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Hempfield: A Novel

Chapter 16: CHAPTER III
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About This Book

The narrator recollects life in a small town and his work in a local printing office, following a cast of young people—Anthy, Nort, Fergus, and their neighbors—through a series of warm, episodic incidents. Everyday details, childhood memories, and comic mishaps—including an explosion, a flying machine, neighborhood rivalries, celebrations, and a prodigal return—shape interpersonal misunderstandings, alliances, and reconciliations. Through scenes of friendship, budding affection, practical struggles at the paper, and small-town ceremonies, the narrative traces how ordinary events expose character, prompt personal growth, and bind the community together.

CHAPTER III

ANTHY

It is one of the strange things in our lives—interesting, too—what tricks our early memories play us. What castles in fairyland they build for us, what never-never ships they send to sea! To a single flaming incident imprinted upon our consciousness by the swift shutter of the soul of youth they add a little of that-which-we-have-heard-told, spice it with a bit of that-which-would-be-beautiful-if-it-could-have-happened, and throw in a rosy dream or two—and the compound, well warmed in the fecund soil of the childish imagination, becomes far more real and attractive to us than the drab incidents of our grown-up yesterdays.

Long afterward, when we had become much better acquainted, Anthy told me one day, very quietly, of the greatest memory of her childhood. It was of something that never could have happened at all; and yet, to Anthy, it was one of the treasured realities of her life, a memory to live by.

She was standing at the bedside of her mother. She remembered, she said, exactly how her mother looked—her delicate, girlish face, the big clear eyes, the wavy hair all loose on the pillow. They had just placed the child in her arms, and she was drawing the small bundle close up to her, and looking down at it, and crying. It was the crying that Anthy remembered the best of all.

And the child that Anthy saw so clearly was Anthy herself—and this was the only memory she ever had of her mother. That poor lady, perhaps a little tired of a world too big and harsh for her, and disappointed that her child was not a son whom she could name Anthony, after its father, tarried only a week after Anthy was born.

"You see," said Anthy, "I was intended to be a boy."

After that, Anthy remembered a little girl, a very lonely little girl, sitting at a certain place on the third step from the bottom of the stairs. There were curious urns filled with flowers on the wall paper, and her two friends, Richard and Rachel, came out of the wall near the dining-room door and looked through the stair spindles at her. Rachel had lovely curly hair and Richard wore shiny brass buttons on his jacket, and made faces. She used to whisper to them between the spindles, and whenever any one came they went back quickly through the wall. She liked Rachel better than Richard.

There was a time later when her hero was Ivanhoe—just the name, not the man in the book. She read a great deal there in the lonely house, and her taste in those years ran to the gloomy and mysterious. The early chapters of an old book called "Wuthering Heights" thrilled her with fascinated interest, and she delighted in "Peter Ibbetson." Sometimes she would take down the volume of Tennyson in her father's library and, if the light was low, read aloud:

I hate the dreadful hollow behind the little wood.

As she read, she would thrill with delicious horror.

Then she went away to school, not knowing in the least how much her father missed her; and when she came back, the home of her girlhood seemed dreadfully shabby, small, old-fashioned, and she did not like the iron deer on the lawn nor the cabinet of specimens in the corner of the parlour.

Anthy did not tell me all these things at one time, and some she never told me at all. They were the slow gatherings of many rich friendships in Hempfield, and a few things afterward came to me, inadvertently, from Nort. I shall venture often in this narrative to assume the omniscience of foreknowledge: for it is one of the beautiful things to me, as I write, that I can look at those early hard days in the printing-office through the golden haze of later events.

It was in the vacations from college that Anthy began really to know her father, who was, in his way, a rather remarkable man. Although I never knew him well personally, I remember seeing him often in the town roads during the latter years of his life. He was always in a hurry, always looked a little tired, always wore his winter hat too late in the spring, and his straw hat too late in the fall.

Anthy remembered her father as forever writing on bits of yellow paper: "John Gorman lost a valuable pig last Wednesday"; or "Mrs. Bertha Hopkins is visiting her daughter in Arnoville."

