"The cup was then refilled and the unfortunate drinker was compelled to go through the same ceremony again. Every one at the table took the cup and 'turned it over' in succession, the chief shepherd keeping the pail constantly supplied with beer. The parlour guests were of course invited to turn the cup over with the guests of the kitchen, and went through the ordeal with more or less of success. For my own part, I confess that I failed to catch the cup in the hat at the first trial and had to try again; the chairman, however, mercifully gave me only a small quantity of beer the second time."
The civic life of Hastings would seem to encourage literature, for I find also in one of the Archæological Society's volumes, the following pretty lines by John Collier—Mayor of Hastings in 1719, 22, 30, 37, and 41—on his little boy's death:
Hastings has two advantages over both Brighton and Eastbourne: it can produce a genuine piece of antiquity, and seen from the sea it has a picturesque quality that neither of those towns possesses. Indeed, under certain conditions of light, Hastings is magnificent, with the craggy Castle Hill in its midst surmounted by its imposing ruin. The smoke of the town, rising and spreading, shrouds the modernity of the sea front, and the castle on its commanding height seems to be brooding over the shores of old romance. Brighton has no such effect as this.
Of the Castle little is known. It was probably built on the site of Roman fortifications, by the Comte d'Eu, who came over with the Conqueror. The first tournament in England is said to have been held there, with Adela, daughter of the Conqueror, as Queen of Beauty. After the castle had ceased to be of any use as a stronghold it was still maintained as a religious house. It is now a pleasure resort. The ordinary visitor to Hastings is, however, more interested by the caves in the hill below, originally made by diggers of sand and afterwards used by smugglers.
Before branching out from Hastings into the country proper I might mention two neighbouring points of pilgrimage. One is Hollington Rural church, on the hill behind the town, whither sooner or later every one walks. It is a small church in the midst of a crowded burial ground, and it is difficult to understand its attraction unless by the poverty of other objectives. I should not mention it, but that it is probably the church to which Charles Lamb, bored by Hastings itself, wended his way one day in 1825. He describes it, in terms more fitting to, say, Lullington church near Alfriston, or St. Olave's at Chichester, in no fewer than three of his letters. This is the best passage, revelling in a kind of inverted exaggeration, as written to John Bates Dibdin, at Hastings, in 1826:—"Let me hear that you have clamber'd up to Lover's Seat; it is as fine in that neighbourhood as Juan Fernandez, as lonely too, when the Fishing boats are not out; I have sat for hours, staring upon the shipless sea. The salt sea is never so grand as when it is left to itself. One cock-boat spoils it. A sea mew or two improves it. And go to the little church, which is a very protestant Loretto, and seems dropt by some angel for the use of a hermit, who was at once parishioner and a whole parish. It is not too big. Go in the night, bring it away in your portmanteau, and I will plant it in my garden. It must have been erected in the very infancy of British Christianity, for the two or three first converts; yet hath it all the appertances of a church of the first magnitude, its pulpit, its pews, its baptismal font; a cathedral in a nutshell. Seven people would crowd it like a Caledonian Chapel. The minister that divides the word there, must give lumping pennyworths. It is built to the text of two or three assembled in my name. It reminds me of the grain of mustard seed. If the glebe land is proportionate, it may yield two potatoes. Tythes out of it could be no more split than a hair. Its First fruits must be its Last, for 'twould never produce a couple. It is truly the strait and narrow way, and few there be (of London visitants) that find it. The still small voice is surely to be found there, if any where. A sounding board is merely there for ceremony. It is secure from earthquakes, not more from sanctity than size, for 'twould feel a mountain thrown upon it no more than a taper-worm would. Go and see, but not without your spectacles."
