INDEX
- Abbey, Henry E., 26, 29 note, 246, 247.
- Abington, Frances, iii.
- Adams, Annie, 325.
- Adams, Maude, 324–46;
- parentage and birth, 325;
- career as a child actress, 325–29;
- goes to New York, 329;
- with E. H. Sothern, 330;
- A Midnight Bell, 331;
- in Charles Frohman’s company, 331–2;
- John Drew’s leading woman, 332–34;
- becomes a “star,” 334;
- The Little Minister, 335;
- Romeo and Juliet, 336;
- L’Aiglon, 337;
- Peter Pan, 338–9;
- What Every Woman Knows, 339–40;
- Chanticler, 340–41;
- The Maid of Orleans, 341–2;
- Miss Adams and Barrie, 342;
- her personality, 343–6;
- her repertoire, 333 (note), 335 (note); 347.
- Agar, Marie, 13.
- Aguglia, Mimi, 366.
- Aiglon, L’, 337.
- Aldrich, Mildred, 271 (note).
- Alexander, George, 376.
- Alexandra, Queen, 49.
- Allen, Viola, 362 (note).
- Allgood, Sara, 366.
- Alma-Tadema, Laurence, 87, 248.
- Ambigu, The, 129–30.
- Anderson, Mary, 230–264;
- parentage, 230;
- birth, 231;
- girlhood and schooling, 232–35;
- decides on a stage career, 236;
- first appearance, 237;
- early trials, 239–40;
- acts in eastern cities, 242;
- goes abroad, 244;
- her repertoire, 245 (note);
- acts in London, 246–7;
- her friendships, 248;
- a London ovation, 252;
- distaste for the theater, 256–7;
- last appearance on the stage, 268–9;
- marriage, 260;
- her acting, 261–2;
- her personality, 262–3; 269 (note).
- Angelo, Mlle., 133.
- Anglin, Margaret, 354–6.
- Antoine, André, 153.
- Archer, William, 157, 184 (note), 202, 221 and note, 283.
- Arliss, George, 286.
- Arnold, Matthew, 45 (note).
- Arthur, Julia, 362 (note).
- Asquith, Herbert, 318.
- Augier, Emile, 139, 150.
- Baker, George Pierce, 265.
- Bancroft, Squire B., 109, 111, 376.
- Barrett, Lawrence, 208, 242, 247.
- Barrie, James M., 334, 342.
- Barron Charles, 308.
- Barry, Elizabeth, iii.
- Barrymore, Ethel, 350–53.
- Barrymore, Maurice, 286, 350.
- Bartet, Jeanne, 149, 180 (note).
- Bates, Blanche, 362 (note).
- Beauplan, Victor, 136.
- Beauregard, General, 240.
- Becky Sharp, 285.
- Belasco, David, 327–8.
- Bennett, Arnold, 166, 168.
- Bernhardt, Maurice, 13 note, 32 note, 34.
- Bernhardt Sarah, iv, 3–51;
- birth, 5;
- schooling, 6–7;
- at the Conservatoire, 8–9;
- her motto, 9;
- début at the Comédie Française, 10;
- at the Odéon, 11–16;
- hospital services during War of 1870, 13;
- returns to the Comédie, 16;
- eccentricities, 19;
- her sculpture, 19, 22;
- acts in London, 20–23;
- leaves the Comédie, 24;
- first American appearance, 28;
- marriage, 31;
- world-wide tours, 32;
- becomes a manager, 33;
- the “Marie Colombier” and Mme. Noirmont scandals, 34;
- the Memoirs, 35;
- her art, 36–41, 44–46;
- fêtes in her honor, 41, 43;
- Sarah the worker, 4, 42;
- professor at the Conservatoire, 43;
- admitted to Legion of Honor, 43;
- loses her leg, 47;
- repertoire, 12, 18, 28, 33 (notes); 160, 171, 175, 183, 184 (note), 186–92, 199, 201, 224, 226, 244.
- Berton, Pierre, 133 (note), 151.
- Bertrand, Eugène, 151.
- Besnard, Paul, 169.
- Betterton, Mrs., iii.
- Bingham, Amelia, 362 (note).
- Black, William, 248.
- Bloodgood, Clara, 362 (note).
- Bonnetain, Paul, 34 (note).
