In his second aspect, Kṛishṇa is a pastoral deity, sporting among nymphs and cattle. It is possible that this Kṛishṇa is in his origin distinct from the violent and tragic hero of Dvârakâ. The two characters have little in common, except their lawlessness, and the date and locality of the two cycles of legend are different. But the death of Kaṃsa which is one of the oldest incidents in the story (for it is mentioned in the Mahâbhâshya)[381] belongs to both and Kaṃsa is consistently connected with Muttra. The Mahâbhârata is mainly concerned with Kṛishṇa the warrior: the few allusions in it to the freaks of the pastoral Kṛishṇa occur in passages suspected of being late interpolations and, even if they are genuine, show that little attention was paid to his youth. But in later works, the relative importance is reversed and the figure of the amorous herdsman almost banishes the warrior. We can trace the growth of this figure in the sculptures of the sixth century, in the Vishṇu and Bhâgavata Purâṇas and the Gîtâ-govinda (written about 1170). Even later is the worship of Râdhâ, Kṛishṇa's mistress, as a portion of the deity, who is supposed to have divided himself into male and female halves.[382] The birth and adventures of the pastoral Kṛishṇa are located in the land of Braj, the district round Muttra and among the tribe of the Âbhîras, but the warlike Kṛishṇa is connected with the west, although his exploits extend to the Ganges valley.[383] The Âbhîras, now called Ahirs, were nomadic herdsmen who came from the west and their movements between Kathiawar and Muttra may have something to do with the double location of the Kṛishṇa legend.
Both archæology and historical notices tell us something of the history of Muttra. It was a great Buddhist and Jain centre, as the statues and vihâras found there attest. Ptolemy calls it the city of the gods. Fa-Hsien (400 A.D.) describes it as Buddhist, but that faith was declining at the time of Hsüan Chuang's visit (c. 630 A.D.). The sculptural remains also indicate the presence of Græco-Bactrian influence. We need not therefore feel surprise if we find in the religious thought of Muttra elements traceable to Greece, Persia or Central Asia. Some claim that Christianity should be reckoned among these elements and I shall discuss the question elsewhere. Here I will only say that such ideas as were common to Christianity and to the religions of Greece and western Asia probably did penetrate to India by the northern route, but of specifically Christian ideas I see no proof. It is true that the pastoral Kṛishṇa is unlike all earlier Indian deities, but then no close parallel to him can be adduced from elsewhere, and, take him as a whole, he is a decidedly un-Christian figure. The resemblance to Christianity consists in the worship of a divine child, together with his mother. But this feature is absent in the New Testament and seems to have been borrowed from paganism by Christianity.
The legends of Muttra show even clearer traces than those already quoted of hostility between Kṛishṇa and Brahmanism. He forbids the worship of Indra,[384] and when Indra in anger sends down a deluge of rain, he protects the country by holding up over it the hill of Goburdhan, which is still one of the great centres of pilgrimage.[385] The language which the Vishṇu Purâṇa attributes to him is extremely remarkable. He interrupts a sacrifice which his fosterfather is offering to Indra and says, "We have neither fields nor houses: we wander about happily wherever we list, travelling in our waggons. What have we to do with Indra? Cattle and mountains are (our) gods. Brahmans offer worship with prayer: cultivators of the earth adore their landmarks but we who tend our herds in the forests and mountains should worship them and our kine."
This passage suggests that Kṛishṇa represents a tribe of highland nomads who worshipped mountains and cattle and came to terms with the Brahmanic ritual only after a struggle. The worship of mountain spirits is common in Central Asia, but I do not know of any evidence for cattle-worship in those regions. Clemens of Alexandria,[386] writing at the end of the second century A.D., tells us that the Indians worshipped Herakles and Pan. The pastoral Kṛishṇa has considerable resemblance to Pan or a Faun, but no representations of such beings are recorded from Græco-Indian sculptures. Several Bacchic groups have however been discovered in Gandhara and also at Muttra[387] and Megasthenes recognized Dionysus in some Indian deity. Though the Bacchic revels and mysteries do not explain the pastoral element in the Kṛishṇa legend, they offer a parallel to some of its other features, such as the dancing and the crowd of women, and I am inclined to think that such Greek ideas may have germinated and proved fruitful in Muttra. The Greek king Menander is said to have occupied the city (c. 155 B.C.), and the sculptures found there indicate that Greek artistic forms were used to express Indian ideas. There may have been a similar fusion in religion.
In any case, Buddhism was predominant in Muttra for several centuries. It no doubt forbade the animal sacrifices of the Brahmans and favoured milder rites. It may even offer some explanation for the frivolous character of much in the Kṛishṇa legend.[388] Most Brahmanic deities, extraordinary as their conduct often is, are serious and imposing. But Buddhism claimed for itself the serious side of religion and while it tolerated local godlings treated them as fairies or elves. It was perhaps while Kṛishṇa was a humble rustic deity of this sort, with no claim to represent the Almighty, that there first gathered round him the cycle of light love-stories which has clung to him ever since. In the hands of the Brahmans his worship has undergone the strangest variations which touch the highest and lowest planes of Hinduism, but the Muttra legend still retains its special note of pastoral romance, and exhibits Kṛishṇa in two principal characters, as the divine child and as the divine lover. The mysteries of birth and of sexual union are congenial topics to Hindu theology, but in the cult of Muttra we are not concerned with reproduction as a world force, but simply with childhood and love as emotional manifestations of the deity. The same ideas occur in Christianity, and even in the Gospels Christ is compared to a bridegroom, but the Kṛishṇa legend is far more gross and naïve.
The infant Kṛishṇa is commonly adored in the form known as Makhan Chor or the Butter Thief.[389] This represents him as a crawling child holding out one hand full of curds or butter which he has stolen. We speak of idolizing a child, and when Hindu women worship this image they are unconsciously generalizing the process and worshipping childhood, its wayward pranks as well as its loveable simplicity, and though it is hard for a man to think of the freaks of the butter thief as a manifestation of divinity, yet clearly there is an analogy between these childish escapades and the caprices of mature deities, which are respectfully described as mysteries. If one admits the worship of the Bambino, it is not unreasonable to include in it admiration of his rogueries, and the tender playfulness which is permitted to enter into this cult appeals profoundly to Indian women. Images of the Makhan Chor are sold by thousands in the streets of Muttra.
