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Hildegarde's Harvest

Chapter 22: CHRISTMASING.
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About This Book

The narrative follows a spirited young girl through a series of domestic and village episodes across autumn and winter, presented in short, episodic chapters and letters. She reads and writes lively correspondence, attends visits with relatives and neighbors, and takes part in community gatherings, musical evenings, and holiday preparations. Recurrent scenes portray everyday amusements, youthful pastimes by a neighborhood pond, and small acts of kindness that bind family and community. The overall tone blends light comedy and affectionate observation with warm seasonal celebration.

"'Begging for a dole of crumbs,
Little Robin Redbreast comes!'"

"Quick!" said Hildegarde, as she threw up the window once more. "When will you boys learn to move and act like reasonable mortals? How are you, Phil? I am delighted to see you!"

Phil wriggled his length swiftly into the room, and closed the sash with a single quick movement. Then, after shaking hands warmly with his two friends, he fixed a withering glance on his brother.

"How about that box?" he asked.

"Now may Julius Cæsar promote you to a captaincy in the Skidmore Guards!" replied Gerald, with great sweetness. "I clean forgot the box, sweet chuck! And I just threatening to flay you! Didst open it with thine own fairy paws, beloved?"

"I didst, beloved! And I intend to do the same by thy head, at a convenient season. He promised to be back in ten minutes," Phil added, turning to Mrs. Grahame, "to open a box for the Mater. I was putting up bookcases the while. It's frightful, the way books multiply in our family. I've put them up all along all the up-stairs passages now, and it gives us a little breathing-space, but not enough."

"That is a good idea!" said Mrs. Grahame. "We must remember that, Hilda; though, indeed, there is still plenty of space in these rooms."

"I wish there were in ours," said Phil. "The disadvantage of the passage bookcase is, that the whole family stops and reads as it goes along, and we seldom get anywhere. Which reminds me! I'm afraid I must go back, Mrs. Grahame, and take this wretched object with me. It is nearly ten o'clock, and my Obadiah should have been tucked up in his little nest some time ago."

"Your Obadiah will inquire into the condition of your little nest before he sleeps!" said Gerald, threateningly.

"But remember that the Mater said the next time we scrapped a bedstead to pieces, we must sleep in the pieces. Come along, Child of Doom!"

And with many hearty greetings, and promises to meet the next day, the friends separated, the boys saying good-night, and clattering off down the stairs like a regiment of horse.


CHAPTER VIII.

CHRISTMASING.

The next day seemed to be largely spent in running to and fro between the two houses. Kitty and Willy were at Braeside before breakfast, eager to embrace their dear Mrs. Grahame and Hilda, and full of wonderful tales of school and play. Then, as soon as Hildegarde had finished breakfast, she must go back with them to greet Mrs. Merryweather, and tell her how delighted she was at their coming, and hear a more detailed account of the girls' movements. Mrs. Merryweather was sitting at her desk, with a pile of papers before her, and books heaped as high as her head on every side.

"My dear," she said, after greeting Hildegarde most affectionately, "I am just looking for the girls' letter. It came this morning, and I put it somewhere,—in quite a safe place, as I knew the boys would want to see it, and then I meant to send it on to your father,—I mean to their father, of course. Here it—oh, no! that is an old one! Now, this is really unfortunate, for I was to send something to Gertrude, and I cannot remember what it was. Dear me! I am really too—would you mind saying over a few things, Hildegarde, that she would be likely to want? Perhaps it will come back to me; and I can keep on looking all the while, not to lose time."

Much amused, Hildegarde began to suggest,—"Boots, hat, muff, handkerchiefs, gloves,"—but at each article named Mrs. Merryweather shook her head, and sighed as she sorted papers.

"No, dear, no! Thank you just as much; but it was none of those. This only shows, dear Hildegarde, the dreadful misfortune of being unmethodical. I have no manner of doubt that I have wasted at least ten good years of life in looking for things. My sister-in-law, now, could find a needle in a top bureau drawer at midnight, without a moment's hesitation. It is a gift! I trust you cultivate—now, you see, I may spend half the morning hunting for this letter, when I might—what amuses you, my dear?"

For Hildegarde's eyes were dancing, and her whole face eloquent of fun.

"Dear Mrs. Merryweather,—I know you will excuse me,—but is not that the letter, pinned to your dress? It looks like Gertrude's handwriting."

Mrs. Merryweather looked down, and gave a sigh of relief.