- Booth, Edwin, 77 and note, 208, 234, 240, 242, 247, 347.
- Boucicault, Dion, 242.
- Bracegirdle, Anne, iii, 373, 375 and note.
- Brady, William A., 359.
- Brand, Thomas, 369.
- Brandes, George, 87.
- Brougham, John, 208.
- Browning, Robert, 248.
- Burke, Billie, 351.
- Burne-Jones, Edward, 87.
- Byron, Arthur, 205 (note).
- Byron, Oliver Doud, 205.
- Campbell, Mrs. Patrick, 366.
- Captain Brassbound’s Conversion, 121–122.
- Carew, James, 123 (note).
- Carter, Mrs. Leslie, 362 (note).
- Carré, Albert, 138.
- Caruso, Enrico, 123.
- Cayvan, Georgia, 89 (note).
- Chanticler, 340.
- Charpentier, Gustave, 41.
- Chartran, T., 169.
- Chartres, Mme. Vivanti, 194 (note).
- Chaumont, Céline, 160.
- Cheatham, Kitty, 214.
- Checchi, Signor, 175.
- Chetwood, Wm., 371 (note).
- Chilly, M., 11, 12.
- Chlapowski, Count Karol Bozenta, 67, 69, 72, 75, 76, 79, 82–3 (note), 90 (note).
- Coghlan, Charles, 109, 111.
- Coghlan, Rose, 362 (note).
- Coleman, Mrs. Edw., 370 (note).
- Collins, Wilkie, 248.
- Colombier, Marie, 34.
- Comédie Française, profit-sharing system, 20 (note);
- see Bernhardt and Réjane.
- Conquest, Ida, 362 (note).
- Cook, Dutton, 96–7, 99.
- Coppée, François, 41, 42.
- Coquelin, B.-C., 23, 41, 193.
- Corbin, John, 45, 314.
- Corey, Mrs., 370.
- Cowl, Jane, 362, 365.
- Crabtree, Lotta, 228.
- Craig, Ailsa, 106.
- Craig, Gordon, 106, 121.
- Crehan, Kate, 205 and note.
- Crews, Laura Hope, 359, 360–1.
- Crosman, Henrietta, 362.
- Crosnier, Mme., 153.
- Cushman, Charlotte, iv, 235, 239 (note), 347.
- Daly, Arnold, 350.
- Daly, Augustin, 207, 208, 214–15 and note, 219–20, 222–27.
- Daly’s Theatre, London, 223.
- Damala, M., 31.
- d’Annunzio, Gabriel, 197, 276.
- d’Aurevilly, B., 150.
- D’Avenant, William, 370 and note, 371.
- Davenport, Mrs., 370.
- Davenport, E. L., 270.
- Davenport, Fanny, 208.
- Davey, Thomas, 267.
- David, Félicien, 132.
- Davies, Acton, 328, 336 (note).
- Dean, Frederic, 344 (note).
- de Banville, Theodore, 36.
- Defère, M., 150.
- de Lesseps, F., 20 (note).
- de Navarro, Antonio F., 260.
- de Reszke, Eduard, 89.
- de Reszke, Jan, 89.
- de Saint-Victor, Paul, 17.
- Deschanel, Paul, 49.
- Desclée, Aimée Olympe, 137 and note, 222 (note).
- Devrient, Fritz, 58.
- Dillingham, C. B., 313.
- Doll’s House, A, 280.
- Doran, Dr. John, 368.
- Dornis, Jean, 174 (note).
- Doro, Marie, 351.
- Doucet, C., 9 (note).
- Dow, Ada (Mrs. Currier), 301, 302 and note, 306.
- Drew, John, 206, 214, 226, 332–4, 350.
- Drew, Mrs. John, 204 (note), 206.
- Drew-Barrymore, Georgie, 350 (note).
- Dumas, Alexandre, fils, 175–7, 185, 188–9.
- Dumas, Alexandre, père, 13 (note).
- Dunn, Emma, 362, 365.
- Duquesnel, M., 11, 16, 142, 143.
