Hempfield: A Novel

One of the best ways to attract and interest other people is by going about one's own business as though it were the most wonderful and fascinating thing in the world. People soon begin to look on wistfully, begin to wonder what all this activity and triumphant joyousness is about, and are presently drawn to it as bees are drawn by a blooming clover field. So the printing-office began to be a place of importance and curiosity in Hempfield. The news spread that almost any surprise might be expected in the Star.

"It's that fellow Carr that's doing it," said old Mr. Kenton, voicing the hopeless philosophy of the country when facing competition with the city. "One o' these days, you'll see, he'll get a better job in Bosting, and that'll be the end of him."

In the meantime, however, we were too busy to indulge in any forebodings, and as for Nort the whole great golden world of real life was opening to him for the first time.

No sooner had the interest in the old Captain's autobiography somewhat subsided, and the advertising scheme, with several lesser matters, been disposed of, than Nort's fertile brain began to devise new schemes.

"Say," he exclaimed one winter day, coming in from one of his expeditions and looking us all over as though we were specimens of a curious sort, "this office is a pretty interesting place."

"Just found it out?" grunted Fergus.

"Well," said Nort, "I've suspected it all along, and now I know it. There's the Cap'n, for example. We didn't know we had a gold mine in the Cap'n, now, did we? But we had! Great thing, the Cap'n's story! Finest thing done in country journalism anywhere, at any time, I suppose."

I exchanged an amused glance with Anthy, and we both looked at the old Captain. As Nort talked the Captain grew more and more erect in his chair, wagged his head, and, finally, arising from his seat, took two or three steps down the room looking very grand. Nort went on talking, glancing at the old Captain out of the corner of his eye, and evidently enjoying himself hugely.

"Now, I say, we've got other gold mines here, if we only knew how to work 'em. There's David! Let's have a column from him—wise saws and modern instances. David will become the official Hempfield philosopher. And then there's Fergus——"

"Humph!" observed Fergus.

"There's Fergus. Everybody in town knows Fergus, and I'll stake my reputation that anything that Fergus writes over his own name will be read."

Nort was riding his highest horse.

"Miss Doane, let's announce it in big type this very week, something like this: 'The Star of Hempfield has arranged a new treat for its readers. We shall soon present a column containing the ripe observations of our esteemed printer, fellow citizen, and spotless Scotchman, Mr. Fergus MacGregor. We shall also have contributions in a philosophical vein by Mr. David Grayson, and a column by that paragon of country journalism'"—here he paused and looked solemnly at the old Captain, and then resumed—"'that paragon of country journalism, Mr. Norton Carr.'"

We all thought that Nort was joking, but he wasn't. He was in dead earnest. That afternoon he walked home with me down the wintry road. It was a cold, blustery day with a fine snow sifting through the air, but Nort's head was so hot with his plans that I am sure, if his feet were chilled, he never knew it. He laboured hard with me to write something each week for the Star, and the upshot of the matter was that I began to contribute short paragraphs and bits of description and narrative which we headed

DAVID GRAYSON'S COLUMN

It was made up of the very simplest and commonest elements, mostly little scraps of news from my farm—the description of a calf drinking, the sound of pigeons in the hay loft. I told also about the various country odours in spring, peach leaves, strawberry leaves, and new hay, and of the curious music of the rain in the corn. I inquired what was the finest hour of the day in Hempfield, and tried to answer my own question. I put in a hundred and one inconsequential things that I love to observe and think about, and added here and there, for seasoning, a bit of common country philosophy. It was very enjoyable to do, and a number of people said they liked to read it, because I told them some of the things they often thought about, but had never been able to express.

Nort found Fergus far harder to influence than he found me. A curious change had been going on in Fergus which I did not at first understand. At times he was more garrulous than ever I had known him to be, and at times he was a very sphinx for silence. It is a curious thing how people surprise us. In our vanity we begin to think we know them to the uttermost, and then one day, possibly by accident, possibly in a moment of emotion, a little secret door springs open in the smooth panel of their visible lives, and we see within a long, long corridor with other doors and passages opening away from it in every direction—the vast secret chambers of their lives.

I had some such experience with that prickly Scotchman, Fergus MacGregor. It began one evening when I found him alone by the office fire. He was sitting smoking his impossible pipe and gazing into the glowing open draft of the corpulent stove. He did not even look around when I came in, but reaching out one foot kicked a chair over toward me. Suddenly he fetched a big sigh, and said in a tone of voice I had not before heard:

"Night is the mither o' thoughts."