"My child, your coming in was providential, nothing less. Of course, I remember now, I pinned it there for fear I should do—what I thought I had done. Well, well! and it is a Roman sash that the child wants,—I am sure I should never have thought of that. Ah, dear! I do miss my girls, Hildegarde. You see, they inherit from their father a sense of order,—in a measure,—and they help me a great deal. Are my glasses on my forehead, dear? Whereas Gerald and Phil are rather like me, I am afraid. I wonder if Gerald has found his waistcoat yet? He is wearing—ah, there he is now! Gerald, you are really an object for a circus, my son."

"'CONSIDER THE BEAUTY OF YOUR OFFSPRING.'"

Gerald looked down thoughtfully at himself. He was attired in white corduroy knickerbockers, an ancient swallow-tail coat so large that it hung in folds upon him, and a red velvet waistcoat reaching to his knee.

"I hesitated about coming in," he said. "Hildegarde is so susceptible, I fear the impression I shall make upon her tender heart. The lily is painted, the fine gold is gilded. Hilda, confess that I am the dream of your existence."

"What does it mean?" asked Hildegarde, laughing.

"Trunks not come yet; not mine, at least. Upset a bath-tub over my only suit this morning,—lo, the result! Wouldst not that I were ever habited thus, mirific Mammy? Consider the beauty of your offspring."

He seated himself on his mother's desk, drawing the folds of the dress-coat about him, and beamed upon her.

"If you would send him away, dear Mrs. Merryweather," said Hildegarde, "I should be so glad to help you a little with the papers and books. I have a whole hour to spare,—do let me help!"

"My dear, I should be only too thankful," said Mrs. Merryweather. "Jerry, go away, and find something to do! You might unpack the blankets, like a dear."

But Gerald declared that a wet blanket was the only one with which he had any concern after this cruel treatment, and retired weeping bitterly, wiping his eyes with a long coat-tail.

Hildegarde devoted the morning to helping her friends, and when she went home at noon the rooms wore a very different aspect. The books were all off the chairs and on the tables, or in the bookcases.

"Not that it makes any permanent difference," said Mrs. Merryweather, plaintively. "They will put books on the chairs, Hildegarde. It is against the rules,—but it is their nature. I made a rhyme about it once:

"'The book is on the chair,
And the hat is on the stair,
And the boots are anywhere,
Children mine!'"

Hildegarde especially enjoyed helping to arrange the girls' room, tacking up the curtains, and putting fresh flowers (from the Roseholme greenhouse) in the vases. To-morrow she would see those dear girls, and then who so happy as she!

And to-morrow came, and with it Bell and Gertrude, escorted by their father. All the Merryweathers were now here, except Roger. The question was on Hildegarde's lips several times, "When will he come?" but somehow she waited a little each time, and the moment passed, till she heard Mr. Merryweather say:

"A letter from Roger, Miranda! He will be here next week,—day uncertain, but surely in time for Christmas."

A chorus of joy arose, in which Hildegarde joined heartily.

"Think!" said Bell. "We have not seen Roger since the summer; hardly since we have seen you, Hildegarde. Oh, my dear, how long it seems since camp! and yet when you look at it the other way, it might be yesterday. Heigh, ho! whose turn is it to get supper to-night? and who is going to get the fish for the chowder?"

"Dear, happy days!" said Hildegarde. "I have not lost a minute of one of them, Bell. If I should wake up to-morrow morning and find myself at camp, I should not be in the least surprised, but should just 'put the kettle on and stand by to go about.'"

"Dear old camp motto!" said Bell. "It makes a pretty good one anywhere, Hilda, do you know? If they give me the class oration,—the girls are talking about it,—I might take that for my text."

"Are you talking camp and graduation," put in Gertrude, who came into the room at this moment, "when Christmas is almost here? Oh, think of it, and we have not planned what we are going to do, or—or anything!"

"Speak for yourself, Gertrude," laughed Hildegarde. "I have three bureau drawers full of things ready, and I ought to be tying up a box this minute, to go out West."

"Missionary box?" asked Bell.

"No,—at least, not in the regular way. But there are some distant cousins out in Colorado,—they have a hard time to get along, and there are a great many of them,—and Mamma and I always send them a box at Christmas. A kind of grab-bag box, with clothes and whatever we can think of."

"My dear," cried Bell, sitting up with shining eyes, "don't you want some contributions? Let me tell you,—this is the position! We also have such cousins,—fourteen in number,—in Minnesota. And there was an auction at school, and I got all kinds of odd picknickles and bucknickles, thinking they would do for the box,—and I returned to find that Mother had sent it off three days ago, filled to overflowing. You see, the boys are just behind ours in age and size, so there are always lots of jackets (never any trousers, of course), and she thought they would be needed for the cold weather,—and I forgot to tell her about my purchases. What do you say, Hilda? Oh, come up into my room, and see some of the things! They are rather nice, some of them, and others just funny. Come on!"