The Lover's Seat, mentioned in the first sentence of the above passage, is at Fairlight, about two miles east of Hastings. The seat is very prettily situated high in a ledge in Fairlight Glen. Horsfield shall tell the story that gave the spot its fascinating name:—
"A beautiful girl at Rye gained the affections of Captain——, then in command of a cutter in that station. Her parents disapproved the connection and removed her to a farm house near the Lover's Seat, called the Warren-house. Hence she contrived to absent herself night after night, when she sought this spot, and by means of a light made known her presence to her lover, who was cruising off in expectation of her arrival. The difficulties thus thrown in their way increased the ardour of their attachment and marriage was determined upon at all hazards. Hollington Church was and is the place most sought for on these occasions in this part of the country; it has a romantic air about it which is doubtless peculiarly impressive. There are, too, some other reasons why so many matches are solemnized here; and all combined to make this the place selected by this pair. It was expected that the lady's flight would be discovered and her object suspected; but in order to prevent a rescue, the cutter's crew positively volunteered and acted as guards on the narrow paths leading through the woods to the church. However, the marriage ceremony was completed before any unwelcome visitors arrived, and reconciliation soon followed."
Bexhill has now become so exceedingly accessible by conveyance from Hastings that it might perhaps be mentioned here as a contiguous place of interest; but of Bexhill, till lately a village, or Bexhill-on-Sea, watering place, with everything handsome about it, there is little to say. Both the tide of the Channel and of popularity seem to be receding. Inland there is some pretty country.
CHAPTER XXXVII
BATTLE ABBEY
Le Souvenir Normande—The Battle of Hastings—Normans and Saxons on the eve—Taillefer—The battle cries—The death of Harold—Harold's body: three stories—The field of blood—Building the Abbey—The Abbot's privileges—Royal visitors—A great feast—The suppression of the Abbey—Present-day Battle—An incredible butler—Ashburnham—The last forge—Ninfield—Crowhurst.
The principal excursion from Hastings is of course to Battle, whither a company of discreetly satisfied Normans—Le Souvenir Normande—recently travelled, to view with tactfully chastened enthusiasm the scene of the triumph of 1066; to erect a memorial; and to perplex the old ladies of Battle who provide tea. Except on one day of the week visitors to Battle must content themselves with tea (of which there is no stint) and a view of the gateway, for the rule of showing the Abbey only on Tuesdays is strictly enforced by the American gentleman who now resides on this historic site. But the gateway could hardly be finer.
The battle-field was half a mile south of the Abbey, on Telham hill, where in Harold's day was a hoary apple tree. We have seen William landing at Pevensey on September 28, 1066: thence he marched to Hastings "to steal food," and thence, after a delay of a fortnight (to some extent spent in fortifying Hastings, and also in burning his boats), he marched to Telham hill. That was on October 13. On the same day Harold reached the neighbourhood, with his horde of soldiers and armed rustics, and both armies encamped that night only a mile apart, waiting for the light to begin the fray. The Saxons were confident and riotous; the Normans hopeful and grave. According to Wace, "all night the Saxons might be seen carousing, gambolling, and dancing and singing: bublie they cried, and wassail, and laticome and drinkheil and drink-to-me!"
Battle Abbey, the Gateway.
At daybreak in the Norman camp Bishop Odo celebrated High Mass, and immediately after was hurried into his armour to join the fight. As the Duke was arming an incident occurred but for which Battle Abbey might never have been built. His suit of mail was offered him wrong side out. The superstitious Normans standing by looked sideways at each other with sinking misgiving. They deemed it a bad omen. But William's face betrayed no fear. "If we win," he said, "and God send we may, I will found an Abbey here for the salvation of the souls of all who fall in the engagement." Before quitting his tent, he was careful that those relics on which Harold had sworn never to oppose his efforts against England's throne should be hung around his neck.
So the two armies were ready—the mounted Normans, with their conical helmets gleaming in the hazy sunlight, with kite-shaped shields, huge spears and swords; the English, all on foot, with heavy axes and clubs. But theirs was a defensive part; the Normans had to begin. It fell to the lot of a wild troubadour named Taillefer to open the fight. He galloped from the Norman lines at full speed, singing a song of heroes; then checked his steed and tossed his lance thrice in the air, thrice catching it by the point. The opposing lines silently wondered. Then he flung it at a luckless Saxon with all the energy of a madman, spitting him as a skewer spits a lark. Taillefer had now only his sword left. This also he threw thrice into the air, and then seizing it with the grip of death he rode straight at the Saxon troops, dealing blows from left to right, and so was lost to view.