He relapsed into silence again. After some moments he took his pipe out and remarked to the stove:

"Oaks fall when reeds stand."

"Fergus," I said, "you're cryptic to-night. What do you consider yourself, an oak or a reed?"

"Well, David, I'm the oak that falls, while the reed stands."

I tried to draw him out still further on this interesting point, but not another explanatory word would he say. It was the beginning, however, of a new understanding of Fergus.

A little later, that very evening, Anthy and her uncle came in for a moment on their way home from some call or entertainment, and not a minute behind them, Nort. I saw Fergus's eyes dwell a moment on Anthy and then return to his moody observation of the fire. And Anthy was well worth a second glance that evening. The sharp winter wind had touched her cheeks with an unaccustomed radiance, and had blown her hair, where the scarf did not quite protect it, wavily about her temples. She was in great spirits.

"Fergus," she cried out, "what do you mean sitting here all humped up over the fire on a wonderful night like this!"

Here Nort broke in:

"Fergus is thinking about what he will put into his issue of the Star."

"They're all my issues, so far's I can see," growled Fergus.

"But now, Fergus," persisted Nort, "if you were editing a column in the newspaper what would you put in it?"

Fergus began to liven up a little.

"Tell us, Fergus," said Anthy.

Fergus took his pipe out of his mouth and rubbed the bowl of it along his cheek, screwing up his face as though he were thinking hard. We all watched him. No one could ever tell quite where Fergus would break out.

"What is most interesting to you?" prompted Nort.

"That's easy," said Fergus, and turning in his chair he reached across to the shelf and produced his battered volume of "Tom Sawyer." This he opened gravely and began to read the passage in which Tom beguiles the other boys in the village to do his white-washing for him:

Fergus read it with a deliciously humorous Scotch twist in the words, a twist impossible to represent in print. Occasionally he would pause and bark two or three times, his excuse for laughter. When he had reached the end of the passage, Nort said:

"I've got it! This is the very thing: let's put it in the Star. Where's a pencil and paper? Fergus MacGregor's Favourite Passage from 'Tom Sawyer.' Everybody in town knows that Fergus likes 'Tom Sawyer.'"

"Humph!" said Fergus, but it was evident that he was not a little pleased. Do what he would, he could not help liking Nort.

"I know something that represents Fergus still better," said Anthy.

Fergus looked across at her, and then began thumbing his pipe.

"What's that?" asked Nort.

"'The Twa Dogs.' Isn't that your favourite poem, Fergus?"

"Whur'll you find a better one?" asked Fergus, putting his pipe back in his mouth.

"That's Number Two," said the irrepressible Nort. "We'll put that in some other issue headed 'Fergus MacGregor's Favourite Poem.'"

Nothing, finally, continues long in this world. At moments of high happiness and grand endeavour we are tempted to think that the world is solid happiness all the way through. But in reality the interior of the planet of life is molten and the crust terribly thin: we never know at what moment an earthquake may rend what has seemed to us the indestructible foundations of our existence.

The Star had been wonderfully successful, and Nort had been going from glory to dazzling glory, having everything his own way, and coming, I have no doubt, to think himself something of an exception to the common lot of poor human nature. He was in the first bloom of his genius (you will yet hear from Norton Carr, mark my word), and like many another ardent young man he thought the world was made for him, not he for the world. He liked people, and he knew that people liked him—and presumed upon it. And more and more he loved to toss off his glittering ideas and his wonderful plans, enjoying the bedazzlement which they aroused and ready to laugh at those who were too easily taken in. At first he was willing to sit down and work hard to bring his dreams to pass, but he had never been trained to steady effort, and unless he was forced it was irksome to him. He liked to explain his ideas and let any one else work them out, or drop them. He was like that vagabond of birds, the cuckoo, always laying eggs in the nests of other birds, knowing with a sort of sardonic humour that if they did hatch the young birds would and could be nothing but cuckoos.

As spring advanced Nort grew still more undependable. It seemed to get into his very blood. I would catch him looking out of the open window of our office into the mass of lilac leaves, or lifting his chin to take in a full breath of the good outdoors, and when he whistled, and he was often whistling, the low monotonous note had a curious lift and stir in it. He was frequently moody, and when he did burst out it was almost never to Anthy. He seemed actually to avoid Anthy, and yet without any set purpose of doing so. And of all of us he liked best to talk with Fergus, who treated him very much as a she-bear treats her cub, with evidences of burly affection which usually left claw marks.

