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Hinduism and Buddhism, An Historical Sketch, Vol. 2

Chapter 47: 2
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The work traces the religious history and development of Buddhism and Hinduism in India through doctrinal exposition, chronological narrative and textual analysis. It outlines Mahayana thought—Bodhisattva ideals, metaphysics, scripture and later Tantric developments—its spread and decline, and contrasts these features with more conservative Buddhist schools. It then surveys Hindu traditions, treating Śiva and Viṣṇu cults, ritual, caste, sectarian organization, devotional and philosophical movements, later regional forms and contacts with Islamic-influenced reform, while noting problems of language, transcription and source material.

4

Sect[424] must not be confounded with caste. Hindu sects are of many kinds; some, if not militant, are at least exceedingly self-confident. Others are so gentle in stating their views that they might be called schools rather than sects, were the word not too intellectual. The notion that any creed or code can be quod semper, quod ubique, quod ab omnibus, is less prevalent than in Europe and even the Veda, though it is the eternal word, is admitted to exist in several recensions. Hinduism is possible as a creed only to those who select. In its literal sense it means simply all the beliefs and rites recognized in India, too multifarious and inconsistent for the most hospitable and addled brain to hold. But the Hindus, who are as loth to abolish queer beliefs and practices as they are to take animal life, are also the most determined seekers after a satisfying form of religion. Brahmanic ritual and Buddhist monasticism demand the dedication of a life. Not everyone can afford that, but the sect is open to all. It attempts to sort out of the chaos of mythology and superstition something which all can understand and all may find useful. It selects some aspect of Hinduism and makes the best of it. Sects usually start by preaching theism and equality in the sight of God, but in a few generations mythology and social distinctions creep in. Hence though the prevalence of sect is undoubtedly a feature of modern Hinduism it is also intelligible that some observers should assert that most Hindus belong to the same general religion and that only the minority are definitely sectarian. The sectarian tendency is stronger in Vishnuism than in Śivaism. The latter has produced some definite sects, as, for instance, Lingâyats, but is not like Vishnuism split up into a number of Churches each founded by a human teacher and provided by him with a special creed.

Most Indian sects are in their origin theistic, that is to say, they take a particular deity and identify him with the Supreme Being. But the pantheistic tendency does not disappear. Popular religion naturally desires a personal deity. But it is significant that the personal deity frequently assumes pantheistic attributes and is declared to be both the world and the human soul. The best known sects arose after Islam had entered India and some of them, such as the Sikhs, show a blending of Hindu and Moslem ideas. But if Mohammedan influence favoured the formation of corporations pledged to worship one particular deity, it acted less by introducing something new than by quickening a line of thought already existing. The Bhagavad-gîtâ is as complete an exposition of sectarian pantheism as any utterances posterior to Mohammedanism.

The characteristic doctrine of sectarian Hinduism is bhakti, faith or devotion. The older word śraddhâ, which is found in the Vedas, is less emotional for it means simply belief in the existence of a deity, whereas bhakti can often be rendered by love. It is passionate, self-oblivious devotion to a deity who in return (though many would say there is no bartering) bestows his grace (prasâda or anugraha). St. Augustine in defining faith says: "Quid est credere in Deum? credendo amare, credendo diligere, credendo in eum ire, et ejus membris incorporari."[425] This is an excellent paraphrase of bhakti and the words have an oriental ring which is not quite that of the New Testament. Though the doctrine of bhakti marks the beginning of a new epoch in Hinduism it is not necessary to regard it as an importation or due to Christianity. About the time of the Christian era there was felt in many countries a craving for a gentler and more emotional worship and though the history of Bhaktism is obscure, Indian literature shows plainly how it may be a development of native ideas. Its first great text-book is the Bhagavad-gîtâ, but it is also mentioned in the last verse of the Śvetâśvatara Upanishad and Pâṇini appears to allude to bhakti felt for[426] Vâsudeva. The Kaṭhâ Upanishad[427] contains the following passage:

"That Âtman cannot be gained by the Veda, nor by understanding nor by much learning. He whom the Âtman chooses, by him the Âtman can be gained. The Âtman chooses him as his own." Here we have not the idea of faith or love, but we have the negative statement that the Âtman is not won by knowledge and the positive statement that this Âtman chooses his own. In the Ṛig Veda[428] there is a poem put into the mouth of Vac or speech, containing such sentiments as "I give wealth to him who gives sacrifice.... I am that through which one eats, breathes, sees, and hears.... Him that I love I make strong, to be a priest, a seer, a sage." This reads like an ancient preliminary study for the Bhagavad-gîtâ. Like Kṛishṇa the deity claims to be in all and, like him, to reward her votaries. It is true that the "Come unto me" is not distinctly expressed, but it is surely struggling for expression.[429] Again, in the Kaushîtaki Upanishad (III. 1 and 2) Indra says to Pratardana, who had asked him for a boon, "Know me only: that is, what I deem most beneficial to man, that he should know me.... He who meditates on me as life and immortality gains his full life in this world and in heaven immortality." Here the relation of the devotee to the deity is purely intellectual not emotional, but the idea that intellectual devotion directed to a particular deity will be rewarded is clearly present. In the Ṛig Veda this same Indra is called a deliverer and advocate; a friend, a brother and a father; even a father and mother in one. Here the worshipper does not talk of bhakti because he does not analyze his feelings, but clearly these phrases are inspired by affectionate devotion.

