History of the Anglo-Saxons, from the Earliest Period to the Norman Conquest / Second Edition

There were two other forms of ordeal, called the cross and the corsned; the former consisted of two pieces of wood, which were covered over, one bearing the mark of the cross; if the accused drew this, he was considered innocent; if the piece that was unmarked, guilty. The other consisted in swallowing a piece of bread which the priest had blessed; if it stuck in the throat, or the culprit turned pale, or trembled, or had a difficulty in swallowing it, he stood condemned. Besides fines, many of the punishments they inflicted were severe; they used the whip and the heated brand, mutilated the face, imprisoned, banished, sentenced the guilty to slavery, or doomed them to suffer imprisonment, while their capital punishments appear to have been hanging and stoning to death. The land was divided into what was called "folkland" and "bocland." The folkland was such as belonged to the king and the people; that which was held by agreement or charter was called "bocland," or land made over by agreement of the book, or some written instrument, though conveyances of land were sometimes made by the delivery of an arrow, a spear, or any other object. The king had, however, his bocland or private property, as is proved by the will of king Alfred; and the word folkland in time was changed to crownland, which, no doubt, means that the wastes and commons which the people were allowed to make use of, and were not private property, were considered to belong to the king or the state. Boclands appear originally only to have been granted during the life of the holder. It was the work of time and the change of events which caused them to become hereditary. The Saxons were divided into many classes or ranks; first stood the king, then the earls, nobles, or chiefs; then came the other class of small landed proprietors; and below these another grade, whom we may term freemen; the theows, ceorls, or villains, came last, and were slaves of the soil; if the estate changed hands, the theow went to the next owner; on no account could he remove from the land; he was, however, protected, and, so long as he did his duty, could not be removed by the owner; neither could more than a regular portion of labour be exacted from him; but we have before alluded to his privileges in the laws of Ina. The ceremonies used at their witenagemotes, guilds, moots, and other courts, are matters of law rather than subjects suited to a narrative and picturesque history of England.

LITERATURE.

We have no proof that the early pagan Saxons possessed an alphabet, or had any acquaintance with a written language, until the introduction of Christianity; for, unlike the Britons, they had not the enlightened Romans to instruct them. Even as late as Alfred's time, we have shown that but few of the English chiefs could either read or write; and we find Wihtred, king of Kent, as long after the Saxon invasion as the year 700, unable to affix his signature to a charter, but causing some scribe, who had probably drawn up the document, to add as an explanation to the royal mark, that "I, Wihtred, king of Kent, have put this sign of the holy cross to the charter, on account of my ignorance of writing." As the Saxons were the avowed enemies of the ancient Cymry, and came amongst them only to slay, destroy, and take possession of the land, it is easy to account for the length of time that must have elapsed before the Britons would impart the knowledge they had gathered from the Romans to their Saxon conquerors.