- Duse, Eleonora, iv, 123, 171–202;
- birth, 171;
- family, 172;
- childhood, 173–4;
- first important appearances, 174, 175;
- marriage, 175;
- Duse and Dumas, 176;
- foreign appearances, 177–8;
- acts in America, 178, 183;
- her art, 179–81, 199–202;
- acts in London, 183;
- acts in Paris, 184–93;
- the Dumas memorial performance, 188–9;
- her personality, 194–6;
- the d’Annuzio alliance, 197;
- her repertoire, 182 (note), 197 (note); 265 (note).
- Eaton, Walter Prichard, 280, 352, 355, 361.
- Eberle, Robert, 344 (note).
- Echegaray, Jose, 276.
- Edison, Thomas A., 29.
- Elliott, Gertrude, 366.
- Elliott, Maxine, 362 (note).
- Emmet, J. K., 270, 326.
- Easier, Jane, 129.
- Eugénie, former Empress, 49.
- Faversham, William, 336, 350.
- Fenwick, Irene, 363, 365.
- Ferguson, Elsie, 302, 364.
- Field, Eugene, 87.
- Filon, Augustin, 156 and note, 159.
- Fiske, Harrison Grey, 269, 289–90, 292.
- Fiske, Mrs. Minnie Maddern, 181 (note); 265–298;
- speaks at Harvard, 265;
- her significance, 266;
- parentage, 267;
- birth, 268;
- career as a child actress, 268–71;
- marriage and retirement, 272;
- Mrs. Fiske and the modern spirit, 273;
- her repertoire, 270 (note), 274 (note);
- her art, 275–87;
- encouragement of native-made drama, 288–9;
- Mr. Fiske’s share, 289–90;
- the theatrical syndicate, 290–1;
- as a stage director, 291;
- as a playwright, 292;
- outside interests, 293;
- her personality, 294–6; 357.
- Forbes, Mary, 366.
- Forbes-Robertson, J., 255, 376.
- Frohman, Charles, 313, 331–2, 350.
- Frohman, Daniel, 330.
- Fulda, Ludwig, 276.
- Fyvie, John, 373 and (note).
- Garden, Mary, 279.
- Genée, Adeline, 123.
- George, Grace, 359–60.
- Gilbert, Mrs. James, 214, 226.
- Gilbert, W. S., 248, 255, 262.
- Gilder, Richard Watson, 87.
- Gillette, William, 350.
- Gladstone, Wm. E., 248.
- Glendinning, Ernest, 350.
- Gosse, Edmund, 248.
- Got, François, 20, 27, 187.
- Grant, General U. S., 87, 241.
- Griffin, Dr. Hamilton, 232, 236, 237.
- Griffith, Frank Carlos, 269 (note), 271 (note), 293 (note), 295 (note), 296 (note).
- Grille-d’Egout, Mlle., 154.
- Gwynn, Nell, 370.
- Hackett, James K., 336, 350.
- Hale, Philip, 49.
- Halévy, L., 155, 187.
- Harancourt, Edmond, 42.
- Hare, John, 111, 376.
- Harned, Virginia, 330, 362 (note).
- Hedda Gabler, 279, 280.
- Hedman, Martha, 356, 362, 365.
- Herne, James A., 327–8.
- Hichens, Robert, 260.
- High Road, The, 289.
- Hill, Barton, 80 and note.
- Hollis Street Theatre, Boston, 225 (note), 309.
- Hood, General, 240.
- Howells, William Dean, 284, 314 (note).
- Hughes, Margaret, 370.
- Hugo, Victor, 14 and note, 249.
- Huneker, James, 357.
- Huret, Jules, 7 (note), 128 (note), 143, 153, 168, 169, 192.
- Hyde, James Hazen, 165.
- Ibsen, Henrik, 273, 276–7, 279–81, 357.
- Illington, Margaret, 362, 363.
- Ingersoll, Robert G., 306–7, and note.
- Irish national theatre, 103.
- Irving, Henry, 105, 112–3, 115, 117, 118, 120, 215 (note), 247, 351, 376.
- Irving, Isabel, 214, 362 (note).
- Irwin, May, 362 (note).
- James, Henry, 21.
- Janauschek, Francesca, v, 347.
- Janis, Elsie, 49 (note).
- Jefferson, Joseph, 242, 270.
- Johnson, Samuel, 373–4 and note.
- Jones, Henry Arthur, 273.
- Jordan, Dorothy, iii.
