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Hoosier Mosaics

Chapter 152: [160]
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About This Book

A series of short, character-driven sketches set in rural Midwestern small towns, blending humor, local color, and melancholy. The pieces depict everyday scenes—marketplace dealings, tavern rows, courtship, outdoor pastimes, and superstitious lore—by observing eccentric residents, practical jokes, and seasonal rhythms. Narrative voices alternate between wry first-person reminiscence and third-person moments, emphasizing vernacular speech, rustic habits, and the interplay of community pride and hardship. Recurring themes include social ritual, provincial identity, and the tension between aspiration and limited opportunity, all conveyed through vivid anecdotes, comic episodes, and reflective rural observation.

"Never, sir."

"Well, that beats four aces! I could 'a' bet on your bein' Fuller." He paused a moment, and then added in a very insinuating tone: "If you are Fuller you needn't be afeard to say so, for I don't hold any grudge 'gin you about that little matter. Now, sure enough, a'n't your name Fuller, in fact?"

I glared at the man a moment, hesitating about whether or not I should plant my fist in his eye. But something of almost child-like simplicity and sincerity beaming from his face restrained me. Surely the fellow did not wish to be as impudent as his words would imply.

"Well, stranger, I see I've got to explain, but the story's not overly long," said he, hitching up a little closer to me and settling himself comfortably.

I was about to get up and walk out of the room, when some one of the by-sitters filliped a little roll of paper to me. Unrolling it I read—

"Let him go on, he'll give you a lively one. He's a brick."

So, concluding that possibly I might be entertained, I lounged back in my seat.

"You see," said he, "I thought you was Fuller, an' Fuller was the only conductor I ever stole."

"Stole a conductor," whispered somebody, "that's a new one!"

"I've stole a good many things in my time, but I'm here to bet that no other living Hoosier ever stole a railroad conductor, an' Fuller was the only one I ever stole. I stole him slicker 'n a eel. I had him 'fore he knowed it, and you jist better bet he was one clean beat conductor fore I was done wi' 'im.

"I kin tell you the whole affair in a few minutes, and I da' say you'll laugh a good deal 'fore I'm through. You see I went down to Floridy for my health, and when I had about recivered I got onto a bum in Jacksonville and spent all my money and everything else but my very oldest suit o' clothes and my pistol, a Colt's repeater, ten inch barrel. None o' you can't tell how a feller feels in a predicament o' that sort. Somethin' got into my throat 'bout as big as a egg, and I felt kinder moist about the eyes when I had to stare the fact in the face that I was nigh onto, or possibly quite a thousand miles from home without ary a dime in my pocket. But if there's one thing I do have more 'n another in my nater it's common sense grit. Well, what you s'pose I done? W'y I jest lit out for home afoot. Well, sir, the derndest swamps is them Floridy and Georgy swamps. It's ra'lly all one swamp—the Okeefenokee. I follered the railroad that goes up to Savanny, and it led me deeper and deeper into the outlying fringes of that terrible old bog. When I had travelled a considerable distance into Georgy, and had pretty well wore my feet off up to my ankle j'ints, and was about as close onto starvation as a 'tater failure in Ireland, and when my under lip had got to hanging down like the skirt o' a wore out saddle, and when every step seemed like it'd be my last, I jest got clean despairing like and concluded to pray a little. So I got down upon my knee j'ints and put up a most extra-ornary supplication. I felt every word o' it, too, in all the marrer of my bones. The place where I was a prayin' was a sort o' hummock spot in a mighty bad part o' the swamp. Some awful tall pines towered stupenjisly above me. Well, jest as I was finished, and was a saying amen, the lordy mercy what a yowl something did give right over me in a tree! I think I jumped as high as your head, stranger, and come down flat-footed onto a railroad cross tie. Whillikins, how I was scared! It was one o' them whooping owls they have down there. It was while I was a running from that 'ere owl a thinkin' it was a panther, that the thought struck me somewhere in the back o' the head that I might steal a ride to Savanny on the first train 'at might pass. 'I'll try it!' says I, and so I sot right down there in the swamp and calmly waited for a train. In about a hour here come one, like the de'il a braking hemp, jist more'n a roaring through the swamp. I forgot to tell you 'at it was after dark, but the moon was dimly a shining through the fog that covers everything there o' nights. Well, here come the train, and as she passed I made a lunge at the hind platform of the last car and some how or another got onto it and away I went. It was mighty much softer 'n walking, I tell you, and I was pleased as a monkey with a red cap on. My, how fast that train did go! I could hardly hold onto where I wus. You may jist bet I clung on though, and finally I got myself setting down on the steps and then I was all hunkey. But I didn't have much time to enjoy myself there, though, for all of a sudden the light of a lantern shined on me and then somebody touched me and said—

'Ticket!'

"Mebbe you don't know how onery a feller'll feel sometimes when he hears that 'ere word ticket—'specially when he a'n't got no ticket nor no money to pay his fare, and too, when he does want to ride a little of the derndest! That was my fix! I'd 'a' give a thousand dollars for a half dollar!

'Ticket!'

"He shook me a little this time and held his lantern down low, so's to see into my face. I know I must 'a' looked like the de'il.

'Ticket here, quick!'

'I've done paid,' said I.

'Show your check then.'

'Lost it,' says I.

'Money, then, quick!'

'Got none,' says I.

'What the —— did you git onto my train for without ticket or money? How do you expect to travel without paying, you —— lousy vagabond! You can't steal from me; out with your —— wallet and gi' me the money! Hurry up!'

'A'n't got no wallet nor no money,' says I.

'Well, I'll dump you off right here, then,' said he, reaching for the bell-rope to stop the train.

'For the Lord's sake let me ride to Savanny!' says I.

'A dam Northerner, I know from your voice!' said he, pulling the rope. The train began to slack and soon stopped.

'Get off!' said the conductor.

'Please l'me ride!' says I.

'Off with you!'

'Jist a few miles here on the steps!'

'Off, quick!'

'Please——'

'Here you go!' and as he said the words he tried to kick me off.

"In a second I was like a Bengal tiger. I jumped up and gethered him and we went at it. I'm as good as ever fluttered, and pretty soon I give him one flat on the nose, and we both went off 'n the platform together. As I started off I happened to think of it, so I grabbed up and pulled the bell-rope to signal the engineer to drive on. 'Hoot-toot!' says the whistle, and away lick-to-split went the train, and slashy-to-splashy, rattle-o-bangle, kewoppyty-whop, bump, thud! down me and that 'ere conductor come onto a pile o' wore out cross ties in the side ditch, and there we laid a fightin'!

"But you jest bet it didn't take me long to settle him. He soon began to sing out ''nuff! 'nuff! take 'm off!' and so I took him by the hair and dragged him off 'n the cross ties, shot him one or two more under the ear with my fist, and then dropped him. He crawled up and stood looking at me as if I was the awfulest thing in the world. I s'pect I did look scary, for I was terrible mad. His face was bruised up mightily, but he wasn't a bleeding much. He was mostly swelled.

'Where's my train?' says he, in a sort o' blank, hollow way.