Even more popular is the image known as Kanhaya, which represents the god as a young man playing the flute as he stands in a careless attitude, which has something of Hellenic grace. Kṛishṇa in this form is the beloved of the Gopîs, or milk-maids, of the land of Braj, and the spouse of Râdhâ, though she had no monopoly of him. The stories of his frolics with these damsels and the rites instituted in memory thereof have brought his worship into merited discredit. Krishnaism offers the most extensive manifestation to be found in the world of what W. James calls the theopathic condition as illustrated by nuns like Marguérite Marie Alacoque, Saint Gertrude and the more distinguished Saint Theresa. "To be loved by God and loved by him to distraction (jusqu'à la folie), Margaret melted away with love at the thought of such a thing.... She said to God, 'Hold back, my God, these torrents which overwhelm me or else enlarge my capacity for their reception'."[390] These are not the words of the Gîtâ-govinda or the Prem Sagar, as might be supposed, but of a Catholic Bishop describing the transports of Sister Marguérite Marie, and they illustrate the temper of Kṛishṇa's worshippers. But the verses of the Marathi poet, Tukaram, who lived about 1600 A.D. and sang the praises of Kṛishṇa, rise above this sentimentality though he uses the language of love. In a letter to Sivaji, who desired to see him, he wrote, "As a chaste wife longs only to see her lord, such am I to Viṭṭhala.[391] All the world is to me Viṭṭhala and nothing else: thee also I behold in him." He also wrote elsewhere, "he that taketh the unprotected to his heart and doeth to a servant the same kindness as to his own children, is assuredly the image of God." More recently Râmakṛishṇa, whose sayings breathe a wide intelligence as well as a wide charity, has given this religion of love an expression which, if somewhat too sexual to be perfectly in accordance with western taste, is nearly related to emotional Christianity. "A true lover sees his god as his nearest and dearest relative" he writes, "just as the shepherd women of Vṛindâvana saw in Kṛishṇa not the Lord of the Universe but their own beloved.... The knowledge of God may be likened to a man, while the love of God is like a woman. Knowledge has entry only up to the outer rooms of God, and no one can enter into the inner mysteries of God save a lover.... Knowledge and love of God are ultimately one and the same. There is no difference between pure knowledge and pure love."[392]
These extracts show how Kṛishṇa as the object of the soul's desire assumes the place of the Supreme Being or God. But this surprising transformation[393] is not specially connected with the pastoral and erotic Kṛishṇa: the best known and most thorough-going exposition of his divinity is found in the Bhagavad-gîtâ, which represents him as being in his human aspect, a warrior and the charioteer of Arjuna. Probably some seventy-five millions to-day worship Kṛishṇa, especially under the name of Hari, as God in the pantheistic sense and naturally the more his identity with the supreme spirit is emphasized, the dimmer grow the legendary features which mark the hero of Muttra and Dvârakâ, and the human element in him is reduced to this very important point that the tie uniting him to his worshippers is one of sentiment and affection.
In the following chapters I shall treat of this worship when describing the various sects which practise it. A question of some importance for the history of Kṛishṇa's deification is the meaning of the name Vâsudeva. One explanation makes it a patronymic, son of Vasudeva, and supposes that when this prince Vâsudeva was deified his name, like Râma, was transferred to the deity. The other regards Vâsudeva as a name for the deity used by the Sâttvata clan and supposes that when Kṛishṇa was deified this already well-known divine name was bestowed on him. There is much to be said for this latter theory. As we have seen the Jains give the title Vâsudeva to a series of supermen, and a remarkable legend states[394] that a king called Paundraka who pretended to be a deity used the title Vâsudeva and ordered Kṛishṇa to cease using it, for which impertinence he was slain. This clearly implies that the title was something which could be detached from Kṛishṇa and not a mere patronymic. Indian writings countenance both etymologies of the word. As the name of the deity they derive it from vas to dwell, he in whom all things abide and who abides in all.[395]
5
Śiva and Vishṇu are not in their nature different from other Indian ideas, high or low. They are the offspring of philosophic and poetic minds playing with a luxuriant popular mythology. But even in the epics they have already become fixed points in a flux of changing fancies and serve as receptacles in which the most diverse notions are collected and stored. Nearly all philosophy and superstition finds its place in Hinduism by being connected with one or both of them. The two worships are not characteristic of different periods: they coexist when they first become known to us as they do at the present day and in essential doctrines they are much alike. We have no name for this curious double theism in which each party describes its own deity as the supreme god or All-god, yet without denying the god of the other. Something similar might be produced in Christianity if different Churches were avowedly to worship different persons of the Trinity.
Śiva and Vishṇu are sometimes contrasted and occasionally their worshippers quarrel.[396] But the general inclination is rather to make the two figures approximate by bestowing the same attributes on both. A deity must be able to satisfy emotional devotion: hence the Tamil Śivaite says of Śiva the destroyer, "one should worship in supreme love him who does kindness to the soul." But then the feature in the world which most impresses the Hindu is the constant change and destruction, and this must find a place in the All-god. Hence the sportive kindly Kṛishṇa comes to be declared the destroyer of the worlds.[397] It is as if in some vast Dravidian temple one wandered through two corridors differently ornamented and assigned to the priests of different rites but both leading to the same image. Hence it is not surprising to find that there is actually a deity—if indeed the term is suitable, but European vocabularies hardly provide one which meets the case—called Harihara (or Śankara-Nârâyaṇa), that is Śiva and Vishṇu combined. The Harivaṃsa contains a hymn addressed to him: fairly ancient sculptures attest the prevalence of his worship in the Deccan, especially at Badâmi, he was once the chief deity of Camboja and he is still popular in south India. Here besides being worshipped under his own name he has undergone a singular transformation and has probably been amalgamated with some aboriginal deity. Under the designation of Ayenâr (said to be a corruption of Harihara) he is extensively worshipped as a village god and reputed to be the son of Śiva and Vishṇu, the latter having kindly assumed the form of a woman to effect his birth.