I could see that all this was getting to be very distressing to Anthy. Perhaps she felt that the pace the Star was setting was far too great to keep; perhaps she felt that too much rested upon the uncertain quantity which was Nort—and perhaps, down deep, she had begun to have a more than ordinary interest in Nort. She was not one of those women who are quickly awakened, and she was absorbed in her enterprise, and, besides, to all outward appearances, Nort was a mere tramp printer and her own employee.

One bright forenoon in April, one of those utterly perfect spring days in which April appears in the coquettish garb of June, I saw Nort suddenly start up from his work, seize his coat, and shoot out of the door. In the afternoon, as I was going homeward along the lanes and across the fields, I came upon him in a grove of young maple trees. He was lying flat on his back in the leaves, all flecked with sunshine, his arms opened wide, one leg lifted high over the other. He was looking up into the green wonder of the vegetation. Such a look of sheer pagan joy of life I have rarely seen on a human face. When he saw me he sprang to his feet.

"Isn't it wonderful—all of it?" he said. "Why, David, I could write poetry, if I knew how!"

"Or paint pictures—or carve statues, or compose music," I put in.

"Anything is possible on a day like this!"

"Except printing a country newspaper."

He laughed ruefully, threw back his head impatiently and utterly refused to discuss that subject.

I took the rascal home with me, to Harriet's delight, and he followed me around afterward, while I did my chores.

The next morning, just as he was starting for town, he began telling Harriet how much he had enjoyed coming to see us—so many times during the past months.

"I wish," he said, "there was some way of showing you and David how much I appreciate it."

Here he stopped abruptly and his eyes began to glow.

"I have it. A great idea! You're in it, Miss Grayson!"

Harriet stood watching his slight active figure until it quite disappeared beyond the hill. Then she came in, looking absent-minded, a very rare expression for her, and I even thought I heard her sigh softly.

"What's the matter, Harriet?"

"That boy! That perfectly irresponsible boy! He needs some one to look after him."

Nort's idea was not long in bearing fruit. Harriet found the letter in the mail box addressed to both of us in Nort's handwriting. She brought it in, tearing it open curiously.

"I can't conceive—addressed to both of us."

She finally opened it and produced a card neatly printed with these words:

Fergus MacGregor

and

Norton Carr

request the pleasure of

your company at dinner

Friday evening, April twenty-third,

at the office of

The Hempfield Star

to meet

Tom, Dick, and Old Harry

r. s. v. p.

"What in the world!" exclaimed Harriet.

It was as much of a surprise to Anthy and the old Captain as it was to us. As for Ed Smith, he had so far lost his breath trying to keep up with Nort that he no longer had the capacity for being surprised at anything.

I cannot attempt an adequate description of that evening's celebration. Though we did not know it at the time it brought us to the very climax and crisis of that period of our lives. It was the glorious end of an epoch in the history of the Star of Hempfield.

Nort and Fergus had cleaned out the back room of the shop, and a table was set up in the middle of it with just chairs enough for our own company, including one stool upon which Tom, the cat, was intermittently induced to sit by Nort. Dick's cage was hung from the ceiling over the table, where for a time he seemed quite alive to the importance of the occasion, but soon went off to sleep on his perch with his head drawn down among his yellow feathers.

The meal itself came mostly by the hands of Joe Miller, coloured, of the Hempfield House, who smiled broadly during the entire evening, but the pièce de resistance, the crowning glory of the evening, was an enormous steak which Nort and Fergus, with much discussion and more perspiration, and not a few smudges and scratches, broiled over the coals in our office stove. I may say that in the effort to produce these coals the office was heated all the afternoon to such a temperature that it drove us all out. I shall not forget the sight of Nort coming in at the door carrying the triumphant steak, still in the broiler, with Fergus crouching and dodging along beside him, holding a part of an old press fly under it to catch any drippings. I remember the look on his glowing face and the smile he wore! He let the steak slide out of the broiler, to Harriet's horror, upon the huge hotel platter.

"There!" he exclaimed.

We all cheered wildly, and Joe Miller, with a carving knife in one hand and a fork in the other, hovered behind, his black face one great smile.

Fergus was quite wonderfully dressed up for the occasion with a very tall collar and a red necktie, and cuffs that positively would not stay up, and his attempt to brush his hair had produced the most astounding storm effects. But he appeared happy, if uncomfortable. As for Harriet, I have not seen her look so young and pretty for years. It was altogether a little irregular and shocking to her, but she met it with a sort of fearful joy.