'Don't ye hear it?' I answered him, 'It's gone on to Savanny!'

'Gone! Who told 'm to go on? What'd they go leave me for?'

'I pulled the bell rope,' says I.

'You?'

'Yes, me!'

'What in the world did you do that for, man?'

' 'Cause you wouldn't let me ride to Savanny!'

'What'll I do! What'll I do!' he cried, beginning to waltz 'round like one possessed.

"I laughed—I couldn't help it—and at the same time I pulled out my old pistol.

'Yah-hoo-a!' yelled another owl.

'For the sake o' humanity don't kill me!' said the conductor.

'I'm jest a going to shoot you a little bit for the fun o' the thing,' says I.

'Mercy, man!' he prayed.

'Ticket!' says I.

"He groaned the awfulest kind, and, by the moonlight, I saw 'at the big tears was running down his face. I felt sorry for him, but I kinder thought 'at after what he'd done he'd better pray a little, so I mentioned it to him.

'I guess it mought be best if you'd pray a little,' says I, cocking the pistol. My voice had a decided sepulchreal sound. The pistol clicked very sharp.

'O, kind sir,' says he, 'O, dear sir, I never did pray, I don't know how to pray!'

'Ticket or check!' says I, and he knowed I was talking kind o' sarcasm. 'Pray quick!'

"He got down and prayed like a Methodist preacher at his very best licks. He must 'a' prayed afore.

"About the time his prayer was ended I heard a train coming in the distance. He jumped up and listened.

'Glory! Heaven be praised!' says he, capering around like a mad monkey, 'They've missed me and are backing down to hunt me! Where's my lantern? Have you a match? Gi'me your handkerchief!'

'Not so fast,' says I; 'you jest be moderate now, will you? I've no notion o' you getting on that train any more. You jest walk along wi' me, will you?'

'Where?' says he.

'Into the swamp,' says I; 'step off lively, too, d'you hear me?'

'O mercy, mercy, man!' says he.

'Ticket!' says I, and then he walked along wi' me into the swamp some two or three hundred yards from the railroad.

"I took him into a very thickety place, and made him back up agin a tree and put back his arms around it. Then I took one o' his suspenders and tied him hard and fast. Then I gagged him with my handkerchief. So far, so good.

"Here come the train slowly backing down, the brakesman a swinging lanterns, and the passengers all swarming onto the platforms. Poorty soon they stopped right opposite us. The conductor began to struggle. I poked the pistol in his face and jammed the gag furder into his mouth. He saw I meant work and got quiet.

"The passengers was swarming off 'n the train and I saw 'at I must git about poorty fast if I was to do anything. I soon hit on a plan. I jist stepped back a piece out o' sight o' the conductor and turned my coat, which was one o' these two-sided affairs, one side white, t'other brown. I turned the white side out. Then I flung away my greasy skull cap and took a soft hat out 'n my pocket and put it on. Then I watched my chance and mixed in with the passengers who was a hunting for the conductor.

'Strange what's become o' him,' says I to a fat man, who was puffing along.

'Dim strange, dim strange,' says the big fellow, in a keen, wheezing voice.

"Well, you never saw jist sich hunting as was done for that conductor. Everybody slopped around in the swamp till their clothes was as wet and muddy as mine. I was monstrous active in the search. I hunted everywhere 'cepting where the conductor was. Finally he got the gag spit out and lordy how he did squeal for help. Everybody rushed to him and soon had him free.

"It tickled me awful to hear that conductor explaining the matter. He told it something like this:

'Devil of a great big ruffian on hind platform. Asked him for ticket. Refused. Tried to put him off. Grabbed me. Smashed my nose. Flung me off. Pulled the bell-rope, then lit out on me. Mauled —— out o' me. Had a pistol two feet long. Made me pray. Heard train a coming. Took me to swamp. Tied me and sloped. Lord but I'm glad to see you all!'

"We all went aboard o' the train and I rode to Savanny onmolested. The conductor didn't mistrust me. He asked me for my check and I told him 'at I'd lost it a thrashing round in the bushes a hunting him. That was all right.

"When we got to Savanny I couldn't help letting the conductor know me, so as I passed down the steps of the car I whispered savagely in his ear:

'Ticket! dod blast you!'

"He tried to grab me as I shambled off into the crowd, but I knowed the ropes. I heard him a shoutin'—

'There he goes! Ketch him, dern him, ketch him!' But they didn't.

"That conductor's name was Fuller, and I swear, stranger, 'at you look jest like him! Gi' me a match, will you, my pipe's out. Thanky. Hope I ha'n't bored you. Good bye all."

He shambled out and I never saw him again.


Hoiden.

 

The house was known as Rackenshack throughout the neighborhood for miles around. It was a frame structure, originally of sorry workmanship, at least thirty years old, and upon which not a cent's worth of repairing had been done since first erected, wherefore the name was peculiarly appropriate. It was not only old, rickety, paintless, half rotten and sadly sunken at one end, but the fencing around the place was broken, grown over with weeds, and slanted in as many ways as there were panels. The lawn or yard in front of the house had some old cherry trees, gnarled and decaying, growing in what had once been straight rows, but storms and more insidious vicissitudes had twisted and curled them about till they looked as though they had been thrown end foremost at the ground hap-hazard. Under and all round these trees young sprouts, from the scattered cherry seeds of many years of fruiting, had grown so thick that one could with difficulty get through them. A narrow, well-beaten path led from the gate, which lazily lolled on one hinge, up to the decayed and sunken porch, in front of which was the well, with its lop-eared windlass and dilapidated curb and shed.

A country thoroughfare, one of the old State roads leading westward to a ferry on the Wabash river near the village of Attica and eastward to either Crawfordsville, Indianapolis or Lafayette. This road was in the direct line of emigration, and in the proper seasons long lines of covered wagons rolled past, the drivers, a jolly set, hallooing to each other and bandying sharp wit and rude sarcasm at the expense of Rackenshack. Poor old house, it leered at the passers, with its windows askew, and clattered its loose boards and battered shutters in utter and complacent defiance of all their jeers!

Rackenshack belonged to Luke Plunkett and Betsy, his sister; the latter an old maid beyond all cavil, the former a bachelor of about thirty. The lands of the estate were pretty broad, comprising some two thousand acres of rich prairie and "river bottom" land, which had been kept in a much better state of improvement than the house had. In fact, Luke was considered a careful, industrious, frugal farmer. He had large, well regulated barns and stock sheds and stables—plenty of fine horses, cattle, hogs, sheep and mules, all well fed and cared for, and it was generally understood that he had a pretty round deposit in a bank.