Thus the Battle of Hastings began. "On them in God's name," cried William, "and chastise these English for their misdeeds." "Dieu aidé," his men screamed, spurring to the attack. "Out, Out!" barked the English, "Holy Cross! God Almighty!" The carnage was terrific. It seemed for long that the English were prevailing; and they would, in all likelihood, have prevailed in the end had they kept their position. But William feigned a retreat, and the English crossed their vallum in pursuit. The Normans at once turned their horses and pursued and butchered the unprepared enemy singly in the open country. A complete rout followed. The false step was decisive.
Not till night, however, did Harold fall. He upheld his standard to the last, hedged about by a valiant bodyguard who resisted the Normans till every sign of life was battered out of them. The story of the vertically-discharged arrows is a myth. An eye-witness thus described Harold's death: "An armed man," said he, "came in the throng of the battle and struck him on the ventaille of the helmet and beat him to the ground; and as he sought to recover himself a knight beat him down again, striking him on the thick of the thigh down to the bone." So died Harold, on the exact site of the high altar of the Abbey, and so passed away the Saxon kingdom.
That night, William, who was unharmed, though three horses were killed under him, had his tent set up in the midst of the dead, and there he ate and drank. In the morning the Norman corpses were picked out and buried with due rites; the Saxons were left to rot. According to the Carmen William I. had Harold's body wrapped in purple linen and carried to Hastings, where it was buried on the cliff beneath a stone inscribed with the words: "By the order of the Duke, you rest here, King Harold, as the guardian of the shore and the sea." Mr. Lower was convinced of the truth of that story; but William of Malmesbury says that William sent Harold's body to his mother the Countess Gytha, who buried it at Waltham, while a third account shows us Editha of the Swan Neck, Harold's wife, wandering through the blood-stained grass, among the fallen English, until she found the body of her husband, which she craved leave to carry away. William, this version adds, could not deny her.
Fuller writes in the Worthies, concerning the wonders of Sussex:—"Expect not here I should insert what William of Newbury writeth (to be recounted rather amongst the Untruths than Wonders); viz. 'That in this County, not far from Battail-Abby, in the Place where so great a slaughter of the Englishmen was made, after any shower, presently sweateth forth very fresh blood out of the Earth, as if the evidence thereof did plainly declare the voice of Bloud there shed, and crieth still from the Earth unto the Lord.' This is as true, as that in white chalky Countries (about Baldock in Hertfordshire) after rain run rivolets of Milk; Neither being anything else than the Water discoloured, according to the Complexion of the Earth thereabouts."
Mount Street, Battle.
The Conqueror was true to his vow, and the Abbey of St. Martin was quickly begun. At first there was difficulty about the stone, which was brought all the way from Caen quarries, until, according to an old writer, a pious matron dreamed that stone in large quantities was to be found near at hand. Her vision leading to the discovery of a neighbouring quarry, the work proceeded henceforward with exceeding rapidity.
Although the first Abbot was appointed in 1076, William the Conqueror did not live to see the Abbey finished. Sixty monks of the Order of St. Benedict came to Battle from the Abbey of Marmontier in Normandy, to form its nucleus. It was left to William Rufus to preside over the consecration of Battle, which was not until February, 1095, when the ceremony was performed amid much pomp. William presented to the Abbey his father's coronation robe and the sword he had wielded in the battle. Several wealthy manors were attached and the country round was exempted from tax; while the Abbots were made superior to episcopal control, and were endowed with the right to sit in Parliament and a London house to live in during the session. Indeed nothing was left undone that could minister to the pride and power of the new house of God.
The Abbey of St. Martin was quadrangular, standing in the midst of a circle nine miles round. Within this were vineyards, stew ponds and rich land. Just without was a small street of artisans' dwellings, where were manufactured all things requisite for the monks' material well-being. The church was the largest in the country, larger even than Canterbury. It was also a sanctuary, any sentenced criminal who succeeded in sheltering therein receiving absolution from the Abbot. The high altar, as I have said, was erected precisely on the spot where Harold fell: a spot on which one may now stand and think of the past.
Battle Abbey was more than once visited by kings. In 1200 John was there, shaking like a quicksand. He brought a piece of our Lord's sepulchre, which had been wrested from Palestine by Richard the Lion Heart, and laid it with tremulous hands on the altar, hoping that the magnificence of the gift might close Heaven's eyes towards sins of his own. In 1212, he was at Battle Abbey again, and for the last time in 1213, seeking, maybe, to find in these silent cloisters some forgetfulness of the mutterings of hate and scorn that everywhere followed him.