- Jordan, Thomas, 370, 371 (note).
- Jourdain, Frantz, 132.
- Kalich, Bertha, 356, 366.
- Kean, Charles, 95, 97, 101.
- Keane, Doris, 362, 365.
- Keene, Laura, 270.
- Kelly, Charles; see Wardell.
- Kelm, Joseph, 132.
- Kemble, Frances Ann, iv, 256.
- Kester, Paul, 292.
- Killigrew, Thomas, 370, 371.
- Kiskadden, James, 325.
- Knipp, Mrs., 370.
- L’Aiglon, 337.
- Laurent, Marie, 129.
- Lavedan, Henri, 41.
- Leah Kleschna, 287.
- Legault, Mlle., 135.
- Legend of Leonora, The, 343.
- Legouvé, Ernest, 136.
- Lemaître, Frédérick, 129.
- Lemaître, Jules, 36, 41, 50, 155, 187.
- Levick, Milnes, 237.
- Lewis, James, 214, 226.
- Little Minister, The, 334–5.
- Long, John Luther, 288, 298.
- Longfellow, Henry Wadsworth, 87–88, 242.
- Lowell, James Russell, 87, 248, 249, 255.
- Lyceum Theatre, 113–114.
- Lynch, Arthur, 210, 218 (note).
- Lytton, Lord, 248.
- Macauley’s Theatre, Louisville, 207.
- McCarthy, Justin H., 87.
- McCarthy, Lillah, 356, 366.
- McCracken, Elizabeth, 321, 323.
- McCullough, John, 79–80, 81 (note), 208, 236, 247, 270.
- MacKaye, Percy, 124 (note).
- McLellan, C. M. S., 215 (note), 288, 308.
- Macready, William C., 98 (note).
- McWade, Robert, 301.
- Madame Sans-Gêne, 155–6, 158, 160, 162 and note.
- Maeterlinck, Maurice, 277.
- Magnus, Baron, 27.
- Maid of Orleans, The, 341.
- Manchester Players, The, 103.
- Man of Destiny, The, 122.
- Mannering, Mary, 362 (note).
- Mansfield, Richard, 225 (note).
- Mantell, Robert, 350.
- Mapes, Victor, 189 (note).
- Marlowe, Julia, 89 (note), 299–323;
- birth, 299, 305 (note);
- girlhood, 300;
- first appearances, 300;
- course of training, 302–4;
- returns to stage, 305;
- early uncertainties, 306–8;
- first triumph, 309;
- marriage to Robert Taber, 311;
- repertoire, 311 (note);
- the Julia Marlowe Taber period, 311–3;
- the period of the commercial plays, 313–6;
- the “Sothern and Marlowe” period, 316–21;
- acts in London, 318;
- at the New Theatre, 319;
- her personality, 321–3; 347.
- Marshall, Anne, 370.
- Martin, Frederick Roy, 164.
- Mary of Magdala, 287.
- Matthison, Edith Wynne, 356, 358–9.
- Maurice, Paul, 15 (note).
- Maxwell, Perriton, 330 (notes).
- Mayer, Gaston, 168 (note).
- Meilhac, Henri, 137, 153, 170.
- Mendès, Catulle, 38 (note), 42, 187.
- Mendès, Catulle, Mme. Jane, 47.
- Meunier, Dauphin, 126, 140, 154, 155.
- Mid-Channel, 352.
- Miles, Robt. E. J., 301, 305.
- Miller, Henry, 350.
- Mitchell, Langdon, 285.
- Modjeska, Helena, 52–92;
- birth, 52;
- childhood, 52–58;
- marriage, 59;
- first appearance, 60;
- life as a strolling player, 61;
- joins company at Lemberg, 63;
- in stock company at Czerniowce, 63;
- in company of Cracow theatre, 64–69;
- goes to Imperial Theatre at Warsaw, 70;
- goes to America, 76;
- the farming experiment in California, 78;
- first appearance in America, 81;
- repertoire, 82 (note);
- her personality, 83;
- her art 85–87;
- her friendships, 87;
- her address at the Chicago Exposition, 89;
- testimonial of 1905, 90;
- death, 92; 347.
- Modrzejewski, Gustave, 56, 57, 59, 61, 64.
- Mohun, Lord, 373.