Perhaps 'Squire Rube Fink, sometimes called "the Rev. Major Fink" and sometimes "Talking Rube," gives the best description of Luke's condition, habits and surroundings, that I can offer. It is truthful and singularly graphic. He says:

"Luke Plunkett's no fool if he does live at Rack-a-me-shack and 'spect the ole rotten tabernacle to fall down on him every time a rooster crows close by. That feller's long-headed, he is. To be sure, sartinly, his barn's a dern sight better 'n his house, but his head's level, for, d'ye see, that's the way to make money. A house don't never make no money for a feller—it's nothin' but dead capital to put money into a fine dwellin'. Luke's pilin' his money in the bank. He's been doin' a sharp thing in wheat and live stock at Cincinnati, and I guess he knows what he's about. He don't keer about what sort o' house he lives in. But I tell you that red haired sister o' his'n is lightning. She's what bosses the job all round that ole shanty; but she can't red-hair it over Luke in the farm matters. He has his own way. He's so quiet and peculiar; a still, say nothin', bull-dog sort o' man he is."

Indeed, Luke was one of that quiet sort of men who, without ever once loudly asserting a right or disputing any word you say, invariably go ahead on their own judgment and carry their point in everything. Nevertheless, he was a man of fine, generous nature at bottom, a good brother and a worthy friend.

But it was with Luke just as it is, more or less, with us all. He absorbed into his life the spirit of his surroundings. He grew somewhat to resemble Rackenshack in outward appearance. He became slovenly in his dress and let his hair and beard grow wild. His naturally handsome face gradually took on a sort of good humored ugliness, and his heavy shoulders slanted over like the uneven gables of his house. He became an inveterate chewer and smoker of tobacco. What time a quid of the weed was not in his mouth, the short thick stem of a dark, nicotine-coated briar-root pipe took its place there.

Luke was an early riser; therefore it happens that our story properly begins on a fine June morning, just before sunrise. The birds seemed to suspect that a story was to date from that hour, for they were up earlier than usual and made a great rustle of wings and a sweet Babel of voices in the old cherry trees. There were the oriole, the cat bird, the yellow throat, the brown thrush and the red bird, all putting forth at once their charmingest efforts. The old cherry trees, knee deep in the foliage of their under growing seedlings, gleamed dusky green in the early light, as Luke, bareheaded, barefooted and in his "shirt sleeves," as the phrase goes, issued from the front door of Rackenshack, and walked down the path across the yard to the gate at the road. Of late he had been in the habit of "taking a smoke" the first thing after getting up in the morning, and somehow the gate, though off one hinge and having doubtful tenure of the other, was his favorite thing to lean upon while watching the whiffs of blue smoke slowly float away.

On this particular morning he seemed a little agitated; and, indeed, he was vexed more deeply than he had ever before been. Just the preceding evening he had learned that a corps of civil engineers were rapidly approaching his premises with a line of survey, and that the purpose was to locate and build a railway right through the middle of his farm. To Luke the very idea was outrageous. He felt that he could never stand such an imposition. His land was his own, and when he wanted it dug up and leveled down and a track laid across it he would do it himself. He did not want his farm cut in two, his fields disarranged and his fences moved, nor did he wish to see his live stock killed by locomotives. The truth is he was bitterly opposed to railroads, any how. They were innovations. They were enemies to liberty. They brought fashion, and spendthrift ways, and speculation, and all that along with them. Other folks might have railroads if they wanted them, but they must not bother him with them. He could take care of his affairs without any railroads. Besides, if he wanted one he could build it. He hung heavily upon the gate, thinking the matter over, and would not have bestowed a second glance at the carriage that came trundling past if he had not caught the starry flash of a pair of blue eyes and a rosy, roguish girl's face within. The beauty of that countenance struck the great rough fellow like a blow. He stared in a dazed, bewildered way. He took his pipe from his mouth and involuntarily tried to hide his great big bare feet behind the gate post. He felt a queer, dreamy thrill steal all over him. It was his first definite impression of feminine beauty. Instantly that round, happy, mischievous face, with its dimples and indescribable shining lines of half latent mirth, set itself in his heart forever.

The carriage trundled on in the direction of the ferry. Luke followed it with his eyes till it disappeared round a turn in the road; then he put the pipe to his mouth again and began puffing vigorously, wagging his head in a way that indicated great confusion of mind. There are times when a glimpse of a face, the sudden half-mastering of a new, grand idea, a view of a rare landscape or even a cadence in some new tune, will start afresh the long dried up wells of a heart. Something like this had happened to Luke.

"Sich a gal! sich a gal!" he murmured from the corner of his mouth opposite his pipe stem. "I don't guess I'm a dreamin' now, though I feel a right smart like it. I hev dreamed of that 'ere face though, many of times. I've seed it in my sleep a thousand times, but I never s'posed 'at I'd see it shore enough when I'd be awake! Sweetest dreams I ever had—sweetest face God ever made! I wonder who she is?" As if to supplement Luke's soliloquy at this point, a cardinal red bird flung out from the dusky depths of the oldest cherry tree an ecstatic carol, and a swallow, swooping down from the clear purple heights, almost touched the man's cheek with its shining wings, and the sun lifted its flaming face in the east and flooded the fields with gold.

Luke turned slowly toward the old house. The breeze that came up with the sun poured through the orchard with a broad, joyous surge, while something like blowing of strange winds and streaming of soft sunlight made strangely happy the inner world of the smitten Hoosier. His big strong heart fluttered mysteriously. He actually took his pipe from his lips and broke into a snatch of merry song, that startled Betsy, his sister, from her morning nap.

For the time the hated railroad survey was forgotten. The landscape at Rackenshack, as if by a turn of the great prisms of nature, suddenly took on rainbow hues. The fields flashed with jewels, and the woods, a wall of dusky emerald, were wrapped in a roseate mist, stirred into dreamy motion by the breeze. A light, grateful fragrance seemed to pervade all space, as if flung from the sun to soften and enhance the charm of his gift of light and heat. Such a hold did all this take upon Luke, and so utterly abstracted was he, that when breakfast was ready Betsy was obliged to remind him of the fact that he had neglected to wash his face and hands, and comb his hair and beard—things absolutely prerequisite to eating at her table.

"Forgot it, sure's the world," said Luke; "don't know what ever possessed me."

"Maybe you've forgot to turn the cows into the milk stalls, too?" said Betsy.

"If I ha'n't I'm a gourd!" and Luke scratched his head distractedly.

"What'd I tell you, Luke Plunkett? It's come at last, O lordy! You're as crazy as a June bug all along of smoking that old pipe! Rot the nasty, stinking old thing! It's a perfect shame, Luke, for a man to just smoke what little brains he's got clean out. You ought to be ashamed of yourself, so you ought!"

While she was speaking Betsy got the big wooden washbowl for her brother, whereupon he proceeded to make his ablutions in a most energetic way, taking up great double handfuls of water and sousing his face therein with loud puffings, that enveloped his head in a cloud of spray.

When a clean tow linen towel had served its purpose, Luke remarked:

"Don't know but what I am some'at crazy in good earnest, Betsy, since I come to think it all over. I'm r'ally onto it a right smart. What'd you think, Betsy, if I'd commence talkin' 'oman to ye?"

"Luke, Luke! are you crazy? Is your mind clean gone out of your poor smoky head?"

"That's not much of a answer to my question."

"Well, what do you mean, anyhow?"

"I mean business, that's what!"

"Luke!"