Just before the Battle of Lewes, Henry III. galloped up, attended by a body-guard of overbearing horsemen, and levied large sums of money to assist him in the struggle. After the battle he returned, a weary refugee, but still rapacious.
These visits were not welcome. It was different when Edward II. slept there on the night of August 28th, 1324. Alan de Ketbury, the Abbot, was bent on showing loyalty at all cost, while the neighbouring lords and squires were hardly less eager. The Abbot's contribution to the kitchen included twenty score and four loaves of bread, two swans, two rabbits, three fessantes, and a dozen capons; William de Echingham sent three peacocks, twelve bream, six muttons, and other delicacies; and Robert Acheland four rabbits, six swans, and three herons.
In 1331, Abbot Hamo and his monks kept at bay a body of French marauders, who had landed at Rye, until the country gentlemen could assemble and repulse them utterly.
Then followed two peaceful centuries; but afterwards came disaster, for, in 1558, Thomas Cromwell sent down two commissioners to examine into the state of the Abbey and report thereon to the zealous Defender of the Faith. The Commissioners found nineteen books in the library, and rumours of monkish debauchery without the walls. "So beggary a house," wrote one of the officers, "I never see." Battle Abbey was therefore suppressed and presented to Sir Anthony Browne, upon whom, as we saw in the first chapter, the "Curse of Cowdray" was pronounced by the last departing monk.
To catalogue the present features of Battle Abbey is to vulgarise it. One comes away with confused memories of grey walls embraced by white clematis and red rose; gloomy underground caverns with double rows of arches, where the Brothers might not speak; benignant cedars blessing the turf with extended hands; fragrant limes waving their delicate leaves; an old rose garden with fantastic beds; a long yew walk where the Brothers might meditatively pace—turning, perhaps, an epigram, regretting, perhaps, the world. Nothing now remains of the Refectory, where, of old, forty monks fed like one, except the walls. It once had a noble roof of Irish oak, but that was taken to Cowdray and perished in the fire there, together with the Abbey roll. One of the Abbey's first charms is the appropriateness of its gardens; they too are old. In the cloisters, for instance, there are wonderful box borders.
Battle Abbey. The Refectory.
Turner painted "Battle Abbey: the spot where Harold fell," with a greyhound pressing hard upon a hare in the foreground, and a Scotch fir Italianated into a golden bough.
The town of Battle has little interest. In the church is a brass to Thomas Alfraye and his wife Elizabeth—Thomas Alfraye "whose soul" according to his epitaph,
One would like to know more of this Samson. The tomb of Sir Anthony Browne is also here; but it is not so imposing as that of his son, the first Viscount Montagu, which we saw at Easebourne. In the churchyard is the grave of Isaac Ingall, the oldest butler on record, who died at the age of one hundred and twenty, after acting as butler at the Abbey for ninety-five years.
From Battle one may reach easily Normanhurst, the seat of the Brasseys, and Ashburnham Park, just to the north of it, a superb undulating domain, with lakes, an imposing mansion, an old church, brake fern, magnificent trees and a herd of deer, all within its confines. Of the church, however, I can say nothing, for I was there on a very hot day, the door was locked, and the key was at the vicarage, ten minutes' distant, at the top of a hill. Churches that are thus controlled must be neglected.
Ashburnham Place once contained some of the finest books in England and is still famous for its relics of Charles I.; but strangers may not see them. The best Sussex iron was smelted at Ashburnham Furnace, north of the park, near Penhurst. Ashburnham Forge was the last to remain at work in the county; its last surviving labourer of the neighbourhood died in 1883. He remembered the extinguishing of the fire in 1813 (or 1811), the casting of fire-backs being the final task. Penhurst, by the way, is one of the most curiously remote villages in east Sussex, with the oddest little church.
I walked to Ashburnham from Ninfield, a clean breezy village on the hill overlooking Pevensey Bay, with a locked church, and iron stocks by the side of the road. It is stated somewhere that at "that corner of Crouch Lane that leads to Lunford Cross, and so to Bexhill and Hastings," was buried a suicide in 1675. At how many cross roads in Sussex and elsewhere does one stand over such graves?