Nor is the spirit of bhakti absent from Buddhism. The severe doctrine of the older schools declares that the Buddha is simply a teacher and that every man must save himself. But since the teacher is the source of the knowledge which saves, it is natural to feel for him grateful and affectionate devotion. This sentiment permeates the two books of poems called Thera and Therîgâthâ and sometimes finds clear expression.[430] In the commentary on the Dhammapada[431] the doctrine of salvation by devotion is affirmed in its extreme form, namely that a dying man who has faith in the Buddha will be reborn in heaven. But this commentary is not of early date and the doctrine quoted is probably an instance of the Hinayana borrowing the attractive features of the Mahayana. The sutras about Amitâbha's paradise, which were composed about the time of the Christian era and owe something to Persian though not to Christian influence, preach faith in Amitâbha as the whole of religion. They who believe in him and call on his name will go to heaven.

When bhakti was once accepted as a part of Indian religion, it was erected into a principle, analogous or superior to knowledge and was defined in Sûtras[432] similar to those of the Sâṅkhya and Vedânta. But its importance in philosophy is small, whereas its power as an impulse in popular religion has been enormous. To estimate its moral and intellectual value is difficult, for like so much in Hinduism it offers the sharpest contrasts. Its obvious manifestations may seem to be acts of devotion which cannot be commended ethically and belief in puerile stories: yet we find that this offensive trash continually turns into gems of religious thought unsurpassed in the annals of Buddhism and Christianity.

The doctrine of bhakti is common to both Vishnuites and Śivaites. It is perhaps in general estimation associated with the former more than with the latter, but this is because the Bhagavad-gîtâ and various forms of devotion to Kṛishṇa are well known, whereas the Tamil literature of Dravidian Śivaism is ignored by many European scholars. One might be inclined to suppose that the emotional faith sprang up first in the worship of Vishṇu, for the milder god seems a natural object for love, whereas Śiva has to undergo a certain transformation before he can evoke such feelings. But there is no evidence that this is the historical development of the bhakti sentiment, and if the Bhagavad-gîtâ is emphatic in enjoining the worship of Kṛishṇa only, the Śvetâśvatara and Maitrâyanîya Upanishads favour Śiva, and he is abundantly extolled in many parts of the Mahâbhârata. Here, as so often, exact chronology fails us in the early history of these sects, but it is clear that the practice of worshipping Śiva and Vishṇu, as being each by himself all-sufficient, cannot have begun much later than the Christian era and may have begun considerably earlier, even though people did not call themselves Śaivas or Vaishṇavas.

Bhakti is often associated with the doctrine of the playfulness of God. This idea—so strange to Europe[433]—may have its roots partly in the odd non-moral attributes of some early deities. Thus the Rudra of the Śatarudrîya hymn is a queer character and a trickster. But it soon takes a philosophical tinge and is used to explain the creation and working of the universe which is regarded not as an example of capricious, ironical, inscrutable action, but rather as manifesting easy, joyous movement and the exuberant rhythm of a dance executed for its own sake. The European can hardly imagine a sensible person doing anything without an object: he thinks it almost profane to ascribe motiveless action to the Creator: he racks his brain to discover any purpose in creation which is morally worthy and moderately in accord with the facts of experience. But he can find none. The Hindu, on the contrary, argues that God being complete and perfect cannot be actuated by aims or motives, for all such impulses imply a desire to obtain something, whereas a perfect and complete being is one which by its very definition needs neither change nor addition. Therefore, whatever activity is ascribed to the creator must not be thought of as calculating, purposeful endeavour, but as spontaneous, exultant movement, needing and admitting no explanation, and analogous to sport and play rather than to the proceedings of prudent people. This view of the divine activity is expounded by so serious a writer as Śaṅkara in his commentary on the Vedânta Sûtras, and it also finds mythological expression in numerous popular legends. The Tamil Purâṇas describe the sixty-four miracles of Śiva as his amusements: his laughter and joyous movements brighten all things, and the street minstrels sing "He sports in the world. He sports in the soul."[434] He is supposed to dance in the Golden Hall of the temple at Chidambaram and something of the old legends of the Śatarudrîya hangs about such popular titles as the Deceiver and the Maniac (Kalvar) and the stories of his going about disguised and visiting his worshippers in the form of a mendicant. The idea of sport and playfulness is also prominent in Vishnuism. It is a striking feature in the cultus of both the infant and the youthful Kṛishṇa, but I have not found it recorded in the severer worship of Râma.

Another feature of Hindu sects is the extravagant respect paid to Gurus or teachers. The sanctity of the Guru is an old conviction in India. By common consent he is entitled to absolute obedience and offences against him are heinous crimes. But in sectarian literature there appears a new claim, namely, that the Guru in some way is or represents the god whose worship he teaches. If the deity is thought of primarily as a saviour, the Guru is said to deliver from suffering and hell: if he requires surrender and sacrifice, then person and possessions must be dedicated to the Guru. Membership of a sect can be attained only by initiation at the hands of a Guru who can teach a special mantra or formula of which each sect has its own. In some of the more modern sects the Guru need not be a Brahman, but if he cannot be venerated for his caste, the deficiency is compensated by the respect which he receives as a repository of oral teaching. The scriptural basis of many sects is dubious and even when it exists, many of the devout (especially women) have not the inclination or ability to read and therefore take their religion from the lips of the Guru, who thus becomes an oracle and source of truth. In Bengal, the family Guru is a regular institution in respectable castes. In many sects the founder or other prominent saint is described as an incarnation and receives veneration after death.[435]

This veneration or deification of the Guru is found in most sects and assumes as extreme a form among the Śaivas as among the Vaishṇavas. The Śaiva Siddhânta teaches that divine instruction can be received only from one who is both god and man, and that the true Guru is an incarnation of Śiva. Thus the works of Mâṇikka-Vâçagar and Umâpati speak of Śiva coming to his devotees in the form of the Guru. In the sects that worship Kṛishṇa the Gurus are frequently called Gosain (Goswami).[436] Sometimes they are members of a particular family, as among the Vallabhâcâryas. In other sects there is no hereditary principle and even a Sudra is eligible as Guru.