"Yes'm."

"Do try to act sensible now. What is it, Luke? What makes your eyes look so strange and dance about so? What do you mean by all this queer talk?"

Luke finished combing, and, going to the table, sat down and was proceeding to discuss the fried chicken and coffee without further remark, but Betsy was not so easily balked. She, like most red haired women, wished her questions to be fully and immediately answered, wherefore some indications of a storm began to appear.

Luke smiled a quiet little smile that had hard work getting out through his beard. Betsy trotted her foot under the table. Her hand trembled as she poured the coffee—trembled so violently that she scalded her left thumb. It was about time for Luke to speak or have trouble, so, in a very gentle voice, he said:

"Well, I saw a gal—a gal an' her father, I reckon—go by this mornin'."

"Well, what of it? S'pose there's plenty of girls and their fathers, ain't there?" snapped Betsy.

Luke drew a chicken leg through his mouth, laid down the bone, leered comically at his sister from under his bushy eyebrows, and said:

"But the gal was purty, Betsy—purty as a pictur', sweet as a peach, juicy an' temptin' as a ripe, red cored watermillion! You can't begin to guess how sweet an' nice she did look. My heart just flolloped and flopped about, an' it's at it yet!"

"Luke Plunkett, you are crazy! You're just as distracted as a blind dog in high rye. Drink a cup of hot coffee, Luke, and go lie down a bit, you'll feel better." The spinster was horrified beyond measure. She really thought her brother crazy.

The man finished his meal in silence, smiling the while more grimly than before, after which he took his shot gun and a pan of salt and trudged off to a distant field to salt some cattle. He always carried his gun with him on such occasions, and not unfrequently brought back a brace of partridges or some young squirrels. As he strode along, thinking all the time of the girl in the carriage, he suddenly came upon a corps of engineers with transit, level, rod and chain, staking out, through the centre of a choice field, a line of survey for a railroad. In an instant he was like a roaring lion. He glared for a second or so at the intruders, then lowering his gun he charged them at a run, storming out as he did so:

"What you doin' here, you onery cusses, you! Leave here! Get out! Scratch! Sift! Dern yer onery skins, I'll shoot every dog of ye! Git out 'n here, I say—out, out!"

The corps stampeded at once. The surveyor seized his transit, the leveller his level, the rod man his rod, the axe men and chain men their respective implements, and away they went, "lick-to-split, like a passel o' scart hogs," as Luke afterwards said, "as fast as they could ever wiggle along!"

No wonder they ran, for Luke looked like a demon of destruction. It was a wild race for the line fence, a full half mile away. The leveler, being the hindmost man, rolled over this fence just as a heavy bowlder, hurled by Luke, struck the top rail. It was a close shave, a miss of a hair's breadth, a marvelous escape. Luke rushed up to the fence and glared over at his intended victims. Here he knew he must stop, for he doubted the legality of pursuing them beyond the confines of his own premises. Somewhat out of breath he leaned on the fence and proceeded to swear at the corps individually and collectively, shaking his fists at them excitedly, till the appearance of a new man on the scene made him start and stare as if looking at a ghost. He was a well dressed, gentlemanly appearing person of about the age of forty-five, pale and thoughtful—calm, gray eyed, commanding. Luke recognized him at once as the man he had seen in the carriage, and, indeed, the vehicle itself stood hard by, with a beautiful, laughing, roguish face looking out of one of the windows. The lion in the stalwart farmer was quelled in an instant. He felt his legs grow weak. He set his gun by the fence and touched his hat to the little lady.

"Your name, I believe, is Luke Plunkett?" said the approaching gentleman.

"Yes, sir," said Luke.

"You own two thousand acres of land here?"

"Yes, sir."

"Your residence is called Rackenshack?"

"Yes, sir." (Suppressed titter from the carriage.)

"So I thought. Pull back, men (addressing the corps), pull back to where you dropped the line and bring it right along. Mr. Plunkett will not harm you now."

The corps began to move. Luke fiercely seized his gun; but before he could lift it or utter a word, a ten-inch Colt's repeater was thrust into his face by the calm gentleman, and a steady hand held it there.

"Mr. Plunkett," said the man, "I am the chief engineer of the —— Railroad. I am making a location. The laws of this State give me the right to go upon your land with my corps and have the survey made. I am not to be trifled with. If you offer to cock that gun I'll put six holes through you. What do you say, now?"

The voice was that of a cold man of business. There was a coffin in every word. The muzzle of the pistol steadily covered Luke's left eye. The situation was rigid. Luke hesitated—his face ashy with anger and fear, his eyes alternating their glances between the muzzle of the pistol and that wonderful shining face at the carriage.

"Shoot him, papa, shoot him! Shoot him!" Sweet as a silver bell rang out the girl's voice, more like a ripple of idle song than a murderous request, and then a clear, happy laugh went echoing off through the woods in which the carriage stood.

Slowly, steadily, Luke let fall the breech of his gun upon the ground beside him. The engineer smiled grimly and lowered his pistol, while the corps, headed by the surveyor, took up its line of march to the point where work had been so suddenly left off.

The young lady clapped her tiny white hands for joy.

A big black woodpecker began to cackle in a tree hard by.

Luke felt like a man in a dream.

The whole adventure, so far, had been clothed in most unreal seeming.

It can hardly be told how, by rapid transitions from one thing to another in his talk, the engineer drew Luke's mind away from the late difficulty and gradually aroused in him a kindly feeling. In less than ten minutes the two men were sitting side by side on a log, smoking cigars from the engineer's pouch and chatting calmly, amicably.

Luke's eyes often rested steadily fixed in the direction of the carriage. Through the thin veil of tobacco smoke the face of the young girl seemed to the farmer angelic in its beauty. All around the sweets of summer rose and fell, and drifted like scarcely visible shining mists, fraught with the spice of leaf and perfume of blossom, agitated by swells of tricksy wind, going on and on to the mysterious goal of the season.

The two men talked on until the corps had pushed the line of survey far past them into the cool, shady deeps of the woods, whence their voices came back fainter and fainter every moment. At length the engineer arose, and stretching out his hand to Luke, said:

"Mr. Plunkett, I'm sure I'll be able to serve you some time; let us be friends. I shall be in this vicinity most of the time till the road is built. No doubt I can show a way to profit by the construction of a railroad across your land. If you are sharp it will make your fortune. I like your independent way, sir, and hope to know you better. Here is my card."

Luke took the bit of pasteboard without saying a word. They shook hands and the engineer got into his carriage.

"Here's my card, too, Mr. Plunkett," cried the girl. She said something more, but the horses were made to plunge rapidly away, and the words were lost; but the flash of a white jewelled hand caught Luke's eye as a delicately tinted card came fluttering towards him. He sprang and seized it. If a bag of diamonds had been flung at his feet he could not have been more excited. His hands trembled. All the incidents of the only fairy tale he had ever read came at once into his mind. He stood with his feet turned in, like some great awkward boy, a bashful, shame-faced look lurking about his mouth and eyes. He filled his pipe and lighted it from the stump of his cigar with nervous eagerness. A squirrel came down to the lowest limbs of a beech tree hard by and barked at him, but he did not notice it. He read the names on the cards:

"Elliot Pearl, C. E."
"Hoiden Pearl."