Away went the three girls, up to Bell's sunny room, where the trunks stood open, with trays of hats on the bed, and a general effect of "just-arrived-and-haven't-had-time-to-get-settled" pervading all. Bell cleared a chair for Hildegarde, and bidding Gertrude "perch where she could," began to pull things out of the big, brown trunk, talking as she went.

"You see, girls, the way of it was this. There is always an auction at the end of the year, and generally things stay over for that; but this time there had been a fire in the town, and a good many poor families were left destitute. Mrs. Tower suggested that, perhaps, we might make up a little purse, or take charge of one family for the winter. We agreed to do the latter, and made up a committee to order coal and wood, and another to make clothes for the children,—seven children, poor little things! and the father so badly hurt in saving the youngest baby that he will not be able to work for several weeks. Well, I was on the committee to order the things; but when I came to collect the money, some of the girls, who wanted most to help, were very hard up, myself included. So near the end of the term, you see, and we had been buying Christmas things and all. So I said, 'Suppose we have an auction!' for there were some girls—not many, but I suppose there are a few everywhere—who didn't care a bit about the poor family, and yet we knew they had money, and we were bound to get some of it. I had the sale in my room. It was great fun. I hung out a red flag, and posted flaming notices in all the halls and corridors; and we had a great crowd. Me! oh, no, I was not auctioneer! I could not possibly talk fast enough. Caroline Hazen did it splendidly. Her mother was Irish, and she can drop into the most delicious brogue you ever heard, and she was so funny, we were in fits of laughter all the time. We made twenty dollars,—think of it!—all in a little over an hour. And some of these things I bought with what little money I had, and the rest were just left over, and as the girls would not take them back, I brought them along for the box. See! here is a pair of knitted shoes,—really perfectly new. Anna Waring said that she had a dear aunt who sent her a pair every Christmas and every birthday, and she has ten pair now, and never hopes to catch up. Three pair were sold beside these; got them for ten cents, and see how pretty they are!"

"Why, charming!" cried Hildegarde. "Bell, why don't you wear these yourself?"

"I! Perish the thought! I never wear any shoes in my room, Hilda; bare feet are part of my creed."

"But—but you have no carpet here, dear," said Hildegarde, with a little shiver. "And it must be very cold—"

"Delightfully cold!" cried Bell. "I know few things pleasanter than the touch of a good cold floor to the bare feet on a winter morning."

"She is volcanic, Hilda!" put in Gertrude. "She sleeps under a sheet all winter, and never looks at a blanket; it is true!"

Bell nodded gaily in answer to Hildegarde's horrified look. "No use, dear! I am hardened in mind as well as in body, and cannot change my ways. Look here! Perhaps one of the boys might like this?"

She held up a string of chenille monkeys, and danced them up and down.

"Of course he would," said Hildegarde. "And what—what is that, Bell Merryweather?"

Bell looked rather ruefully at the object she now drew from the trunk.

"Nobody else would buy it," she said. "The girl who brought it down is new and shy, and—well, somehow, you felt that she wanted to help, and had nothing else to bring. I was so sorry for her,—I gave my last quarter for it."

It was a long strip of coarse twine lace, with a yellow ribbon quilted in and out its entire length. One of those objects that sometimes appear at fancy fairs, for which no possible use can be imagined.

"It is queer," said Bell. "I suppose it must have been meant for something; I didn't like to ask her what."

"Oh, but, my dear, it is a lovely ribbon!" said Hildegarde. "Why not take the ribbon out, and make bows and things? I am sure you must want ribbon for some of your Christmasings."

Bell confessed that she might, and the ribbon was carefully laid aside, freed from its snarl of twine.

"Here," said Bell, diving into the trunk again, "is a highly interesting article, mesdames! a pheasant, you see, carved,—Swiss, I suppose,—with all his feathers spread out. Now, I think I did pretty well to bring that home without breaking. Is there a boy in your box, Hilda? I meant this for a boy."

"There is, indeed, and I know he will be enchanted with such a pretty thing. Oh, and the marbles! Now, Bell, will you tell me what college girls do with marbles?"

"I will," said Bell, laughing. "She—Martha Sinclair—is very near-sighted, poor thing. She thought these were moth-balls. She brought a lot of them from home, and put them up with her furs this spring, and was horrified to find them—the furs—all moth-eaten this fall. Poor Martha! That, Hildegarde, is the sad tale of the marbles. They are very good ones! I should not dare to let Willy see them,—here, put them in your pocket! Here are assorted pen-handles,—went in one lot,—forty cents for the dozen of them. Some of them are rather nice, I think."

"This is a beauty!" cried Gertrude. "This Scotch plaid one. May I have this, Bell?"

