HONEYCOMB

CHAPTER I

1

When Miriam got out of the train into the darkness she knew that there were woods all about her. The moist air was rich with the smell of trees—wet bark and branches—moss and lichen, damp dead leaves. She stood on the dark platform snuffing the rich air. It was the end of her journey. Anything that might follow would be unreal compared to that moment. Little bulbs of yellow light further up the platform told her where she must turn to find the things she must go to meet. “How lovely the air is here.” ... The phrase repeated itself again and again, going with her up the platform towards the group of lights. It was all she could summon to meet the new situation. It satisfied her; it made her happy. It was enough; but no one would think it was enough.

But the house was two miles off. She was safe for the present. Throughout the journey from London the two-mile drive from the station had stood between her and the house. The journey was a long solitary adventure; endless; shielded from thoughts of the new life ahead and leaving the past winter in the Gunnersbury villa far away; vanquished, almost forgotten. She could only recall the hours she had spent shivering apathetically over small fires; a moment when she had brought a flush of tears to her mother’s eyes by suddenly telling her she was maddeningly unreasonable, and another moment alone with her father when she had stood in the middle of the hearth-rug with her hands behind her and ordered him to abstain from argument with her in the presence of her mother—“because it gives her pain when I have to show you that I am at least as right as you are”—and he had stood cowed and silent.... Then the moment of accepting the new post, the last days of fear and isolation and helplessness in hard winter weather and the setting off in the main line train that had carried her away from everything—into the spring. Sitting in the shabbily upholstered unexpectedly warm and comfortable main line train she had seen through the mild muggy air bare woods on the horizon, warm and tawny, and on the near copses a ruddy purpling bloom. Surprise had kept her thoughtless and rapt. Spring—a sudden pang of tender green seen in suburban roadways in April ... one day in the Easter holidays, bringing back the forgotten summer and showing you the whole picture of summer and autumn in one moment ... but evidently there was another spring, much more real and wonderful that she had not known—not a clear green thing, surprising and somehow disappointing you, giving you one moment and then rushing your thoughts on through vistas of leafage, but tawny and purple gleamings through soft mist, promising ... a vision of spring in dim rich faint colours, with the noisy real rushing spring still to come ... a thing you could look at and forget; go back into winter, and see again and again, something to remember when the green spring came, and to think of in the autumn ... spring; coming; perhaps spring was coming all the year round.... She looked back, wondering. This was not the first time that she had been in the country in March. Two years ago, when she had first gone out into the world it had been March ... the night journey from Barnes to London, and on down to Harwich, the crossing in a snowstorm, the afternoon journey across Holland—grey sky, flat bright green fields, long rows of skeleton poplars. But it was dark before they reached the wooded German country—the spring must have been there, in the darkness. And now coming to Newlands she had seen it. The awful blind cold effort of coming to Newlands had brought a new month of spring; there for always.... And this was the actual breath of it; here, going through her in the darkness.... Someone was at her side, murmuring her name, a footman. She moved with him towards a near patch of light which they reached without going through the station building, and in a moment the door of a little brougham closed upon her with a soft thud. She sat in the softly lit interior, holding her umbrella and her undelivered railway ticket in careful fingers. The footman and a porter were hoisting her Saratoga trunk. Their movements sounded muffled and far-off. The brougham bowled away through the darkness softly. The lights of the station flickered by and disappeared. The brougham windows were black. No sound but the faint rumble of the wheels along the smooth road. Miriam relaxed and sat back, smiling. For a moment she was conscious of nothing but the soft-toned, softly lit interior, the softness at her back, the warmth under her feet and her happy smile; then she felt a sudden strength; the smile coming straight up so unexpectedly from some deep where it had been waiting, was new and strong and exhilarating. It would not allow itself to dimple; it carried her forward, tiding her over the passage into new experience and held her back, at the same time; it lifted her and held her suspended over the new circumstances in rapid contemplation. She pressed back more steadily into the elastic softness and sat with bent head, eagerly watching her thoughts ... this is me; this is right; I’m used to dainty broughams; I can take everything for granted.... I must take everything absolutely for granted.... The moments passed, carrying her rapidly on. There was a life ahead that was going to enrich and change her as she had been enriched and changed by Hanover, but much more swiftly and intimately. She was changed already. Poverty and discomfort had been shut out of her life when the brougham door closed upon her. For as long as she could endure and achieve any sort of dealing with the new situation, they had gone, the worry and pain of them could not touch her. Things that rose warm and laughing and expanding within her now, that had risen to the beauty and music and happiness of Germany and been crushed because she was the despised pupil teacher, that had dried up and seemed to die in the English boarding school, were going to be met and satisfied ... she looked down at the hands clasped on her knees, the same hands and knees that had ached with cold through long winter days in the basement schoolroom ... chilblains ... the everlasting unforgettable aching of her sore throat ... things that had made her face yellow and stiff or flushed with fever ... gone away for ever. Her old self had gone, her governess self. It had really gone weeks ago, got up and left her in that moment when she had read Mrs. Corrie’s letter in Bennett’s villa in the middle of a bleak February afternoon. A voice had seemed to come from the large handwriting scrawling across the faint blue page under the thick neat small address in raised gilt. The same voice, begging her to come for a few weeks and try seemed to resound gently in the brougham. She had not accepted the situation; she had accepted something in Mrs. Corrie’s imagined voice coming to her confidently from the big wealthy house.

The brougham passed a lamp and swerved in through a gate, bowling along over softly crunching gravel. She pressed reluctantly against the cushioned back. The drive had been too short.... Bennett’s friends had given the Corries wrong ideas about her. They wanted a governess. She was not a governess. There were governesses ... the kind of person they wanted. It was a mistake; another mistake ... the brougham made a beautiful dull humming, going along a tree-lined tunnel.... What did the Corries want of her, arriving in their brougham? What did they expect her to do?...

2

As the footman opened the door of the brougham, a door far back in the dim porch was flung back, letting out a flood of light, and the swift figure of a parlourmaid who seized Miriam’s Gladstone bag and the silver-mounted Banbury Park umbrella and led the way across the porch into the soft golden blaze. The Saratoga trunk had gone away with the brougham, and in a moment the door was closed and Miriam was standing, frightened and alone, in a fire-lit, lamp-lit, thickly carpeted enclosure within sound of a thin chalky voice saying “Ello, ello.” It seemed to come from above her. “Ello—ello—ello—ello,” it said busily, hurrying about somewhere above as she gazed about the terrifying hall. It was somehow like the box office of a large theatre, only much better; the lamplight, there seemed to be several lamps shaded with low-hanging old gold silk, and the rosy light from the huge clear fire in a deep grate fell upon a thick pale greeny yellow carpet, the little settees with their huge cushions, and the strange-looking pictures set low on dull gold walls. In two directions the hall went dimly away towards low archways screened by silently hanging bead curtains. “Ello—ello—ello—ello,” said the voice coming quickly downstairs. Half raising her eyes Miriam saw a pale turquoise blue silk dress, long and slender with deep frills of black chiffon round the short sleeves and a large frill draping the low-cut bodice, a head and face, sheeny bronze and dead white, coming across the hall.