Another form of this inclination to combine and unite the various manifestations of the Divine is the tendency to worship groups of gods, a practice as old as the Vedas. Thus many temples are dedicated to a group of five, namely, Śiva, Vishṇu, Durgâ, Gaṇeśa and the Sun and it is stated that every Hindu worships these five deities in his daily prayers.[398] The Trimûrti, or figure of Brahmâ, Śiva and Vishṇu, illustrates the worship of groups. Its importance has sometimes been over-estimated by Europeans from an idea that it corresponded to the Christian Trinity, but in reality this triad is late and has little significance. No stress is laid on the idea of three in one and the number of persons can be increased. The Brahma-vaivarta Purâṇa for instance adds Kṛishṇa to Brahmâ, Śiva and Vishṇu. The union of three personalities is merely a way of summing up the chief attributes of the All-God. Thus the Vishṇu Purâṇa[399] extols Vishṇu as being "Hiraṇyagarbha, Hari and Śaṅkara (i.e. Brahmâ, Vishṇu and Śiva), the creator, preserver and destroyer," but in another passage as him who is "Brahma, Îśvara and spirit (Puṁs), who with the three Guṇas (qualities of matter) is the cause of creation, preservation and destruction...." The origin of the triad, so far as it has any doctrinal or philosophical meaning, is probably to be sought in the personification of the three Guṇas.[400]
FOOTNOTES:
[334] See especially Dig. Nik. XX. and XXXII.
[335] But the lists may be pieces of folk-lore older than the suttas in which they are incorporated.
[336] The Dionysus of Megasthenes is a deity who comes from the west with an army that suffers from the heat of the plains. If we could be certain that he meant Śiva by Dionysus this would be valuable evidence. But he clearly misunderstood many things in Indian religion. Greek legends connected Dionysus with India and the East.
[337] Macdonell seems to me correct in saying (J.R.A.S. 1915, p. 125) that one reason why Indian deities have many arms is that they may be able to carry the various symbols by which they are characterized. Another reason is that worship is usually accompanied by dhyâna, that is forming a mental image of the deity as described in a particular text. E.g. the worshipper repeats a mantra which describes a deity in language which was originally metaphorical as having many heads and arms and at the same time he ought to make a mental image of such a figure.
[338] But some forms of Śivaism in southern India come even nearer to emotional Christianity than does Vishnuism.
[339] I cannot discover that any alleged avatâra of Śiva has now or has had formerly any importance, but the Vâyu, Liṅga and Kûrma Purâna give lists of such incarnations, as does also the Catechism of the Shaiva religion translated by Foulkes. But Indian sects have a strong tendency to ascribe all possible achievements and attributes to their gods. The mere fact that Vishṇu becomes incarnate incites the ardent Śivaite to say that his god can do the same. A curious instance of this rivalry is found in the story that Śiva manifested himself as Śarabha-mûrti in order to curb the ferocity of Vishṇu when incarnate in the Man Lion (see Gopinâtha Rao, Hindu Icon. p. 45). Śiva often appears in a special form, not necessarily human, for a special purpose (e.g. Vîrabhadra) and some tantric Buddhas seem to be imitations of these apparitions. There is a strong element of Śivaism borrowed from Bengal in the mythology of Tibet and Mongolia, where such personages as Hevajra, Saṃvara, and Mahâkâla have a considerable importance under the strange title of Buddhas.
[340] The passage from one epithet to the other is very plain in R.V. I. 114.
[341] Book XVI.
[342] In the play Mricchakaṭikâ or The Clay Cart (probably of the sixth century A.D.) a burglar invokes Kârtikeya, the son of Śiva, who is said to have taught different styles of house-breaking.
[343] A similarly strange collocation of attributes is found in Daksha's hymn to Śiva. Mahâbhârata, XII. Sec. 285.
[344] Atharva, V. xi. 2. 24.
[345] It is not certain if the Śisṇadevâh whom Indra is asked to destroy in Ṛig. V. VII. 21. 5 and X. 99. 3 are priapic demons or worshippers of the phallus.
[346] VII. secs. 202, 203, and XIII. sec. 14.
[347] The inscriptions of Camboja and Champa seem to be the best proof of the antiquity of Linga worship. A Cambojan inscription of about 550 A.D. records the dedication of a linga and the worship must have taken some time to reach Camboja from India. Some lingas discovered in India are said to be anterior to the Christian era.
[348] See F. Kittel, Ueber den Ursprung der Linga Kultus, and Barth, Religions of India, p. 261.
[349] As is also its appearance, as a rule. But there are exceptions to this. Some Hindus deny that the Linga is a phallic emblem. It is hardly possible to maintain this thesis in view of such passages as Mahâbh. XIII. 14 and the innumerable figures in which there are both a linga and a Yoni. But it is true that in its later forms the worship is purged of all grossness and that in its earlier forms the symbol adored was often a stûpa-like column or a pillar with figures on it.
[350] Such scenes as the relief from Amarâvati figured in Grünwedel, Buddhist art in India, p. 29, fig. 8, might easily be supposed to represent the worship of the linga, and some of Aśoka's pillars have been worshipped as lingas in later times.
[351] But not of course the soul which, according to the general Indian idea, exists before and continues after the life of the body.
[352] Crooke, Popular Religion and Folklore of Northern India, I. 84; II. 219.
[353] They are however of some importance in Vishnuite theology. For instance according to the school of Râmânuja it is the Śakti (Śrî) who reveals the true doctrine to mankind. Vishṇu is often said to have three consorts, Śrî, Bhû and Lîlâ.
[354] E.g. Śat. Brâh. I. 2. 5. See also the strange legend Ib. XI. 1. 1 where Vishṇu is described as the best of the gods but is eaten by Indra. He is frequently (e.g. in the Śata Brâh) stated to be identical with the sacrifice, and this was probably one of the reasons for his becoming prominent.
[355] See many modern examples in Crooke, Popular Religion and Folk Lore of Northern India, chap. IV. and Census of India, 1901, vol. VI. Bengal, pp. 196-8, where are described various deified heroes who are adored in Bengal, such as Goveiyâ (a bandit), Sailesh, Karikh, Lárik, Amar Singh, and Gobind Raut (a slayer of tigers). Compare too the worship of Gopi Nath and Zinda Kaliana in the Panjâb as described in Census of India, 1901, vol. XVII. pp. 118-9.