One other feature of Sectarian Hinduism must be mentioned. It may be described as Tantrism or, in one of its aspects, as the later Yoga and is a combination of practices and theories which have their roots in the old literature and began to form a connected doctrine at least as early as the eighth century A.D. Some of its principal ideas are as follows: (i) Letters and syllables (and also their written forms and diagrams) have a potent influence both for the human organism and for the universe. This idea is found in the early Upanishads[437] and is fully developed in the later Sectarian Upanishads. (ii) The human organism is a miniature copy of the universe.[438] It contains many lines or channels (nâḍî) along which the nerve force moves and also nervous centres distributed from the hips to the head, (iii) In the lowest centre resides a force identical with the force which creates the universe.[439] When by processes which are partly physical it is roused and made to ascend to the highest centre, emancipation and bliss are obtained. (iv) There is a mysterious connection between the process of cosmic evolution and sound, especially the sacred sound Om.

These ideas are developed most thoroughly in Śâktist works, but are by no means peculiar to them. They are found in the Pâncarâtra and the later Puranas and have influenced almost all modern sects, although those which are based on emotional devotion are naturally less inclined to favour physical and magical means of obtaining salvation.

 

FOOTNOTES:

[401] The population of India (about 315 millions) is larger than that of Europe without Russia.

[402] But compare the English poet

"Flower in the crannied wall,
I pluck you out of the crannies,
... but if I could understand
What you are, root and all, and all in all
I should know what God and man is."

[403] Efforts are now being made by Hindus to suppress this institution.

[404] In the Vedic funeral ceremonies the wife lies down by her dead husband and is called back to the world of the living which points to an earlier form of the rite where she died with him. But even at this period, those who did not follow the Vedic customs may have killed widows with their husbands (see too Ath. Veda, XII. 3), and later, the invaders from Central Asia probably reinforced the usage. The much-abused Tantras forbid it.

[405] For the history of the Râmâyaṇa and Mahâbhârata and the dates assignable to the different periods of growth, see Winternitz, Gesch. Ind. Lit. vol. I. p. 403 and p. 439. Also Hopkins' Great Epic of India, p. 397. The two poems had assumed something like their present form in the second and fourth centuries A.D. respectively. These are probably the latest dates for any substantial additions or alterations and there is considerable evidence that poems called Bhârata and Râmâyaṇa were well known early in the Christian era. Thus in Aśvaghosha's Sûtrâlankâra (story XXIV) they are mentioned as warlike poems inculcating unbuddhist views. The Râmâyaṇa is mentioned in the Mahâvibhâshâ and was known to Vasubandhu (J.R.A.S. 1907, p. 99). A Cambojan inscription dating from the first years of the seventh century records arrangements made for the recitation of the Râmâyaṇa, Purâṇa and complete (aśesha) Bhârata, which implies that they were known in India considerably earlier. See Barth, Inscrip. Sanscrites de Cambodge, pp. 29-31. The Mahabharata itself admits that it is the result of gradual growth for in the opening section it says that the Bhârata consists of 8,800 verses, 24,000 verses and 100,000 verses.

[406] Hardy, Indische Religionsgeschichte, p. 101.

[407] But some of these latter sacrifice images made of dough instead of living animals.

[408] It is said that the Agnishtoma was performed in Benares in 1898, and in the last few years I am told that one or two Vedic sacrifices have been offered annually in various parts of southern India. I have myself seen the sites where such sacrifices were offered in 1908-9 in Mysore city and in Chidambaram, and in 1912 at Wei near Poona. The most usual form of sacrifice now-a-days is said to be the Vâjapeya. Much Vedic ritual is still preserved in the domestic life of the Nambathiri and other Brahmans of southern India. See Cochin, Tribes and Castes, and Thurston, Castes and Tribes of southern India.

[409] The outline of a stûpa may be due to imitation of houses constructed with curved bamboos as Vincent Smith contends (History of Fine Art, p. 17). But this is compatible with the view that stone buildings with this curved outline had come to be used specially as funeral monuments before Buddhism popularized in India and all Eastern Asia the architectural form called stûpa.

[410] The temple of Aihole near Badami seems to be a connecting link between a Buddhist stûpa with a pradakshiṇa path and a Hindu shrine.

[411] In most temples (at least in southern India) there are two images: the mûla-vigraha which is of stone and fixed in the sanctuary, and the utsava-vigraha which is smaller, made of metal and carried in processions.

[412] Thus Bhaṭṭâchârya (Hindu Castes and Sects, p. 127) enumerates eleven classes of Brahmans, who "have a very low status on account of their being connected with the great public shrines," and adds that mere residence in a place of pilgrimage for a few generations tends to lower the status of a Brahmanic family.

[413] Thus in Bengal there is a special class, the Barna Brahmans, who perform religious rites for the lower castes, and are divided into six classes according to the castes to whom they minister. Other Brahmans will not eat or intermarry with them or even take water from them.

[414] This is extraordinarily like the temple ritual of the ancient Egyptians. For some account of the construction and ritual of south Indian temples see Richards in J. of Mythic Soc. 1919, pp. 158-107.

[415] But Vedic mantras are used in these ceremonies. The libations of water or other liquids are said to be accompanied by the mantras recited at the Soma sacrifice.

[416] At these sacrifices there is no elaborate ritual or suggestion of symbolism. The animal is beheaded and the inference is that Kâlî likes it. Similarly simple is the offering of coco-nuts to Kâlî. The worshipper gives a nut to the pujâri who splits it in two with an axe, spills the milk and hands back half the nut to the worshipper. This is the sort of primitive offering that might be made to an African fetish.