“Ow-de-do; so glad you’ve come,” said the voice, and two thin fingers and a small thin crushed handkerchief were pressed against her half-raised hand.

“Are you famished? Deadly awful journey! I’m glad you’re tall. Wiggerson’ll take up your things. You must be starvin’. Don’t change. There’s only me. Don’t be long. I shall tell them to put on the soup.”

Gently propelled towards the staircase Miriam went mechanically up the wide shallow stairs towards the parlourmaid waiting at the top. Behind her she heard the swift fuffle of Mrs. Corrie’s dress, the swish of a bead curtain and the thin tuneless voice inaccurately humming in some large near room, “Jack’s the boy for work; Jack’s the boy for play.” She followed the maid across the landing, walking swiftly, as Mrs. Corrie had done—the same greeny carpet, but white walls up here and again strange pictures hung low, on a level with your eyes, strange soft tones ... crayons? ... pastels?—what was the word—she was going to live with them, she would be able to look at them—and everything up here, in the soft pink light. There were large lamps with rose-pink shades. The maid held back a pink silk curtain hanging across an alcove, and Miriam went through to the open door of her room. “Harris will bring up your trunk later, miss—if you like to leave your keys with me,” said the maid behind her. “Oh yes,” said Miriam carelessly, going on into the room. “Oh, I don’t know where they are. Oh, it doesn’t matter, I’ll manage.”

“Very good, miss,” said Wiggerson politely, and came forward to close the bedroom door.

Miriam flung off her outer things and faced herself in the mirror in her plain black hopsack dress with the apple green velveteen pipings about the tight bodice and the square box sleeves which filled the square mirror from side to side as she stood. “This dress is a nightmare in this room,” she thought, puffing up her hair under her fringe-net with a hat-pin. “Never mind, I mustn’t think about it,” she added hurriedly, disconcerted for a moment by the frightened look in her eyes. The distant soft flat silvery swell of a little gong sent her hurrying to the mound of soft bath towel in the wide pale blue wash-hand basin. She found a bulging copper hot-water jug, brilliantly polished, with a wicker-covered handle. The water hissed gently into the wide shallow basin, sending up a great cloud of comforting steam. Dare’s soap ... extraordinary. People like this being taken in by advertisements ... awful stuff, full of free soda, any transparent soap is bad for the skin, must be, in the nature of things ... makes your skin feel tight. Perhaps they only use it for their hands.... Advertisement will do anything, Pater said.... Perhaps in houses like this—plonk, it certainly made a lovely hard ring falling into the basin—where everything was warm and clean and fragrant even Dare’s soap could not hurt you. The room behind her seemed to encourage the idea. But surely it couldn’t be her room. It was a spare room. They had put her into it for her month on trial. Could it possibly be hers, just her room, if she stayed ... the strange, beautiful, beautiful long wide hang of the faintly patterny faintly blue curtains covering the whole of the window space; the firelight on them as she came into the room with Wiggerson, the table with a blotter, there had been a table by the door with a blotter, as Wiggerson spoke. She looked round, there it was ... the blue covered bed, the frilled pillows, high silky-looking bed curtains with some sort of little pattern on them, the huge clear fire, the big wicker chair.

3

Miriam laughed over her strange hot wine-clear wine-flavoured soup ... two things about soup besides taking it from the side of your spoon, which everybody knows—you eat soup, and you tilt your plate away, not towards you (chum along, chum along and eat your nice hot soup).... Her secure, shy, contented laugh was all right as a response to Mrs. Corrie, sitting at the head of the long table, a tall graceful bird, thin broad shoulders, with the broad black frill slipping from them, rather broad thin oval white face, wiry auburn Princess of Wales fringe coming down into a peak with hollow beaten-in temples each side of it, auburn coils shining as she moved her head and the chalky lisping voice that said little things and laughed at them and went on without waiting for answers. But to herself the laugh meant much more than liking Mrs. Corrie and holding her up and begging her to go on. It meant the large dark room, the dark invisible picture, the big pieces of strange dark furniture in gloomy corners, the huge screen near the door where the parlourmaid came in and out; the table like an island under the dome of the low-hanging rose-shaded lamp, the table-centre thickly embroidered with beetles’ wings, the little dishes stuck about, sweets, curiously crusted brown almonds, sheeny grey-green olives; the misty beaded glass of the finger bowls—Venetian glass from that shop in Regent Street—the four various wine glasses at each right hand, one on a high thin stem, curved and fluted like a shallow tulip, filled with hock; and floating in the warmth amongst all these things the strange, exciting, dry sweet fragrance coming from the mass of mimosa, a forest of little powdery blossoms, little stiff grey—the arms of railway signals at junctions—Japanese looking leaves—standing as if it were growing, in a shallow bowl under the rose-shaded lamp.

“Mélie’s coming on Friday.”

The parlourmaid set before Miriam a small shapely fish, with scales like mother-of-pearl and pink fins, lying in a curl of paper. “Red mullet,” she exclaimed to herself; “how on earth do I know that it’s red mullet? And those are olives, of course.” Mrs. Corrie was humming to herself about Mélie as the fork in her thin little fingers plucked fitfully at the papered fish. “Do you know planchette?” she asked, in a faint singsong, turning with a little bold pounce to the salt-cellar close at Miriam’s left hand. “Oh-h-h” said Miriam intelligently.... “Planchette ... Planchette ... Cloches de Corneville. Planquette. Is planchette a part of all this?... Planchette, a French dressmaker, perhaps.” She turned fully round to Mrs. Corrie and waited, smiling sympathetically. “It’s deadly uncanny,” Mrs. Corrie went on, “I can tell you. Deadly.” Her delicate voice stopped fearfully and she glanced at Miriam with a laugh. “I don’t believe I know what it is,” said Miriam, sniffing in the scent of the mimosa and savouring the delicate flavour of the fish. These things would go on after planchette was disposed of, she thought, and took a sip of hock.

“It’s deadly. I hope Mélie’ll bring one. She’s a fairy; real Devonshire fairy. She’ll make it work. We’ll have such fun.”

“What is it?” said Miriam a little uneasily.... A fairy and a planchette and fun—silly laughter, some tiresome sort of game; a hoax.

“I tell you all about it, all, all ...” intoned Mrs. Corrie provisionally, whilst the maid handed the tiny ready-cut saddle of lamb. “Spinnich? Ah, nicey spinnich; you can leave us that, Stokes.... Oh, you must have Burgundy—spin-spin and Burgundy; awful good; a thimble-full, half a glass; that’s right.”