[356] The Bhâgavata Purâna (I. iii.) and the Bhaktamâlâ (see J.R.A.S. 1909, pp. 621 ff.) give longer lists of 22 and 26, and the Pâncarâtra gives 39. See Ahirbudhnya Saṃhitâ, V. 50-55.
[357] Book I, cantos 74-76.
[358] A parallel phenomenon is the belief found in Bali, that Buddha is Śiva's brother.
[359] For Brahmanic ideas about Buddha see Vishṇu Purâṇa, III. 18. The Bhâgavata Purâṇa, I. 3. 24 seems to make the Buddha incarnation future. It also counts Kapila and Ṛishabha, apparently identical with the founder of the Sânkhya and the first Jain saint, as incarnations. The Padma Purâṇa seems to ascribe not only Buddhism but the Mâyâ doctrine of Śankara to delusions deliberately inspired by gods. I have not been able to find the passage in the printed edition of the Purâṇa but it is quoted in Sanskrit by Aufrecht, Cat. Cod. Bib. Bodl. p. 14, and Muir, Original Sanskrit Texts, p. 198.
[360] See Norman in Trans. Third Int. Congress of Religions, II. p. 85. In the Ind. Ant. 1918, p. 145 Jayaswal tries to prove that Kalkî is a historical personage and identical with King Yaśodharman of Central India (about A.D. 500) and that the idea of his being a future saviour is late. This theory offers difficulties, for firstly there is no proof that the passages of the Mahabharata which mention Kalkî (III. 190, 13101; III. 191, 13111: XII. 340, 12968) are additions later than Yaśodharman and secondly if Kalkî was first a historical figure and then projected into the future we should expect to hear that he will come again, but such language is not quoted. On the other hand it seems quite likely (1) that there was an old tradition about a future saviour called Kalkî, (2) that Yaśodharman after defeating the Huns assumed the rôle, (3) and that when it was found that the golden age had not recommenced he was forgotten (as many pseudo-Messiahs have been) and Kalkî again became a hope for the future. Vincent Smith (Hist. of India, ed. III. p. 320) intimates that Yaśodharman performed considerable exploits but was inordinately boastful.
[361] Another version of the story which omits the expedition to Laṅka and makes Sîtâ the sister of Râma is found in the Dasaratha Jâtaka (641).
[362] But this colonization is attributed by tradition to Vijaya, not Râma.
[363] See especially book VI. p. 67, in Growse's Translation.
[364] See Muir's Sanskrit Texts, vol. IV. especially pp. 441-491.
[365] Ekanâtha, who lived in the sixteenth century, calls the Adhyâtma R. a modern work. See Bhandarkar, Vaishn. and Saivism, page 48. The Yoga-Vasishtḥa R. purports to be instruction given by Vasishṭha to Râma who wishes to abandon the world. Its date is uncertain but it is quoted by authors of the fourteenth century. It is very popular, especially in south India, where an abridgment in Tamil called Jñâna-Vasishṭha is much read. Its doctrine appears to be Vedântist with a good deal of Buddhist philosophy. Salvation is never to think that pleasures and pains are "mine."
[366] Châṇḍ. Up. III. 17.6
[367] The Kaush. Brâhm. says that Kṛishṇa was an Âṅgirasa XXX. g. The Anukramanî says that the Kṛishṇa of Ṛig Veda, VIII. 74 was an Âṅgirasa. For Ghora Âṅgirasa "the dread descendent of the Angirases" see Macdonell and Keith, Vedic Index, s.v.
[368] E.g. Dig. Nik. V. The Pâncarâtra expressly states that Yoga is worship of the heart and self-sacrifice, being thus a counterpart of the external sacrifice (bâhyayâga).
[369] Pâṇ. IV. 3. 98, Vâsudevârjunâbhyâm vun. See Bhandarkar, Vaishnavism and Śaivism, p. 3 and J.R.A.S. 1910, p. 168. Sûtra 95, just above, appears to point to bhakti, faith or devotion, felt for this Vâsudeva.
[370] Especially the Besnagar column. See Rapson, Ancient India, p. 156 and various articles in J.R.A.S. 1909-10.
[371] X. i, vi.
[372] III. i. 23, Ulâro so Kaṇho isi ahosi. But this may refer to the Rishi mentioned in R.V. VIII. 74 who has not necessarily anything to do with the god Kṛishṇa.
[373] See Hemacandra Abhidhânacintâmani, Ed. Boehtlingk and Rien, p. 128, and Barnett's translation of the Antagada Dasāo, pp. 13-15 and 67-82.
[374] Apparently the same as the Vṛishṇis.
[375] III. XV.
[376] It would seem that the temple of Dvârakâ was built between the composition of the narrative in the Mahâbhârata and of the Vishṇu Purâṇa, for while the former says the whole town was destroyed by the sea, the latter excepts the temple and says that whoever visits it is freed from all his sins. See Wilson, Vishṇu Purâṇa, V. p. 155.
[377] A most curious chapter of the Vishṇu Purâṇa (IV. 13) contains a vindication of Kṛishṇa's character and a picture of old tribal life.
[378] Neither can I agree with some scholars that Kṛishṇa is mainly and primarily a deity of vegetation. All Indian ideas about the Universe and God emphasize the interaction of life and death, growth and decay, spring and winter. Kṛishṇa is undoubtedly associated with life, growth and generation, but so is Śiva the destroyer, or rather the transmuter. The account in the Mahâbhâshya (on Pân. III. 1. 26) of the masque representing the slaughter of Kaṃsa by Kṛishṇa is surely a slight foundation for the theory that Kṛishṇa was a nature god. It might be easily argued that Christ is a vegetation spirit, for not only is Easter a spring festival but there are numerous allusions to sowing and harvest in the Gospels and Paul illustrates the resurrection by the germination of corn. It is a mistake to seek for uniformity in the history of religion. There were in ancient times different types of mind which invented different kinds of gods, just as now professors invent different theories about gods.
[379] The Kṛishṇa of the Chândogya Upanishad receives instruction but it is not said that he was himself a teacher.
[380] Hopkins, India Old and New, p. 105.
[381] Bhandarkar. Allusions to Kṛishṇa in Mahâbhâshya, Ind. Ant. 1874, p. 14. For the pastoral Kṛishṇa see Bhandarkar, Vaishṇavism and Śaivism, chap. IX.