"Certainly, dear! Hilda shall have the pearl one,—there! This is the prettiest, Hilda—"

"But why am I to have all the prettiest?" inquired Hildegarde. "You are very reckless, Bell."

"No, my love, I am not," said Bell. "Pen-handles are, generally speaking, a drug in this family. For several Christmases Willy—dear child!—could not think of anything else to give us, so we had pen-handles all round—how many years, Gertrude?"

"Three, I think," said Gertrude. "Then some one laughed, and hurt his dear little feelings, and he never gave us any more. I miss the Christmas pen-handle myself, for I always get mine nibbled pretty short in the course of the fall term. It is the only way I can possibly write a composition."

"And is your next composition to be on the 'Scottish Chiefs?'" asked Hildegarde. "Or do you hope to cure yourself by the taste of varnish and red paint?"

"Puppies!" cried Bell, emerging once more from the depths of the trunk. "Five china puppies in a row. And thereby hangs a tale."

"I don't see a sign of a tail," said Gertrude, inspecting the five little terriers, all sitting up very straight, with their paws exactly on a line.

"Spell it the other way, miss; and don't forget your Shakespeare," said her sister.

"This reminds me of the very most foolish charade I ever heard. We were playing one evening in Martha Sinclair's room; and Janet Armour took this row of puppies from the mantelpiece and set it on the floor, and told us to look at it. Then she kicked it over with her foot, and told us it was a word of three syllables, all three and the whole word given at once. See if you can guess, Hildegarde? You give it up? Well, it is too silly to guess. 'Kick-a-row,' do you see? Cicero, Gertrude, my lamb. I explain on account of your tender years."

"She must be a silly girl," said Gertrude. "We wouldn't put up with such a poor charade as that here, would we, Hilda?"

"There are different kinds of brains," said Bell, laughing. "Janet Armour leads the whole college in mathematics, and is head of the basket-ball team. So you see, dear, talents vary. Well, Hildegarde, I am afraid there is nothing else that would do; unless you would like this cologne-bottle doll? She is a superior doll."

"Very," said Hildegarde. "And you know Kitty would be enchanted with her. No, Bell, I shall take nothing else, and I am ever so much obliged for all these nice things. Now you must come over with me and help me fasten up the box. You, too, dear Gertrude."

The three raced across the lawn and through the hedge, and were soon in Hildegarde's room. Bell looked round her with a sigh, half admiration, half regret.

"Hilda, there is no room but this!" she said. "How do you make it so—so—well, your own portrait in a way? If I were to be shown into this room in the furthest corner of the Soudan I should say, 'And is Hildegarde in, or shall I wait for her?'"

Hildegarde laughed, and looked about her, her eyes resting lovingly on this or the other treasure of picture or book.

"Dear room!" she said. "I am glad you like it, for I love it very much. And if it looks like me—"

"You must be pretty good-looking!" cried Gertrude. "Is that what you were going to say, Hilda?"

"No, you absurd child, it was not. But—well, girls, of course it is different when people have two or three places, in town and country, and move about as you do, to and from school and college, and all that. But this, you see, is my home, my only home and abiding-place; and so my own things grow to be very real to me, and very much a part of my life. I suppose that is it. I know—you will understand what I mean, Bell—whenever I go out of this room, it seems as if one part of me stayed here, and was ready to greet me when I came back. But that is enough about me," she added, lightly. "Here is the box! Now we shall see how nicely all Bell's prettinesses will fit into the corners!

"This is Mamma's present for Cousin Ursula. A nice, fat down puff, for her feet in winter; it is very cold there, and she is not strong, poor dear. And I trimmed this hat for Mary, the daughter. Rather pretty, do you think?"

"Rather pretty!" cried both girls. "Hilda, it is a perfect beauty! Oh, how did you learn to do these things? Will you trim all our hats for us, for the rest of our lives?"

"I should be delighted," said Hildegarde, laughing. "I learned all I know from my mother. She is clever, if you will. I cannot compare with her in skill. Yet I was once offered a position as assistant to a milliner. These things underneath are things we have worn, but they are all good."

"This has never been worn!" exclaimed Bell, lifting a pretty gray silk blouse, trimmed with knots of cherry-coloured ribbon. "This is just out of the box, Hildegarde. Oh, what a pretty, dainty thing!"

Hildegarde laughed. "I am proud of that!" she said. "I made that out of an old underskirt of Mamma's. Yes, I did!" as the girls exclaimed with one accord. "It was good silk to begin with, you see. I washed it, and pressed it, and made it up on the other side; and it really does look very nice, I think. The ribbon is some that Mamma had had put away ever since the last time they wore cherry colour,—twenty-five years, she says. Lovely ribbon! Well, and I knew that Mary, the daughter, is just my age, so I had to 'run for luck,' and make it to fit me. I do hope she will like it!"