The clear dry hock had leapt to Miriam’s brain and opened her eyes, the Burgundy spread through her limbs, a warm silky tide. The green flavour of the spinach, tasting of earth, and yet as smooth as cream intoxicated her. Surely nothing could so delicately build up your strength as these small stubby slices of meat so tender that it seemed to crumble under your teeth.... “It’s an awful thing. It whirls about and writes with a pencil. Writes. All sorts of things,” said Mrs. Corrie, with a little frightened laugh. “Really. No nonsense. Names. Anythin’. Whatever you’re thinkin’ about. It’s uncanny, I can tell you.”

“It sounds most extraordinary,” said Miriam, with a firm touch of scepticism.

“You wait. Oh—you wait,” sang Mrs. Corrie in a whisper. “I shall find out, I shall find out, if you’re not careful, I shall find out his name.”

Miriam blushed violently. “Ah-ha,” beamed Mrs. Corrie in a soft high monotone. “I shall find out. We’ll have such fun.”

“Do you believe in it?” said Miriam, half irritably.

“You wait—you wait—you wait, young lady. Mélie’ll be here on Friday day.”

The rich caramel, the nuts and dessert, Mrs. Corrie’s approval of her refusal of port wine with her nuts, the curious, half-drowsy chill which fell upon the table, darkening and sharpening everything in the room as the broken brown nutshells increased upon their trellis-edged plates were under the spell of the strange woman. Mrs. Corrie kept on talking about her; Mélie—born in Devonshire, seeing fairies, having second sight, being seen one day staring into space by a sportsman, a fisherman, a sort of poet, who married her and brought her to London. Did Mrs. Corrie really believe that she knew everything? “I believe she’s a changeling,” laughed Mrs. Corrie at last—“oh, it’s cold. Chum-long, let’s go.”

4

“We can’t go into my little room,” said Mrs. Corrie, turning to Miriam with a little excited catch in her voice, as the bead curtain rattled gently into place behind them. “It’s bein’ re-done.” Just ahead of them, beyond a mystery of palms to right and left, a door opened upon warm brilliance. Miriam heard the busy tranquil flickering of a fire. “I see,” she said eagerly. “Why does she explain?” she wondered, as they passed into the large clear room. How light it was, fairyland, light and fragrant and very warm. The light was high; creamy bulbs, high up, and creamy colour everywhere, cream and gold stripes, stripy chairs of every shape, some of them with twisted gilt legs, curious oval pictures in soft half-tones, women in hats, strange groups, all tilted forward like mirrors.

“Ooogh—barracky, ain’t it? I hate empty droin’-rooms,” said Mrs. Corrie, sweeping swiftly about, pushing up great striped easy chairs towards the fire. Miriam stood in a dream, watching the little pale hands in the clear light, dead white fingers, rings, twinkling green and sea blue, and the thin cruel flash of tiny diamonds ... harpy hands ... dreadful and clever ... one of the hands came upon her own and compelled her to drop into a large cushioned chair.

“Like him black?” came the gay voice. Coffee cups tinkled on a little low table near Mrs. Corrie’s chair. “I’m glad you’re tall. Kummel?”

“She doesn’t know German pronunciation,” thought Miriam complacently.

“I suppose I am,” she said, accepting a transparent little cup and refusing the liqueur. Those strange eyes were blue with dark rings round the iris and there were fine deep wrinkles about the mouth and chin. She looked so picturesque sitting there, like something by an “old master,” but worn and tired. Why was she so happy—if she thought so many things were deadly awful....

“How’s Gabbie Anstruther?”

“Oh—you see—I don’t know Mrs. Anstruther. They are patients of my future brother-in-law. It was all arranged by letter.”

“About your comin’ here, you mean. I say—you’ll never get engaged, will you? Promise?”

Miriam got up out of her deep chair and stood with her elbow on the low mantel staring into the fire. She heard phrases from Mrs. Anstruther’s letter to Bennett as if they were being spoken by a tiresome grave voice. “She doats upon her children. What she really wants is someone to control her; read Shakespeare to her and get her into the air.” Mrs. Corrie did not want Shakespeare. That was quite clear. And it was quite clear that she wanted a plain dull woman she could count on; always there, in a black dress. She doated. Someone else, working for her, in her pay, would look after the children and do the hard work.

“The kiddies were ’riffickly ’cited. Wanted to stay up. I hope you’re strict, very strict, eh?”

“I believe I’m supposed to understand discipline,” said Miriam stiffly, gazing with weary eyes at the bars of the grate.

“We were in an awful fix before we heard about you. Poor old Bunnikin breakin’ down. She adored them—they’re angels. But she hadn’t the tiniest bit of a hold over them. Used to cry when they were naughty. You know. Poor old kiddies. Want them to be awfully clever. Work like a house afire. I know you’re clever. P’raps you won’t stay with my little heathens. Do try and stay. I can see you’ve got just what they want. Strong-minded, eh? I’m an imbecile. So was poor old Bunnikin. D’you like kiddies?”

“Oh, I’m very fond of children,” said Miriam despairingly. She stared at the familiar bars. They were the bars of the old breakfast-room grate at home, and the schoolroom bars at Banbury Park. There they were again hard and black in the hard black grate in the midst of all this light and warmth and fragrance. Nothing had really changed. Black and hard. Someone’s grate. She was alone again. Mrs. Corrie would soon find out. “I think children are so interesting,” she said conversationally, struck by a feeling of originality in the remark. Perhaps children were interesting. Perhaps she would manage to find the children interesting. She glanced round at Mrs. Corrie. Her squarish white face was worn. Her eyes and neck looked as though all the life and youth had been washed away from them by some long sorrow. Her smile was startling ... absolute confidence and admiration ... like mother. But she would find out if one were not really interested.

5

That night Miriam roamed about her room from one to another of the faintly patterned blue hangings. Again and again she faced each one of them. For long she contemplated the drapery of the window space, the strange forest-like confusion made in the faint pattern of tiny leaves and flowers by the many soft folds, and turned from it for a distant view of the draperies of the bed and the French wardrobe. Sitting down by the fire at last she had them all in her mind’s eye. She was going to be with them all night. If she stayed with them long enough she would wake one day with red bronze hair and a pale face and thin white hands. And by that time life would be all strange draperies and strange inspiring food and mocking laughing people who floated about hiding a great secret and servants who were in the plot, admiring and serving it and despising as much as anybody the vulgar things outside.