[382] The divinity of Râdhâ is taught specially in the Brahma-vaivarta Purâṇa and the Nârada pâncarâtra, also called Jñânâmṛitasâra. She is also described in the Gopâla-tâpanîya Upanishad of unknown date.
[383] But Kaṃsa appears in both series of legends, i.e., in the Ghata-Jâtaka which contains no hint of the pastoral legends but is a variant of the story of the warlike Kṛishṇa.
[384] Vishṇu Purâṇa, V. 10, 11 from which the quotations in the text are taken. Much of it is repeated in the Harivamsa. See for instance H. 3808.
[385] The Muttra cycle of legends cannot be very late for the inscription of Glai Lomor in Champa (811 A.D.) speaks of Nârâyana holding up Goburdhan and a Cambojan inscription of Prea Eynkosey (970 A.D.) speaks of the banks of the Yamunâ where Kṛishṇa sported. These legends must have been prevalent in India some time before they travelled so far. Some of them are depicted on a pillar found at Mandor and possibly referable to the fourth century A.D. See Arch. Survey Ind. 1905-1906, p. 135.
[386] Strom, III. 194. See M'Crindle, Ancient India, p. 183.
[387] Vincent Smith, Fine Art in India, pp. 134-138.
[388] In the Sutta-nipâta Mâra, the Evil One is called Kaṇha, the phonetic equivalent of Kṛishṇa in Prâkrit. Can it be that Mâra and his daughters have anything to do with Kṛishṇa and the Gopîs?
[389] Compare the Greek stories of the infant Hermes who steals Apollo's cattle and invents the lyre. Compare too, as having a general resemblance to fantastic Indian legends, the story of young Hephæstus.
[390] Mgr. Bongard, Histoire de la Bienheureuse Marguérite Marie. Quoted by W. James, Varieties of Religious Experience, p. 343.
[391] Viṭṭhal or Viṭṭoba is a local deity of Pandharpur in the Deccan (perhaps a deified Brahman of the place) now identified with Kṛishṇa.
[392] Life and Sayings of Râmakṛishṇa. Trans. F. Max Müller, pp. 137-8. The English poet Crashaw makes free use of religious metaphors drawn from love and even Francis Thompson represents God as the lover of the Soul, e.g. in his poem Any Saint.
[393] Though surprising, it can be paralleled in modern times for Kabir (c. 1400) was identified by his later followers with the supreme spirit.
[394] Mahâbhâr. Sabhâp. XIV. Vishṇu Pur. V. xxxiv. The name also occurs in the Taittirîya Âraṇyaka (i. 31) a work of moderate if not great antiquity Nâzâyanâya vidmahe Vasudevâya dhîmahi.
[395] See. Vishṇu Pur. VI. V. See also Wilson, Vishṇu Purâṇa, I. pp. 2 and 17.
[396] Thus the Saura Purâṇa inveighs against the Mâdhva sect (XXXVIII.-XL.) and calls Vishṇu the servant of Śiva: a Purâṇic legal work called the Vriddha-Harita-Samhitâ is said to contain a polemic against Śiva. Occasionally we hear of collisions between the followers of Vishṇu and Śiva or the desecration of temples by hostile fanatics. But such conflicts take place most often not between widely different sects but between subdivisions of the same sect, e.g., Tengalais and Vadagalais. It would seem too that at present most Hindus of the higher castes avoid ostentatious membership of the modern sects, and though they may practise special devotion to either Vishṇu or Śiva, yet they visit the temples of both deities when they go on pilgrimages. Jogendra Nath Bhattacharya in his Hindu Castes and Sects says (p. 364) that aristocratic Brahmans usually keep in their private chapels both a salâgram representing Vishṇu and emblems representing Śiva and his spouse. Hence different observers vary in their estimates of the importance of sectarian divisions, some holding that sect is the essence of modern Hinduism and others that most educated Hindus do not worship a sectarian deity. The Kûrma Purâṇa, Part I. chap. XXII. contains some curious rules as to what deities should be worshipped by the various classes of men and spirits.
[397] Bhag.-gîtâ, XL. 23-34.
[398] See Srisa Chandra Vasu, Daily practice of the Hindus, p. 118.
[399] II. 1 and I. 1.
[400] See Maitrâyaṇa Up. V. 2. It is highly probable that the celebrated image at Elephanta is not a Trimûrti at all but a Maheśamûrti of Śiva. See Gopinâtha Rao, Hindu Iconog. II. 382.
CHAPTER XXVI
FEATURES OF HINDUISM: RITUAL, CASTE, SECT, FAITH
1
In the last chapter I traced the growth of the great gods Śiva and Vishṇu. The prominence of these figures is one of the marks which distinguish the later phase of Indian religion from the earlier. But it is also distinguished by various practices, institutions and beliefs, which are more or less connected with the new deities. Such are a new ritual, the elaboration of the caste system, the growth of sects, and the tendency to make devotion to a particular deity the essence of religion. In the present chapter I shall say something of these phenomena.
Hinduism has often and justly been compared to a jungle. As in the jungle every particle of soil seems to put forth its spirit in vegetable life and plants grow on plants, creepers and parasites on their more stalwart brethren, so in India art, commerce, warfare and crime, every human interest and aspiration seek for a manifestation in religion, and since men and women of all classes and occupations, all stages of education and civilization, have contributed to Hinduism, much of it seems low, foolish and even immoral. The jungle is not a park or garden. Whatever can grow in it, does grow. The Brahmans are not gardeners but forest officers. To attempt a history or description of Indian creeds seems an enterprise as vast, hopeless and pathless as a general account of European politics. As for many centuries the life of Europe has expressed itself in politics, so for even longer ages the life of India, which has more inhabitants than western Europe,[401] has found expression in religion, speculation and philosophy, and has left of all this thought a voluminous record, mighty in bulk if wanting in dates and events. And why should it chronicle them? The truly religious mind does not care for the history of religion, just as among us the scientific mind does not dwell on the history of science.