One of the earliest histories we possess is that to which the name of Gildas is affixed, who appears, however, to have belonged to the Cymry, and to have had a brother at that period who was celebrated as one of the Welsh bards. To him we have already alluded; also to Nennius, who is said to have been one of the monks of Bangor, and to have had a narrow escape from the massacre, in which so many of his brethren perished. To his early history of Britain we have before alluded. Columbanus, a celebrated Irishman, who died in Italy about the year 615, appears to have been well acquainted with both the Greek and Hebrew languages. Literature at this period seems to have been confined principally to the monasteries; and towards the close of the sixth century, we find Aldhelm, an abbot of Malmsbury, celebrated for his Latin writings. "But his meaning," says Sharon Turner, "is clouded by gorgeous rhetoric: his style an endless tissue of figures, which he never leaves till he has converted every metaphor into a simile, and every simile into a wearisome episode." But the venerable Bede's is the most distinguished name amongst the early Anglo-Saxon writers. He also wrote in Latin, and his ecclesiastical history of England still stands as the chief authority, whence we derive the clearest knowledge of the manners and customs of the early Anglo-Saxons. He was born about 670, or 680, at a village named Yarrow, which stands near the mouth of the Tyne, and was educated at the neighbouring monastery of Wearmouth. He was acquainted with Egbert, the learned archbishop of York, to whom he addressed a letter, which is still extant. Egbert left behind him a famous library, mention of which is made by the celebrated Alcuin, who proposed to Charlemagne that the boys he was educating should be sent out of France, to "copy and carry back the flowers of Britain, that the garden might not be shut up in York, but the fruits of it placed in the paradise of Tours." Though both writing in the same language, and about the same period, no two authors out of the thousands who have since lived and written, have ever exhibited a greater contrast in the style of composition than that which exists between the writings of Aldhelm and Bede. "The style of Bede," says Turner, "in all his works, is plain and unaffected. Attentive only to his matter, he had little solicitude for the phrase in which he dressed it; but, though seldom eloquent, and often homely, it is clear, precise, and useful." Alfred was the first who translated the works of Bede into Saxon, and made them familiar to his subjects. Alcuin, who speaks so highly of the library collected at York by the archbishop Egbert, was sent on an embassy by Offa, surnamed the Terrible, to Charlemagne. Alcuin was a pupil of Bede's, and a native of Northumbria; and while he resided in France, he was instrumental in persuading the emperor to collect many valuable manuscripts. His works seem to have been written for the use and instruction of his friend and patron, the emperor Charlemagne; and, though highly valuable in their day, they lack that living spirit which was infused into the writings of Bede.

But few of the civilized nations of Europe possess works which will bear comparison with those produced by our early Saxon writers; nor has any other of the Gothic tribes, from which our old Germanic language sprung, a literature of so old a date, that in any way approaches to the perfection attained by the early Anglo-Saxons. What we possess is wonderful, considering the short time that elapsed from the first introduction of letters amongst the Saxons, to the troubles which followed the Danish invasion, when so many monasteries and libraries were destroyed by those illiterate but brave barbarians. The first business of the Saxons, after they had ceased fighting, and settled down in England, would be to build and plant; and much time and labour would be required in erecting their habitations, preparing a supply of food, and defending their possessions in a new and hostile country, before they would be enabled to find leisure to direct their thoughts to literature, or do anything more than establish those civil institutions which were necessary for the protection of the colony. They had that work to do which we find ready done to our own hands; fields to inclose, and roads to make; and even the monks to whom we are indebted for our earliest writings were at first compelled to assist in building the monasteries they wrote in, and to cultivate the waste lands which lay around them: yet, in spite of these drawbacks, what wonderful progress was made in literature by the close of the reign of Alfred! Though illiterate, the early Saxons were a highly intelligent race: look at the speech of the chieftain we have already quoted in the reign of Edwin, the king of Deiri—the beautiful and applicable imagery of the bird, the warm hall it enters in winter, and the cold and darkness, which is compared to death, that reigns without; all evince a fine appreciation of the true elements which constitute poetry; yet we have no doubt in our own minds that this heathen orator could neither read nor write. When the Saxons once turned their attention to letters, none of the barbarous nations excelled them—the progress made during the reign of Alfred, we again repeat, is marvellous.

Nothing can be more primitive than our Anglo-Saxon poetry. Every line bears the stamp of originality. The praise of brave warriors is ever the subject. It has always been the same. They but extolled what then stood highest in their estimation—the brave—the giver of rewards—the terror of enemies—the leader of battles are but the plaudits of men put into metre—the natural outbreak of admiration. Watch a fond mother when alone, talking to her infant—nature is still the same—she addresses it as her darling, her dearest, her life, her delight; and when she has exhausted every endearing epithet—uttered every fond word that her heart dictated, she evinces her affection by caresses. To what lengths could we extend the comparison! But neither mother nor child in those days called forth the lavish praises which were expended on a brave chieftain. We need only refer to the extracts we have already given in the body of our history, from the Welsh bards, to prove this. The literature in no country was ever built upon so original a foundation as that of the Anglo-Saxons. Their language at an early period was enriched by the Danish: their habits resembled those of the sea-kings. Long before the Norman conquest, they had melted into one; the sea-horses, and the road of the swans, were to them familiar images; there was a sublimity about the ocean, and the storm, and the giant headlands, which they felt and understood; and had we the space, we could fill pages with proofs of this grand poetical appreciation—of this natural inspiration. The Saxon ode which celebrates Athelstan's victory at Brunanburg bears evidence of the fiery spirit which the Scandinavians diffused. Neither drew from the classic stores of Rome or Greece.