Her black dress mocked at these thoughts and she looked about for her luggage. Finding the Saratoga trunk behind the draperies of the French wardrobe she extracted her striped flannelette dressing-gown and presently sat down again with loosened hair. Entrenched in her familiar old dressing-gown, she felt more completely the power of her surroundings. Whatever should happen in this strange house she had sat for one evening in possession of this room. It was added for ever to the other things. And this one evening was more real than all the fifteen months at Banbury Park. It was so far away from everything, trams and people and noise—it was in the centre of beautiful exciting life; perfectly still and secure. Creeping to the window she held back the silk-corded rim of a curtain—a deep window-seat, a row of oblong lattices with leaded diamond panes. One of the windows was hasped a few inches open. No sound came in ... soft moist air and the smell of trees. Nothing but woods all round, everywhere.

6

The next morning a housemaid tapped at Miriam’s door half an hour after she had called her to say that her breakfast was laid in the schoolroom. Going out on to the landing she discovered the room by a curious rank odour coming towards her through a half-opened door. Pushing open the door she found a large clear room, barely furnished, carpeted with linoleum and cold in the morning light pouring through an undraped window. In the grate smoked a half-ignited fire and one corner of the hearth-rug caught by a foot lay turned back. Across one end of the baize-covered table a cloth was laid, and on it stood a small crowded tray: a little teapot, no cosy, some rather thick slices of bread and butter, a small dish of marmalade, a small plate and cup and saucer piled together, and a larger plate on which lay an unfamiliar fish, dark brown, curiously dried and twisted and giving out a strong salt smoky odour. Miriam sat uncomfortably on the edge of a cane chair getting through her bread and butter and tea and one mouthful of the strong dry fish, feeling, with the door still standing wide, like a traveller snatching a hasty meal at a buffet. She tried to collect her thoughts on education. Little querulous excited sounds came to her from across the wide landing. Presently there came the swift flountering of a print dress across the landing and Wiggerson, long and willowy and capless with a cold red nose and large red hands, her thin small head looking very young with its revealed bunch of untidy hair, appeared in the schoolroom doorway with an unconscious smile hesitating on her pale lips and in her pale blue eyes. “It isn’t very comfortable for you,” she said in a hurried voice. “I say, my word”; she went to the chilly grate and bent down for the poker. Miriam glanced at the solicitous droop of her long figure. “Stokes hasn’t half laid it,” went on Wiggerson; “if I were you I should have breakfast in my room. They all do, except Mr. Corrie when he’s at home. The other young lady was daily; she didn’t stop. I should, if I were you,” she finished, getting lightly to her feet. She stood between the door and the fireplace, half turned away, and gazing into space with her pale strong eyes, every line in her long pure unconscious figure waiting for Miriam’s response.

“Do you like me, Wiggerson?” said Miriam within, “you’ll have toothache and neuralgia with that thin head. You’re devoted to your relations. You’ve got a tiresome sickly old mother. You’ll never know you’re a servant....” “I think perhaps I will,” she drawled, clearing her throat.

“All right,” said Wiggerson, with a lit face. “I’ll tell them.”

CHAPTER II

1

As Miriam sat having tea with the children in the dining-room the brougham drove up to the door. “There’s someone arriving,” she said, hoping to distract the attention of the children from her fumblings with the teapot and the hot water jug. They had certainly never met anyone who did not know how to pour out tea. But they were taken in by her bored tone.

“It’s only Joey,” said Sybil, frowning tranquilly, her lively penetrating brown eyes fixed on the table just ahead of the small plate nearly covered by a mass of raspberry jam from which she ate with a teaspoon in the intervals of taking small bites from a thin piece of bread and butter held conveniently near her mouth as she sat with one elbow on the table. “She’s always here.” She looked across the table and met the soft brown eyes of the boy. They had been wandering absently about her square pale face and her short straggling red hair as she answered Miriam. “Jenooshalet,” he said, lisping over the s and smiling meditatively.

“Jenoash,” responded Sybil, and they both laughed drunkenly.

“What I’m finking,” said the boy, putting a teaspoonful of jam into his teacup and speaking with a stammering difficulty that drew deep lines in his thin face; “what’s worrying me is she’ll have Rollo after tea instead of us.... Vat’s what I’m finking.”

“D’you like bays?” said Sybil, throwing a fleeting glance in the direction of Miriam.

“Yes, I do, I think,” said Miriam at random, patting her hair and wondering if the children had been to Weymouth.

“Oh, Boy.” Sybil flung her arms tightly round her thin body and sat grinning at her brother. Her old blue and white striped overall, her sparse hair and the ugly large gap between her two large front teeth seemed to set her apart from her surroundings. For a moment it seemed to Miriam that the large quiet room looking through two high windows on to a stretch of tree-shaded lawn, the cheerful little spread of delicate white china at one end of the long table, the preserves and cakes, the cress sandwiches and thin bread and butter were all there for her appreciation alone, the children somehow profane and accidental, having no right to be there. But they had been in these surroundings, the girl for twelve the boy for eight years. They had never known anything else. For years life had been for them just what it was to-day—breakfast in bed, chirping at their mother from the dressing-rooms where they slept, and scolding at Stokes as she waited on their toilet; jocularly and impatiently learning lessons from little text-books for an hour or so in the morning, spending their afternoons cantering about the commons and along the sandy roadways with the groom; driving with their mother or walking with the governess and every day coming in at the end of the afternoon to this cosy, dainty grown-up tea, with their strange untroubled brooding faces. They would grow up and be exactly like their parents. They did not know anything about their fate. It was a kind of prison. Perhaps they knew. Perhaps that was what they were always brooding over. No, they did not mind. Their musings were tranquil. They were waiting. They had silent conversations all the time. To be with them after being so long with the straining, determined, secretly ambitious children at Banbury Park was a great relief ... the way they moved their heads and used their hands ... the boy’s hands were wonderful, the palest fine brown silk, quick eloquent little claws, promising understanding and support. Fine little hands and steady gentle brown eyes.

“Bays.”

“Bright bays.”

“Roans.”

“Strawberry roans.”

“Chestnuts.”

“Chestnut bays.”

The children sat facing each other, each with clasped hands, and eyes lit with dreams. Miriam listened. Bay, then, must be that curious liver colour that was neither brown nor chestnut.

“Our ponies are bay,” said Sybil quickly, with flushed face. “Boy’s and mine, the brougham and victoria horses are chestnut bays and we’ve got two dogs, a whippet bitch, she’s in the stables now, and a Great Dane; I’m going to have a Willoughby pug pup on my birthday.”

2

Mrs. Corrie was standing in the hall when the little tea-party came out of the dining-room. She raised her head and stood shaped in the well-cut lines of her long brown and fawn check coat and skirt against the bead curtain that led to the drawing-room, looking across at them. The boy tottered blindly across the hall with arms outstretched. “Oh, Rollo, Rollo,” he said brokenly, as he reached her, pressing his hands up against her grey suède waistcoat and his face into her skirt, “are we going to h—ave you?”