[417] See especially the Ambaṭṭha Sûtta (Dig. Nik. 3) and Rhys Davids's introduction.

[418] See Weber, Die Vajrasuchi and Nanjio, Catal. No. 1303. In Ceylon at the present day only members of the higher castes can become Bhikkhus.

[419] But it is said that in Southern India serious questions of caste are reported to the abbot of the Sringeri monastery for his decision.

[420] The modern Lingâyats demur to the statement that their founder rejected caste.

[421] So too in the cakras of the Śâktists all castes are equal during the performance of the ceremony.

[422] Some (Khandelwals, Dasa Srimalis and Palliwals) include both Jains and Vaishnavas: the Agarwals are mostly Vaishnavas but some of them are Jains and some worship Śiva and Kâlî. Jogendra Nath Bhattacharya, Hindu Castes and Sects, pp. 205 ff.

[423] The names used are not the same. The four Vedic castes are called Varṇa: the hundreds of modern castes are called Jâti.

[424] Sampradâya seems to be the ordinary Sanskrit word for sectarian doctrine. It means traditional teaching transmitted from one teacher to another.

[425] I am discussing elsewhere the possible debt which Christianity and Hinduism may owe to one another.

[426] Pâṇini, IV. 3. 95-98.

[427] Kaṭhâ Up. I. 1. 2, 23.

[428] R.V. X. 125.

[429] Compare too the hymns of the R.V. to Varuṇa as a rudimentary expression of Bhakti from the worshipper's point of view.

[430] E.g. Theragâthâ, 818-841 and 1231-1245.

[431] I. 2.

[432] They are called the Śândilya Sûtras and appear to be not older than about the twelfth century A.D., but the tradition which connects them with the School of Śândilya may be just, for the teaching of this sage (Chândog. Up. III. 14) lays stress on will and belief. Râmânuja (Śrîbhâshya, II. 2. 43) refers to Śândilya as the alleged author of the Pâncarâtra. There are other Bhakti sûtras called Nâradiya and ascribed to Nârada, published and translated in The Sacred Books of the Hindus, No. 23. They consist of 84 short aphorisms. Raj. Mitra in his notices of Sanskrit MSS. describes a great number of modern works dealing with Bhakti.

[433] Yet it is found in Francis Thompson's poem called Any Saint

So best
God loves to jest
With children small, a freak
Of heavenly hide and seek
Fit
For thy wayward wit.

[434] Pope, The History of Manikka-Vaçagar, p. 23. For the 64 sports of Śiva see Siddhanta Dipika, vol. IX.

[435] E.g. Râmânuja, NammâṛVâr, Basava.

[436] Apparently meaning "possessor of cows," and originally a title of the youthful Kṛishṇa. It is also interpreted as meaning Lord of the Vedas or Lord of his own senses.

[437] E.g. the beginning of the Chând. Up. about the syllable Om. See too the last section of the Aitareya Âran. The Yoga Upanishads analyse and explain Om and some Vishnuite Upanishads (Nṛisiṃha and Râmatâ-panîya) enlarge on the subject of letters and diagrams.

[438] The same idea pervades the old literature in a slightly different form. The parts of the sacrifice are constantly identified with parts of the universe or of the human body.

[439] The cakras are mentioned in Act V of Mâlatî and Mâdhava written early in the eighth century. The doctrine of the nâḍîs occurs in the older Upanishads (e.g. Chând. and Maitrâyaṇa) in a rudimentary form.

CHAPTER XXVII

THE EVOLUTION OF HINDUISM. BHÂGAVATAS AND PÂŚUPATAS

1

India is a literary country and naturally so great a change as the transformation of the old religion into theistic sects preaching salvation by devotion to a particular deity found expression in a long and copious literature. This literature supplements and supersedes the Vedic treatises but without impairing their theoretical authority, and, since it cannot compare with them in antiquity and has not the same historic interest, it has received little attention from Indianists until the present century. But in spite of its defects it is of the highest importance for an understanding of medieval and contemporary Hinduism. Much of it is avowedly based on the principle that in this degenerate age the Veda is difficult to understand,[440] and that therefore God in His mercy has revealed other texts containing a clear compendium of doctrine. Thus the great Vishnuite doctor Râmânuja states authoritatively "The incontrovertible fact then is as follows: The Lord who is known from the Vedânta texts ... recognising that the Vedas are difficult to fathom by all beings other than himself ... with a view to enable his devotees to grasp the true meaning of the Vedas, himself composed the Pâncarâtra-Sâstra."[441]

This later sectarian literature falls into several divisions.

A. Certain episodes of the Mahâbhârata. The most celebrated of these is the Bhagavad-gîtâ, which is probably anterior to the Christian era. Though it is incorporated in the Epic it is frequently spoken of as an independent work. Later and less celebrated but greatly esteemed by Vishnuites is the latter part of book XII, commonly known as Nârâyaṇîya.[442] Both these episodes and others[443] are closely analogous to metrical Upanishads. The Mahâbhârata even styles itself (I. 261) the Veda of Kṛishṇa (Kârshṇa).

The Râmâyaṇa does not contain religious episodes comparable to those mentioned but the story has more than once been re-written in a religious and philosophic form. Of such versions the Adhyâtma-Râmâyaṇa[444] and Yoga-vaśishtḥa-Râmâyaṇa are very popular.

B. Though the Purâṇas[445] are not at all alike, most of them show clear affinity both as literature and as religious thought to the various strata of the Mahâbhârata, and to the Law Books, especially the metrical code of Manu. These all represent a form of orthodoxy which while admitting much that is not found in the Veda is still Brahmanic and traditionalist. The older Purâṇas (e.g. Matsya, Vâyu, Mârkaṇḍeya, Vishṇu), or at least the older parts of them, are the literary expression of that Hindu reaction which gained political power with the accession of the Gupta dynasty. They are less definitely sectarian than later works such as the Nârada and Liṅga Purânas, yet all are more or less sectarian.