Anthy was secretly ashamed of this unending writing of local events, just as she was ashamed of the round bald spot on her father's head, and of the goloshes which he wore in winter. And yet, in some curious deep way—for love struggles in youth to harmonize the real with the ideal—these things of which she was ashamed gave her a sort of fierce pride in him, a tenderness for him, a wish to defend him. While she admired her handsome uncle, the Captain, it was her father whom she loved with all the devotion of her young soul.

He knew everybody, or nearly everybody, in the town, and treated every one, even his best friends, with a kind of ironical regard. He knew life well—all of it—and was rarely deceived by pretence or surprised by evil. Sometimes, I think, he armoured himself unnecessarily against goodness, lest he be deceived; but once having accepted a man, his loyalty was unswerving. He believed, as he often said, that the big things in life are the little things, and it was his idea of a country newspaper that it should be crowded with all the little things possible.

"What's the protective tariff or the Philippine question to Nat Halstead compared with the price of potatoes?" he would ask.

He was not at all proud, for if he could not get his pay for his newspaper in cash he would take a ham, or a cord of wood, a champion squash, or a packet of circus tickets. One of Anthy's early memories was of an odd assortment of shoes which he had accepted in settlement of an advertising account. They never quite fitted any one.

As he grew older he liked to talk with Anthy about his business, as though she were a partner; he liked especially to have her in the office helping him, and he was always ready with a whimsical or wise comment on the people of the town. He also enjoyed making sly jokes about his older brother, the Captain, and especially about the Captain's thundering editorials (which Anthy for a long time secretly admired, wishing her father had written them).

"Now, Anthy," he would say, "don't disturb your Uncle Newt; he's saving the nation," or "Pass this pamphlet along to your uncle; it will come in handy when he gets ready to regulate the railroads."

He was not an emotional man, at least to outward view; but once, on a Memorial Day, while the old soldiers were marching past the printing-office on their way to the cemetery, Anthy saw him standing by the window in his long apron, a composing stick in his hand, with the tears rolling unheeded down his face.

I think sometimes we do not yet appreciate the influence of that great burst of idealism, which was the Civil War, upon the lives of the men of that generation, nor the place which Lincoln played in moulding the characters of his time. Men who, even as boys, passed through the fire of that great time and learned to suffer with Lincoln, could never again be quite small. Although Anthy's father had not been a soldier—he was too young at the time—the most impressionable years of his boyhood were saturated with stories from the front, with the sight of soldiers marching forth to war, his own older brother, the Captain, among them, the sound of martial drums and fifes, and the heroic figures of wan and wounded men who returned with empty sleeves or missing legs. He never forgot the thrill that came with the news of Lincoln's assassination.

There was a portrait of Lincoln over the cases at the office, and another over the mantel in the dining-room—the one that played so important a part, afterward, in Anthy's life.

Sometimes, on a rainy Sunday afternoon, Anthy's father would get down a certain volume from the cases, and read Tom Taylor's tribute to the dead Lincoln. She could recall vividly the intonation of his voice as he read the lines, and she knew just where he would falter and have to clear his throat:

You lay a wreath on murdered Lincoln's bier;
You, who with mocking pencil wont to trace,
Broad for the self-complaisant British sneer,
His length of shambling limb, his furrowed face,

His gaunt, gnarled hands, his unkempt, bristling hair,
His garb uncouth, his bearing ill at ease,
His lack of all we prize as debonair,
Of power or will to shine, or art to please....

When he had finished reading, he would take off his spectacles and wipe them, and say to Anthy:

"Lincoln was the greatest man this country has ever produced."

He was a curious combination of hardheadedness, of ironical wisdom, and of humour, and somewhere, hidden deep within, of molten sentiment. He was a regular Yankee.

One night he got more than ordinarily tired, and just stopped. They found him in bed the next morning, his legs drawn up under the coverlet, a volume of Don Quixote open on his knees, his empty pipe fallen from his lips, the lamp dying out on a table near him. At his elbow were two of the inevitable yellow slips:

Squire Baker of Arnoville was a visitor at Lawyer Perkins's on Monday.

