The dissertation examines the concept of Volk in Herder's thought through a semasiological study of the word, close readings of his usages, and analysis of his folk-song collection; it considers Herder's treatment of purported national exemplars such as Ossianic material and the ancient Hebrews, traces the philosophical foundations for individuality and personality within his framework, and situates his conception within broader eighteenth-century intellectual currents, concluding with a synthesis of how these strands shape Herder's understanding of popular identity and cultural expression.