How I love such moments—as perfect as anything in this life of ours; friends all about, and good comradeship, and jolly stories, and lively talk, and good things to eat. And surely never was there a finer evening for just such a celebration. The cool spring air coming in across the lilacs and heavy with the scent of them, the shaded lamp, the occasional friendly sounds from the street, and finally, and to the amazement of us all, the town clock striking twelve. What a beautiful and wonderful thing life is!

A few minutes later Fergus disappeared by way of the back door which led from his room into the yard. I did not at the time connect the two departures, did not, indeed, think of the matter at all, save to wonder vaguely why the dependable Fergus should be leaving his home, which was the printing-office, at that time of the night.

It was a wonderful night, starlit and very clear, with the cool, fresh air full of the sweet prescience of spring. It was still, too, in the town, and once a little outside the fields and hills and groves took upon themselves a haunting mystery and beauty.

So often and wistfully has my memory dwelt upon the incidents of that night that I seem now to live more vividly in the lives of Nort and Anthy—with Fergus crouching in the meadows behind—than I do in my own barren thoughts.

Exaltation of mood affected Nort and Anthy quite differently. It set Nort off, made him restless, eager, talkative, but it made Anthy the more silent. It glowed from her eyes and expressed itself in the odd tense little gesture she had—of one hand lifted to her breast.

"Most wonderful time that ever I had in my life," said Nort.

"It was fine," returned Anthy. Her low voice vibrated.

"It seems to me, Miss Doane, that it is only since I came to Hempfield that I have begun to live. I was only existing before: it seems to me now as though I could do anything."

He paused. When he spoke again it was in a deeper tone, and his voice shook:

"I feel to-night as though I could be great—and good."

She had never heard that tone before: she saw him in a new light, and suddenly began to tremble without knowing why. But she walked quietly at his side along the shadowy road. They seemed in a world all by themselves, with the wonderful stars above, and the fragrant night air all about them. At the corner where the sidewalk ends they came to the first outlook upon the open country. Anthy stopped suddenly and looked around her.

"Oh, isn't it beautiful," she whispered.

This time it was Nort who made no reply. They stood a moment side by side, and it was thus that Fergus, a hundred paces behind in the shadows of the trees, first saw them—with misery in his soul.

They walked on slowly again, feeling each other's presence with such poignant consciousness that neither dared speak. Thus they came to Anthy's gate: and there they paused a moment.

"Good-night," said Nort.

"Good-night," responded Anthy faintly.

She looked up at him with the starlight on her face. It seemed to him that he saw her for the first time. He had never really known her before. He was dizzily conscious of flashing lights and something in his throat that hurt him.

"Anthy," he said huskily, "you are the most beautiful woman in the world."

She still stood, close to him, looking up into his face. She tried to move, but could not.

"Anthy," he said again, with shaking voice, and stooping over kissed her upon her lips.

She uttered a little low cry and, turning quickly, with her hand lifted to her face, ran up the walk to the house.

"Anthy," he called after her—such a call as she will not forget to her dying day.

And she was gone.

Nort stood by the gate, clasping the wood until his fingers hurt him, in a wild tumult of emotion. And behind him in the shadows, not a hundred paces away, Fergus, with clenched hands.

Fergus MacGregor was approaching the supreme moment of his life. As I have said before, it was a long time before I began to understand that roseate Scotchman. His husk was so thick and prickly that one approached him at his peril. I knew that he was as hard as nails and as real as boiled cabbage; I knew, also, that just within his rough exterior there were unusual qualities of strength and warmth, and I had grown strangely to like him and trust him; but there were reaches and depths in his character that I was long in discovering.

I remember his telling me with some pride that he was a skeptic in religion, "an infidel if ye like," and that the "Address to the Unco Guid," about expressed his views. He could also repeat "Holy Willie's Prayer" to perfection. But I soon found that he was an infidel in much the same terms that his forefathers had been Covenanters—a terribly orthodox infidel, if that can be imagined. Skepticism meant no mushy liberalism with him; it only meant that he had adopted a new creed, and that he would fight as hard for his skepticism as other men fight for their more positive beliefs. But if he had changed his religious views, the moral standards which lay beneath them like the primordial rocks had not been in the least shaken.

There remained something deep within him of the old spirit of clan loyalty. Anthy's father had almost brought him up; he had been in the office of the Star for more years than he cared to remember; he had watched Anthy through her unconscious and dreamy girlhood; had seen her blossom into youth and come to the full glory of womanhood. I never found out how old he was, for he was one of those hard-knit, red-favoured men who live sometimes from the age of twenty-five to fifty with scarcely more evidences of change than a granite boulder. He thought himself ugly, and he was, indeed, rough, uncouth, and uneducated in the schools, though in many ways as thoroughly educated a man, if education means the ability to command instantly and for any purpose the full powers of one's mind and body, as one often finds.