Apples stopped yesterday at Banks's store at 30 cents a peck—on their way up (adv).

He never knew what a hero he was: he had made a living for thirty years out of a country newspaper.

Anthy came home from college to the forlorn and empty and ugly house—and it seemed to her that the end of the world had come. This period of loneliness made a deep impression upon her later years. When at last she could bear to open the envelope labelled: "To Anthy—in case of my death," she found this letter:

Dear Anthy: I am leaving the Star to you. There is nothing else except the homestead—and the debts. Do what you like with all of them—but look after your Uncle Newt.

Now, Anthy's earliest memories were bound up with the printing-office. There was never a time that she did not know the smell of printer's ink. As a child she had delighted to tip over the big basket and play with the paper ribbons from the cutting machine. Later, she had helped on press days to fold and label the papers. She was early a pastmaster in the art of making paste, and she knew better than any one else the temperamental eccentricities of the old-fashioned Dick labeller. She could set type (passably) and run the hand press. But as for taking upon herself the activities of her tireless father—who was at once editor, publisher, compositor, pressman, advertising solicitor, and father confessor for the community of Hempfield—she could not do it. There is only a genius here and there who can fill the high and difficult position of country editor.

The responsibility, therefore, fell upon the Captain, who for so many years had been the titular and ornamental editor of the Star. It was the Captain who wrote the editorials, the obituaries, and the "write-ups," who attended the political conventions, and was always much in demand for speeches at the Fourth of July celebrations.

But, strangely enough, although the Star editorials sparkled with undimmed lustre, although the obituaries were even longer and more wonderful than ever before—so long as to crowd out some of the items about Johnny Gorman's pigs and Mrs. Hopkins's visits to her sister, although the fine old Captain worked harder than ever, the light of the luminary of Hempfield grew steadily dimmer. Fergus saw it early and it distressed his Scotch soul. Anthy felt it, and soon the whole town knew of the decay of the once thrifty institution in the little old printing-office back from the street. Brother Kendrick, of that nefarious rag, the Sterling Democrat, even dared to respond to one of the Captain's most powerful and pungent editorials with a witticism in which he referred to the Weakly Star of Hempfield, and printed "Weakly" in capital letters that no one might miss his joke.

It was at this low stage in the orbit of the Star that I came first to the printing-office, trying to discover the man who could shout "Fudge" with such fine enthusiasm—and found myself, quite irresistibly, hitching my wagon to the Star.


CHAPTER IV

ENTER MR. ED SMITH

It is only with difficulty thus far in my narrative that I have kept Norton Carr out of it. When you come to know him you will understand why. He is inseparably bound up with every memory I have of the printing-office. The other day, when I was describing my first visit to the establishment of Doane & Doane, I kept seeing the figure of Nort bending over the gasoline engine. I kept hearing him whistle in the infectious low monotone he had, and when I spoke of the printing press I all but called it "Old Harry" (Nort christened the ancient Hoe press, Old Harry, which every one adopted as being an appropriate name). I even half expected to have him break out in my pages with one of his absurd remarks, when I knew well enough that he had no business to be in the story at all. He hadn't come yet, and Anthy and Fergus and the old Captain were positively the only ones there.

But Nort, however impatient he may be getting, will have to wait even a little while yet, for notable events were to occur in the printing-office just before he arrived, without which, indeed, he never could have arrived at all. If it had not been for the ploughing and harrowing of Ed Smith, painful as it was to that ancient and sedate institution, the Hempfield Star, there never would have been any harvest for Norton Carr, nor for me, nor for Anthy. So good may come even out of evil.

As I narrate these preliminary events, however, you will do well to keep in your thought a picture of Nort going about his pleasures—I fear, at that time, somewhat unsteadily—in the great city, not knowing in the least that chance, assisted by a troublesome organ within called a soul, was soon to deposit him in the open streets of a town he had never heard of in all his life, but which was our own familiar town of Hempfield.