Mrs. Corrie began singing in a thin laughing voice, taking the boy by the wrists.

“No, no,” he said sharply, “let me hold you a minute.” But Mrs. Corrie danced, forcing his steps as he pressed against her. Up and down the hall they capered while Sybil pranced round them whirling her skirts and clapping her hands. Miriam sank into a settee. The cold March sunlight streaming in through the thinly curtained windows painted the sharply bobbing figures in faint shadows on the wall opposite her.

3

When the dancers were breathless the little party strayed into the drawing-room. Presently they were gathered at the piano. Mrs. Corrie sat on a striped ottoman and peering closely picked out the airs of songs that made Miriam stare in amazement. They all sang. Slowly and stumblingly with many gasps of annoyance from Mrs. Corrie and the children violently assaulting each other whenever either of them got ahead of the halting accompaniment, they sang through all the songs in an album with a brightly decorated paper cover. But in their performance there was no tune, no rhythm, and the words spoken out slowly and separately were intolerable to her. One song they sang three times. Its chorus

which Sybil could sing without the piano with an extraordinary flourishing rapidity, pirouetting as she sang, they attacked again and again, slowly and waveringly, fitting the syllables note by note into the printed line of disconnected jerkily tailed quavers.... They thought this was music. Encouraged at last by the fervour of the halting performance Miriam found herself seated at the piano attacking the score. They went through the songs from the beginning, three thin blissful wavering tremulous voices, with a careful perfect monotony of emphasis, uninfluenced by any variation of accent or inflection introduced by Miriam into the accompaniment. Looking round as they reached the end she saw flushed rapt faces with happy eyes gleaming through the gathering twilight. They smiled at her as they sang. When they had finished they lit the piano candles and sang “Stiboo” once more.

4

“Sti-boo, stibee, sti-ibbety-oo, sti-ibbety boo, stibee,” sang Miriam, getting into the large square bodice of her silkette evening dress. Its great oblong box-like elbow sleeves more than filled the mirror as she stood. They were stiffened with stout muslin, and stood squarely out from shoulder to elbow, so that the little band of silk edged with a piping of salmon pink velveteen which held them round the arm just above the elbow could only be seen when she raised her arms. The piping was repeated round the square neck of her bodice, cutting in front across the bust just below the collar bone and at the back just above her shoulder blades. She sang the little refrain at intervals until her toilet was completed by the pinning of a small salmon pink velvet bow against the left side of the hard mass of her coiled hair and went humming downstairs into the hall. The soles of her new patent leather shoes felt pleasantly smooth against the thick carpet. She went across the hall to prop a foot against the fender and take one more reassuring look at the little disc of steel beads adorning her toe. “Stiboo——”

“Won’t you come in here?” said a soft staccato bass voice, a woman’s voice, but deep and rounded like the voice of a deep-chested watch-dog barking single soft notes after a furious outbreak.

Miriam looked round. Wiggerson was lighting the big lamp in the dining-room, peering up under the rose-coloured shade. “In here,” repeated the deep voice, smiling, and Miriam’s eyes discovered that the small door set back between the dining-room and the window on the left side of the hall door was open, showing part of a curious soft brown room; a solid brown leather covered secretaire, with a revolving chair between its pillars of drawers, set back in the bow of a small window, a little bronze lamp with a plain buff-coloured shade standing near a pile of large volumes on the secretaire, a piece of wall covered with a dark silky-looking brown paper shining in the glow of an invisible fire. She went forward across the hall into the room with a polite pleased hesitating smile. There was a faint rich exciting odour in the warm little room ... cigars ... leather ... a sort of deep freedom. The rest of the house seemed suddenly far away. Coloured drawings of houses on the little brown walls, two enormous deep low leather arm-chairs drawn up on either side of an enormous fire, a littered mantelshelf. “I saw you froo the crack,” said a lady, fitted deeply into one of the large chairs. She held out a small hand when Miriam was near enough to take it and said softly and lazily, “You’re the new guvnis, aren’t you? I’m Joey Banks.”

“Yes, I came yesterday,” said Miriam serenely.

Sinking into the second arm-chair she crossed her knees and beamed into the fire. What perfect security.... She turned to Mr. Corrie, unknown and mysteriously away somewhere in London to thank him for setting her here, protected from the whole world in the deeps of his study chair—all the worry and the noise and the fussing people shut away. If suddenly he came in she would not thank him, but he would know. He would be sitting in the other arm-chair, and she would say, “What do you think about everything?” Not so much to hear what he thought, but because some of his thoughts would be her thoughts. Thought was the same in everybody who thought at all. She would sit back and rest and hear an understanding voice. He might be heavy and fat. But a leading Q.C. must have thoughts ... and he had been thin once ... and there were those books ... and he would read newspapers; perhaps too many newspapers. He would know almost at once that she thought he read too many newspapers. She would have to conceal that to hear the voice going on and leaving her undisturbed.

5

Of course people like this wore evening dress every day. You could only rest and think and talk and be happy without collars and sleeves—with the cool beaded leather against one’s neck and arms in the firelight....

She gazed familiarly into her companion’s eyes taking in her soft crimson silk evening dress with its wide folded belt of black velvet and the little knots of black about the square sleeves, as the eyes smiled long and easily into hers ... the smile of one of the girls at the Putney school, the same dark fringed caressing smiling eyes set in delicately bulging pale brown cheeks, the same little frizz of dark hair. She felt for the name, but could only recall the sense of the girl as she had sat, glints of fear and hard watchfulness in the beautiful eyes, trying to copy her neighbour’s exercise. This girl’s dull hair was fluffed cloudily, and there was no uneasiness in the eyes. Probably she too had been a duffer at school and had had to crib things. But she had left all that behind and her smile was—perfect.

“You look like an Oriental princess,” said Miriam, gazing.

Joey flushed and smiled more deeply, but without making the smallest movement.

“Do I, weally?”

“Exactly,” said Miriam, keeping her own pose with difficulty. She knew she had flung up her head and spoken emphatically. But the girl was such a wonderful effect—she wanted her to be able to see herself ... she was not quite of the same class as the Corries, or different, somehow. Miriam gazed on. Raising the large black cushion a little, turning her head and pressing her cheek into it, her eyes still on Miriam’s, Joey laughed a short contralto gurgle, bringing the sharp dimples and making her cheeks bulge slightly on either side of the chin.

“I brought it in from Rollo’s room,” she said. “I like bein’ in here. Rollo never comes in; but she always has a fire in here when she’s got people stoppin’. You can pop in here whenever you like when Felix isn’t at home. It’s jolly. I like it.”

Miriam looked into the fire and thought. Joey, too, liked talking to Mr. Corrie in his room when he was not there. He must be one of those charming sort of men, rather weak, who went on liking people. Joey was evidently an old friend of the family and still liked him. She evidently liked even to mention his name. He couldn’t be really anything much ... or perhaps Joey didn’t really know him at all. Joey did not live there. She came and went.