One may return to Hastings by way of Catsfield, which has little interest, and Crowhurst, famous for the remains of a beautiful manor house and a yew tree supposed to be the oldest in Sussex. It is curious that Crowhurst in Surrey is also known for a great yew.
CHAPTER XXXVIII
WINCHELSEA AND RYE
Medieval Sussex—The suddenness of Rye—The approach by night—Cities of the plain—Old Winchelsea—The freakish sea—New Winchelsea—The eternal French problem—Modern Winchelsea—The Alard tombs—Denis Duval and the Westons—John Wesley—Old Rye—John Fletcher—The Jeakes'—An unknown poet—Rye church—The eight bells—Rye's streets—Rye ancient and modern—A Rye ceramist—Pett—Icklesham's accounts—A complacent epitaph—Iden and Playden—Udimore's church—Brede Place—The Oxenbridges—Dean Swift as a baby.
In the opinion of many good judges Sussex has nothing to offer so fascinating as Winchelsea and Rye; and in certain reposeful moods, when the past seems to be more than the present or future, I can agree with them. We have seen many ancient towns in our progress through the county—Chichester around her cathedral spire, Arundel beneath her grey castle, Lewes among her hills—but all have modern blood in their veins. Winchelsea and Rye seem wholly of the past. Nothing can modernise them.
Rye approached from the east is the suddenest thing in the world. The traveller leaves Ashford, in a South Eastern train, amid all the circumstances of ordinary travel; he passes through the ordinary scenery of Kent; the porters call Rye, and in a moment he is in the middle ages.
Rye is only a few yards from its station: Winchelsea, on the other hand, is a mile from the line, and one has time on the road to understand one's surroundings. It is important that the traveller who wishes to experience the right medieval thrill should come to Winchelsea either at dusk or at night. To make acquaintance with any new town by night is to double one's pleasure; for there is a first joy in the curious half-seen strangeness of the streets and houses, and a further joy in correcting by the morrow's light the distorted impressions gathered in the dark.
The Landgate, Rye.
To come for the first time upon Winchelsea at dusk, whether from the station or from Rye, is to receive an impression almost if not quite unique in England; since there is no other town throned like this upon a green hill, to be gained only through massive gateways. From the station one would enter at the Pipewell Gate; from Rye, by the Strand Gate. The Strand approach is perhaps a shade finer and more romantically unreal.
Winchelsea and Rye are remarkable in being not only perched each upon a solitary hillock in a vast level or marsh, but in being hillocks in themselves. In the case of Winchelsea there are trees and green spaces to boot, but Rye and its hillock are one; every inch is given over to red brick and grey stone. They are true cities of the plain. Between them are three miles of flat meadow, where, among thousands of sheep, stands the grey rotundity of Camber Castle. All this land is polder, as the Dutch call it, yet not reclaimed from the sea by any feat of engineering, as about the Helder, but presented by Neptune as a free and not too welcome gift to these ancient boroughs—possibly to equalise his theft of acres of good park at Selsey. Once a Cinque Port of the first magnitude, Winchelsea is now an inland resort of the antiquary and the artist. Where fishermen once dropped their nets, shepherds now watch their sheep; where the marauding French were wont to rush in with sword and torch, tourists now toil with camera and guide-book.
The light above the sheep levels changes continually: at one hour Rye seems but a stone's throw from Winchelsea; at another she is miles distant; at a third she looms twice her size through the haze, and Camber is seen as a fortress of old romance.