"Like it!" exclaimed Bell. "If she does not like it, she deserves to wear brown gingham all her life. It is as pretty a blouse as I ever saw."

"What is the matter with brown gingham?" asked Hildegarde. "One of my pet dresses, a year or two, was a brown gingham."

"Oh, but not like our brown gingham!" said Bell. "You see—well, it is treasonable, I know, Gerty, but Hildegarde is almost like ourselves. You see, our blessed Mammy (this was long ago, when Toots was a baby, and the boys still in kilts) got tired of all our clothes, and felt as if she could not bear to think about them for a while. So she got a whole piece of brown check gingham,—forty mortal yards,—and had it all made up into clothes for us. Oh, dear! Shall I ever forget those clothes? It was a small check, rather coarse, stout gingham, because she thought that would wear better than the Scotch. It did! I had four frocks of it, and the boys each had three kilt suits, and even the baby wore brown slips. You cannot remember it, Toots?"

Gertrude shook her head.

"I remember the effect on the family mind," she said, laughing.

"Yes," said Bell. "I don't know whether you have ever noticed, Hildegarde, that none of us ever wear brown? Well, we never do! Pater will never see it. He did not realise for some time what had been done. But one day,—oh, you ought to hear the Mammy tell about this! I can't begin to make it as funny as she does. One day he came home, and the twinnies were playing in the front yard. He stood and looked at them for a while.

"'Are you making mud pies, boys?'

"'No, Papa!'

"'Then why have you on these clothes?'

"The boys didn't know much about their clothes; he looked at them a little more, and then he came into the house. There was I, in my brown gingham, playing with my doll.

"'Great Cæsar!' says Papa. 'Here's another! Been making mud pies, Pussy?'

"'No, Papa! I am playing with my dolly.'

"'Do you get dirty, playing with your dolly?'

"'Why, no, Papa!'

"'Then why do you wear such things as this?'

"I was just going to tell him that 'this' was the dress I was wearing every day and all day, when dear Mammy came out of the sitting-room with the baby. And, Hilda, the baby wore a brown gingham slip, and Mammy had on a long, brown gingham apron.

"'Napoleon Bonaparte!' said Papa. 'Here's two more of 'em.' Then he sat down on the stairs, and looked from one to the other. Then he went to the door and called the boys; and he took us all into the sitting-room, and stood us in a row, and sat and looked at us.

"'Miranda,' he said, 'What have you been doing here?'

"'Doing, my dear Miles?' said Mamma. 'What should I have been doing? Dressing baby after her afternoon nap, to be sure.'

"'Dressing her!' says Pater. 'Dressing her!' Then he broke off, Mammy says, and put his hand to his forehead, as if he were in a kind of dream.

"'Miranda,' he said, 'I have been greatly occupied for the last few weeks, and have not fully realised what was going on. I have been dimly aware that, when I came home, the whole world seemed to turn brown and dingy. At first I thought it was the weather; then I thought it was the condition of business; at last I began to think that my sight must be failing, and cataracts forming, or something of the kind, so that I could see nothing without a brownish tinge over it. Now, I—I realise what the matter is; and I ask what—what is this stuff in which my family is masquerading?'

"'Masquerading, Miles? I don't understand you. This is brown gingham, a most excellent material, inexpensive, durable, and neat. I bought forty yards of it, so that the children might all be dressed alike, and without all this fuss and expense of different materials. You know you said we must economise this summer, and I—'

"'Yes,' said Pater. 'Yes, I understand now. Miranda, you are a good woman, but you have your limitations.'

"He would not say another word, but went off into the garden to smoke. We forgot all about what he said, all but Mammy, and she thought he would get used to the brown gingham in time, and, anyhow, she had meant to do the best, dear darling.

"Hildegarde, the next morning, when we all came to dress, our clothes were gone."

"Gone!" repeated Hildegarde.

"Gone,—vanished; frock and kilt, slip and apron. Not an atom of brown gingham was to be found in the house. And the rest of the piece, which Mammy had meant to make into a gown for herself, was gone, too. Mammy looked everywhere, but in a few minutes she understood how it was. She didn't say a word, but just put on our old dresses, such as were left of them. They were pretty well outworn and outgrown, but we were glad to get into them. We hardly knew how we had hated the brown gingham ourselves, till we got out of it. Well, that day there came from one of the big shops a box of clothes; an enormous box, big as a packing-case. Oh! dresses and dresses, frocks and pinafores and kilts, everything you can imagine, and all in the brightest colours,—pink and blue, yellow and green,—a perfect flower-garden. White ones, too, three or four apiece; and the prettiest slips for Baby, and a lovely flowered silk for Mammy. You can imagine how I danced with joy; the boys were delighted, too, and as for old Nursey, she beamed all over like an Irish sun. When Papa came home that afternoon, we were all dressed up, the boys in little white sailor suits, I in a ruffled pink frock, and Mammy and Baby most lovely in white and flowers. He looked us all over again. 'Ha!' he said, 'once more I have a family, and not a shoal of mud-fish. Thank you, my dear.' And none of us has ever worn brown since that day, Hildegarde."