The thought of Nort looking rather mistily down the common—he was standing just in front of the Congregational Church—and asking, "What town am I in, anyhow?" lingers in my memory as one of the amusing things I have known.

Late in June I began to feel distinctly the premonitory rumblings and grumblings of the storm which was now rapidly gathering around the Star. It was a very clever Frenchman, I believe—though not clever enough to make me remember his name—who, upon observing certain disturbances in the farther reaches of the solar system, calculated by sheer mathematical genius that there was an enormous planet, infinitely distant from the sun, which nobody had yet discovered.

It was thus by certain signs of commotion in one of its issues that I recognized a portentous but undiscovered Neptune, which was plainly disturbing the course of the Star. A big new advertisement stared at me from the middle of the first page, and there was a certain crisp quality in some of the reading notices—from which the letters "adv" had been suspiciously omitted—the origin of which I could not recognize. The second week the change was even more marked. There were several smart new headings: "Jots and Tittles from Littleton," I remember, was one of them, and even the sanctity of the editorial column had been invaded with an extraordinary production quite foreign to the Captain's pen. It was entitled:

"All Together Now! Boost Hempfield!"

I can scarcely describe how I was affected by these changes; but I should have realized that any man bold enough to hitch his wagon to a star must prepare himself for a swift course through the skies, and not take it amiss if he collides occasionally with the heavenly bodies.

I think it was secretly amusing to Harriet during the weeks that followed my first great visit to the printing-office to watch the eagerness with which I awaited the postman on the publication days of the Star. I even went out sometimes to meet him, and took the paper from his hand. I have been a devoted reader of books these many years, but I think I have never read anything with sharper interest than I now began to read the Star. I picked out the various items, editorials, reading notices, and the like, and said to myself: "That's the old Captain's pungent pen," or "Anthy must have written that," or "I warrant the Scotchman, Fergus, had a finger in that pie." As I read the editorials I could fairly see the old Captain at his littered desk, the cat rubbing against his leg, the canary singing in the cage above him, and his head bent low as he wrote. And I was disturbed beyond measure by the signs of an unknown hand at work upon the Star.

"I thought, David, you did not care for country newspapers," said my sister.

She wore that comfortably superior smile which becomes her so well. The fact is, she is superior.

"Well," said I, "you may talk all you like about Browning and Carlyle——"

"I have not," said my sister, "referred to Browning or Carlyle."

"You may talk all you like"—I disdained her pointed interruption—"but for downright human nature here in the country, give me the Hempfield Star."

Once during these weeks I paid a short obligatory visit to the printing-office, and gave Anthy the name of my uncle in California and got the envelopes that had been printed for me. I also took in a number of paragraphs relating to affairs in our neighbourhood, and told Anthy (only I did not call her Anthy then) that if agreeable I would contribute occasionally to the Star. She seemed exceedingly grateful, and I liked her better than ever.

I also had a characteristic exchange with Fergus, in which, as usual, I came off worsted. In those troublous days Fergus was the toiling Atlas upon whose wiry shoulders rested the full weight of that heavenly body. He set most of the type, distributed it again, made up the forms, inked the rollers, printed the paper (for the most part), did all the job work which Hempfield afforded, and smoked the worst pipe in America.

When I told him that I was going to write regularly for the Star and showed him the paragraphs I had brought in (I suspect they were rather long) this was his remark:

"Oh, Lord, more writers!"

It was on this occasion, too, that I really made the acquaintance of the Captain. He was in the best of spirits. He told me how he had beaten the rebels at Antietam. I enjoyed it all very much, and decided that for the time being I would suspend judgment on the pipe incident.

One day I reached the point where I could stand it no longer. So I hitched up the mare and drove to town. All the way along the road I tried to imagine what had taken place in the printing-office.

I thought with a sinking heart that the paper might have been sold, and that my new friends would go away. I thought that Anthy might be carrying out some new and vigorous plan of reconstruction, only somehow I could not feel Anthy's hand in the changes I had seen.

It was all very vivid to me; I had, indeed, a feeling, that afterward became familiar enough, that the Star was a living being, struggling, hoping, suffering, like one of us. In truth, it was just that.

