.H.S. xxvi.

131 J.H.S. xxxi.

132 J.H.S. xxxiv.

133 Published by the Cambridge University Press.

134 No. xxi, 1914–16.