I do not know to this day whether Fergus loved Anthy in the sense in which a man loves a woman. Certainly it was no selfish love, but rather a great passionate fidelity to one who, he thought, was infinitely above him, the sort of devotion which asks only to serve, and expects no reward. There are few such people in this world, and they usually get what they expect.

I saw afterward, as I did not see so clearly at the time, how faithfully, jealously, completely, Fergus had served and watched over Anthy, particularly since the death of her father. He lived in the poor back room of the printing-office, worked hard at absurdly low wages, had few pleasures in life beyond his pipe and his beloved books—and watched over Anthy. He had seen, far more clearly than Anthy and Nort themselves had seen it, the growing attachment between them, had seen it with what misery of soul I can only guess.

He had begun by liking Nort in his rough way, partly because Nort had come friendless to our office and needed a friend, and partly because he could not resist Nort; and his knowledge of the true drift of affairs had not led him to hate Nort. But he saw with the clear eyes of perfect devotion just what Nort was—undisciplined, erratic, uncontrolled. He had himself felt Nort's irresistible charm and he dreaded the effect of it upon Anthy. Nort was likely to tire of Hempfield at any time, he might even tire of Anthy, having won her, and break her heart. Moreover, in Fergus's eyes, not Sir Galahad himself would have been good enough for Anthy.

It was not because Nort appeared penniless, not because he was a tramp printer, that Fergus began to set so indomitably against him, but because he was not a man. Fergus had that terrible sense of justice, duty, loyalty, that would have caused him to sacrifice his greatest friend to serve Anthy as quickly and completely as he would have sacrificed himself.

Quite unknown to me, Fergus had been watching the situation for some time, and it was his anxiety which had caused his changeableness of mood. He was not a quick thinker, and, like many men of strong character, moved to his resolutions with geologic slowness—and geologic irresistibility. For a long time he debated in his own mind what he should do. He finally concluded to take the whole matter into his own hands. He would deal directly with Nort.

It was worse than he had expected. He had seen the episode in the starlight at the gate—it burned itself into his very soul—and he had seen Anthy running toward the house with her face hidden in her hands. To a certain extent he misconstrued this incident. He could not see what happened afterward: he could not see Anthy running up the dark stairway in her home, could not see her turn on the full light in her room and look into the mirror at her own glowing face, her own brilliant eyes. She had never before even seen herself! And Nort's words, the very tone and thrill of them—"You are the most beautiful woman in the world"—singing themselves wildly within her, were changing the world for her. Through all the future years, she did not know it then, she was to see herself as some other person, the person who had sprung into glorious being when Nort had called her Anthy. She looked only once at her face—she could not bear more of it—and then threw herself on her bed, burying her burning cheeks in her pillow, and lay thus for a long, long time.

All of this Fergus could not know about, and it is possible that if he had known about it he would still have misinterpreted it. Like many an excellent older person he suspected that youth was not sufficient to its own problems.

Nort never knew, while he stood there at the gate looking up at the dark house into which Anthy had disappeared, how near he was to feeling Fergus's wiry hands upon his throat. But Fergus held himself in, his grim mind made up, considering how best he should do what he had to do.

I suppose life is tragic, or comic, or merely humdrum, as you happen to look at it. If you are old and sour, you will see little in the rages of youth, they will appear to you excessively absurd and enormously distant. You will probably not recall that you yourself, in your time, were a moderately great fool, or, if you were not a fool, you have missed——What have you not missed?

Nort could never remember exactly what he did next. He recalls rushing through shadowy roads, with the cool, sharp air of the night biting his hot face. He remembers standing somewhere on a hilltop and looking up at the wonderful blue bowl of the sky all lit with stars. He could remember talking aloud, but not what it was that he said, only that it came out of the vast tumult within him. From time to time he would see with incomparable vividness Anthy's face looking up at him, he would hear, actually hear, his own thick voice speaking; every minute detail of the moment, every sight, sound, odour, would pass before him in flashes of consciousness. He would live over the entire evening, as it seemed to him, in a moment of time. He did not know that the world could be so beautiful; he did not imagine that he himself was like that!

At its height emotion seems endless and indestructible, but it is, in its very nature, brief and elusive—else men might die of it. Nort's mood began finally to quiet down, the impressions and memories of the night rushed less wildly through his mind. And suddenly—he said it came to him with a shock—he thought of the future. He stopped still in the road. He had been so intoxicated with the experiences he had just passed through that it had actually never occurred to him what they might mean; and according to Nort's temperament the new vision instantly swallowed up the old, and, as it was cooler and clearer, seemed even more wonderful. He remembered saying very deliberately and aloud:

"I must work for Anthy all my life."