No sooner had I turned in at the gate than I perceived that some mysterious and revolutionary force had really been at work. The gate itself had acquired two hinges where one had been quite sufficient before, and inside the office—what a change was there! It was not so much in actual rearrangement, though the editorial desk looked barren and windswept; it was rather in the general atmosphere of the place. Even Tom, the cat, showed it: when I came in at the door he went out through the window. He was scared! No more would he curl himself contentedly to sleep in editorial chairs; no more make his bed in the office wastebasket. Though it was still early in the morning, Fergus was not reading "Tom Sawyer." No, Fergus was hard at work, and didn't even look around when I came in.

Anthy was there, too, in her long crisp gingham apron, which I always thought so well became her. She had just put down her composing stick, and was standing quite silent, with a curious air of absorption (which I did not then understand), before the dingy portrait of Lincoln on the wall just over the cases. On her desk, not far away, a book lay open. I saw it later: it was Rand's "Modern Classical Philosophers." It represented Anthy's last struggling effort to keep on with her college work. In spite of all the difficulties and distractions of the printing-office, she had never quite given up the hope that some day she might be able to go back and graduate. It had been her fondest desire, the deepest purpose of her heart.

As she glanced quickly around at me I surprised on her face a curious look. How shall I describe it?—a look of exaltation, and of anxiety, too, I thought. But it passed like a flash, and she gave me a smile of friendly recognition, and stepped toward me with the frank and outright way she had. It gave me a curious deep thrill, not, I think, because she was a woman, a girl, and so very good to look upon, but because I suddenly saw her, the very spirit of her, as a fine, brave human being, fighting one of the hard and bitter fights of our common life. I do not pretend to know very much about women in general, and I think perhaps there is some truth in one of Nort's remarks, made long afterward:

"David's idea of generalizing about women," said that young upstart, "is to talk about Anthy without mentioning her name."

Is yours any different, Nort?—or yours?

Yes, I think it is true; and this I know because I know Anthy, that, however beautiful and charming a woman may be, as a woman, that which finally rings all the bells in the chambers of the souls of men are those qualities which are above and beyond womanly charm, which are universal and human: as that she is brave, or simple, or noble in spirit.

That Anthy was deeply troubled on that summer morning I saw plainly when the Captain came, in the keen glance she gave him. He, too, seemed somehow changed, so unlike himself as to be almost gloomy. He gave me a sepulchral, "Good morning, sir," and sat down at his desk without even lighting his pipe.

Something tremendous, I could feel, was taking place there in the printing-office, and I said to Anthy—we had been talking about the paragraphs I brought in:

"What's been happening to the Star since I was here before?"

"You've discovered it, too!" she said with a whimsical smile. "Well, we're just now in process of being modernized." At this I heard Fergus snort behind me.

"Bein' busted, you mean," said he.

Fergus, besides being temperamentally unable to contain his opinions, had been so long the prop of the mechanical fortunes of the Star that he was a privileged character.

"I knew something was the matter," I said. "As I was coming in I felt like saying, 'Fee, fie, fo, fum, I smell the blood of an Englishmun.'"

"Plain Yankee this time," said Fergus.

"Now, Fergus!" exclaimed Anthy severely. "You see," she continued, "we positively had to do something. The paper has been going downhill ever since my father's death. Father knew how to make it pay, even with half the families in town taking the cheap city dailies. But times are changing, and we've got to modernize or perish."

While she spoke with conviction, her words lacked enthusiasm, and they had, moreover, a certain cut-and-dried sound. "Times are changing. Modernize or perish!"

Anthy did not know it, of course, but she was living at the psychological moment in our history when the whole country was turning for salvation to that finished product, that perfect flower, of our institutions, the Practical Business Man. Was a city sick, or a church declining in its membership, or a college suffering from slow starvation, or a newspaper down with neurasthenia, why, call in a Practical Business Man. Let him administer up-to-date remedies; let him hustle, push, advertise.