Rye stands where it always stood: but the original Winchelsea is no more. It was built two miles south-south-east of Rye, on a spot since covered by the sea but now again dry land. At Old Winchelsea William the Conqueror landed in 1067 after a visit to Normandy; in 1138 Henry II. landed there, while the French landed often, sometimes disastrously and sometimes not. In those days Winchelsea had seven hundred householders and fifty inns. In 1250, however, began her downfall. Holinshed writes:—"On the first day of October (1250), the moon, upon her change, appearing exceeding red and swelled, began to show tokens of the great tempest of wind that followed, which was so huge and mightie, both by land and sea, that the like had not been lightlie knowne, and seldome, or rather never heard of by men then alive. The sea forced contrarie to his natural course, flowed twice without ebbing, yeelding such a rooring that the same was heard (not without great woonder) a farre distance from the shore. Moreover, the same sea appeared in the darke of the night to burne, as it had been on fire, and the waves to strive and fight togither after a marvellous sort, so that the mariners could not devise how to save their ships where they laie at anchor, by no cunning or shift which they could devise. At Hert-burne three tall-ships perished without recoverie, besides other smaller vessels. At Winchelsey, besides other hurte that was doone, in bridges, milles, breakes, and banks, there were 300 houses and some churches drowned with the high rising of the water course."
The Winchelsea people, however, did not abandon their town. In 1264 Henry III. was there on his way to the Battle of Lewes, and later, Eleanor, wife of Henry's conqueror, de Montfort, was there too, and encouraged by her kindness to them the Winchelsea men took to active sea piracy, which de Montfort encouraged. In 1266, however, Prince Edward, who disliked piracy, descended upon the town and chastised it bloodily; while on February 4, 1287, a greater punishment came, for during another storm the town was practically drowned, all the flat land between Pett and Hythe being inundated. New Winchelsea, the Winchelsea of to-day, was forthwith begun under royal patronage on a rock near Icklesham, the north and east sides of which were washed by the sea. A castle was set there, and gates, of which three still stand—Pipewell, Strand and New—rose from the earth. The Grey Friars monastery and other religious houses were reproduced as at Old Winchelsea, and a prosperous town quickly existed.
New Winchelsea was soon busy. In 1350 a battle between the English and Spanish fleets was waged off the town, an exciting spectacle for the Court, who watched from the high ground. Edward III., the English king, when victory was his, rode to Etchingham for the night. In 1359, 3,000 Frenchmen entered Winchelsea and set fire to it; while in 1360 the Cinque Ports navy sailed from Winchelsea and burned Luce. Such were the reprisals of those days. In 1376 the French came again and were repulsed by the Abbot of Battle, but in 1378 the Abbot had to run. In 1448 the French came for the last time, the sea having become very shallow; and a little later the sea receded altogether, Henry VIII. suppressed the religious houses, and Winchelsea's heyday was over.
She is now a quiet, aloof settlement of pleasant houses and gardens, prosperous and idle. Rye might be called a city of trade, Winchelsea of repose. She spreads her hands to the sun and is content.
Winchelsea's church stands, as a church should, in the midst of its green acre, fully visible from every side—the very antipodes of Rye. Large as it now is, it was once far larger, for only the chancel and side aisles remain. The glory of the church is the canopied tomb of Gervase Alard, Admiral of the Cinque Ports, and that of his grandson Stephen Alard, also Admiral, both curiously carved with grotesque heads. The roof beams of the church, timber from wrecked or broken ships, are of an integrity so thorough that a village carpenter who recently climbed up to test them blunted all his tools in the enterprise.
Sedilia and Tombs of Gervase and Stephen Alard, Winchelsea.
All that remains of the Grey Friars monastery may now be seen (on Mondays only) in the estate called The Friars: the shell of the chapel's choir, prettily covered with ivy. Here once lived, in the odour of perfect respectability, the brothers Weston, who, country gentlemen of quiet habit at home, for several years ravaged the coach roads elsewhere as highwaymen, and were eventually hanged at Tyburn. Their place in literature is, of course, Denis Duval, which Thackeray wrote in a house on the north of the churchyard, and which is all of Winchelsea and Rye compact, as the author's letters to Mr. Greenwood, editor of Cornhill, detailing the plot (in the person of Denis himself) go to show. Thus:—
"I was born in the year 1764, at Winchelsea, where my father was a grocer and clerk of the church. Everybody in the place was a good deal connected with smuggling.
"There used to come to our house a very noble French gentleman, called the Count de la Motte, and with him a German, the Baron de Lütterloh. My father used to take packages to Ostend and Calais for these two gentlemen, and perhaps I went to Paris once, and saw the French Queen.