It came to him as a very wonderful thing that he could do this! Why, he could do anything for her: he could slave and dig and die! He could be great for her—and let no one else know how great he was! He could win a battle, he could command men, he could write the greatest book in the world, and no one should know it but Anthy! Oh, youth, youth!

His mind again became inordinately active: the whole wonderful future opened before him. He began to plan a thousand things that he might do. He would imagine himself walking home with Anthy, just as he had done that night, thrilling with the thought of her at his side, and he would be telling her his plans, and always she would be looking up into his face just as she had been doing at that last moment!

All these things seem long in the telling—and they lasted for ages in Nort's soul—but as a matter of fact they were brief enough in time. Fergus, stumbling along behind in the cold road, his hard-set spirit suffering dumbly, was only waiting the choice of a moment to lay his hand upon Nort's shoulder. And thus the two of them came, by no forethought, to the little hill just north of my farm, and I entered for a moment, all unconsciously, upon the comedy, or the tragedy, of that historic night.

I can't tell exactly what time it was, but I had been asleep for some time when I heard knocking on the outer door. As I started up in bed I heard some one calling my name, "David! David!" I ran downstairs quickly, wondering why Harriet was not before me, for she is a light sleeper. As I opened the door I saw a man on the porch.

"David!"

"Nort! What are you doing here at this time of the night?"

"Let me come in!" he said in a tense voice. "I've got something I must tell you."

I got him into my study and shut the door so that Harriet would not be disturbed. Then I struck a light and looked at Nort. His face was uncommonly pale; but his eyes, usually blue and smiling, were black with excitement. I could not fathom it at all. I had seen him before in a mood of exaltation, but nothing like this.

"David," said he, "I'm going to write a novel—a great novel."

He paused and looked at me with tremendous seriousness. The whole thing struck me all at once, partly in revulsion from the alarm I had felt when he first came in, as being the most absurd and humorous proceeding I had ever known. I laughed outright.

"Is this what you came to tell me at three o'clock in the morning?"

But Nort's mood was beyond ridicule. He did not seem to notice my laughter at all, but plunged at once into an account, a more or less jumbled account I am forced to admit, of all the things he would put into his novel. As nearly as I could make out he proposed to leave nothing out, nothing whatever that was in any way related to American life—politics, religion, business, love, art, city life, country life—everything. He didn't seem to be quite sure yet whether he could get it all into one large volume, like one of Scott's novels, or whether he would make a trilogy of volumes, like Frank Norris, or a whole comédie humaine after the manner of Balzac. I gathered that it was not only to be the great American novel, but the greatest that would ever be written.

It was so preposterous, so extraordinary! But it was Nort. I can see him now, vividly, pacing up and down the room, head thrown back, hair flying wild, telling me of his visions. I slipped into my overcoat, for it was cold, and still he talked on, and at moments I actually thought the rascal had lost control of himself. This impression was increased by a startling incident which was wholly unexplainable to me at the time. Just as Nort was walking down the study toward the east window he stopped suddenly, looked around at me, and said in a low voice:

He looked at me ruefully, whimsically. It was just as he had said: he had never thought of it.

"David, I'm awfully sorry and ashamed of myself. I'm a selfish devil."

What a boy he was: and how could any one hold a grudge against him! He was now all contrition, feared he'd wake up Harriet, and promised to creep out without making a sound. I asked him to stay with us, but he insisted that he couldn't, that he must get home. So he opened the door of the study, and tiptoed with exaggerated caution down the hall. At the door he paused and said in a whisper:

"David, there was some one at that window."

"Nonsense."

"Well, good-night."

"Good-night, Nort, and God bless you."

He closed the door with infinite caution, and I thought I had seen the last of him, but a moment later he stuck his head in again.

"David," he said in a stage whisper, "the great trouble is, I can't think of any heroine, any really great heroine, for my novel that isn't exactly like Anthy——"

"Nort, get out!" I laughed, not catching the significance of his remark until after he had gone.

"Well, good-night, anyhow, David," he said, "or good-morning. You're a downright good fellow, David."

And good morning it was: for when Nort went down the steps the dawn was already breaking. As I went upstairs I heard Harriet, in a frightened whisper:

"What in the world is the matter, David?"

But I refused to explain, at least until morning.