- Morris, Clara, 89 (note), 242, 362 (note).
- Mountford, William, 373.
- Naptal-Arnault, Mme., 128 (note).
- Nazimova, Alla, 356–8.
- Neilson, Adelaide, v, 208, 219.
- Neilson, Julia, 94 (note).
- Neilson-Terry, Phyllis, 94 (note), 366.
- Newman, Cardinal, 248.
- New Theatre, The, 124 (note), 316, 319, 359.
- New York Idea, The, 283–284 (note).
- Noirmont, Mme., 35.
- Offenbach, J., 145.
- Oldfield, Anne, iii.
- Olivia, 111–2.
- O’Neil, Nance, 358, 362.
- O’Neill, James, 292.
- Orleneff, Paul, 356.
- Owen, William, 308.
- Paderewski, Ignace J., 88, 90, 91 (note).
- Page, Adèle, 129.
- Parker, H. T., 279, 280.
- Parker, Louis N., 334.
- Peabody, Josephine Preston, 124 (note).
- Pepys, Samuel, 370, 371.
- Perrin, Emile, 17, 19, 22, 24, 27.
- Peter Pan, 338–9.
- Pillars of Society, 279, 282.
- Pinero, A. W., 273, 276, 376.
- Poincairé, Raymond, 43.
- Porel, D. P., 152, 166.
- Power, Tyrone, 286, 287.
- Prince of Wales’s Theatre, 109.
- Princess’s Theatre, 95.
- Provost, Jean, 9 (note).
- Prynne, William, 369.
- Rachel (Rachel Felix), iv, 45 (note), 150.
- Raymond, John T., 208.
- Reade, Charles, 104, 108, 116.
- Reed, Florence, 363, 365.
- Regnier, F. J., 9 (note), 133, 134, 135 and note, 136, 138, 140, 144, 145–9, 150, 151, 161.
- Rehan, Ada, iii, 203–229;
- birth, 204;
- brought to America, 204;
- her family, 205;
- first appearance, 205;
- in various companies, 206–209;
- joins Augustin Daly, 209;
- her repertoire, 208 (note), 217 (note);
- her personality, 210–13;
- the Daly Company, 214;
- her acting, 217–21, 226;
- first plays in London, 221;
- becomes a “star,” 224;
- her last appearances, 227–8; 347.
- Reicher, Hedwig, 356, 366.
- Réjane, Gabrielle, 126–170;
- birth, 128;
- childhood, 128–131;
- at school, 131–133;
- enters the Conservatoire, 133;
- first public appearance, 138;
- joins the Vaudeville, 142;
- repertoire, 143–4 (note);
- correspondence with Regnier, 145–9;
- informal appearances, 150;
- joins the Variétés, 151;
- a typical first night, 152;
- Madame Sans-Gêne, 165;
- her personality, 126, 156, 168–70;
- her art, 158–160;
- appearances outside France, 160–1, 167;
- the American tours, 161;
- the Havana fiasco, 163–4;
- the Hyde dinner, 165;
- marriage, 166;
- the Théâtre Réjane, 166–7; 291.
- Richepin, Jean, 34 (note), 35.
- Richman, Charles, 228.
- Riley, Josephine, 301.
- Ristori, Adelaide, iv, 200, 244.
- Robinson, Mary, iv.
- Robson, Eleanor, 362 (note).
- Rochefort, Henri, 187.
- Rosemary, 334.
- Rosmersholm, 281.
- Rossi, Cesare, 175.
- Rostand, Edmond, 3, 4 (note), 41, 42, 43, 49, 189.
- Ruhl, Arthur, 357.
- Russell, Annie, 362.
- Russell, Hattie (Harriet Crehan), 205 (note).
- Salvation Nell, 279, 288.
- Salvini, Tommaso, 183, 200.
- Samson, Joseph, 9 (note).
- Sand, George, 13.
- Sarcey, Francisque, 10 (note), 15, 17, 25, 36, 137, 140, 144, 150, 154, 155, 177, 187, 190, 192.
- Sardou, Victorien, 25 (note), 41, 150, 155, 162, 223.
- Saunderson, Mrs., 370.
- Scott, Clement, 94, 106, 111, 112, 114, 221, 222 (note).
- Scott, Sir Walter, 93.