Yet in spite of their exuberance Hinduism and the jungle have considerable uniformity. Here and there in a tropical forest some well-grown tree or brilliant flower attracts attention, but the general impression left on the traveller by the vegetation as he passes through it mile after mile is infinite repetition as well as infinite luxuriance. And so in Hinduism. A monograph on one god or one teacher is an interesting study. But if we continue the experiment, different gods and different teachers are found to be much the same. We can write about Vishnuism and Śivaism as if they were different religions and this, though incomplete, is not incorrect. But in their higher phases both show much the same excellences and when degraded both lead to much the same abuses, except that the worship of Vishṇu does not allow animal sacrifices. This is true even of externals. In the temples of Madura, Poona and Benares, the deities, the rites, the doctrines, the race of the worshippers and the architecture are all different, yet the impression of uniformity is strong. In spite of divergences the religion is the same in all three places: it smacks of the soil and nothing like it can be found outside India.
Hinduism is an unusual combination of animism and pantheism, which are commonly regarded as the extremes of savage and of philosophic belief. In India both may be found separately but frequently they are combined in startling juxtaposition. The same person who worships Vishṇu as identical with the universe also worships him in the form of a pebble or plant.[402] The average Hindu, who cannot live permanently in the altitudes of pantheistic thought, regards his gods as great natural forces, akin to the mighty rivers which he also worships, irresistible and often beneficent but also capricious and destructive. Whereas Judaism, Christianity and Islam all identify the moral law with the will and conduct of the deity, in Hinduism this is not completely admitted in practice, though a library might be filled with the beautiful things that have been said about man and God. The outward forms of Indian religion are pagan after the fashion of the ancient world, a fashion which has in most lands passed away. But whereas in the fourth century A.D. European paganism, despite the efforts of anti-Christian eclectics, proved inelastic and incapable of satisfying new religious cravings, this did not happen in India. The bottles of Hinduism have always proved capable of holding all the wine poured into them. When a new sentiment takes possession of men's souls, such as love, repentance, or the sense of sin, some deity of many shapes and sympathies straightway adapts himself to the needs of his worshippers. And yet in so doing the deity, though he enlarges himself, does not change, and the result is that we often meet with strange anachronisms, as if Jephthah should listen appreciatively to the Sermon on the Mount and then sacrifice his daughter to Christ. Many Hindu temples are served by dancing girls who are admittedly prostitutes,[403] an institution which takes us back to the cultus of Corinth and Babylon and is without parallel in any nation on approximately the same level of civilization. Only British law prevents widows from being burned with their dead husbands, though even in the Vedic age the custom had been discontinued as barbarous.[404] But for the same legislation, human sacrifice would probably be common. What the gods do and what their worshippers do in their service cannot according to Hindu opinion be judged by ordinary laws of right and wrong. The god is supra-moral: the worshipper when he enters the temple leaves conventionality outside.
Yet it is unfair to represent Hinduism as characterized by licence and cruelty. Such tendencies are counterbalanced by the strength and prevalence of ideas based on renunciation and self-effacement. All desire, all attachment to the world is an evil; all self-assertion is wrong. Hinduism is constantly in extremes: sometimes it exults in the dances of Kṛishṇa or the destructive fury of Kâlî: more often it struggles for release from the transitory and for union with the permanent and real by self-denial or rather self-negation, which aims at the total suppression of both pleasure and pain. This is on the whole its dominant note.
In the records accessible to us the transition from Brahmanism—that is, the religion of the Vedas and Brâhmaṇas—to Hinduism does not appear as direct but as masked by Buddhism. We see Buddhism grow at the expense of Brahmanism. We are then conscious that it becomes profoundly modified under the influence of new ideas. We see it decay and the religion of the Brahmans emerge victorious. But that religion is not what it was when Buddhism first arose, and is henceforth generally known as Hinduism. The materials for studying the period in which the change occurred—say 400 B.C. to 400 A.D.—are not scanty, but they do not facilitate chronological investigation. Art and architecture are mainly Buddhist until the Gupta period (c. 320 A.D.) and literature, though plentiful, is undated. The Mahâbhârata and Râmâyaṇa must have been edited in the course of these 800 years, but they consist of different strata and it is not easy to separate and arrange them without assuming what we want to prove. From 400 B.C. (if not from an earlier date) onwards there grew up a great volume of epic poetry, founded on popular ballads, telling the stories of Râma and the Pâṇḍavas.[405] It was distinct from the canonical literatures of both Brahmans and Buddhists, but though it was not in its essential character religious, yet so general in India is the interest in religion that whole theological treatises were incorporated in these stories without loss, in Indian opinion, to the interest of the narrative. If at the present day a congregation is seen in a Hindu temple listening to a recitation, the text which is being chanted will often prove to be part of the Mahâbhârata. Such a ceremony is not due to forgetfulness of the Veda but is a repetition of what happened long before our era when rhapsodists strung together popular narratives and popular theology. Such theology cannot be rigidly separated from Brahmanism and Buddhism. It grew up under their influence and accepted their simpler ideas. But it brought with it popular beliefs which did not strictly speaking belong to either system. By attacking the main Brahmanic doctrines the Buddhists gave the popular religion its opportunity. For instance, they condemned animal sacrifices and derided the idea that trained priests and complicated rites are necessary. This did not destroy the influence of the Brahmans but it disposed them to admit that the Vedic sacrifices are not the only means of salvation and to authorize other rites and beliefs. It was about this time, too, that a series of invasions began to pour into India from the north-west. It may be hard to distinguish between the foreign beliefs which they introduced and the Indian beliefs which they accepted and modified. But it is clear that their general effect was to upset traditional ideas associated with a ritual and learning which required lifelong study.
2
It has been well said[406] that Buddhism did not waste away in India until rival sects had appropriated from it everything they could make use of. Perhaps Hinduism had an even stronger doctrinal influence on Buddhism. The deification of the Buddha, the invention of Bodhisattvas who are equivalent to gods and the extraordinary alliance between late Buddhism and Śivaism, are all instances of the general Indian view overcoming the special Buddhist view. But Buddhism is closely connected with the theory of incarnations and the development of the Advaita philosophy, and in the externals of religion, in rites, ceremonies and institutions, its influence was great and lasting. We may take first the doctrine of Ahiṃsâ, non-injury, or in other words the sanctity of animal life. This beautiful doctrine, the glory of India, if not invented by the Buddha at least arose in schools which were not Brahmanic and were related to the Jain and Buddhist movements. It formed no part of the Vedic religion in which sacrifice often meant butchery. But in Hinduism, it meets with extensive though not universal acceptance. With the Vaishṇavas it is an article of faith nor do the worshippers of Śiva usually propitiate him with animal sacrifices, though these are offered by the Śâktas and also by the small class of Brahmans who still preserve the Vedic ritual.[407] Hardly any Hindus habitually eat meat and most abhor it, especially beef. Yet beef-eating seems to have been permitted in Vedic times and even when parts of the Mahâbhârata were composed.