The most influential Purâṇa is the Bhâgavata, one of the great scriptures for all sects which worship Kṛishṇa. It is said to have been translated into every language of India and forty versions in Bengali alone are mentioned.[446] It was probably composed in the eighth or ninth century.[447] A free translation of the tenth book into Hindi, called the Prem Sagar or Ocean of Love, is greatly revered in northern India.[448] Other sectarian Purâṇas are frequently read at temple services. Besides the eighteen great Purâṇas there are many others, and in south India at any rate they were sometimes composed in the vernacular, as for instance the Periya Purâṇa (c. 1100 A.D.). These vernacular Purâṇas seem to be collections of strangely fantastic fairy tales.

C. The word Tantra originally meant a manual giving the essentials of a subject but later usage tends to restrict it to works, whether Hindu or Buddhist, inculcating the worship of Śiva's spouse. But there are exceptions to this restriction: the Panca-tantra is a collection of stories and the Lakshmî-tantra is a Vishnuite work.[449]

The fact is that a whole class of Sanskrit religious literature is described by the titles Tantra, Âgama and Saṃhitâ,[450] which taken in a wide sense are practically synonymous, though usage is inclined to apply the first specially to Śâktist works, the second to Śivaite and the third to Vishnuite. The common character of all these productions is that they do not attempt to combine Vedic rites and ideas with sectarian worship, but boldly state that, since the prescriptions of the Veda are too hard for this age, some generous deity has revealed an easier teaching. This teaching naturally varies in detail, but it usually comprises devotion to some special form of the godhead and also a special ceremonial, which commences with initiation and includes the use of mystic formulæ, letters and diagrams. Tantras, Âgamas and Saṃhitâs all treat of their subject-matter in four divisions[451] the first of which relates to the great problems of philosophy, the second to the discipline necessary for uniting the self and God; the third and fourth to ceremonial.

These works have another feature in common, namely that they are little known except to those Hindus who use them for religious purposes and are probably not very anxious to see them published. Though they are numerous, few of them have been printed and those few have not been much studied by European scholars. I shall say something more about them below in treating of the various sects. Some are of respectable antiquity but it is also clear that modern texts pass under ancient names. The Pâncarâtram and Pâśupatam which are Vishnuite and Śivaite Saṃhitâs are mentioned in the Mahâbhârata, and some extant Vishnuite Saṃhitâs were perhaps composed in the fourth century A.D.[452] Râmânuja as quoted above states that the Pâncarâtra-śâstra (apparently the same as the Pâncarâtra-tantra which he also mentions) was composed by Vâsudeva himself and also cites as scripture the Śâttvata, Paushkara and Parama Saṃhitâs. In the same context he speaks of the Mahâbhârata as Bhârata-Saṃhitâ and the whole passage is interesting as being a statement by a high authority of the reasons for accepting a non-Vedic work like the Pâncarâtra as revealed scripture.

As already indicated European usage makes the words Tantra, Tantrism and tantric refer to the worship of goddesses. It would be better to describe this literature and worship as Sâktism and to use Tantrism for a tendency in doctrine and ceremonial which otherwise has no special name. I have been informed by Tamil Pandits that at the present day the ritual in some temples is smârta or according to Smriti, but in the majority according to the Âgamas or tantric. The former which is followed by many well-known shrines (for instance in Benares and in the great temples of south India) conforms to the precepts of the Purâṇas, especially on festival days. The officiants require no special initiation and burnt offerings are presented. But the Âgamic ritual can be performed only by priests who have received initiation, burnt offerings rarely form part of the ceremony and vernacular hymns are freely used.[453]

Such hymns however as well as processions and other forms of worship which appeal directly to the religious emotions are certainly not tantric. Tantrism is a species of religious magic, differing from the Vedic sacrifices in method rather than principle.[454] For all that, it sets aside the old rites and announces itself as the new dispensation for this age. Among its principal features are the following. The Tantras are a scripture for all, and lay little stress on caste: the texts and the ritual which they teach can be understood only after initiation and with the aid of a teacher: the ritual consists largely in the correct use of spells, magical or sacramental syllables and letters, diagrams and gestures: its object is less to beseech than to compel the god to come to the worshipper: another object is to unite the worshipper to the god and in fact transform him into the god: man is a microcosm corresponding to the macrocosm or universe: the spheres and currents of the universe are copied in miniature in the human body and the same powers rule the same parts in the greater and the lesser scheme. Such ideas are widely disseminated in almost all modern sects,[455] though without forming their essential doctrine, but I must repeat that to say all sects are tantric does not mean that they are all Śâktist. But Śâktist sects are fundamentally and thoroughly tantric in their theory and practice.

D. Besides the Sanskrit books mentioned above numerous vernacular works, especially collections of hymns, are accepted as authoritative by various sects, and almost every language has scriptures of its own. In the south two Tamil hymnals, the Devaram of the Śivaites and Nâlâyira Prabandham of the Vishnuites, are recited in temples and are boldly stated to be revelations equivalent to the Veda. In northern India may be mentioned the Hindi Ramayana of Tulsi Das, which is almost universally venerated, the Bhaktamâlâ of Nâbhâ Das,[456] the Sur-sagar of Surdas and the Prem Sagar. In Assam the Nam Gosha of Madhab Deb is honoured with the same homage as a sacred image. The awkwardness of admitting direct inspiration in late times is avoided by the theory of spiritual descent, that is to say of doctrinal transmission from teacher to teacher, the divine revelation having been made to the original teacher at a discreetly remote epoch.