"The squire of our town was Squire Weston of the Priory, who, with his brother, kept one of the genteelest houses in the country. He was churchwarden of our church, and much respected. Yes, but if you read the Annual Register of 1781, you will find that on the 13th July the sheriffs attended at the Tower of London to receive custody of a De la Motte, a prisoner charged with high treason. The fact is, this Alsatian nobleman being in difficulties in his own country (where he had commanded the Regiment Soubise), came to London, and under pretence of sending prints to France and Ostend, supplied the French Ministers with accounts of the movements of the English fleets and troops. His go-between was Lütterloh, a Brunswicker, who had been a crimping-agent, then a servant, who was a spy of France and Mr. Franklin, and who turned king's evidence on La Motte, and hanged him.
"This Lütterloh, who had been a crimping-agent for German troops during the American war, then a servant in London during the Gordon riots, then an agent for a spy, then a spy over a spy, I suspect to have been a consummate scoundrel, and doubly odious from speaking English with a German accent.
"What if he wanted to marry that charming girl, who lived with Mr. Weston at Winchelsea? Ha! I see a mystery here.
"What if this scoundrel, going to receive his pay from the English Admiral, with whom he was in communication at Portsmouth, happened to go on board the Royal George the day she went down?
"As for George and Joseph Weston, of the Priory, I am sorry to say they were rascals too. They were tried for robbing the Bristol mail in 1780; and being acquitted for want of evidence, were tried immediately after on another indictment for forgery—Joseph was acquitted, but George was capitally convicted. But this did not help poor Joseph. Before their trials, they and some others broke out of Newgate, and Joseph fired at, and wounded, a porter who tried to stop him, on Snow Hill. For this he was tried and found guilty on the Black Act, and hung along with his brother.
"Now, if I was an innocent participator in De la Motte's treasons, and the Westons' forgeries and robberies, what pretty scrapes I must have been in.
"I married the young woman, whom the brutal Lütterloh would have had for himself, and lived happy ever after."
And again:—
"My grandfather's name was Duval; he was a barber and perruquier by trade, and elder of the French Protestant church at Winchelsea. I was sent to board with his correspondent, a Methodist grocer, at Rye.
"These two kept a fishing-boat, but the fish they caught was many and many a barrel of Nantz brandy, which we landed—never mind where—at a place to us well known. In the innocence of my heart, I—a child—got leave to go out fishing. We used to go out at night and meet ships from the French coast.
"I learned to scuttle a marlinspike,reef a lee-scupper,keelhaul a bowspritas well as the best of them. How well I remember the jabbering of the Frenchmen the first night as they handed the kegs over to us! One night we were fired into by his Majesty's revenue cutter Lynx. I asked what those balls were fizzing in the water, etc.
"I wouldn't go on with the smuggling; being converted by Mr. Wesley, who came to preach to us at Rye—but that is neither here nor there...."
The Ypres Tower, Rye.
It was under the large tree of the west wall of the churchyard that in 1790 John Wesley preached his last outdoor sermon, afterwards walking through "that poor skeleton of ancient Winchelsea," as he called it.
Rye, like Winchelsea, has had a richer history than I can cope with. She was an important seaport from the earliest times; and among other of our enemies who knew her value were the Danes, two hundred and fifty of whose vessels entered the harbour in the year 893. Later the French continually menaced her, hardly less than her sister Cinque Port, but Rye bore so little malice that during the persecutions in France in the sixteenth century she received hundreds of Huguenot refugees, whose descendants still live in the town. Many monarchs have come hither, among them Queen Elizabeth, in 1573, dubbing Rye "Rye Royal" and Winchelsea "Little London."
Rye has had at least one notable son, John Fletcher the dramatist, associate of Francis Beaumont and perhaps of Shakespeare, and author of "The Faithful Shepherdess." Fletcher's father was vicar of Rye. The town also gave birth to a curious father, son, and grandson, all named Samuel Jeake. The first, born in 1623, the author of "The Charters of the Cinque Ports," 1728, was a lawyer, a bold Nonconformist, a preacher, an astrologer and an alchemist, whose library contained works in fifteen languages but no copy of Shakespeare or Milton. He left a treatise on the Elixir of Life. The second, at the age of nineteen, was "somewhat acquainted with the Latin, Greek, and Hebrew, rhetoric, logic, poetry, natural philosophy, arithmetic, geometry, cosmography, astronomy, astrology, geography, theology, physics, dialling, navigation, caligraphy, stenography, drawing, heraldry and history." He also drew horoscopes, wrote treatises on astrology and other sciences, suffered, like his father, for his religion, and when he was twenty-nine married Elizabeth Hartshorne, aged thirteen and a half. They had six children. The third Samuel Jeake was famous for constructing a flying machine, which refused to fly, and nearly killed him.