Apart from animal sacrifices Buddhism was the main agent in effecting a mighty revolution in worship and ritual. One is tempted to regard the change as total and complete, but such wide assertions are rarely true in India: customs and institutions are not swept away by reformers but are cut down like the grass and like the grass grow up again. They sometimes die out but they are rarely destroyed. The Vedic sacrifices are still occasionally offered,[408] but for many centuries have been almost entirely superseded by another form of worship associated with temples and the veneration of images. This must have become the dominant form of Hindu cultus in the first few centuries of our era and probably earlier. It is one of the ironies of fate that the Buddha and his followers should be responsible for the growth of image worship, but it seems to be true. He laughed at sacrifices and left to his disciples only two forms of religious exercise, sermons and meditation. For Indian monks, this was perhaps sufficient, but the laity craved for some outward form of worship. This was soon found in the respect shown to the memory of the Buddha and the relics of his body, although Hinduism never took kindly to relic worship. We hear too of Cetiyas. In the Piṭakas this word means a popular shrine unconnected with either Buddhist or Brahmanic ceremonial, sometimes perhaps merely a sacred tree or stone, probably honoured by such simple rites as decorating it with paint or flowers. A little later, in Buddhist times, the Cetiya became a cenotaph or reliquary, generally located near a monastery and surrounded by a passage for reverential circumambulation.
Allusions in the Piṭakas also indicate that then as now there were fairs. The early Buddhists thought that though such gatherings were not edifying they might be made so. They erected sacred buildings near a monastery, and held festivals so that people might collect together, visit a holy place, and hear sermons. In the earliest known sanctuaries, the funeral monument (for we can scarcely doubt that this is the origin of the stûpa)[409] has already assumed the conventional form known as Dagoba, consisting of a dome and chest of relics, with a spire at the top, the whole surrounded by railings or a colonnade, but though the carving is lavish, no figure of the Buddha himself is to be seen. He is represented by a symbol such as a footprint, wheel, or tree. But in the later school of sculpture known as Gandhara or Græco-Buddhist he is frequently shown in a full length portrait. This difference is remarkable. It is easy to say that in the older school the Buddha was not depicted out of reverence, but less easy to see why such delineation should have shocked an Indian. But at any rate there is no difficulty in understanding that Greeks or artists influenced by Greeks would think it obvious and proper to make an effigy of their principal hero.
In these shrines we have if not the origin of the Hindu temple, at any rate a parallel development more nearly allied to it than anything in the Vedic religion.[410] For the Buddhist shrine was a monument built over a receptacle containing relics and the essential feature of Hindu temples is a cell containing an image or emblem and generally surmounted by a tower. The surrounding courts and corridors may assume gigantic proportions, but the central shrine is never large. Images had no place in the Vedic sacrifices and those now worshipped in temples are generally small and rude, and sometimes (as at Bhuvaneshwar and Srirangam) the deity is represented by a block or carved stone which cannot be moved, and may have been honoured as a sacred rock long before the name of Vishṇu or Śiva was known in those regions.[411] The conspicuous statues often found outside the shrine are not generally worshipped and are merely ornaments. Buddhism did not create the type of ritual now used in Hindu temples, yet it contributed towards it, for it attacked the old Brahmanic sacrifices, it countenanced the idea that particular places and objects are holy, and it encouraged the use of images. It is strange that these widespread ideas should find no place in the Vedic religion, but even now-a-days whenever the old Vedic sacrifices are celebrated they are uncontaminated by the temple ceremonial. More than this, the priests or Pujâris who officiate in temples are not always Brahmans and they rarely enjoy much consideration.[412] This curious and marked feature may be connected with the inveterate Indian feeling that, though it is well to multiply rites and rules for neophytes, no great respect is due to men occupied with mere ceremonial. But it also testifies to a dim consciousness that modern temples and their ceremonies have little to do with the thoughts and mode of life which made the Brahmans a force in India. In many ways the Brahmans dissociate themselves from popular religion. Those of good family will not perform religious rites for Śûdras and treat the Brahmans who do so as inferiors.[413]
The simplest ceremonial in use at the present day is that employed in some Śivaite temples. It consists in placing leaves on the linga and pouring holy water over it. These rites, which may be descended from prehistoric stone worship, are generally accompanied by the reading of a Purâna. But the commonest form of temple ritual consists in treating the image or symbol as an honoured human being.[414] It is awakened, bathed, dressed and put to bed at the close of day. Meals are served to it at the usual hours. The food thus offered is called prasâd (or favour) and is eaten by the devout. Once or twice a day the god holds a levee and on festivals he is carried in procession. These ceremonies are specially characteristic of the worship of Kṛishṇa whose images receive all the endearments lavished on a pet child. But they are also used in the temples of Śiva and Parvatî, and no less than twenty-two of them are performed in the course of the day at the temple of Bhuvaneshwar in Orissa. It is clear that the spirit of these rites is very different from that which inspires public worship in other civilized countries at the present day. They are not congregational or didactic, though if any of the faithful are in the temple at the time of the god's levee it is proper for them to enter and salute him. Neither do they recall the magical ceremonies of the Vedic sacrifices.[415] The waving of lights (arati) before the god and the burning of incense are almost the only acts suggestive of ecclesiastical ritual. The rest consists in treating a symbol or image as if it were a living thing capable of enjoying simple physical pleasures. Here there are two strata. We have really ancient rites, such as the anointing or ornamenting of stones and offerings of food in sacred places. In this class too we may reckon the sacrifice of goats (and formerly of human beings) to Kâlî.[416] But on the other hand the growing idea of Bhakti, that is faith or devotion, imported a sentimental element and the worshipper endeavoured to pet, caress and amuse the deity.