The first printed in small capitals, the second written in a delicate, rather cramped feminine hand. He stood for a long time dreamily employed in turning these bits of paper over and over. His thoughts were so vague in outline and so dim in filling up that they cannot be reproduced. They slipped away on the summer air, like little puffs of perfume, and were lost, to be found by many and many a one in the ineffable places of dreamland. Finally, shaking himself as if to break the charm that held him in its meshes, he took up his gun and slowly made his way homeward. All along his walk he kept smiling to himself and talking aloud, but his words were such that it would be sacrilege to repeat them now. Let them hover about in the sunlight of summer, where he uttered them, as things too delicate to be pressed between the lids of a book.

Betsy had trouble with Luke for some days after this. He lay about the house, saying little, eating little, giving little attention to the many tenants who worked his estate. He was in good health, was not in trouble (so he said to his sister), but he did not care to be bothered with business. He was tired and would rest awhile. "He smoked pretty near all the time," as Betsy declared. But not a hint fell from his lips as to what might be running in his mind.

So the days slipped past till July hung golden mists on the horizon and filled the woods with that rare stillness and dusky slumbrousness that follows the maturing of the foliage and the coming on of fruit. The cherry trees at Rackenshack had grown ragged and dull, and the birds, excepting a few swallows wheeling about the old chimney tops, had all flown away to the woods and fields. The wheat had been cut and stacked, the corn had received its last ploughing. Still Luke hung about the house annoying Betsy with his pipe and his utter carelessness. That he was "distracted" Betsy did not for a moment doubt. She used every means her small stock of wit could invent to urge him out of his singular mood, but without avail. He took to the few old novels he could find about the house, but sometimes he would gaze blankly at a single paragraph for a whole hour.

One morning as he lay on the porch, his head resting upon the back of a chair, reading, or pretending to read an odd volume of "The Scottish Chiefs," a little boy, 'Squire Brown's son, came to bring home a monkey-wrench his father had borrowed some time before. The boy was a bright, rattle-box, say-everything, pop-eyed sort of child, and was not long telling all the news of the neighborhood. Luke gave little attention to what he was saying, till at length he let fall something about a young lady—a fine, rich young lady, staying at Judge Barnett's—a young lady who could outrun him, out jump him, beat him playing marbles and ball, who could climb away up in the June apple tree, who could ride a colt bareback, who could beat Jim Barnett shooting at a mark, who could, in fact, do a half a hundred things to perfection that strict persons would think a young lady should never do at all, but which seemed to make a heroine of her in the narrator's boyish view.

"What's the gal's name?" queried Luke in a slow, lazy way, but his eyes shot a gleam of hope.

"Hoidy Pearl," replied the lad.

Hoiden Pearl! That name had been woven into every sound that had reached Luke's ears for days and nights and nights together, and now, like a sweet tune nearly mastered, it took a deeper, tenderer meaning as the boy pronounced it in his childish way.

"Hoidy Pearl is her name," the lad continued. "She's come to stay at the Judge's all summer till the new railroad's finished. Her father's the boss of the road. She's jest the funniest girl, o-o-e! And she likes me, too!"

Luke raised himself to a sitting posture and looked at the boy so earnestly that he drew back a pace or two as if afraid.

"Boy, you're not lyin', are ye?" said the man in a low, earnest tone.

"No I'm not, neither," was the quick reply.

Luke got up, flung aside his book and strolled off into the woods. Wandering there in the cool, silent places, he dreamed his dream. For hours he sat by a little spring stream in the dense shadow of a big cotton-wood tree. The birds congregated about him, and chirped and sang; the squirrels came out chattering and frisking from branch to branch; but he gave them no look of recognition—he saw them not, heard them not. The birds might have lit upon his head and the squirrels might have run in and out of his pockets with impunity. He smoked all the time, refilling and relighting his pipe whenever it burned out. He did not know how much he was smoking, nor that he was smoking at all. A bright face set in a mass of yellow curls, a wee white hand all spangled with jewels, a voice sweeter than any bird's, a name—Hoiden Pearl—these rang, and danced, and echoed, and shone in the recesses of his brain and heart to the exclusion of all else. He was trying to think, but he could not. He wanted to mature a plan, but not even an outline could find room in his head. It was full. Strange, indeed, it may seem, that a rough farmer of Luke's age should thus fall into the ways of the imaginative, sentimental stripling; but, after all, the fit must come on some time in life. No doubt it goes harder with some constitutions than with others. Luke may have been unwittingly strongly predisposed that way. Neither the exterior of a man nor his surroundings will do to judge him by. Nature is that mysterious in all her ways. Luke talked aloud, sometimes gesticulating in a quiet way.

"I must see the gal—I will see the gal," he muttered at last. "It's no use talkin', I jist will see her!"

Suddenly a light broke from his face. He smiled like one who has victory in his grasp—like an editor who has an idea, like a reviewer who has found some bad verse. He got up immediately, went back to the barn, hitched a horse to a small road wagon and drove to town. There he spent time and money with a merchant tailor and other vendors of clothing. He was very fastidious in his selection. Nothing but the finest would do him. A few days after this he brought home a trunk full of princely raiment—broad cloth and fine linen. Betsy was struck dumb with amazement when the trunk was opened. A dream of such costly things, such reckless extravagance, would have driven her mad. Silent, open-eyed, wondering, she came in and stood behind Luke while he was unpacking. He looked up presently and saw her. His face flushed violently, and in a half-whining, half-ashamed tone he muttered:

"Now, Betsy, you jest git out'n here faster'n ye come in, for I'm not goin' to stan' no foolin' at all, now. These 'ere's my clothes and paid for out'n my money, an' I'm the jedge of what I need. I ha'n't had any good duds for a long time, and I'm tired o' lookin' like a scarecrow made out'n a salt bag. I've been thinkin' for a long time I'd git these 'ere things, an' now I've got'm. You kin git you some if ye like, but I don't want ye a standin' round here gawpin' at me on 'count o' my clothes; so you go off an' mind yer own affairs. It's no great sight to see some shirts, an' coats, and pants, an' collars, an' vests, an' sich like, is it?"

Before this speech was finished Betsy had backed out of the room and closed the door. As she did so she let go a sigh that came back to Luke like a Parthian arrow; but it happened just then that he was holding up in front of him a buff linen vest which kept the missile from his heart.

He dressed himself with great care, and an hour later he slipped out of the house unseen, and took his way towards the rather pretentious residence of Judge Barnett, the gables of which, a mile away, gleamed between rows of Lombardy poplars. The Judge was one of those half cultivated men who, in every country neighborhood, pass for prodigies of learning and ability. He was the autocrat of the county in political and social affairs—one of those men who really know a great deal, but who arrogate more. He got his title from having been County Commissioner when the court house was building. Some said he made money out of the transaction, but our story is silent there.