Rye also possessed an unknown poet. On a blank leaf in an old book in the town's archives is written this poem, in the hand of Henry VIII.'s time:—
The church, the largest in Sussex, dominates Rye from every point, and so tightly are the houses compressed that from the plain the spire seems to be the completion not only of the church but of the town too. The building stands in what is perhaps the quietest and quaintest church square in England, possessing beyond all question the discreetest of pawnbroker's shops, marked by three brass balls that positively have charm. The church is cool and spacious, with noble plain windows (and one very pretty little one by Burne-Jones), and some very interesting architectural features. Too little care seems, however, to have been spent upon it at some previous time. The verger shows with a pride little short of proprietary a mahogany altar said to have been taken from one of the vessels of the Armada (and therefore oddly inappropriate for a Church of England service), and the tomb of one Alan Grebell, who, happening one night in 1742 to be wearing the cloak of his brother-in-law the Mayor, was killed in mistake for him by a "sanguinary butcher" named Breeds. Breeds, who was hanged in chains for his crime, remains perhaps the most famous figure in the history of Rye.
Externally Rye church is magnificent, but the pity of it is that its encroaching square deprives one of the power to study it as a whole. Among the details, however, are two admirable flying buttresses. The clock over the beautiful north window, which is said to have been given to the town by Queen Elizabeth, is remarkable for the two golden cherubs that strike the hours, and the pendulum that swings in the central tower of the church, very nigh the preacher's head.
Rye's eight bells bear the following inscription:—
Hardly less interesting than the church are the by-streets of Rye, so old and simple and quiet and right; particularly perhaps Mermaid Street, with its beautiful hospital. In the High Street, which is busier, is the George Inn, the rare possessor of a large assembly room with a musicians' gallery. One only of Rye's gates is standing—the Landgate; but on the south rampart of the town is the Ypres Tower (called Wipers by the prosaic inhabitants), a relic of the twelfth century, guarding Rye once from perils by sea and now from perils by land. Standing by the tower one may hear below shipbuilders busy at work and observe all the low-pulsed life of the river. A mile or so away is Rye Harbour, and beyond it the sea; across the intervening space runs a little train with its freight of golf players. In the east stretches Romney Marsh to the hills of Folkestone.
Extremes meet in Rye. When I was last there the passage of the Landgate was made perilous by an approaching Panhard; the monastery of the Augustine friars on Conduit Hill had become a Salvation Army barracks; and in the doorway of the little fourteenth-century chapel of the Carmelites, now a private house, in the church square, a perambulator waited. Moreover, in the stately red house at the head of Mermaid Street the author of The Awkward Age prosecutes his fascinating analyses of twentieth-century temperaments.
Among the industries of Rye is the production of an ingenious variety of pottery achieved by affixing to ordinary vessels of earthenware a veneer of broken pieces of china—usually fragments of cups and saucers—in definite patterns that sometimes reach a magnificence almost Persian. For the most part the result is not perhaps beautiful, but it is always gay, and the Rye potter who practises the art deserves encouragement. I saw last summer a piece of similar ware in a cottage on the banks of the Ettrick, but whether it had travelled thither from Rye, or whether Scotch artists work in the same medium, I do not know. Mr. Gasson, the artificer (the dominating name of Gasson is to Rye what that of Seiler is to Zermatt), charges a penny for the inspection of the four rooms of his house in which his pottery, his stuffed birds and other curiosities are collected. The visit must be epoch-making in any life. Never again will a broken tea-cup be to any of Mr. Gasson's patrons merely a broken tea-cup. Previously it may have been that and nothing more; henceforward it is valuable material which, having completed one stage of existence, is, like the good Buddhist, entering upon another of increased radiance. More, broken china may even become the symbol of Rye.