Their homilies and graver works scarcely come within the compass of our history; they require more serious treatment than we are able to bestow upon them. Those attributed to Alfric are now on the eve of becoming widely known; and we doubt not but that, in the course of time, the study of the Anglo-Saxon language will be pursued by every man who aspires to literature. A few days' attention to it, renders the reading of Chaucer easy; and although it may be long before the student is enabled to decypher an old Saxon manuscript, yet he will be rewarded by the facility with which he will get through our early stores of black-letter lore.

Ballads were sung in the English streets before the time of Alfred. Our music and singing-parties are nothing new. More than a thousand years ago, the harp sounded in the festal hall, accompanied by the voice of the singer. Look at the beauty of the following extract. It is an old Saxon ditty, and was known long before the Normans invaded England. Read it; then turn to some of our specimens of modern versification. The exile is banished from his friends, and encounters many hardships. He is doomed to dwell in a cave within the forest; and thus he complains:—

This passage wants but the polish of Shakspere, and to be uttered by his own mournful monarch, king Richard the Second, to be worthy of a place in his immortal writings.24

ARCHITECTURE, ART, AND SCIENCE.

That the Saxons possessed considerable skill in architecture before they took possession of England, we have already shown in our description of the Pagan temple, which was erected in their own country.25 It is also on record, that the Christian missionaries sent over by Pope Gregory, converted the heathen temples, which they found already erected in our island, into churches, destroying only the idols they found therein; but whether these edifices were erected by the Britons or Romans, or by the Saxons themselves, it is difficult to decide. All we know for a certainty is, that the church in which Augustin and his monks were located on their arrival at Canterbury was called an ancient British temple, and was probably built by the first Christians who were converted by the Romans. The earliest churches which the Saxons erected after their conversion to Christianity were formed of wood, and covered with thatch; and even as late as the time of Chaucer, we find mention of the sacred edifices being roofed with the same substance. The celebrated cathedral of Lindisfarne could boast of no costlier material than sawn oak and a straw roof, until Eadbert, the seventh bishop, removed the thatch, and threw over the rafters a covering of lead. The minster of York, founded by Edwin, after his marriage with Edilburga, the daughter of Ethelbert, was built of stone; and as early as 669, we find mention of the windows being glazed. Prior to this period, the windows consisted of mere openings in the walls, through which the light was admitted; they were called eye-holes, and were protected by lattice-work, through which the birds flew in and out, and built inside the fabric; nor was there any other means of keeping out the rain and snow, excepting by lowering down the simple linen blinds. The few remains we possess of Saxon architecture display great strength and solidity without grace. The columns are low and massy, the arches round and heavy, seeming as if they formed a portion of the bulky pillars, instead of springing from them with that light and airy grace which is the great beauty of Gothic architecture. Their chief ornament in building appears to have been the zig-zag moulding which resembles sharks' teeth. The very word they used in describing this form of ornament also signified to gnaw or eat; and from the Saxon word fret, or teeth work, the common term of fret-work arose. Towards the close of the seventh century, the celebrated bishop Wilfrid, who had visited Rome, made great improvements in ecclesiastical architecture. He brought with him several eminent artists from Italy; and as he stood high in the favour of Oswy, king of the Deiri and Bernicia, he was enabled to reward his architects liberally. He restored the church which Paulinus founded at York. But the most celebrated edifice he raised, appears to have been the church at Hexham, of which the following description is given by Richard, who was the prior of Hexham, and who wrote while the building still existed about the close of the twelfth century:—"The foundations of this church," says prior Richard, "were laid deep in the earth for the crypts and oratories, and the passages leading to them, which were then with great exactness contrived and built under ground. The walls, which were of great length, and raised to an immense height, and divided into three several stories, or tiers, he supported by square and various other kinds of well-polished columns. Also, the walls, the capitals of the columns which supported them, and the arch of the sanctuary, he decorated with historical representations, imagery, and various figures in relief, carved in stone, and painted with a most agreeable variety of colours. The body of the church he compassed about with pentices and porticoes, which, both above and below, he divided, with great and inexpressible art, by partition walls and winding stairs. Within the staircases, and above them, he caused flights of steps and galleries of stone, and several passages leading from them, both ascending and descending, to be artfully disposed, that multitudes of people might be there, and go quite round the church, without being seen by any one below in the nave." Prior Richard goes on further to state, that he also caused several altars to be erected to the blessed saints. In 767, the church of St. Peter's at York having been either damaged or destroyed by fire, was rebuilt by archbishop Albert, assisted by the celebrated Alcuin. Here, also, we find mention of lofty arches, supported on columns, of vaultings, windows, porticoes, galleries, and altars, richly ornamented. What additions the genius of Alfred made to the architecture of the period we know not. We have, however, already shown that he set apart a great portion of his revenue to the building and repairing of churches. But he lived amid stormy times, when the strengthening of military fortresses was of more consequence to the welfare of his kingdom than the erection of costly edifices; and during the ravages of the Danes the fine arts appear not to have made any advance.