It would have been an interesting study for a philosopher to have watched Luke throughout the singular ramble he took that morning. It would have been such a manifest revelation of the state of the fellow's feelings. It would have minutely disclosed, and more eloquently than any verbal confession, the rise and fall, the ebb and flow, the alternating strength and weakness of his purpose, and the will behind it. Then, too, it would have let fall delightful hints of the unselfishness of his new and all-engrossing passion, and of the charming simplicity and sincerity of his great rugged nature at its inner core. At first he struck out boldly a direct line to Judge Barnett's residence, his face beaming with the light of settled happiness, but as he neared the pleasant grounds surrounding the house he began to discover some trepidation. His gait wavered, the expression of his face shifted with each step, and soon his course was indeterminate—a fitful sauntering from this place to that—a tricksy, uneven flight, like that of a lazy butterfly, if one may indulge the comparison—a meandering in and out among the trees of a small walnut grove—a strolling here and there, now along the verge of a well set old orchard, now down the low hedge behind the garden, and anon leaning over the board fence that inclosed the Judge's ample barn and stable lot; he gazed wistfully, half comically, in the direction of the upper windows of the farm house. It was one of those peculiarly yellow days of summer, when everything swims in a golden mist. The blue birds floated aimlessly about from stake to stake of the fences; the wind, felt only in jerky puffs, blew no particular way, and as idly and as eccentrically as any blue bird, and in full accord with the fitful will of the wind, Luke drifted through the sheen of summer all round Barnett Place. He lazed about, humming a tune, and, for a wonder, not smoking—half restless, half contented, looking for something, scarcely expecting anything. When once a great rough man does get into a childish way, he is a child of which ordinary children would be ashamed, and just then Luke, the big bashful fellow, was an instance strikingly in point. Occasionally he talked half aloud to himself. Once, while lounging on the orchard fence, gazing down between the long rows of russet and pippin trees, he said dreamily,

"I must see her. I can't go back 'ithout seein' her." It so chanced that just then a shower of blackbirds fell upon the orchard, covering the trees and the ground, flying over and over each other, twittering and whistling as only blackbirds can. Their wings smote together with a tender rustling sound like that of a spring wind in young foliage, or of a thousand lovers whispering together by moonlight. Luke watched them a long while, a doleful shade gathering in his face. "The little things loves each other," he muttered; "everything loves something; an' jest dern my lights ef I don't love the gal, an' I'm boun' to see her!" Seemingly nerved by sudden resolution, he climbed over the fence and started at a slashing pace across the orchard towards the house, scaring all the birds into an ecstasy of flight, so that they dashed themselves against the foliage of the apple trees, making it rustle and sway as if blown on by a strong wind. He did not keep on, however. His resolution seemed to burn out about midway the orchard. He began to drift around again, his pace becoming slower and slower. His shoulders drooped forward as if burdened with a great load, his eyes turned restlessly from side to aide.

"I jest can't do it!" he murmured—"I jest can't do it, an' I mought as well go back!" There was a petulant ring to his voice—a nervous, worried tone, that had despair in it.

Out of a June apple tree right over his head fell a sweet, silvery, half child's, half woman's voice, that thrilled him through every fibre to the marrow of his bones.

"What's the matter, Goosey? What have you lost! What are you hunting for? Want a good apple?"

Luke looked up just in time to catch squarely on his nose a fine, ripe June apple, and through a mist of juice and a sheeny curtain of leaves he saw the lovely face he had come to look for. A thump on the nose from an apple, no matter if it is ripe and soft, is a little embarrassing, and it only makes it more so when the racy wine of the fruit flies into one's eyes and all over one's new clothes. But there are moments of supreme bliss when such a mishap passes unnoticed. Luke felt as if the blow had been the touch of a magician conjuring up a scene that held him rapt and speechless.

"O, my! I didn't go to hit you! Please excuse me, sir—do. I thought you'd catch it in your hands."

She came lightly down from the tree, descending like a bird, easily, gracefully, as if she had been born to climb. She murmured many apologies, but the genius of fun danced in her saucy, almost impertinent eyes, belying her regretful words. Luke looked down at her dazed and speechless. She, however, was full of prattle—half childish, half womanly, half serious, half bantering—her eyes upturned to his, her voice a very bird's in melody. In the more innocent sense of the word she looked like her name, Hoiden. Nothing unchaste or indelicate about her appearance; just a sort of want of restraint; a freedom that amounted to an utter lack of responsibility to the ordinary claims and dictates of propriety. A close, trained, intelligent observer would have seen at once that she was wilful, spoiled, unbridled, but not bad, not in the least vicious; really innocent and full of good impulses. She was beautiful, too—wonderfully beautiful—just on the hither side of womanhood, plump, budding, bewitching. How she did it can never be known, but she soon had Luke racing with her all over the orchard. They climbed trees together, they scrambled for the same apple, they laughed, and shouted, and played till the horn at the farmhouse called the field hands to dinner. They parted then, as children part, promising to meet again the next day. The girl's cheeks were rosy with exercise, so were Luke's.

How strange! Day after day that great, bearded, almost middle-aged, uncouth farmer went and played slave to that chit of a girl, doing whatever ridiculous or childish thing she proposed, caring for nothing, asking for nothing but to be with her, listen to her voice and feast his eyes upon her beauty. He gladly bore everything she heaped upon him, and to be called "Goosey" by her was to him inexpressibly charming.

Betsy's womanly nature was not to be deceived. She soon comprehended all; but she dared not mention the subject to Luke. He was in no mood to be opposed. So he went on—and Betsy sighed.

The summer softened into autumn. The maple leaves reddened. The long grass turned brown and lolled over. A softness and tenderness lurked in the deep blue sky, and the air had a sharp racy fragrance from ripe fruit and grain. Meantime the railroad had been pushed with amazing rapidity nearly to completion. Every day long construction trains went crashing-across Luke's farm. Passenger coaches were to be put on in a few days. Luke was the very picture of happiness. He seemed to grow younger every day. His worldly prospects, too, were flattering. A station had been located on his land, around which a town had already begun to spring up. The vast value of Luke's timber, walnut and oak, was just beginning to appear; indeed, immense wealth lay in his hands. But his happiness was of a deeper and purer sort than that generated by simple pecuniary prosperity. Hoiden Pearl was in the focus of all his thoughts; her face lighted his dreams, her voice made the music that charmed him into a wonderland of bliss. He said little about her, even to Betsy, but it needed no sharpness of sight to discover from his face what was going on in his heart. He had even forgotten his pipe. He had not smoked since that first day in the orchard. He had straightened up and looked a span taller.

