History of the pianoforte and pianoforte players

Chapter 3: Editors’ Preface

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About This Book

A historical survey traces the pianoforte's evolution from early keyboard instruments such as the clavichord, virginal, and harpsichord through technical innovations that enabled dynamic expression and modern technique. It interleaves instrument history, maker developments, and changing social uses — from domestic parlors to concert stages — and examines repertoires and styles across eras, including English virginal music, French dance pieces, Italian sonatas, and German contrapuntal and classical traditions. Chapters profile major composers and performers, discuss performance practice and pedagogy, and consider how constructional and stylistic shifts shaped repertoire and pianistic technique.

Editors’ Preface

This work does not profess to be so much a literal translation as a somewhat free version of Dr Bie’s “Das Klavier.” The author, writing as he does for a German public, naturally uses a more philosophic style than would be generally intelligible in England. Availing themselves, therefore, of Dr Bie’s kind permission, the Editors, with a view to making the book more acceptable to English readers, have allowed themselves considerable liberty both in omission and in addition. For all portions of the text which are enclosed in square brackets they hold themselves responsible. The footnotes, except a few which are specially marked, have been added by Dr Naylor.

E. W. N.
E. E. K.