When he got up Fergus touched him on his shoulder. He was startled, and glanced around suddenly, and the two men stood for a moment looking into each other's eyes. And Nort knew as well as though some one had told him, that it had come to an unescapable issue between him and this grim Scotchman.

"Well, Fergus, where did you drop from?"

He tried to carry it off jauntily: he had always played with Fergus.

"I've been waitin' fer ye," said Fergus. "I want ye to come in the wood wi' me. I have a bone to pick wi' ye."

Fergus seemed perfectly cool; whatever agitation he felt showed itself only in the increasing Scotchiness of his speech.

Nort objected faintly, but was borne along by a will stronger than his own. They stepped into the woods and walked silently side by side until they came to an opening near the edge of a field. Here there were beech trees with spaces around them, and the ground was softly clad in new green bracken and carpeted with leaves. Nort felt a kind of cold horror which he could not understand.

"Fergus," he said, again trying to speak lightly, "it was you I saw looking in at David's window."

"It was," said Fergus. "I couldna let ye escape me."

They had now paused, and in spite of himself Nort was facing Fergus.

"We must ha' it oot between us, Nort," said Fergus.

"What do you mean? I don't understand."

"Yes, ye do."

Nort looked up at him suddenly.

"Anthy?"

"You've said it; ye ain't fit fer her, an' ye know it."

Nort turned deadly pale.

"Fergus," he said, "do you—have you——"

"I promised Anthy's father I'd look after her, an' I wull."

"But, Fergus, what have you got against me? I thought we were friends."

"What's friendship to do wi' it? Ye ain't good enough for Anthy: an' I wull na' ha' ye breakin' her heart. Who are ye that ye should be lookin' upon a girl like that?"

Fergus's voice was shaking with emotion.

"Well, I know I'm not good enough, Fergus, you're right about that. No one is, I think. But I—I love her, Fergus."

"Ye love her: ye think ye do: next week ye'll think ye don't."

At this a flame of swift anger swept over Nort.

"If I love her and she loves me, who else has got anything to say about it I'd like to know?"

"Wull, I have," said Fergus grimly.

Nort laughed, a nervous, fevered laugh, and threw out his arms in a gesture of impatience.

"Well, what do you want me to do?"

"Go away," said Fergus, "go away and let her alone. Go back whur ye come from, an' break no hearts."

Although the words were gruff and short, there was a world of pleading in them, too. Fergus had no desire to hurt Nort, but he wanted to get him away forever from Hempfield. It was only Anthy that he had in mind. He must save Anthy. Nort felt this note of appeal, and answered in kind:

"I can't do it, Fergus, and you have no right to ask me. If Anthy tells me to go, I will go. It is between us. Can't you see it?"

"Wull," said Fergus, hopelessly, "you an' me must ha' it oot."

With this, Fergus turned about and began to take off his coat. Nort remembered long afterward the look of Fergus deliberately taking off his coat—his angular, bony form, his wiry, freckled neck, his rough, red hair, his loose sleeves held up by gayly embroidered armlets, the trousers bagging in extremity at his knees. Even in that moment he felt a curious deep sense of pity, pity mingled with understanding, sweep over him. He had come some distance in the few short hours since Anthy's face had looked up into his.

Fergus laid his coat and hat at the trunk of a beech tree and began slowly to roll up his sleeves.

"Will ye fight wi' yer coat on or off?"

Nort suddenly laughed aloud. It was unbelievable, ridiculous! Why, it was uncivilized! It simply wasn't done in the world he had known.

Nort had never in his life been held down to an irrevocable law or principle, never been confronted by an unescapable fact of life. Some men go through their whole lives that way. He had never met anything from which there was not some easy, safe, pleasant, polite way out—his wit, his family connections, his money. But now he was looking into the implacable, steel-blue eyes of Fergus MacGregor.

"But, Fergus," he said, "I don't want to fight. I like you."

"There's them that has to fight," responded Fergus.

"I never fought anybody in my life," said Nort, as though partly to himself.

"That may be the trouble wi' ye."

Fergus continued, like some implacable fate, getting ready. He was now hitching up his belt.

Every artistic nature sooner or later meets some such irretrievable human experience. It asks only to see life, to look on, to enjoy. But one day this artistic nature makes the astonishing discovery that nature plays no favourites, that life is, after all, horribly concrete, democratic, little given to polite discrimination, and it gets itself suddenly taken seriously, literally, and dragged by the heels into the grime and common coarseness of things.

Nort was still inclined to argue, for it did not seem real to him.

"It won't prove anything, Fergus, fighting never does."