We have scarcely any records of the domestic architecture of the Saxons, but may safely infer, from the simple style of their early churches, that their houses were built of wood, and thatched with reeds, and we have proof that timber houses continued until a comparatively modern period.

Of their painting and sculpture we know but little: the horn of Ulphus, which is still preserved, is beautifully carved; and we find mention of the tomb of the bishop of Hexham having been richly decorated. Their paintings seem to have been imported from Rome, and were principally pictures of saints and martyrs, which appear to have formed the most attractive ornaments in their churches. Their illuminated missals we have already alluded to. The Saxon ladies were skilful embroiderers, weavers, and spinners, arts in which the daughters of Edward the Elder excelled. Even the celebrated St. Dunstan, with all his surliness, deigned to draw patterns for his fair countrywomen to copy in their embroidery. Among other costly gifts, mentioned in a Charter relating to Croyland Abbey, granted by a king of Mercia, we find a golden veil, on which was enwrought the famous siege of Troy. Many of the initial letters, already mentioned, are of the most intricate patterns, scroll is interlaced within scroll, chain-like links, and heads of birds and serpents, running into the most beautiful flourishes, and compelling us to admit that the Saxons were either excellent copyists, or gifted with considerable invention.

Their musical instruments consisted of horns, trumpets, flutes, drums, cymbals, a stringed instrument not unlike the violin, which was played upon with a bow, and the harp; and in their churches organs which must have shaken the sacred buildings with their powerful tones. Dunstan was celebrated for his skill upon the harp; he also made an organ with brass pipes, and made several presents of bells to the Saxon churches. From the description given of a harp in an old poem, it was made of birch-wood, with oaken keys, and strung with the long hairs pulled from the tails of horses. The cymbals were formed of mixed metals, and when played, struck on the concave side, as they are now; and Bede dwells upon their beautiful modulation in the hands of a skilful player. He describes the drum as having been made of stretched leather, fastened on rounded hoops, and which emitted a loud sound when struck—he mentions tones, and semi-tones, and thus concludes his remarks on the power of music: "Among all the sciences this is the more commendable, pleasing, courtly, mirthful, and lovely. It makes men liberal, cheerful, courteous, glad, and amiable—it rouses them to battle—it exhorts them to bear fatigue, and comforts them under labour: it refreshes the mind that is disturbed, chases away headache and sorrow, and dispels the depraved humours, and cheers the desponding spirits." We find the Saxon organs described as rising high, some having gilded pipes, and many pairs of bellows; one especially is pointed out by the monk Wolfstan, as having stood in Winchester cathedral. "Such a one," says the monk, "had never before been seen." "It seems to have been a prodigious instrument," says Sharon Turner, in a note to his History of the Anglo-Saxons. "It had twelve bellows above, and fourteen below, which were alternately worked by seventy strong men, covered with perspiration, and emulously animating each other to impel the blast with all their strength. There were four hundred pipes, which the hand of the skilful organist shut or opened as the tune required. Two friars sat at it, whom a rector governed. It had concealed holes adopted to forty keys; they struck the seven notes of the octave, the carmine of the lyric semi-tone being mixed. It must," adds the learned historian, "have reached the full sublime of musical sound, so far as its quantity produces sublimity."