2

In considering the evolution of modern Hinduism out of the old Vedic religion, three of the many factors responsible for this huge and complicated result deserve special attention. The first is the unusual intensity and prevalence of the religious temperament. This has a double effect, both conservative and alterative: ancient customs receive an unreasonable respect: they are not abolished for their immorality or absurdity; but since real interest implies some measure of constructive power, there is a constant growth of new ideas and reinterpretations resulting in inconsistent combinations. The second is the absence of hierarchy and discipline. The guiding principle of the Brahmans has always been not so much that they have a particular creed to enforce, as that whatever is the creed of India they must be its ministers. Naturally every priest is the champion of his own god or rite, and such zeal may lead to occasional conflicts. But though the antithesis between the ritualism of the older Brahmanism and the faith or philosophy of Śivaism and Vishnuism may remind us of the differences between the Catholic Church and Protestant reformers, yet historically there is no resemblance in the development of the antithesis. To some extent Hinduism showed a united front against Buddhism, but the older Brahmanism had no organization which enabled it to stand as a separate Church in opposition to movements which it disliked. The third factor is the deeply rooted idea, which reappears at frequent intervals from the time of the Upanishads until to-day, that rules and rites and even creeds are somehow part of the lower and temporal order of things which the soul should transcend and leave behind. This idea tinges the whole of Indian philosophy and continually crops up in practice. The founder of a strange sect who declares that nothing is necessary but faith in a particular deity and that all ceremonies and caste observances are superfluous is not in the popular esteem a subverter of Hinduism.

The history of both Śivaism and Vishnuism illustrates these features. Śiva begins as a wild deity of non-moral attributes. As the religious sense develops he is not rejected like the less reputable deities of the Jews and Arabs but remains and collects round himself other strange wild ideas which in time are made philosophical but not ethical. The rites of the new religion are, if not antagonistic, at least alternative to the ancient sacrifices, yet far from being forbidden they are performed by Brahmans and modern Indian writers describe Śiva as peculiarly the Brahman's god. Finally the Śivaite schools of the Tamil country reject in successive stages the grosser and more formal elements until there remains nothing but an ecstatic and mystical monotheism. Similarly among the Vishnuites Kṛishṇa is the centre of legends which have even less of conventional morality. Yet out of them arises a doctrine that the love of God is the one thing needful so similar to Christian teaching that many have supposed it must be borrowed.

The first clear accounts of the worship of Śiva and Vishṇu are contained in the epics and indicate the existence of sectarian religion, that is to say of exclusive devotion to one or other deity. But there is also a tendency to find a place for both, a tendency which culminates in the composite deity Śaṅkara Nârâyaṇa already mentioned. Many of the Purâṇas[457] reflect this view and praise the two deities impartially. The Mahâbhârata not unfrequently does the same but the general impression left by this poem is that the various parts of which it consists have been composed or revised in a sectarian spirit. The body of the work is a narrative of exploits in which the hero Kṛishṇa plays a great part but revised so as to make him appear often as a deity and sometimes as the Supreme Spirit. But much of the didactic matter which has been added, particularly books XII and XIII, breathes an equally distinct Śivaite spirit and in the parts where Kṛishṇa is treated as a mere hero, the principal god appears to be not Vishṇu but Śiva.

The Mahabharata and Puranas contain legends which, though obscure, refer to conflicts of the worshippers of Śiva with those who offered Vedic sacrifices as well as with the votaries of Vishṇu, and to a subsequent reconciliation and blending of the various cults. Among these is the well-known story of Daksha's sacrifice to which Śiva was not invited. Enraged at the omission he violently breaks up the sacrifice either in person or through a being whom he creates for the purpose, assaults the officiants and the gods who are present, and is pacified by receiving a share. Similarly we hear[458] that he once seized a victim at a sacrifice and that the gods in fear allotted to him the choicest portion of the offerings. These stories indicate that at one time Brahmans did not countenance his worship and he is even represented as saying to his wife that according to rule (dharmataḥ) he has no share in the sacrifice.[459] Possibly human victims were immolated in his honour, as they were in Kâlî's until recently, for in the Mahabharata[460] it is related how Kṛishṇa expostulated with Jarâsandha who proposed to offer to Śiva a sacrifice of captive kings. In the Vishṇu-Purâṇa, Kṛishṇa fights with Śiva and burns Benares. But by the time that the Mahabharata was put together these quarrels were not in an acute stage. In several passages[461] Kṛishṇa is made to worship Śiva as the Supreme Spirit and in others[462] vice versa Śiva celebrates the glory of Kṛishṇa. Vishnuites do not disbelieve in Śiva but they regard him as a god of this world, whereas their own deity is cosmic and universal. Many Vishnuite works[463] are said to be revealed by Śiva who acts as an intermediary between us and higher spheres.

3

In the following sections I shall endeavour to relate the beginnings of sectarianism. The sects which are now most important are relatively modern and arose in the twelfth century or later, but the sectarian spirit can be traced back several centuries before our era. By sectarians I mean worshippers of Śiva or Vishṇu who were neither in complete sympathy with the ancient Brahmanism nor yet excommunicated by it and who had new texts and rites to replace or at least supplement the Vedas and the Vedic sacrifices. It is probable that the different types of early Indian religion had originally different geographical spheres. Brahmanism flourished in what we call the United Provinces: Buddhism arose in the regions to the east of this district and both Vishnuism and Śivaism are first heard of in the west.