It was thus, as an example of what the historian loves to call "remote causes," that Mr. Ed Smith came to Hempfield and the Star. He was a graduate of small-town journalism in its most progressive guises, and if any one was ever entitled to the degree of P. B. M. cum laude, it was Ed Smith.

He had come at Anthy's call—after having made certain eminently sound and satisfying financial arrangements. When it came finally to the issue, Anthy had seen that the only alternative to the extinction of the Star was some desperate and drastic remedy. And Ed Smith was that desperate and drastic remedy.

"I felt," she said to me, "that I must do everything I could to keep the Star alive. My father devoted all his life to it, and then, there was Uncle Newt—how could Uncle Newt live without a newspaper?"

I did not know until long afterward what the sacrifice had meant to Anthy. It meant not only a surrender of all her immediate hopes of completing her college work, but she was compelled to risk everything she had. First, she had borrowed all the money she could raise on the old home, and with this she paid off the accumulated debts of the Star. With the remainder, which Ed Smith spoke of as Working Capital, she plunged into the unknown and venturesome seas of modernized journalism.

She had not gone to these lengths, however, without the advice of old Judge Fendall of Hempfield, one of her father's close friends, and a man I have long admired at a distance, a fine, sound old gentleman, with a vast respect for business and business men. Besides this, Anthy had known Ed for several years; he had called on her father, had, indeed, called on her.

It was bitter business for the old Captain to find himself, after so many glorious years, fallen upon such evil days. I have always been amused by the thought of the first meeting between Ed Smith and the Captain, as reported afterward by Fergus (with grim joy).

"Do you know," Ed asked the Captain, "the motto that I'd print on that door?"

The Captain didn't.

"Push," said he dramatically; "that's my motto."

I can see the old Captain drawing himself up to his full stature (he was about once and a half Ed's size).

"Well, sir," said he, "we need no such sign on our door. Our door has stood wide open to our friends, sir, for thirty years."

When the old Captain began to be excessively polite, and to address a man as "sir," he who was wise sought shelter. It was the old Antietam spirit boiling within him. But Ed Smith blithely pursued his way, full of confidence in himself and in the god he worshipped, and it was one of Anthy's real triumphs, in those days of excursions and alarms, that she was able both to pacify the Captain and keep Fergus down.

Ed came in that morning while I was in the printing-office, a cheerful, quick-stepping, bold-eyed young fellow with a small neat moustache, his hat slightly tilted back, and a toothbrush in his vest pocket.

"You are the man," he said to me briskly, "that writes the stuff about the Corwin neighbourhood."

I acknowledged that I was.

"Good stuff," said he, "good stuff! Give us more of it. And can't you drum up a few new subs out there for us? Those farmers around you ought to be able to come up with the ready cash."

To save my life I couldn't help being interested in him. It is one of the absurd contrarieties of human nature that no sooner do we decide that a man is not to be tolerated, that he is a villain, than we begin to grow tremendously interested in him. We want to see how he works. And the more deeply we get interested, the more we begin to see how human he is, in what a lot of ways he is exactly like us, or like some of the friends we love best—and usually we wind up by liking him, too.

It was so with Ed Smith. He let into my life a breath of fresh air, and of new and curious points of view. I think he felt my interest, too, and as I now look back upon it, I count his friendship as one of the things that helped to bind me more closely and intimately to the Star. While he was not at all sensitive, still he had already begun to feel that the glorious progress he had planned for the Star (and for himself) might not be as easy to secure as he had anticipated. He wanted friends in the office, friends of those he desired to be friendly with, especially Anthy. Besides, I was helping fill his columns without expense!

I had a good lively talk with him that morning. Before I had known him fifteen minutes he had expressed his opinion that the old Captain was a "back number" and a "dodo," and that Fergus was a good fellow, but a "grouch." He confided in me that it was his principle, "when in Rome to do what the Romans do," but I wasn't certain whether this consisted, in his case, of being a dodo or a grouch. He was full of wise saws and modern instances, a regular Ben Franklin for wisdom in the art of getting ahead.

"When the cash is going around," said he, "I don't see why I shouldn't have a piece of it. Do you?"