The girl did not seem to dream of any tender attachment on Luke's part. In fact he gave her no cause for it. He fed on his love inwardly and never thought of telling it. To be with her was enough. It satisfied all his wants. She was frank and free with him, but tyrannized over him—ordered him about like a servant, scolded him, flattered him, pouted at him, smiled on him, indeed kept him crazy with rapture all the time. Once only she became confidentially communicative. It was one day, sitting on an old mossy log in the Judge's woodland pasture, she told him the story of her past life. How thrillingly beautiful her face became as it sobered down with the history of early orphanage! Her father had died first; then her mother, who left her four years old in the care of Mr. Pearl, her paternal uncle, with whom she had ever since been, going from place to place, as the calls of his nomadic profession made it necessary, from survey to survey, from this State to that, seeing all sorts of people, and receiving her education in small, detached parcels. The story was a sad, unsatisfactory one, breathing neglect, yet full of a certain kind of sprightliness, and touched here and there with the fascination of true romance.

It is hard to say when Luke would have awakened from his tender trance to the strong reality of love. He was too contented for self-questioning, and no act or word of Hoiden's invited him to consider what he was doing or whither he was drifting.

It was well for Luke and the girl, too, that it was a sparsely settled neighborhood, for evil tongues might have made much of their constant companionship and childish behavior.

As for the Judge, after it was all over he admitted that he felt some qualms of conscience about allowing such unlimited intimacy to go on, but he excused himself by saying that the girl, when confined to the house, was such an unmitigated nuisance that he was glad for some one to monopolize her company.

"Why," said he, in his peculiar way, "she set the whole house by the ears. She made more clatter and racket than a four-horse Pennsylvania wagon coming down a rocky hill. She would go from garret to cellar like a whirlwind and twist things wrong side out as she went——she was a tart!"

But at length, toward the middle of autumn the end came. Luke had business with some hog-buyers in Cincinnati, whither he was gone several days. Meantime the railroad was completed, and Mr. Pearl came to the Judge's early one morning and called for Hoiden. His business with his employers was ended, and he had just finished an arrangement that had long been on foot to go to one of the South American States and take charge of a vast engineering scheme there. The girl was delighted. Such a prospect of travel and adventure was enough to set one of her temperament wild with enthusiasm. She flew to packing her trunk, her face radiant with joy.

Only an hour later Mr. Pearl and Hoiden stood at the new station on Luke's land, waiting for the east-going train. Mr. Pearl happened to think of a business message he wished to leave for Luke, so he went into the depôt building and wrote it. When Hoiden saw the letter was for Luke she begged leave to put in a few words of postscript, and she had her way.

The train came and the man and girl were whirled away to New York, and thence they took ship for South America, never to return.

Next day Luke came back, bringing with him a beautifully carved mahogany box mounted in silver. Betsy met him at the door, and, woman-like, told the story of Hoiden's departure almost at the first breath.

"Gone all the way to South America," she added, after premising that she would never return.

A peculiarly grim, grayish smile mantled the face of Luke. He swallowed a time or two before he could speak.

"Come now, sis" (he always said "sis" when he felt somewhat at Betsy's mercy), "come now, sis, don't try to fool me. I'm goin' right over to see the gal now, an' I've got what'll tickle her awfully right here in this 'ere box."

Out in the yard the blue jays and woodpeckers were quarrelling over the late apples heaped up by the cider mill. The sky was clear, but the sunlight, coming through a smoky atmosphere, was pale, like the smile of a sick man. The wind of autumn ran steadily through the shrubby weedy lawn with a sigh that had in it the very essence of sadness.

"I tell you, Luke, I'm not trying to fool you; they've gone clean to South America to stay always," reiterated Betsy.

Luke gazed for a moment steadily into his sister's eyes, as if looking for a sign. Slowly his stalwart body and muscular limbs relaxed and collapsed. The box fell to the floor with a crash, where it burst, letting roll out great hoops of gold and starry rings and pins—a gold watch and chain, a beautiful gold pen and pencil case, and trinkets and gew-gaw things almost innumerable. They must have cost the full profits of his business trip.

Luke staggered into a chair. Betsy just then happened to think of the letter that had been left for her brother. This she fetched and handed to him. It was the note of business from Mr. Pearl. There was a postscript in a different hand:

"Good-bye, Goosey!
Hoidy Pearl."

That was all. Luke is more morose and petulant than he used to be. He is decaying about apace with Rackenshack, and he smokes constantly. He is vastly wealthy and unmarried.

Betsy is quiet and kind. Up stairs in her chest is hidden the mahogany coffer full of golden testimonials of her brother's days of happiness and the one dark hour of his despair!


The Pedagogue.

 

He was one of the farmer princes of Hoosierdom, a man of more than average education, a fluent talker and ready with a story. Knowing that I was looking up reminiscences of Hoosier life and specimens of Hoosier character, he volunteered one evening to give me the following, vouching for the truth of it. Here it is, as I "short-handed" it from his own lips. I omit quotation marks.

The study of one's past life is not unlike the study of geology. If the presence of the remains of extinct species of animals and vegetables in the ancient rocks calls up in one's mind a host of speculative thoughts touching the progress of creation, so, as we cut with the pick of retrospection through the strata of bygone days, do the remains of departed things, constantly turning up, put one into his studying cap to puzzle over specimens fully as curious and interesting in their way as the cephalaspis.

The first stratum of my intellectual formation contains most conspicuously the remains of dog-eared spelling books, a score or more of them by different names, among which the Elementary of Webster is the best preserved and most clearly defined. It was finding an old, yellow, badly thumbed and dirt soiled copy of Webster's spelling book in the bottom of an old chest of odds and ends, on the fly-leaf of which book was written "T. Blodgett," that lately brightened my memory of the things I am about to tell you.

The old time pedagogue is a thing of the past—pars temporis acti is the Latin of it, may be, but I'm not sure—I'm rusty in the Latin now. When I quit school I could read it a good deal. But of the pedagogue. The twenty years since he ceased to flourish seem, on reflection, like an age—an æon, as the Greeks would say. I never did know much Greek. I got most of my education from pedagogues of the old sort. They kept pouring it on to me till it soaked in. That's the way I got it. I have had corns and bunions on my back for not being sufficiently porous to absorb the multiplication table rapidly enough to suit the whim of one of those learned tyrants. But the pedagogue became extinct and passed into the fossil state some twenty years ago, when free schools took good hold. He scampered away when he heard the whistle of the steam engine along iron highways and the cry of small boys on the streets of the towns hawking the daily papers. He could live nowhere within the pale of innovation. He was born an exemplar of rigidity. The very name of reform was hateful to him. We older fellows remember him well, but to the younger fry he is not even a fossil, he is a myth. Of course pedagogues differed slightly in the matter of particular disposition and real character, but in a general way they had a close family resemblance.

I purpose to write of one Blodgett—T. Blodgett, as it was written in the fly-leaf of Webster's Elementary—and he was an extraordinary specimen of the genus pedagogue. But before I introduce him, let me, by way of preface and prelude, give you a view of the salients of the history of the days when pole-ribbed school houses—log cabin school houses—flourished, with each a pedagogue for supreme, "unquestioned and unquestionable" despot.