In arithmetic, they simply studied the division of even numbers, separating them into those "metaphysical distinctions of equally equal, and equally unequal," though they seem to have attained something approaching to perfection in calculation. In natural philosophy, Bede was far in advance of many of the Roman writers. In astronomy, they drew their information from such Greek and Latin treatises as chanced to fall into their hands. They believed that comets portended war, pestilence, and famine, and all those evils which the ignorant still attribute to their appearance in the present day. Of geography they knew but little, until the work of Orosius was translated by our own Alfred. They trusted to cure diseases by charms, though they were not without physicians, herbs being what they principally used for medicine; and, no doubt, many of our village herb-doctors, who trust to the full or wane of the moon, for finding the healing virtues in their favourite plants, are fair samples of the early Saxon practitioner in the same art; and that many such old books, as "The Gentlewoman's Closet," &c., contain the genuine recipes used by the Saxons. From a rare original work, in our possession, we quote the following, whose counterpart may be found in many a valuable Saxon MS.: "The sixth and tenth days of March shalt thou draw out blood of the right arm, the eleventh day of April, and in the end of May, of which arm thou wilt, and that against a fever; and if thou dost, neither shalt thou lose thy sight, nor thou shalt have no fever so long as thou livest!" He who fell sick on the first day of the month, was supposed to be in danger for three days after; on the second day, would get well; on the third, was to be ill for twenty-eight days; on the fourth, to escape; on the fifth, to suffer grievously; on the eighth, "if he be not whole on the twelfth day, he shall be dead." And so on for every day throughout the month and year.26

COSTUME, MANNERS, CUSTOMS, AND EVERYDAY LIFE.

Of the every-day life and domestic manners of our Anglo-Saxon forefathers, we possess considerable information, partly from written records, such as charters, wills, grants, and leases, but more especially from the drawings which we find in the ancient manuscripts which are still preserved. Amongst the higher classes we discover that the walls were hung with tapestry, ornamented with gold and rich colours, for the needles of the Saxon ladies seem ever to have been employed in forming birds, animals, trees, and flowers, upon the hangings which were so necessary to keep out the wind that must have blown in at every chink of their wooden apartments. Their garments were loose and flowing, that of the men consisting of a shirt, over which they wore a coat or tunic, open at the neck and partly up the sides, having wide sleeves which reached to the wrists; and as this was ample enough to be put on by slipping it over the head, (not unlike the common frock worn by our carters or peasantry,) it was occasionally, and no doubt always in cold weather, to make it sit closer, confined to the waist by a girdle or belt. Over this they occasionally wore a short cloak, which was fastened to the breast by a brooch or loop; they also wore drawers or long hose, which were bandaged crosswise, from the ankle to the knee, with strips of coloured cloth or leather. Their shoes, which were open at the front, were secured by thongs; and though the poorer classes are sometimes represented as bare-legged, yet they are seldom drawn without shoes, which are generally painted black, while many of them wear the short stocking or sock. That their shoes were made of leather is expressly stated by Bede, who describes St. Cuthbert, as often keeping on his shoes for months together, and that it was with difficulty he could be persuaded to take them off, to permit his feet to be made clean. Hats or caps they seem rarely to have worn, although there are one or two instances in which they appear. They seem generally to have gone bareheaded, excepting when in battle; then they wore a pointed helmet. In nearly all the early illustrations, we find the hair worn long, parted in the middle, and falling down upon the neck and shoulders. The beard is also long and forked. Silk garments were not uncommon amongst the nobles: as early as the time of Ethelbert, king of Kent, mention is made of a silk dress. We also read of a coronation garment, which was made of silk, and woven of gold and flowers. In the churches the altars were generally covered with silk, and at his death, the body of the venerable Bede was enclosed in a silken shroud. The Saxon noblemen seem to have been lavish in their ornaments, and to have worn costly bracelets on their arms, and rings upon their fingers—the ring appears to have been worn upon the third finger of the right hand—it was called the gold finger, and the penalty for cutting this off was greater than for amputating any of the other fingers. Furs of the sable, beaver, fox, martin, and other animals, were also worn, and amongst the poorer classes the skins of lambs and sheep.