"Poor, dear Mrs. Merryweather!" cried Hildegarde, laughing. "I think it was pretty cruel, all the same. And—did you ever find the brown gingham?"

"Oh, that was naughty!" cried Gertrude. "He buried it all in the back garden. That was truly naughty of Papa. Mammy found them there a week after, when she was setting out the asters. They were all neatly laid in a box, and buried quite deep down. But Mammy took them up, and sent them to the Orphans' Home. Dear Mammy!"


CHAPTER IX.

AN EVENING HOUR.

"And what shall we play this evening?" asked Mrs. Merryweather.

Hildegarde and her mother had been taking tea at Pumpkin House. Hugh was there, too, and now Colonel Ferrers had come in, so the cheerful party was nearly complete.

"If we only had Roger and Papa!" sighed Bell. "Nothing seems just right without the whole clan together."

"We shall have them soon," said her mother. "Meanwhile let us be merry, and honour their name. It is too soon after tea for charades, I suppose. Why not try the Alphabet Stories?"

"Alphabet Stories?" repeated Hildegarde. "Is that a new game? I don't seem to remember it."

"Brand-new!" cried Gerald. "Mater invented it one evening, to keep us quiet when Pater had a headache. Jolly good game, too. Tell Hildegarde one or two of yours, Mater, to show how it's played."

"Let me see! Can I remember any? Oh, yes, here is one! Listen, Hilda, and you will catch the idea at once. This is called 'The Actions of Alcibiades:' Alcibiades, brilliant, careless, dashing, engaging fop, guarded Hellas in jeopardy, king-like led many nobles on. Pouncing quite rashly, stole (though unduly, violently wailing) Xerxes's young zebra.

"That is the story. You see, it must have twenty-six words, no more, no less; each word beginning with a successive letter of the alphabet."

"Oh! delightful! enchanting!" cried Hildegarde. "Mammina, this is the very game for you and me. We have been longing for a new one, ever since we played 'Encyclopædics' to death. Tell us another, please, Mrs. Merryweather!"

"Let me see! Oh, but they are not all mine! Bell made some of the best ones. I will give you another, though. This is 'A Spanish Serenade.' Andalusian bowers, castanets, dances, enraptured Figaro. Gallant hidalgo, infuriately jealous, kittenish lady, made nocturnal orisons. 'Peri! Queen! Star!' Then, under veiled windows, Ximena yielded. Zounds!"

"That is extremely connotative!" said Mrs. Grahame. "This really is an excellent game. Colonel Ferrers, shall we enter the list?"

"Not I, my dear madam. Curls my brain up into bow-knots, I assure you. Clever people, word-plays,—that sort of thing always floors me completely. Delightful, you understand! I enjoy it immensely, if I may be allowed to play the listener. Let us hear some more, hey? 'Alcibiades'—hum, ha! How did that go? Quite a ring to it, hey?"

"I have one," said Bell; "but it is a good deal like Mammy's Spanish one. Still, perhaps it will pass. It is called 'An Elopement.' Arbitrary barber, charming daughter, engaging foreigner, graceful, handsome, insinuating. Jealously kept lady. Midnight nuptials; opposing parent. Questing, raged savage tonsor,—'Ungrateful! Vamosed with Xenophon Young? Zooks!'"

"Oh, but that is a beauty!" cried Hildegarde. "Where do you get your X's and Z's? I cannot think of one."

"There aren't many," said Bell. "And I rather fear we have used them all up. Try, though, Hilda, if you can make one. I am sure you can."

"Give me a few minutes. I am at work,—but, oh, I must have pencil and paper. How do you keep them in order in your head?"

"Habeo! Habeo!" cried Gerald, who had had his head buried in a sofa-pillow for the past few minutes. "Through all the flash of words I have maintained the integrity of mine intellect." (This was lofty!) "Hear, now, 'A Tale of Troy.' Agamemnon brutally called Diomed 'Elephant!' Fight! Great Hector, insolently jocular, kicked Lacedæmonian Menelaus's nose. 'O Phœbus! Quit!' roared Stentor. Turning, Ulysses valiantly waded Xanthus. 'Yield, zealots!'"