He told me circumstantially all the reasons why he had come to Hempfield.

"I could have made a lot more money at Atterbury or Harlan Centre; they were both after me; but, confidentially, I couldn't resist the lady."

Well, Ed was wonderfully full of business. "Rustling" was a favourite word of his, and he exemplified it. He rustled. He got in several new advertisements, he published paid reading notices in the local column, a thing never before done on the Star. He persuaded the railroad company to print its time tables (at "our regular rates"), with the insinuation that if they didn't he'd ... and he formed a daring plan for organizing a Board of Trade in Hempfield to boost the town and thus secure both news and advertising for the Star. Oh, he made things lively!

Some men, looking out upon life, get its poetic implications, others see its moral significance, and here and there a man will see beauty in everything; but to Ed all views of life dissolved, like a moving picture, into dollars.

At first Fergus, that thrifty Scotch soul, was inclined to look with favour upon these new activities, for they promised well for the future prosperity of the Star; but this friendly tolerance was blasted as the result of a curious incident. Fergus had lived for several years in the back part of the printing-office. It was a small but comfortable room which had once been the kitchen of the house. In the course of his ravening excursions, seeking what he might devour, Ed Smith presently fell upon Fergus's room. Ed never could understand the enduring solidity of ancient institutions. Now Fergus's room, I am prone to admit, was not all that might have been desired, Fergus being a bachelor; but he was proud of it, and swept it out once a month, as he said, whether it needed it or not. Ed's innocent suggestion, therefore, of a house-cleaning was taken by Fergus as a deadly affront. He did not complain to Anthy, though he told me, and from that moment he began a silent, obstinate opposition to everything that Ed was, or thought, or did.

If it had not been for Anthy, Ed would indeed have had a hard time of it. But Anthy managed it, and in those days, hard as they were, she was finding herself, becoming a woman.

"Fergus," she said, "we're going to stand behind Ed Smith. We've got to work it out. It's our last chance, Fergus."

So Fergus stuck grimly to the cases, actually doing more work than he had done before in years; Tom, the cat, sat warily on the window sill, ready at a moment's notice to dive to safety; the old Captain was gloomy, and wrote fierce editorials on the Democratic party and on all "new-fangled notions" (especially flying machines and woman suffrage). His ironies about the "initiative, referendum, and recall" were particularly vitriolic during this period of his career. Anthy was the only cheerful person in the office.

It was some time in August, in the midst of these stirring events, when the Star was deporting itself in such an unprecedented manner, that the Captain one day brought in what was destined to be one of the most famous news items, if not the most famous, ever published in the Star.

I was there at the time, and I can testify that he came in quite unconcernedly, though there was an evident look of disapproval upon his countenance. It was thus with the Captain, that nothing was news unless it stirred him to an opinion. An earthquake might have shaken down the Hempfield townhall or tipped over the Congregational Church, but the Captain might not have thought of putting the news in the paper unless it had occurred to him that the selectmen should have been on hand to prevent the earthquake, upon which he would have had a glorious article, not on the earthquake, but on the failure of a free American commonwealth, in this enlightened twentieth century, to secure efficiency in the conduct of the simplest of its public affairs.

But truly historic events get themselves reported even through the densest mediums. I saw the Captain with my own eyes as he wrote:

What has become of the officer of the law in Hempfield? A strange young man was seen coming down Main Street yesterday afternoon in a condition which made him a sad example for the lads of Hempfield, many of whom were following him. Is this an orderly and law-abiding town or is it not?

I may say in passing that the Captain's inquiry: "What has become of the officer of the law in Hempfield?" was purely rhetorical. The Captain knew perfectly well where Steve Lewis was at that critical moment, for he had looked over the fence of Steve's yard as he passed, and saw that officer of the law, in a large blue apron, helping his wife hang out the week's washing. But how could one put that in the Star?

Such was the exact wording of that historic item. By some chance it did not meet the eagle eye of Ed Smith until the completely printed paper, still moist from the press, was placed in his hands. Then his eye fell upon it.

"Who wrote this item about a strange young man?" he asked.