“Of course you haven’t seen Felix yet, have you?”

“No.”

Joey straightened her head on her pillow.

“It’s not the least use me tryin’ to describe him to you,” she breathed in broken tones.

Miriam struggled uneasily with her thoughts ... a leading Q.C.—about forty.... “Oh, do try,” she said, a little fearfully ... how vulgar ... just like a housemaid ... no; Wiggerson would never have said such a thing, nor asked at all. It was treachery to Mr. Corrie. If Joey said anything more about him she would never be able to speak to him freely.

“He’s divine,” said Joey, smiling into the fire.

How nice of Joey to be so free with her and want her to like him too ... the gong. They both rose and peered into the little strip of mirror in the small overmantel ... divine might mean anything ... divine ... oh, quite too utterly too-too ... greenery-yellery—Grosvenor-gallery—foot-in-the-grave young man.

CHAPTER III

1

The next day the ground was powdered with snow. Large snowflakes were hurrying through the air driving to and fro on a harsh wind. The wind snored round the house like a flame and bellowed in the chimneys. An opened window let in the cold air and the smell of the snow. No sound came from the woods. The singing of the birds and the faint sound of the woods had gone.

But when Miriam left her room to go across to the schoolroom and wait for the children she found the spring in the house. The landing was bright with the light streaming through many open doors. Rooms were being prepared. On a large tray on the landing table lay a mass of spring flowers and little flowered bowls of many shapes and sizes filled with fresh water. Stokes and Wiggerson were fluttering in and out of the rooms carrying frilled bed-linen, lace-edged towels and flowered bed-spreads.

People with money could make the spring come as soon as the days lengthened. Clear bright rooms, bright clean paint, soft coloured hangings, spring flowers in the bright light on landings. The warmth from stoves and fires seemed as if it came from the sun. Its glow changed suddenly to the glow of sunlight. It drew the scent of the flowers into the air. And with the new scent of the new flowers something was moving and leaping and dancing in the air. Outside the wintry weather might go on and on as though the spring would never come.

In a dull cheap villa there might be a bunch of violets in a bowl on a whatnot. Snuffing very close you could feel the tide of spring wash through your brain. But only in the corner where the violets were. In cold rooms upstairs you could remember the violets and the spring; but the spring did not get into the house.

There was an extraordinary noise going on downstairs. Standing inside the schoolroom door Miriam listened. Joey’s contralto laugh coming up in gusts, the sound of dancing feet, the children shouting names, Mrs. Corrie repeating them in her laughing wavering chalky voice. Joey; certainly Joey was not dancing about. She was probably sitting on the sofa watching them, and thinking. Fancy their being so excited about people coming. Just like any ordinary people. She went into the schoolroom saying over the names to herself. “Mélie to-day ... Dad and Mr. Staple-Craven to-morrow ... the Bean-pole for Sunday” ... someone they knew very well. It might be either a tall man or a tall woman.... They made the house spring-like because people were coming. Would the people notice that the house was spring-like? Would they realise? People did not seem to realise anything. They would patronise the flowers ... they ought to feel wild with joy; join hands and dance round the flowers.

At lunch time the door at the far end of the dining-room stood open showing the shrouded length of a billiard-table, and beyond it at the far end in the gloom a squat oak chimney-piece littered with pipes and other small objects. The light, even from the overcast sky, came in so brilliantly that the holland cover looked almost white. There must be several windows; perhaps three. What a room to have, just for a billiard-room. A quiet, mannish room, waiting until it was wanted, the pockets of the table bulging excitingly under the cover, the green glass supports under the squat round stoutly spindling legs, a bit of a huge armchair showing near the fireplace, the end of a sofa, the green shaded lamps low over the table, the dark untidy mantelpiece, tobacco, books, talks, billiards. In there too the spring flowers stood ready on the table. They would be put somewhere on the wide dark mantel, probably on a corner out of the way. “We used to play table billiards at home,” said Miriam at random, longing to know what part the billiard-room played in the week-end.

“Billy-billy,” said Mrs. Corrie, “oh, we’ll have some fun. We’ll all play.”

“It was such a bore stretching the webbing,” said Miriam critically, avoiding Sybil’s eager eyes.

“It must have been—but how awfully jolly to have billiards. I simply adaw billiards,” said Joey fervently.

“Such a fearful business getting them absolutely taut,” pursued Miriam, feeling how much the cream caramel was enhanced by the sight of the length, beyond the length of the dining-room, of that bright long heavy room. She imagined it lit and people walking about amongst the curious lights and shadows with cues—and cigarettes; quiet intent faces. Englishmen. Did the English invent billiards?

“Poor old Joey. Wish you weren’t going to the dentist. You won’t be here when Mélie comes.”

“Don’t mind the dentist a scrap. I’m looking forward to it. I shall see Mélie to-night.”

She doesn’t like her, thought Miriam; people being together is awful; like the creaking of furniture.

2

Mélie arrived an hour before dinner time. Miriam heard Mrs. Corrie taking her into the room next to her own with laughter and many phrases. A panting, determined voice, like a voice out of a play, the thick, smooth, rather common voice of a fair-haired middle-aged lady in a play kept saying, “The pores, my dear. I must open my pores after the journey. I’m choked with it.”

Presently Mélie’s door closed and Mrs. Corrie tapped and put her head inside Miriam’s door. “She’s goin’ to have a steam bath on her floor, got an injarubber tent on the floor and a spirit lamp. She’s gettin’ inside it. Isn’t she an old cure!”

“She’s thinking more about her food than anything they’re saying; she doesn’t really care about them a bit,” thought Miriam at dinner, gazing again and again across at Mrs. Staple-Craven’s fat little shape seated opposite herself in a tightly fitting pale blue silk dress whose sleeves had tiny puffs instead of the fashionable large square sleeves. Watching her cross unconscious face, round and blue-eyed and all pure “milk and roses,” her large yellow head with a tiny twist of hair standing up like the handle of a jug, exactly on the top of the crown, her fat white hands with thick soft curly fingers and bright pink nails, the strange blue stare that went from thing to thing on the table, hearing her thick smooth heedless voice, with its irrelevant assertions and statements, Miriam wondered how she had come to be Mrs. Staple-Craven. She was no more Mrs. Staple-Craven than she was sitting at Mrs. Corrie’s table. She was not really there. She was just getting through, and neither Mrs. Corrie nor Joey really knew this. At the same time she was too stout and gluttonous to be still really a fairy in Devonshire. Where was she? What did she think? She went on and on because she was afraid someone might ask her that.