- Sembrich, Marcella, 91 (note).
- Shannon, Effie, 362 (note).
- Shaw, George Bernard, iii, 38, 113–4, 115, 117, 120, 121, 199, 225–7, 273.
- Shaw, Mary, 308, 362 (note).
- Sheldon, Edward, 288.
- Sherman, General Wm. T., 87, 241.
- Siddons, Sarah, iv, 374.
- Sienkiewicz, Henryk, 75, 81.
- Simon, Charles, 133.
- Skinner, Otis, 226, 227, 350.
- Sothern, E. A., 103, 118.
- Sothern, E. H., 265, 316–20, 330, 350.
- Stahl, Rose, 362.
- Starr, Frances, 362, 365.
- Stedman, E. C., 91, 92.
- Stevens, Emily, 362, 364.
- Stinson, Fred, 308, 312.
- Stoddard, Lorimer, 284.
- Sudermann, Hermann, 276.
- Symons, Arthur, 159, 194, 318.
- Synge, John M., iii.
- Taber, Robert, 308, 311–2, 313 (note).
- Tarasiewicz, Michael, 92.
- Taylor, Laurette, 362, 366.
- Tellegen, Lou, 350.
- Tempest, Marie, 366.
- Tennyson, Lord, 87, 223, 248, 256.
- Terry, Beatrice, 94 (note).
- Terry, Benjamin, 93, 94, 95, 96.
- Terry, Charles, 94 and note.
- Terry, Ellen, iii, 93–125;
- parentage, 93;
- family, 94–5;
- birth, 94;
- early training, 96, 99–100;
- first appearance, 96–8;
- a strolling player, 101;
- Atar-Gull, 102;
- at Bristol, 102–3;
- with the elder Sothern, 103;
- marriage and retirement, 103–4;
- returns to stage, 104;
- acts first with Irving, 105;
- second retirement, 106–8;
- returns to stage, 109;
- with S. B. Bancroft, 109–11;
- first plays Portia, 109;
- with John Hare, 111–12;
- Olivia, 111;
- becomes leading woman at the Lyceum, 112;
- the Irving régime, 113;
- her personality, 114, 118, 121;
- Bernard Shaw’s estimate, 113, 115, 117, 120;
- her art, 116;
- leaves Irving’s company, 121;
- the Terry Jubilee, 122;
- a lecturer on Shakespeare, 123–4;
- repertoire, 119 (note); 247.
- Terry, Florence, 94, 95.
- Terry, Fred, 94 and note.
- Terry, George, 94 (note).
- Terry, Kate, 94, 95, 101, 102.
- Terry, Marion, 94, 95.
- Terry, Minnie, 94 (note).
- Tess of the D’Urbervilles, 284.
- Theuriet, André, 41, 42.
- Thierry, Edward, 135.
- Thomas, Ambroise, 136.
- Thompson, Vance, 157.
- Tilden, Samuel J., 244 (note).
- Tree, H. Beerbohm, 318, 376.
- Vandenhoff, George, 236.
- Varrey, Charles, 20 (note).
- Verbruggen, Mrs., iii.
- Victoria, Queen, of Spain, 49.
- von Bülow, Hans, 87.
- Walkley, A. B., 318, 319 (note).
- Wallack, Lester, 355.
- Walsh, Blanche, 362 (note).
- Ward, Mrs. Humphrey, 248.
- Wardell, Charles, 106, 123 (note).
- Ware, Helen, 362, 365.
- Warfield, David, 350.
- Watterson, Henry, 87, 232 (note), 238 (note), 244 (note).
- Watts, George Frederick, 87, 103–4, 248.
- Western, Lucille, 270.
- White, LeGrand, 272 (note).
- Wilde, Oscar, 157, 273.
- Wills, W. G., 112.
- Wilson, Francis, 265.
- Winter, William, 3, 26, 35, 37, 38, 44, 46, 85, 90 (note), 123, 165, 211, 212, 220 and note, 228, 238 (note), 242, 247, 251, 261, 313 (note), 315, 335, 338 and note, 340, 347.
- Woffington, Margaret, iii.
- Worthing, Frank, 360.
- Wyndham, Charles, 376.
- Young, Mary, 214 (note).
- Zimmern, Helen, 196 (note).