A general acclamation greeted Gerald's story as the best yet. But Bell looked up with shining eyes.

"Strike, but hear me!" she cried. "Shall Smith yield to Harvard? Perish the thought! Hear, gentles all, the tale of 'The Light of Persia.' Antiochus, braggart chief, devastated Ecbatana; finding golden hoards, invested Jericho. Median nobles, overcome, plead quarter! Rescuing, springs through underbrush, victorious, wielding Xerxes's yataghan,—Zoroaster."

"Hurrah!" cried both boys. "Good for you, Smith College! That is a buster!"

"Boys!" said Mrs. Merryweather.

"Yes, Mater! We did not mean that. We meant 'that is an exploder!'"

"You are very impertinent boys!" said their mother. "Shall I send them away, Mrs. Grahame?"

"Oh, please don't!" said that lady, laughing. "I am sure we have not had all the stories yet. Phil, you have not given us one."

"Mine won't come right," said Phil, rather ruefully. "I shall have to cheat on my X. Have I leave?"

"Well,—for once, perhaps," said his mother. "It must not be a precedent, however. Let us hear!"

And Phil gave what he called "A Mewl of Music." "A bandit—cheerful dog!—enjoyed fiddling. 'Go home!' insolently jawing ki-yied local musician. 'Nay! Oh, peace, queasy rustic! Take unappreciated violin. We execrate your zither!'"

"Yes!" said Mrs. Merryweather. "That is imperfect, but the first part is good. Next?"

"I think," said Hildegarde, rather timidly, "I think I have one ready. I hope it is correct,—shall I try it? It is 'The Sea.' Amid briny, cavernous depths, entrancing fishes gambol, hilarious, iridescent jewels. Kittenish, laughing mermaids nod; or perhaps, quietly resting, softly twine, under vanished wave-worn xebecs, yellow zoophytes."

"My dear Hildegarde, that is the best of all!" said Mrs. Merryweather, warmly. "That is a little poem, a little picture. We shall have nothing prettier than that to-night, and as we must not overdo a good thing, suppose we stop the stories for this time, and try something else. Where is our music, girls?"

Bell glanced at Hildegarde, and then at Colonel Ferrers. She had heard something of the passages between Jack Ferrers and his uncle, and knew that classical music was not the thing to make the Colonel enjoy himself. But Hildegarde nodded brightly in return.

"Let us sing!" she said. "Let us all have a good sing, as we used at camp. Where is the old song-book?"

Bell, comprehending, fetched an ancient volume, rubbed and thumbed into a comfortable mellowness.

"Here it is!" she said. "Come, boys, now for a chorus! Sing it as we used to sing it, sixteen campers strong, etc."

The whole family clustered round the piano, Kitty and Will and Hugh close beside Bell, Hildegarde and Gertrude looking over their shoulders, while Phil and Gerald did what the latter called the giraffe act in the background. And then they sang! One song after another, each choosing in turn, the chorus rolling out nobly, in such splendid songs as "October," "A-hunting we will go," and "John Peel." Then Hildegarde must sing "Annie Laurie" for the Colonel, and she sang it in a way that brought tears to the eyes of the ladies, and made the Colonel himself cough a good deal, and go to the window to study the weather.

"Ah, Colonel Ferrers," said Hildegarde, when the sweet notes had died away, and it was time for the silence to be broken, "where is the lad who should play that for us, better than any human voice could sing it? When shall we have our Jack home again?"

The Colonel hummed and hawed, and said it was absurd to suppose that any fiddle, however inoffensive,—and he acknowledged that his nephew's fiddle gave as little offence as any he had ever heard,—still it was absurd to think for an instant that it could be compared with the sound of the human voice.

"Give me a young woman's voice, my dear madam," he said, turning to Mrs. Grahame; "give me that organ, singing a song with melody and feeling in it,—none of your discordant Dutch cobwebs, none of your Italian squalling, or your French caterwauling, but a song,—a thing which is necessarily in the English language,—and I ask nothing more,—except that the singer be young and good-looking."

"Are you so very reasonable, I wonder, as you think, my dear Colonel?" said Mrs. Grahame, laughing. "Surely we cannot expect that every person who sings shall be beautiful."

"Then she has no business to sing, madam," said the Colonel. "My opinion,—worth nothing, I am aware, from a musical point of view. Now, when I was in Washington last week,—stayed at a friend's house,—delightful people,—very good to the Boy here. Weren't they, Young Sir?"

"They were fountains in the valley!" said Hugh. "They were ducks,—but they quacked, instead of singing."