The costume of the Saxon ladies seems to have varied but little, excepting in length, from that worn by the men. The gunna, or gown, which was worn over the skirt or kirtle, was of the same form as the tunic already described; it was a little shorter than the kirtle, which reached to the feet—the latter being covered by shoes similar to those already mentioned. The women, however, wore a head-dress, formed of linen or silk, which looks not unlike the hood of comparatively modern times. It was called the head-rail, and besides forming a covering for the head, was made to enfold the neck and shoulders, not unlike the gorget which we see in ancient armour, in appearance; but formed by throwing fold over fold—making the face appear as if it looked out from a close-fitting helmet or gorget. Nor were the Saxon ladies at all deficient in ornaments. They had their cuffs and ribbons, necklaces and bracelets, ear-rings and brooches, set with gems—were quite adepts at twisting and curling the hair; and, as it is the historian's duty to tell the whole truth, we are compelled to confess, that at this early period they were also guilty of painting their cheeks, so that England has long had its rouged, as well as its rosy daughters. We read also of pale tunics, of dun-coloured garments, of white kirtles—and, in the Anglo-Saxon illustrations, we see robes of purple bordered with yellow, of green striped with red, of lilac interlaced with green, crimson striped with purple, all showing that a love of rich and pleasing colours was, above a thousand years ago, common to the ladies of England. Gloves appear to have been rarely worn. The sleeve of the tunic was made long enough to be drawn over the hand in cold weather; where the glove is represented, the thumb only is separate, the remainder of the fingers are covered, without any division, like the mits, or mittens, worn by children at the present day. The military costume we have already described: nor does it appear to have undergone any alteration until after the Norman Conquest. They wore helmets, had wooden shields covered with leather, rimmed, and bossed with iron, had a kind of ringed armour to defend the breast, and such weapons as we have frequently made mention of in our descriptions of the battles.

Turning to their furniture, we find, that besides benches and stools, they had also seats with backs to them, not unlike the chairs or sofas of the present day. Many of these are richly ornamented with the forms of lions, eagles, and dragons; and no better proof need be advanced than this profusion of carved work, to show, that in their domestic comforts they had stepped far beyond the mere wants and common necessaries of life, and made considerable progress in its refinements and luxuries. Their chairs and tables were not only formed of wood richly carved, but sometimes inlaid with gold, silver, and ivory. Nor were the eating and drinking vessels of the nobles less costly. Mention is made of gold and silver cups, on which figures of men and animals were engraven; and the weight of some of these was from two to four pounds. They covered their tables with cloths; had knives, spoons, drinking-horns, bowls, dishes, but in no instance do we meet with a fork. The roast meat or fowl appears to have been served on long spits; each guest cut off what he approved of, and then the attendant passed on to the next, who also helped himself—the bread and salt standing ready for all upon the table. The Saxons were hard drinkers—mead, wine, and ale flowed freely at their feasts; and it seems to have been a common custom for the guests to have slept in the apartment where the feast was held; for we read of the tables being removed, of bolsters being brought into the hall, and the company throwing themselves upon the floor, their only covering being their cloaks or skins, while their weapons were suspended from the boarded walls over their heads. Bedsteads were, however, in use, though they appear to have been low; the part where the head rested was raised like the end of a modern couch; beds, pillows, bed-clothes, curtains, sheets, and coverlets of linen and skins, are occasionally mentioned in the old Saxon wills, where we also find both the words sacking and bolster. The bed-pillows appear occasionally to have been made of plaited straw; and in one place we find mention of bed-curtains formed of gilded fly-net, but what this may have been we are ignorant of. We read also of candlesticks, hand-bells, and mirrors, being made of silver. Glass appears to have been used more sparingly, though it is mentioned by Bede as being "used for lamps and vessels of many uses." The use of the bath is also frequently named; and we find them using frankincense, pepper, and cinnamon, and other spices.