The earliest sect of which we have any record is that of the Bhâgavatas, who were or became Vishnuite. At a date which it is impossible to fix but considerably before the epoch of Pâṇini, a tribe named the Yâdavas occupied the country between Muttra and the shores of Gujarat. Sects of this tribe were called Vṛishṇi and Sâttvata. The latter name has passed into theology. Kṛishṇa belonged to this sect and it is probable that this name Vâsudeva was not originally a patronymic but the name of a deity worshipped by it. The hero Kṛishṇa was identified with this god and subsequently when the Brahmans wished to bring this powerful sect within the pale of orthodoxy both were identified with Vishṇu. In the Mahabharata[464] the rule or ritual (vidhi) of the Sâttvatas is treated as equivalent to that of the Bhâgavatas and a work called the Sâttvata Saṃhitâ is still extant. Bhâgavata appears to be the most general name of the sect or sects and means simply of the Lord (Bhâgavat), that is worshippers of the one Lord.[465] Their religion is also called Ekântika dharma, or the religion with one object, that is monotheism.[466]

A considerable literature grew up in this school and the principal treatise is often spoken of as Pâncarâtra because it was revealed by Nârâyaṇa during five nights.[467] The name however appears to be strictly speaking applicable to a system or body of doctrine and the usual term for the books in which this system is expounded is Saṃhitâ. All previous discussions and speculations about these works, of which little was known until recently, are superseded by Schrader's publication of the Ahirbudhnya Saṃhitâ, which appears to be representative of its class.[468] The names of over two hundred are cited and of these more than thirty are known to be extant in MS.[469] The majority were composed in north-western India but the Pâncarâtra doctrine spread to the Dravidian countries and new Saṃhitâs were produced there, the chief of which, the Îśvara Saṃhitâ, can hardly be later than 800 A.D.[470] Of the older works Schrader thinks that the Ahirbudhnya was written in Kashmir[471] between 300 and 800 A.D. and perhaps as early as the fourth century. It mentions the Śâttvata and Jayâkhya, which must therefore be older.

The most remarkable feature of this literature is its elaborate doctrine of evolution and emanation from the Deity, the world process being conceived in the usual Hindu fashion as an alternation of production and destruction. A distinction is drawn between pure and gross creation. What we commonly call the Universe is bounded by the shell of the cosmic egg and there are innumerable such eggs, each with its own heavens and its own tutelary deities such as Brahmâ and Śiva who are sharply distinguished from Vishṇu. But beyond this multitude of worlds are more mysterious and spiritual spheres, the highest heaven or Vaikuṇṭha wherein dwells God in his highest form (Para) with his Śaktis,[472] certain archangels and liberated souls. Evolution commences when at the end of the cosmic night the Śakti of Vishṇu[473] is differentiated from her Lord and assumes the two forms of Force and Matter.[474] He as differentiated from her is Vâsudeva a personal deity with six attributes[475] and is the first emanation, or Vyûha, of the ineffable godhead. From him proceeds Sankarshaṇa, from Sankarshaṇa Pradyumna, and from Pradyumna Aniruddha. These three Vyûhas take part in creation but also correspond to or preside over certain aspects of human personality, namely Sankarshaṇa to the soul that animates all beings, Pradyumna to intelligence and Aniruddha to individuality. Strange to say these seem to be the names of distinguished personages in the Śâttvata or Vṛishṇi clan.[476] Mere deification occurs in many countries but the transformation of heroes into metaphysical or psychological terms could hardly have happened outside India. Next to the Vyûhas come twelve sub-Vyûhas, among whom is Nârâyaṇa,[477] and thirty-nine Avatâras. All these beings are outside the cosmic eggs and our gross creation. As a prelude to this last there takes place the evolution of the aggregates or sources from which individual souls and matter are drawn, of space and of time, and finally of the elements, the process as described seeming to follow an older form of the Sânkhya philosophy than that known to us. The task of human souls is to attain liberation, but though the language of the Saṃhitâs is not entirely consistent, the older view is that they become like to God, not that they are absorbed in him.[478]

Thus it is not incorrect to say that the Bhâgavata religion is monotheistic and recognizes a creator of souls. Indeed Śankara[479] condemns it on the very ground that it makes individual souls originate from Vâsudeva, in which case since they have an origin they must also have an end. But Râmânuja in replying to this criticism seems to depart from the older view, for he says that the Supreme Being voluntarily abides in four forms which include the soul, mind and the principle of individuality. This, if not Pantheism, is very different from European monotheism.[480]

The history of these Bhâgavatas, Pâncarâtras or worshippers of Vishṇu must have begun several centuries before our era, for there are allusions to them in Pâṇini and the Niddesa.[481] The names of Vâsudeva and Sankarshaṇa occur in old inscriptions[482] and the Greek Heliodoros calls himself a Bhâgavata on the column found at Besnagar and supposed to date from the first part of the second century B.C.

The Pâncarâtra was not Brahmanic in origin[483] and the form of the Sânkhya philosophy from which it borrowed was also un-Brahmanic. It seems to have grown up in north-western India in the centuries when Iranian influence was strong and may owe to Zoroastrianism the doctrine of the Vyûhas which finds a parallel in the relation of Ahura Mazda to Spenta Mainyu, his Holy Spirit, and in the Fravashis. It is also remarkable that God is credited with six attributes comparable with the six Amesha Spentas. In other ways the Pâncarâtra seems to have some connection with late Buddhism. Though it lays little stress on the worship of goddesses, yet all the Vyûhas and Avatâras are provided with Śaktis, like the Buddhas and Bodhisattvas of tantric Buddhism, and in the period of quiescence which follows on the dissolution of the Universe Vishṇu is described under the name of Śûnya or the void. It attaches great importance to the Cakra, the wheel or discus which denotes Vishṇu's will to be,[484] to evolve and maintain the universe, and it may have contributed some ideas to the very late form of Buddhism called Kâlacakra. This very word is used in the Ahirbudhnya Saṃhitâ as the name of one of the many wheels engaged in the work of evolution.