It is hard to see anything either healthy or artistic in this emotional ritual. The low and foolish character of many temple ceremonies disgusts even appreciative foreigners, but these services are not the whole of Hindu worship. All Hindus perform in the course of the day numerous acts of private devotion varying according to sect, and a pious man is not dependent on the temple like a Catholic on his church. Indian life is largely occupied with these private, intimate, individual observances, hardly noticeable as ceremonies and concerned with such things as dressing, ablution and the preparation of food.
The monastic institutions of India seem due to Buddhism. There were wandering monks before the Buddha's time, but the practice of founding establishments where they could reside permanently, originated in his order. There appears to be no record of Hindu (as opposed to Buddhist) monasteries before the time of Śaṅkara in the ninth century, though there must have been places where the learned congregated or where wandering ascetics could lodge. Śaṅkara perceived the advantage of the cenobitic life for organizing religion and founded a number of maṭhs or colleges. Subsequent religious leaders imitated him. At the present day these institutions are common, yet it is clear that the wandering spirit is strong in Hindus and that they do not take to monastic discipline and fixed residence as readily as Tibetans and Burmese. A maṭh is not so much a convent as the abode of a teacher. His pupils frequent it and may become semi-resident: aged pilgrims may make it their last home, but the inmates are not a permanent body following a fixed rule like the monks of a Vihâra. The Sattras of Assam, however, are true monasteries (though even there vows and monastic costume are unknown) and so are the establishments of the Swâminârâyaṇa sect at Ahmedabad and Wartâl.
3
The vast and complicated organization of caste is mainly a post-Vedic growth and in the Buddha's time was only in the making.[417] His order was open to all classes alike, but this does not imply that he was adverse to caste, so far as it then prevailed, or denied that men are divided into categories determined by their deeds in other births. But on the whole the influence of Buddhism was unfavourable to caste, especially to the pretensions of the Brahmans, and an extant polemic against caste is ascribed (though doubtfully) to Aśvaghosha.[418] On the other hand, though caste is in its origin the expression of a social rather than of a religious tendency, the whole institution and mechanism have long been supported and exploited by the Brahmans. Few of them would dispute the proposition that a man cannot be a Hindu unless he belongs to a caste. The reason of this support is undisguised, namely, that they are the first and chief caste. They make their own position a matter of religion and claim the power of purifying and rehabilitating those who have lost caste but they do not usually interfere with the rules of other castes or excommunicate those who break them.[419] That is the business of the Pancayat or caste council.
Sometimes religion and caste are in opposition, for many modern religious leaders have begun by declaring that among believers there are no social distinctions. This is true not only of teachers whose orthodoxy is dubious, such as Nânak, the founder of the Sikhs, and Basava, the founder of the Lingâyats,[420] but also of Vallabhâcârya and Caitanya. But in nearly all cases caste reasserts itself. The religious teachers of the sect receive extravagant respect and form a body apart. This phenomenon, which recurs in nearly all communities, shows how the Brahmans established their position. At the same time social distinctions make themselves felt among the laity, and those who claim to be of good position dissociate themselves from those of lower birth. The sect ends by observing caste on ordinary occasions, and it is only in some temples (such as that of Jagannath at Puri)[421] that the worshippers mix and eat a sacred meal together. Sometimes, however, the sect which renounces caste becomes itself a caste. Thus, the Sikhs have become almost a nation and other modern castes arising out of sects are the Atiths, who are Śivaites, the Saraks, who appear to have been originally Buddhists, and the Baishnabs (Vaishnavas), a name commonly given in Bengal to those followers of Caitanya who persist in the original rule of disregarding caste regulations within the sect, and hence now form a separate community. But as a rule sect and caste are not co-extensive and the caste is not a religious corporation. Thus the different subdivisions of the Baniyas belong to different sects and even in the same subdivision there is no religious uniformity.[422]
Caste in its later developments is so complex and irregular, that it is impossible to summarize it in a formula or explain it as the development of one principle. In the earliest form known two principles are already in operation. We have first racial distinction. The three upper castes represent the invading Aryans, the fourth the races whom they found in India. In the modern system of caste, race is not a strong factor. Many who claim to be Brahmans and Kshatriyas have no Aryan blood, but still the Aryan element is strongest in the highest castes and decreases as we descend the social scale and also decreases in the higher castes in proportion as we move from the north-west to the east and south. But secondly in the three upper castes the dividing principle, as reported in the earliest accounts, is not race but occupation. We find in most Aryan countries a division into nobles and people, but in India these two classes become three, the priests having been able to assume a prominence unknown elsewhere and to stamp on literature their claim to the highest rank. This claim was probably never admitted in practice so completely as the priests desired. It was certainly disputed in Buddhist times and I have myself heard a young Rajput say that the Brahmans falsified the Epics so as to give themselves the first place.
It is not necessary for our purpose to describe the details of the modern caste system. Its effect on Indian religion has been considerable, for it created the social atmosphere in which the various beliefs grew up and it has furnished the Brahmans with the means of establishing their authority. But many religious reformers preached that in religion caste does not exist—that there is neither Jew nor Gentile in the language of another creed—and though the application of this theory is never complete, the imperfection is the result not of religious opposition but of social pressure. Hindu life is permeated by the instinct that society must be divided into communities having some common interest and refusing to intermarry or eat with other communities. The long list of modern castes hardly bears even a theoretical relation to the four classes of Vedic times.[423] Numerous subdivisions with exclusive rules as to intermarriage and eating have arisen among the Brahmans and the strength of this fissiparous instinct is seen among the Mohammedans who nominally have no caste but yet are divided into groups with much the same restrictions.
This remarkable tendency to form exclusive corporations is perhaps correlated with the absence of political life in India. Such ideas as nationality, citizenship, allegiance to a certain prince, patriotic feelings for a certain territory are rarer and vaguer than elsewhere, and yet the Hindu is dependent on his fellows and does not like to stand alone. So finding little satisfaction in the city or state he clings the more tenaciously to smaller corporations. These have no one character: they are not founded on any one logical principle but merely on the need felt by people who have something in common to associate together. Many are based on tribal divisions; some, such as the Marathas and Newars, may be said to be nationalities. In many the bond of union is occupation, in a few it is sectarian religion. We can still observe how members of a caste who migrate from their original residence tend to form an entirely new caste, and how intertribal marriages among the aborigines create new tribes.