England, at this period, abounded in woods, and the chief meat of the Saxons appears to have been the flesh of swine. Swine are frequently mentioned in wills. They were given in dowries, bequeathed to abbeys and monasteries, together with the land on which the swine fed. Oxen and sheep they used more sparingly; and it is very probable that they were not at this period so plentiful as swine. Deer, goats, and hares, and several varieties of fowl, were also used for food. Of fish, the eel appears to have been the most abundant. Eels were often received in payment of rent; estates were held by no other form than that of presenting so many eels annually; and eel-dykes are mentioned as forming the boundary lines of different possessions. Herrings, salmon, sturgeons, flounders, plaice, crabs, lobsters, oysters, muscles, cockles, winkles, and even the porpoise, is named amongst the fish which they consumed. Cheese, milk, butter, and eggs, were among the common articles of the food of the Saxons. They used also both wheat and barley bread, and had wind and water mills to grind their corn. They appear to have been great consumers of honey; and amongst their vegetables, beans and colewort are frequently mentioned. In their soups they used herbs; and amongst their fruits we find pears, apples, grapes, nuts, and even almonds and figs were grown in the orchards which belonged to the monasteries. Salt was extensively used; and they seem to have slaughtered numbers of their cattle in autumn, which they cured and salted for winter consumption; and from this we might infer that there was a scarcity of fodder during the winter months. They boiled, baked, and roasted their victuals as we do now. Mention is made of their ovens and boiling vessels, and of their fish having been broiled. To eat or drink what a cat or dog had spoiled, they were compelled afterwards to undergo a penance; also, if any one gave to another any liquor in which a mouse or a weazel had been found dead, four days' penance was inflicted; or if a monk, he was doomed to sing three hundred psalms. There seem to have been ale-houses or taverns at a very early period; and we find a priest forbidden to either eat or drink in those places where ale was sold. So plentiful does animal food appear to have been, that a master was prohibited from giving it to his servants on fast-days; if he did, he was sentenced to the pillory.

Beginning with their in-door sports and pastimes, we find games similar to chess and backgammon amongst their social amusements, while gleemen, dancers, tumblers, and harpers, contributed to their merriment. In the early illuminations we see jugglers throwing up three knives and balls, and catching each alternately, just as the same feat is performed in the present day. The Saxons were also great lovers of the chase. Alfred, as we have shown, was a famous hunter; and Harold received his surname of Harefoot through his swiftness in following the chase. Boars and wild deer appear to have been their favourite game, and sometimes they hunted down "the grey wolf of the weald." Wolf-traps and wolf-pits are often mentioned in the Saxon records. England was not in those days cursed with game-laws. Every man might pursue the game upon his own land, and over hundreds of miles of wood and moor-hill, dale and common, without any one interfering with him. There was no exception made, only to the spot in which the king hunted, and this restriction appears only to have been limited to the time and place where he followed the chase. When the royal hunt was over, the forest was again free. The Saxons hunted with hawks and hounds; and Alfred the Great wrote instructions on the management of hawks. Nets, pits, bows and arrows, and slings, were also used for capturing and destroying game.