Although Joey had been to have her hair dyed and had not been to the dentist at all she was not pretending nearly so much. She was a little ashamed. Why had she said she was going to the dentist and come back with sheeny bronzy hair, ashamed? She had been worrying about her looks. Perhaps she was more than twenty-one. Nan Babington said no one need mind being twenty-one if they were engaged, but if not it was a frantic age to be. Joey was a poor worried thing, just like any other girl.

3

When they were safely ensconced round the drawing-room fire Mrs. Staple-Craven sat very upright in her chair with her plump little hands on either arm and her eyes fixed on the blaze. Joey pleading toothache had said good night and gone away with her coffee. There was a moment’s silence.

“You’d never think I’d been fairly banged to death by the spirits last night,” said Mrs. Staple-Craven in a thick flat reproachful narrative tone. It sounds like a housekeeper giving an order to a servant she knows won’t obey her, thought Miriam, swishing more comfortably into her chair. If Mrs. Craven would talk there would be no need to do anything.

“Ah-ha,” said Mrs. Craven, still looking at the fire, “something’s pleasing Miss Henderson.”

“Is she rejoicin’? Tell us about the spirits, Mélie. I’m deadly keen. Deadly. She mustn’t be too delighted. I’ve told her she’s not to get engaged.”

“Engaged?” enquired Mrs. Craven, of the fire.

“She’s promised,” said Mrs. Corrie, turning off the lights until only one heavily shaded lamp was left, throwing a rosy glow over Mélie’s compact form.

“She won’t, if she’s not under the star, to be sure.”

“Oh, she mustn’t think about stars. Why should she marry?”

Miriam looked a little anxiously from one to the other.

“You’ve shocked her, Julia,” said Mrs. Staple-Craven. “Never mind at all, my dear. You’ll marry if you’re under the star.”

“Star, star, beautiful star, a handsome one with twenty thousand a year,” sang Mrs. Corrie.

“I don’t think a man has any right to be handsome,” said Miriam desperately—she must manage to keep the topic going. These women were so terrible—they filled her with fear. She must make them take back what they had said.

“A handsome man’s much handsomer than a pretty woman,” said Mrs. Craven.

“It’s cash, cash, cash—that’s what it is,” chanted Mrs. Corrie softly.

“Oh, do you?” said Miriam. “I think a handsome man’s generally so weak.”

Mrs. Craven stared into the fire.

“You take the one who’s got the ooftish, my friend,” said Mrs. Corrie.

“But you say I’m not to marry.”

“You shall marry when my poor little old kiddies are grown up. We’ll find you a very nice one with plenty of money.”

“Then you don’t think marriage is a failure,” said Miriam, with immense relief.

Mrs. Corrie leaned towards her with laughter in her clear light eyes. It seemed to fill the room. “Have some more coffy-drink?”

“No, thanks,” said Miriam, shivering.

“Sing us something—she sings, Mélie—German songs. Isn’t she no end clever?”

“Does she?” said Mrs. Craven. “Yes. She’s got a singing chin. Sing us a pretty song, my dear.”

As she fluttered the leaves of her Schumann album she saw Mrs. Craven sit back with closed eyes, and Mrs. Corrie still sitting forward in her chair with her hands clasped on her knees gazing with a sad white face into the flames.

“Ich grolle nicht, und wenn das Herz auch bricht,” sang Miriam, and thought of Germany. Her listeners did not trouble her. They would not understand. No English person would quite understand—the need, that the Germans understood so well—the need to admit the beauty of things ... the need of the strange expression of music, making the beautiful things more beautiful and of words when they were together in the beauty of the poems. Music and poetry told everything—whether you understood the music or the words—they put you in the mood that made things shine—then heart-break or darkness did not matter. Things go on shining in the end; German landscapes and German sunshine and German towns were full of this knowledge. In England there was something besides—something hard.

“’Menjous, ain’t it?” said Mrs. Corrie, as she rose from the piano.

“If we lived aright we should all be singing,” said Mrs. Craven, “it’s natural.”

4

“You look a duck.”

Miriam stood still at the top of the stairs and looked down into the hall. Mrs. Staple-Craven was standing under the largest lamp near the fireplace looking up at a tall man in a long ulster. Grizzled hair and a long face with a long pointed grizzled beard—she was staring up at him with her eyes “like saucers” and her face pink, white, gold, “like a full moon”—how awful for him ... he’d come down from town probably in a smoking carriage, talking, and there she was and he had to say something.

“I’ve just had my bath,” said Mrs. Craven, without altering the angle of her gaze.

“You look a duck,” said the tall man fussily, half turning away.

Standing with his back to the couple, opening letters at the hall table was a little man in a neat little overcoat with a silk hat tilted back on his head. His figure had a curious crooked jaunty appearance, the shoulders a little crooked and the little legs slightly bent. “It’s Mr. Corrie,” mused Miriam, moving backwards as he turned and went swiftly out banging the front door behind him. “He looks like a jockey”; she got herself back into her room until the hall should be clear. “He’s gone down to the stables.” She listened to the quick jerky little footsteps crunching along the gravel outside her window.

Soon after the quick little steps sounded on the stairs and the children shouted from their rooms. A door was opened and shut and for five minutes there was a babel of voices. Then the steps came out again and went away down the passage leading off the landing to the bathroom and a little spare room at the further end. They passed the bathroom and the door of the little room was opened and shut and locked. Everything was silent in the house, but from the room next to hers came the sounds of Mr. Craven plunging quickly about and blowing and clearing his throat. She had not heard him come up.

When at last she came downstairs she found the whole party standing talking in the hall. The second gong was drowning the terrible voices, leaving nothing but gesticulating figures. Presently Mr. Staple-Craven was standing before her with Mrs. Corrie, and her hand was powerfully wrung and released with a fussy emphatic handshake cancelling the first impression. Mr. Craven made some remark in a high voice, lost by Miriam as Mr. Corrie came across to her from talking to Joey under a lamp and took her hand. “Let me introduce your host,” he said, keeping her hand and placing it on his arm as he turned towards the dining-room, “and take you in to dinner.”

Miriam went across the hall past the servants waiting on either side of the dining-room door and down the long room with her hand on the soft coat sleeve of a neat little dinner jacket and her footsteps led by the firm, disconnected, jumpy footsteps of the little figure at her side. There was a vague crowd of people coming along behind. “Come on, everybody,” Mrs. Corrie had pealed delicately, and Mrs. Craven had said in a thick smooth explanatory voice, “Of course she’s the greatest stranger.”