"'Fraid, are ye?"

"Yes," said Nort, "horribly."

And yet at the very moment that Nort was saying that he was horribly afraid, and he spoke the literal truth, a very strange procession of thoughts was passing swiftly through the back of his mind. He was somehow standing aside and seeing himself as he was at that moment, seeing, indeed, every detail of the scene before him like a picture, every tree and leaf, the carpet of leaves and bracken, seeing Fergus moving about. Yes, and he was laughing, away back there, at the picture he saw, and wondering at it, and thrilling over it, at the very moment that he was so horribly afraid. He was even speculating, back there, a little cynically, whether he, Nort, would finally stay to fight or run away. He actually did not know!

Fergus's dull, direct, geologic mind could not possibly have imagined what was passing nimbly behind those frightened, boyish blue eyes. Fergus was moving straight ahead in the path he had planned, and, on the whole, placidly. What a blessing in this world is a reasonable amount of dulness!

Having prepared himself, Fergus now stepped forward. Nort stood perfectly still, his arms hanging slack at his sides, his face as pale as marble, his eyes widening as Fergus approached.

"I can't see any reason for fighting," he was saying. "Why should you fight me?"

"Wull, we needna fight—if ye'll go away."

For one immense moment Nort saw himself running away, and with an incredible inner sense of relief and comfort. He wanted to run, intended to run, but somehow he could not. He was afraid to fight, but somehow he was still more afraid to run. And then, with a blinding flash he thought of Anthy. What would she say if she saw him running?

At that moment Fergus struck him lightly on the cheek.

It was like an electric shock to Nort. He stiffened in every muscle, red flashes passed before his eyes, his throat twisted hard and dry, and the tears came up to his eyes. In another moment he was grappling with Fergus, striking wildly, blindly. And he was, curiously, no longer confused. An incredible clearness of purpose swept over him. This purpose was to kill Fergus. There was to be no longer any foolery about it; he was going to kill him.

If Fergus had known what Nort was thinking at that moment he would have been horrified and shocked beyond measure. Fergus had not the most distant intent of injuring Nort seriously. He did not even hate him, but, I fully believe, really loved him, and was going through this disagreeable business quite coldly. As he received Nort's impetuous assault, he smiled with a sort of high exultation and found words to remark:

"The mair haste, Nort, the waur speed."

With that he hit out squarely with his wiry, muscular arm—just once—and Nort went down in the bracken and lay quite still.

Fergus stood looking down at him: the silent face upturned, very white, very boyish, very beautiful, the soft hair tumbling about his temples, the lax arms spread out among the leaves. And all around the still woods, and quiet fields, and the robins singing, and the sun coming up over the hill.

As Fergus looked down his breast began to heave and the tears came into his eyes.

"The bonnie, bonnie lad," he said; "he wadna run awa'."

Presently Nort stirred uneasily.

"Where am I?" he asked.

"Come, now," said Fergus tenderly, "we'll get down ta the brook."

With one arm around him, Fergus helped him through the woods, and knelt beside him while he dashed the cold water over his face and head.

"I hit ye hard," said Fergus, "and it's likely yer eye'll be blackened."

Nort sat down with his back to a tree trunk. He was sick and dizzy. It seemed to him that the thing he wanted most in all the world was to be left alone.

"I'm going away, Fergus. Leave me here. I shall not go back to Hempfield."

Fergus offered no excuses, suggested no change in plan. It was working out exactly as he intended: he was sorry for Nort, but this was his duty. He made Nort as comfortable as he could, and then set off toward town. As he proceeded, he stepped faster and faster. He began to feel a curious exaltation of spirit. It was the greatest moment of his whole life. If you had seen him at that moment, with his head lifted high, you would scarcely have known him. As the town came into view, with the eastern sun upon it, Fergus burst out in a voice as wild and harsh as a bagpipe:

"Wha will be a traitor knave?
Wha will fill a coward's grave?
Wha sae base as be a slave?
Let him turn and flee!"

For that which followed I make no excuse, nor think I need to, but I must tell it, for it is a part of the history of Hempfield and of the life of Fergus MacGregor. Ours is a temperance town, and Fergus MacGregor a temperate man; but that morning Fergus was seen going over the hill beyond the town, unsteady in the legs, and still singing. He did not appear at the office of the Star all that day.

As for Nort, he lay for a long time there at the foot of the beech tree, miserably sick in body and soul—dozing off from time to time, and trying to think, dumbly, what was left to him in the world. He was as deep in the depths that morning as he had been high in the heavens the evening before.