In those fine days boys from five to fifteen years of age wore tow linen pants held up by suspenders (often made of tow strings), and having at each side pockets that reached down to about the wearer's knees. These pockets held as much as a moderate sized bushel basket will now. The girls, big and little, wore mere tow linen slips, that hung loose from the shoulders. Democracy, pure and undefiled, flourished like a green buckeye tree. Society was in about the same condition as a boy is when his voice is changing. You know when a boy's voice is changing if you hear him in another room getting his lesson by saying it over aloud, you think there's about fourteen girls, two old men, and a dog barking in the room. Society was much the same. The elements of everything were in it, but not developed and separated yet. Women rode behind their husbands on the same horse, occasionally reaching round in the man's lap to feel if the baby was properly fixed. Sometimes the girls rode to singing school behind their sweethearts. At such times the horses always kicked up, and, of course, the girls had to hold on. The boys liked the holding on part. Young men went courting always on Saturday night. The girls wouldn't suffer any hugging before eleven o'clock—unless the old folk were remarkably early to bed. Candles were scarce in those days, so that billing and cooing was done by very dim fire-light. O, le bon temps! I've forgot whether that's Latin or French.

The pedagogue was the intellectual and moral centre of the neighborhood. He was of higher authority, even in the law, than the Justice of the Peace. He was consulted on all subjects, and, as a rule, his decisions were final, and went upon the people's record as law. His jurisdiction was unlimited, as to subject matter or amount, and, as to the person, was unquestioned. Of course his territory was bounded by the circumstances of each particular case.

I just now recollect quite a number of pedagogues who in turn ruled me in my youthful days. Of one of them I never think without feeling a strange sadness steal over me. He was a young fellow whom to know was to love; pale, delicate, tender-hearted. He taught us two terms and we all thought him the best teacher in the world. He was so kind to us, so gentle and mild-voiced, so prone to pat us on our heads and encourage us. Some of the old people found fault with him because, as they alleged, he did not whip us enough, but we saw no force in the objection. Well, he took a cough and began to fail. He dismissed us one fine May evening and we saw him no more alive. We all followed him, in a solemn line, to his grave, and for a long time thereafter we never spoke of him except in a low, sad whisper. As for me, till long afterwards, the hushed wonder of his white face haunted my dreams. I have now in my possession a little bead money-purse he gave me.

Blodgett came next, and here my story properly begins. Blodgett—who, having once seen him, could ever forget Blodgett? Not I. He was too marked a man to ever wholly fade from memory. He was, as I have said, a perfect type of his kind, and his kind was such as should not be sneered at. He was one of the humble pioneers of American letters. He was a character of which our national history must take account. He was one of the vital forces of our earlier national growth. He was in love with learning. He considered the matter of imparting knowledge a mere question of effort, in which the physical element preponderated. If he couldn't talk or read it into one he took a stick and mauled it into him. This mauling method, though somewhat distasteful to the subject, always had a charming result—red eyes, a few blubbers and a good lesson. The technical name of this method was "Warming the Jacket." It always seemed to me that the peewee birds sang very dolefully after I had had my jacket warmed. I recollect my floggings at school with so much aversion that I do think, if a teacher should whale one of my little ruddy-faced boys, I'd spread his (the teacher's) nose over his face as thin as a rabbit skin! I'd run both his eyes into one and chew his ears off close to his head, sir! Forgive my earnestness, but I can't stand flogging in schools. It's brutal.

From the first day that Blodgett came circulating his school "articles" among us, we took to him by common consent as a wonderfully learned man. I think his strong, wise looking face, and reserved, pompous manners, had much to do with making this impression. We believed in him fully, and for a long time gave him unfaltering loyalty. As for me, I never have wholly withdrawn my allegiance. I look back, even now, and admire him. I sigh, thinking of the merry days when he flourished. I solemnly avow my faith in progress. I know the world advances every day, still I doubt if men and women are more worthy now than they were in the time of the pedagogues. I don't know but what, after all, I am somewhat of a fogy. Any how, I will not, for the sake of pleasing your literary swallows—your eclectics of to-day—turn in and berate my dear old Blodgett. In his day men could not and did not skim the surface of things like swallows on a mill pond. They dived, and got what they did get from the bottom, and by honest labor. Whenever one of your silk-winged swallows skims past me and whispers progress, I cannot help thinking of Heyne, Jean Paul and—Blodgett. Somehow genius and poverty are great cronies. It used to be more so than it is now. Blodgett was a genius, and, consequently, poor. He was virtuous, and, of course, happy. He was a Democrat and a Hard Shell Baptist, and he might never have swerved from the path of rectitude, even to the extent of a hair's breadth, if it had not been for the coming of a not over scrupulous rival into the neighboring village. But I must not hasten. A little more and I would have blurted out the whole nub of my story. Bear with me. I have nothing of the "lightning calculator" in me. I must take my time.

It has been agreed that biography must include somewhat of physical portraiture. "What sort of looking man was Blodgett?" I will tell you as nearly as I can, but bear in mind it is a long time since I saw him, and, in the meanwhile, the world has been so washed, and combed, and trimmed, and pearl powdered, that one can scarcely be sure he recollects things rightly. The seedy dandy who teaches the free schools of to-day, is, no doubt, all right as things go; but then the way they go—that's it! As for finding some one of these dapper, umbrella-lugging, green-spectacled, cadaverous teachers to compare with our burly Blodgett, the thing is preposterous.

Our pedagogue, when he first came among us, was, as nearly as I can judge, about forty, and a bachelor, tall, raw-boned, lean-faced, and muscular—a man of many words, and big ones, but not over prone to seek audience of the world. To me, a boy of twelve, he appeared somewhat awful, especially when plying the beech rod for the benefit of a future man, and I do still think that something harder than mere sternness slept or woke in and around the lines of his strong, flat jaws—that something sharper than acid shrewdness lurked in his light gray eyes, and that surely a more powerful expression than ordinary brute obstinacy lingered about his firm mouth and smoothly shaven chin.

Blodgett had a mighty body and a mighty will, joined with a self-appreciation only bounded by his power to generate it. This, added to the deep deference with which he was approached by everybody, made him not a little arrogant and despotic—though, doubtless, he was less so than most men, under like circumstances, would have been. His years sat lightly on him. His step was youthful though slouching, his raven hair was bright and wavy, his skin had the tinge of vigorous health, and in truth he was not far from handsome. His voice was nasal, but pleasantly so.

I cannot hope to give you more than a faint idea of the absolute power vested in Blodgett by the men, women and children of the school vicinage; suffice it to say that his view was a sine qua non to every neighborhood opinion, his words the basis of neighborhood action in all matters of public interest. If he pronounced the parson's last sermon a failure, at once the entire church agreed in condemning it, not only as a failure but a consummate blunder. If he hinted that a certain new comer impressed him unfavorably, the nincompoop was summarily kicked out of society. In fact, in the pithy phraseology of these latter days, "it was dangerous to be safe" about where he lived.

Thus, for a long time, Blodgett ruled with an iron hand his little world, with no one to dream of disputing his right or of doubting his capacity, till at length fate let fall a bit of romance into the strong but placid stream of his life, and tinged it all with rose color. He wrote some poetry, but it is obsolete—that is, it is not now in existence. While this streak of romance lasted he looked, for all the world, like a gilt-edged mathematical problem drawn on rawhide.