The table was set with replicas of the little groups of Venetian wine and finger glasses and fine silver and cutlery that had accompanied Miriam’s first sense of dining and when she found herself seated at Mr. Corrie’s left hand opposite Mrs. Craven, with Joey away on her left, facing Mr. Craven and Mrs. Corrie now far away from her at the door end of the table, it seemed as if these things had been got together only for the use of the men. Why were women there? Why did men and women dine together? She would have liked to sit there and watch and listen, but not to dine—not to be seen dining by Mr. Corrie. It was extraordinary, this muddle of men and women with nothing in common. The men must hate it. She knew he did not have such thoughts. All the decanters stood in a little group between him and the great bowl of flaring purple and crimson anemones that stood in the centre of the table, and the way in which he said when her soup came, “Have some Moselle,” and filled her glass, compelled her to feel welcome to share the ritual of the feast. She sat with bent head wrapped and protected, hearing nothing as the voices sounded about the table but the clear sweet narrow rather drawling tones of Mr. Corrie’s voice. She could hear it talking to men, on racecourses, talking in clubs, laughing richly, rather drunkenly, at improper stories in club smoking-rooms; dining, talking and lunching, dining, talking, talking every day and sitting there now, wonderfully, giving her security. She knew with perfect certainty that nothing painful or disagreeable or embarrassing could come near her in his presence. But he knew nothing about her; much less than Wiggerson knew.

5

Joey felt the same, of course. But Joey was laughing and talking in her deep voice and making eyes. No, it was not the same. Joey was not happy.

These people sitting at his table were supposed to be friends. But they knew nothing about him. He made little quiet mocking jokes and laughed and kept things going. The Staple-Cravens knew nothing at all about him. Mrs. Staple-Craven did not care for anybody. She looked about and always spoke as if she were answering an accusation that nobody had made—a dressmaker persuading you to have something and talking on and on in fat tones to prevent your asking the price.... Mr. Craven only cared for himself. He was weak and pompous and fussy with a silly elaborate chivalrous manner. There was a stillness round the table. Miriam felt that it centred in her and was somehow her fault. Never mind. She had successfully got through whitebait and a quail. She would write home about the quails and whitebait and the guests and say nothing about her own silence—“Mr. Staple-Craven is a poet ...”

“Give Mélie some more drink, Percy,” said Mrs. Corrie. “It’s all wrong you two sittin’ together.”

“She likes to sit near me, don’t you, my duck?” said Mr. Craven, looking about for the wine and bowing to and fro from his hips.

“You’ve been away so long,” murmured Mr. Corrie. “What sort of a place is Balone to stay in?”

“Oh, nothing of a place in itself, nothing of a place. Why do you call it Balone?”

“Isn’t that right? That’s right enough. Come.”

Miriam waited eagerly, her eyes on Mr. Craven’s pink face with the grizzled hair above and below it. How perfectly awful he must look in his nightshirt, she thought, and flushed violently. “Balloyne,” he was saying carefully, showing his red lips and two rows of unnaturally even teeth.... “Oh, Lord, they mean Bologne.” Both men were talking together. “Balloyne is perfectly correct; the correct pronunciation,” said Mr. Craven in a loud testy voice, with loose lips. Mrs. Craven gazed up ... like a distressed fish ... into his flushed face. Mrs. Corrie was throwing out her little wavering broken laughs. Keeping his angry voice Mr. Craven went on. Miriam sat eagerly up and glanced at Mr. Corrie. He was sitting with his lips drawn down and his eyebrows raised ... his law-court face.... Suddenly his face relaxed and the dark boyish brown head with the clear thoughtful brow and the gentle kind eyes turned towards her. “Let’s ask Miss Henderson. She shall be umpire.”

6

Miriam carefully enunciated the word. The blood sang in her ears as everyone looked her way. The furniture and all the room mimicked her. What did it matter, after all, the right pronunciation? It did matter; not that Balone was wrong, but the awfulness of being able to miss the right sound if you had once heard it spoken. There was some awful meaning in the way English people missed the right sound; all the names in India, all the Eastern words. How could an English traveller hear hahreem, and speak it hairum, Aswân and say Ass-ou-ann? It made them miss other things and think wrongly about them. “That’s more like it,” she heard Mr. Corrie say. There was sheeny braiding round the edges of his curious little coat. “Got you there, Craven, got you there,” he was saying somewhere in his mind ... his mind went on by itself repeating things wearily. His small austere face shone a little with dining; the corners of his thin lips slackened. “I can read all your thoughts. None of you can disturb my enjoyment of this excellent dinner; none of you can enhance it” ... but he was not quite conscious of his thoughts. Why did not the others read them? Perhaps they did. Perhaps they were too much occupied to notice what people were thinking. Perhaps in society people always were. The Staple-Cravens did not notice. But they were neither of them quite sure of themselves. Mrs. Corrie was busy all the time dancing and singing somewhere alone, wistfully. Joey kept throwing her smile at Mr. Corrie—lounging a little, easily, over the table and saying in her mind, “I understand you, the others don’t, I do,” and he smiled at her, broadened the smile that had settled faintly all over his face, now and again in her direction. But she did not understand him. “Divine,” perhaps he was, or could be. But Joey did not know him. She only knew that he had a life of his own and no one else at the table had quite completely. She did not know that with all his worldly happiness and success and self-control he was miserable and lost and needing consolation ... but neither did he. Perhaps he never would; would not find it out because he had so many thoughts and was always talking. So he thought he liked Joey. Because she smiled and responded. “Jabez Balfour,” he was saying slowly, savouring the words and smiling through his raised wineglass with half closed eyes. That was for Mr. Staple-Craven; there was some exciting secret in it. Presently they would be two men over their wine and nuts. Mr. Staple-Craven took this remark for himself at once, scorning the women with a thick polite insolence. His lips shot out. “Ah,” he said busily, “Jabez Balfour, Jabez Balfour; ah,” he swung from side to side from his waist. “Let me see, Jabez....”

“The Liberator scheme,” said Mr. Corrie interestedly with a bright young eye. “They’ve got ’im this time; fairly got ’im on the hop.”

Jabez Balfour; what a beautiful name. He could not have done anything wrong. There was a soft glare of anger in Mr. Corrie’s eyes; as if he were accusing Mr. Staple-Craven of some crime, or everybody. Perhaps one would hear something about crime; crime. That’s crime—somebody taking down a book and saying triumphantly, “that’s crime,” and people talking excitedly about it, in the warm, at dinners ... like that moment at Richmond Park, the ragged man with panting mouth, running ... the quiet grass, the scattered deer, the kindly trees, the gentlemen with triumphant faces, running after him; enough, enough, he had suffered enough ... his poor face, their dreadful faces. He knew more than they did. Crime could not be allowed. People murdering you in your sleep. But criminals knew that—the running man knew. He was running away from himself. He knew he had spoiled the grass and the trees and the deer. To have stopped him and hidden him and let him get over it. His poor face.... The awful moment of standing up trying to say or do something, feeling so weak, trembling at the knees, the man’s figure pelting along in the distance, the two gentlemen passing, their white waistcoats, homes, wives, bathrooms, stuffiness, indigestion....