"I think the Captain got it," said Anthy.

"Well!" exclaimed Ed, "that must be the very chap I have just hired to help Fergus."

He paused a moment, reflectively.

"I got him dirt cheap, too," said he.

And this was the way in which Norton Carr was plunged into the whirl of life at Hempfield.


CHAPTER V

NORT

I love Norton Carr very much, as he well knows, but if I am to tell a truthful story I may as well admit, first as last, that Nort was never quite sure how it was that he got off, or was put off, at Hempfield. In making this admission, however, I do not for a moment accept all the absurd stories which are afloat regarding Nort's arrival in Hempfield.

He says the first thing he remembers clearly was of standing in the street at the top of our common, looking down into Hempfield—one of the finest views in our town. The exact historic spot where he stood was nearly in front of a small shoe shop, the one now kept by Tony, the Italian. If ever the Georgia Johnson Chapter of the Daughters of the American Revolution runs out of places upon which to plant stones, tablets, trees, flowers, cannon balls, or drinking fountains, I would respectfully suggest raising a monument in front of Tony's shop with some such inscription as this:

Here Stood

NORTON CARR

On the Morning of His

INVOLUNTARY

Arrival in Hempfield

Nort walked down the street with a number of boys behind him—three, to be exact, not a "rabble." He was seen by old Mrs. Parker, one of our most prominent journalists, who was, as usual, beating her doormat on the front porch. He was seen by Jared Sparks, who keeps the woodyard, and by Johnny McGonigal, who drives the hack; and finally he was caught by the eagle eye of the Press, in the person of Captain Doane, as I have already related, and his shame was published abroad to the world through the columns of the Star. As nearly as I can make out, for the facts regarding any given event in Hempfield often vary in adverse proportion to the square of the number of persons doing the reporting, the main indictment against Nort upon this occasion was that he appeared in town, a stranger without a hat. Without a hat!

I admit that he did stop in front of the Congregational Church; but I maintain that it is well worth any man's while to stop on a fine morning and look at our old church, with its mantle of ivy and the sparrows building their nests in the eaves. I admit also that he did make a bow, a low bow, to the spire, but I deny categorically Johnny McGonigal's absurd yarn that he said: "Good mornin', church. Shorry sheem disrespechtful." Any one who knows Nort as well as I do would not consider his making a bow to a perfectly respectable old church as anything remarkable, or accusing him of having been intoxicated, save with the wine of spring and of youth. Why, I myself have often bowed to fine old oak trees and to hilltops. I wonder why it is that when small communities jump at conclusions, they so often jump the wrong way?

And yet I don't want to blame Hempfield. You can see for yourself what it would mean—a stranger, without a hat, bowing to the spire of the Congregational Church—what it would mean in a town which has religiously voted "dry" every spring since the local-option law went into effect, which abhors saloons, which resounds with the thunders of pulpit and press against the iniquity of drink, and where, if there are three or four places where the monster may be quietly devoured, no one is supposed to know anything about them.

I do not enlarge upon this picture of Nort with any delight, and yet I have always thought that it was a great help to Nort that he should have appeared in Hempfield in the guise of a vagabond.

If we had known then that he had the right kind of a father, had come from the right kind of a college, and had already spent a good deal of money that he had not earned, I fear he would have been seriously handicapped. We should probably have looked the other way while he was bowing to the church—and considered that he was going without a hat for his health. As for putting him in the Star, we should never have dreamed of it!

I love to think of Nort, coming down our street for the first time—the green common with its wonderful tall elms on one side and the row of neat stores and offices on the other. It must be a real adventure to see Hempfield on a sunny morning with a new eye, to pass Henderson's drygoods store and catch the ginghamy whiff from the open doorway, or go by Mr. Tole's drug store and breathe in the aromatic odour of strange things that should be stoppered in glass bottles and aren't. And then the cool smell of newly watered sidewalks, and the good look of the tomatoes in their baskets, and the moist onions, and spinach, and radishes, and rhubarb in front of the shady market, and the sparrows fighting in the street—and everything quiet, and still, and home-like!