Though the Pâncarâtra is connected with Kṛishṇa in its origin, it gives no prominence to devotion to him under that name as do modern sects and it knows nothing of the pastoral Kṛishṇa.[485] It recommends the worship of the four Vyûhas[486] presiding over the four quarters in much the same way that late Buddhism adores the four Jinas depicted in somewhat similar forms. Similarly the Śivaites say that Śiva has five faces, namely Îśâna or Sadâśiva (the highest, undifferentiated form of the deity) at the top and below Vâmadeva, Aghora, Tatpurusha, and Sadyojâta, presiding respectively over the north, south, east and west. It is thus clear that in the early centuries of our era (or perhaps even before it) there was a tendency in Vishnuism, Śivaism and Mahayanist Buddhism alike to represent the ineffable godhead as manifested in four aspects somewhat more intelligible to human minds and producing in their turn many inferior manifestations. Possibly the theory originated among the Vishnuites,[487] but as often happened in India it was adopted by their opponents. None of these theories are of much importance as living beliefs at the present day but their influence can be seen in iconography.

As a sect the Pâncarâtras seem to have been a subdivision of the Bhâgavatas and probably at the present day many Vishnuites would accept the second name but not the first. The Pâncarâtra is studied at only a few places in southern India but its doctrines permeate the popular work called Bhaktamâlâ and in view of the express approbation of Râmânuja and other authorities it can hardly be repudiated by the Śrî-Vaishṇavas. Bhâgavata is sometimes used in the south as a name for Smârtas who practise Vedic rites and worship both Śiva and Vishnu.[488]

4

In these early times there were strenuous theological struggles now forgotten, though they have left their traces in the legends which tell how the title of Kṛishṇa and others to divine honours was challenged. Amalgamation was the usual method of conciliation. Several gods grew sufficiently important to become in the eyes of their worshippers the supreme spirit and at least four were united in the deity of the Bhâgavatas, namely, Vâsudeva, Kṛishṇa, Vishṇu and Nârâyaṇa. Of the first three I have spoken already. Nârâyaṇa never became like Vishṇu and Kṛishṇa a great mythological figure, but in the late Vedic period he is a personification of the primæval waters from which all things sprang or of the spirit which moved in them.[489] From this he easily became the supreme spirit who animates all the universe and the name was probably acceptable to those who desired a purer and simpler worship because it was connected with comparatively few legends. But there is some confusion in its use, for it is applied not only to the supreme being but to a double incarnation of him called Nara-Nârâyaṇa, and images of the pair may still be seen in Vishnuite temples. They are said to have revealed the true doctrine to Nârada and are invoked at the beginning of each book of the Mahâbhârata.[490] One of the main theses of the Nârâyaṇîya[491] is the identity of Nârâyaṇa and Vâsudeva, the former being a Brahmanic, the latter a non-Brahmanic name for the Deity.

The celebrated Bhagavad-gîtâ[492] which is still held in such respect that, like the New Testament or Koran, it is used in law courts for the administration of oaths, is an early scripture of the Bhâgavata sect. In it the doctrines of Kṛishṇa's divinity, the power of faith and the efficacy of grace are fully established. It is declared to be too hard for flesh and blood to find by meditation their way to the eternal imperceptible spirit, whereas Kṛishṇa comes straightway to those who make him their sole desire. "Set thy heart on me, become my devotee, sacrifice to me and worship thou me. Then shalt thou come to me. Truly I declare to thee thou art dear to me. Leave all (other) religious duties and come to me as thy sole refuge. I will deliver thee from thy sins. Sorrow not." But the evolution of Saṅkarshaṇa, etc., is not mentioned. The poem has perhaps been re-edited and interpolated several times but the strata can hardly be distinguished, for the whole work, if not exactly paradoxical, is eclectic and continually argues that what is apparently highest is not best for a particular person. The Hindus generally regard the contemplative life as the highest, but the Bhagavad-gîtâ is insistent in enjoining unselfish action: it admits that the supreme reality cannot be grasped by the mind or expressed in speech, but it recommends the worship of a personal deity. Even the older parts of the poem appear to be considerably later than Buddhism. But its mythology, if not Vedic, is also hardly Puranic and it knows nothing of the legends about the pastoral Kṛishṇa. It presupposes the Sâṅkhya and Yoga, though in what stage of development it is hard to say, and in many respects its style resembles the later Upanishads. I should suppose that it assumed its present form about the time of the Christian era, rather before than after, and I do not think it owes anything to direct Christian influence. In its original form it may have been considerably older.

The Bhagavad-gîtâ identifies Kṛishṇa with Vâsudeva and with Vishṇu but does not mention Nârâyaṇa and from its general style I should imagine the Nârâyaṇiya to be a later poem. If so, the evolution of Bhâgavata theology will be that Kṛishṇa, a great hero in a tribe lying outside the sphere of Brahmanism, is first identified with Vâsudeva, the god of that tribe, and then both of them with Vishṇu. At this stage the Bhagavad-gîtâ was composed. A later current of speculation added Nârâyaṇa to the already complex figure, and a still later one, not accepted by all sects, brought the pastoral and amorous legends of Kṛishṇa. Thus the history of the Bhâgavatas illustrates the Indian disposition to combine gods and to see in each of them only an aspect of the one. But until a later period the types of divinity known as Vishṇu and Śiva resisted combination. The worshippers of Śiva have in all periods shown less inclination than the Vishnuites to form distinct and separate bodies and the earliest Śivaite sect of which we know anything, the Pâśupatas,[493] arose slightly later than the Bhâgavatas.