The women were protected by many excellent laws; and violence offered to them was visited by such severe pains and penalties as make us ashamed of the justice which the insulted female obtains in modern times when she seeks redress. The first step towards marriage consisted in obtaining the lady's consent, the second that of her parents or friends; the intended husband then pledged himself to maintain his wife in becoming dignity; his friends were bound for the fulfilment of his engagement. Next, provision was made for the children; and here, again, the husband had to find sureties. Then came the morgen-gift, or jointure, which was either money or land, paid or made over the day after the marriage. Provision was also made in case of the husband's death, but if a widow married within twelve months of her widowhood she forfeited all claim to the property of her former husband. The marriage ceremony was solemnized by the presence of the priest, who having consecrated their union, prayed for the Divine blessing to settle upon them, and that they might live in holiness, happiness, and prosperity. Women had property in their own right, which they could dispose of without the husband's consent; they were also witnesses at the signing of deeds and charters. In the Saxon manuscripts we never meet with the figures of women engaged in out-of-door labour; this was always done by the men, although the wealthy classes had their slaves of both sexes. To women the household occupation seems solely to have belonged. Alfred the Great wrote the following beautiful description of the love of a wife for her husband:—"She lives now for thee, and thee only; hence she loves nothing else but thee. She has enough of every good in this present life, but she has despised it all for thee alone. She has shunned it all because she has not thee also. This one thing is now wanting to her; thine absence makes her think that all which she possesses is nothing. Hence, for thy love she is wasting; and full nigh dead with tears and sorrow." Who can doubt but that this passage describes his own feelings, when he wandered hungry and homeless about the wilds of Athelney, and thought of her he had left weeping in solitude behind? It is one of the many beautiful original passages which are found in his Boethius, for Alfred was no mere translator, but enriched his author from the storehouse of his own thoughts.

While pagans, the Saxons frequently burnt the bodies of their dead, but this custom they for ever abandoned after they became converts to Christianity. Their first mode of interment appears to have been a grave, in which they placed the body without any covering excepting the earth which was thrown over it. Sometimes the body was rolled in a sheet of lead; and at Swinehead's Abbey, in Lincolnshire, several skeletons have been dug up lately, wrapped round with the same material, but without any vestige of a coffin appearing; though this is no proof of wooden coffins not having been used at the period of interment, which through the lapse of long centuries may have decayed and mingled with the soil. Stone coffins were commonly used by the wealthy, and but few were at first allowed to be buried within walled towns. By degrees the churches began to be used as places of sepulture, though only men distinguished for their piety and good works appear at first to have been buried in these ancient edifices. After a time, the churches and church-yards became crowded with graves, and then the bodies were removed to some distance for burial. The passing-bell was rung at a very early period; it is mentioned by Bede, and there is but little doubt that the custom dates from nearly the first introduction of Christianity. The clergy, on the death of a person, received a payment, called the "soul-scot," which at times amounted to an immense sum; even land was left by the dead, that prayers might be offered up for the welfare of the soul; and thus in early times the churches were enriched. The burial of Archbishop Wilfred, in the eighth century, is thus described by Eddius:—"Upon a certain day, many abbots and clergy met those who conducted the corpse of the holy bishop in a hearse, and begged that they might be permitted to wash the body, and dress it honourably, as befitted its dignity. This was granted; and an abbot named Baculus then spread his surplice on the ground, and the brethren depositing the body upon it, washed it with their own hands, then, dressing it in the ecclesiastical habit, they carried it along, singing psalms and hymns as they proceeded. When they approached the monastery, the monks came out to meet it, and scarcely one refrained from shedding tears and weeping aloud. And thus it was borne, amid hymns and tears, to its final resting-place, the church which the good bishop had built and dedicated to St. Peter." The Saxons had also gilds or clubs, in which the artizans, or such as seem to have consisted of the middle classes, subscribed for the burial of a member, and a fine was inflicted upon every brother who did not attend the funeral. Thus, above a thousand years ago, were burial societies established in England—a clear proof of the respect which the Saxons paid to their dead.

Savill & Edwards, Printers, 4, Chandos-street, Covent-garden.

ILLUSTRATIONS.
BY WILLIAM HARVEY, ESQ.