"Precisely! Exactly! The child has described it, my dear madam. There were two young ladies in the family,—charming girls,—when they kept their mouths shut. The moment they opened them to sing,—a pair of grinning idols. I do not exaggerate, Mrs. Merryweather,—grinning idols, madam!"

"Really!" said Mrs. Merryweather. "How distressing!"

"Distressing? My dear lady, it was excruciating! They opened their mouths—"

"But, dear Colonel Ferrers!" cried Hildegarde. "They had to open their mouths, surely! You would not have had them sing with closed lips?"

"I am aware that they had to open their mouths, my child, to some extent. They were not, I conceive, forced to assume the aspect of the dentist's chair. They opened their mouths, I say,—red gulfs, in which every molar could be counted,—and they shut their eyes. They hunched their shoulders, and they wriggled their bodies. Briefly, such an exhibition that I wondered their mother did not shut them in the coal-cellar, or anywhere else where they might escape being seen. Frightful, I assure you! frightful!"

Hildegarde and Bell exchanged glances; the Colonel was on his high horse, and riding it hard.

"And what did they sing?" asked Bell.

"They squalled, my dear young lady,—I refuse to call such performance singing,—some Italian macaroni kind of stuff. Macaroni and soap-suds,—that was what it made me think of. When I was a young lad, they made a song about the Italian opera,—new, it was then, and people didn't take to it at first,—how did that go, now? Hum, ha! I ought to be able to remember that."

"Was it 'Meess Nancy,' perhaps, Colonel?" asked Mrs. Merryweather. "I think I can recall that for you."

"My dear lady, the very thing! 'Meess Nancy said unto me'—if you would be so obliging, Mrs. Merryweather."

And Mrs. Merryweather sang, to the funniest little languishing tune:

"Meess Nancy said unto me one day,
'Vill you play on my leetle guitar?'
Meess Nancy said unto me one day,
'Vill you play on my leetle guitar?
Vich goes "tinky-tink-ting!"
Vich goes "tanky-tank-tang!"
Vich goes "ting,"
Vich goes "tang,"
Vich goes "ta!"'"

"Exactly!" said the Colonel. "Precisely! tanky-tank-tang! that is the essence of half the drawing-room music one hears; and the other half is apt to be the kind of cacophonous folderol that my nephew Jack tortures the inoffensive air with. By the way, Hildegarde,—hum, ha! nothing of the sort!"

"I beg your pardon, Colonel Ferrers!" said Hildegarde, somewhat perplexed, as was no wonder.

"Nothing of the slightest consequence," said the Colonel, looking slightly confused. "My absent way, you know. Oblige us with another song, will you, my dear? 'Mary of Argyle,' if you have no special preference for anything else. My mother was fond of 'Mary of Argyle'; used to sing it when I was a lad,—hum, ha! several years ago."

"In one moment, Colonel Ferrers. I just wanted to ask you, since you spoke of Jack,—have you any idea when we shall see the dear fellow? Is there any chance of his getting home in time for Christmas?"

But here the Colonel became quite testy. He vowed that his nephew Jack was the most irresponsible human being that ever lived, with the exception of his father. "My brother Raymond—Jack's father, you are aware, Mrs. Grahame—never knows, it is my belief, whether it is time to get up or to go to bed. As to eating his meals—it is a marvel that the man is alive to-day. Never sits down at a Christian table when he is alone. Housekeeper has to follow him round with plates of victuals, and put them under his nose wherever he happens to stand still. Never sits down, my brother Raymond. Like Shelley the poet in that respect—"

"Did Shelley never sit down?" asked Bell, innocently. "I never heard—"

"I—hum, ha!—alluded to the other peculiarity," said the Colonel. "Shelley would stand—or sit—for hours, I have been told, with his dinner under his nose, entirely unconscious of it. I have never believed the story that he wrote a sonnet with a stalk of asparagus one day, taking it for a pen. Was surprised, you understand, at finding nothing on the paper. Ha!"

"Colonel Ferrers," said Hildegarde, gravely, "it is my belief that you made up that story this very instant."

"Quite possible, my dear," said the Colonel, cheerfully. "Absence of mind, you know—"

"Or presence!" said the girl, significantly. "I wonder why we are not to hear about our Jack."

"Possibly, my love, because I do not intend to tell you," said the Colonel, with his most beaming smile. "Did you say you would be so very obliging as to sing 'Mary of Argyle' for me?"

And Hildegarde sang.


CHAPTER X.

DIE EDLE MUSICA.

Bell Merryweather was sitting alone in the parlour at Braeside. She was waiting for Hildegarde to finish some piece of work up-stairs before going for a twilight walk. So waiting, she naturally drifted to the piano, and, opening it, began to play.