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Hoosier Mosaics

Chapter 183: [192]
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About This Book

A series of short, character-driven sketches set in rural Midwestern small towns, blending humor, local color, and melancholy. The pieces depict everyday scenes—marketplace dealings, tavern rows, courtship, outdoor pastimes, and superstitious lore—by observing eccentric residents, practical jokes, and seasonal rhythms. Narrative voices alternate between wry first-person reminiscence and third-person moments, emphasizing vernacular speech, rustic habits, and the interplay of community pride and hardship. Recurring themes include social ritual, provincial identity, and the tension between aspiration and limited opportunity, all conveyed through vivid anecdotes, comic episodes, and reflective rural observation.

It was a great event in our neighborhood when Miss Grace Holland, a yellow-haired, blue-eyed, very handsome and well educated young lady from Louisville, Kentucky, came to spend the summer with Parson Holland, our preacher, and the young woman's uncle. Kentucky girls are all sweet. My wife was a Kentucky girl. All the young men fell in love with Miss Holland right away, but it was of no use to them. Blodgett, in the language of your fast youngsters, "shied his castor into the ring," and what was there left for the others but to stand by and see the glory of the pedagogue during the season of his wooing? It would have done your eyes good to see the pedagogue "slick himself up" each Saturday evening preparatory to visiting the parson's. He went into the details of the toilette with an enthusiasm worthy a better result. Ordinarily he was ostentatiously pious and grave, but now his nature began to slip its bark and disclose an inner rind of real mirthfulness, which made him quite pleasant company for Miss Holland, who, though a mere girl, was sensible and old enough to enjoy the many marked peculiarities of the pedagogue.

On Blodgett's side it was love—just the blindest, craziest kind of love, at first sight. As to Miss Holland, I cannot say. One never can precisely say as to a woman; guessing at a woman's feelings, in matters of love, is a little like wondering which makes the music, a boy's mouth or the jewsharp—a doubtful affair.

Great events never come singly. When it rains it pours. If you have seen a bear, every stump is a bear. A few days after the advent of Miss Holland came a pop-eyed, nervous, witty little fellow with a hand press, and started a weekly paper in our village. A newspaper in town! It was startling.

Blodgett from the first seemed not to relish the innovation, but public sentiment had set in too strongly in its favor for him to jeopardize his reputation by any serious denunciations. A real live paper in our midst was no small matter. Everybody subscribed, and so did Blodgett.

It did, formerly, require a little brains to run a newspaper, and in those days an editor was looked upon as nearly or quite as learned and intelligent as a pedagogue; but everybody, however ignorant himself, could not fail to see that one represented progress, the other conservatism, and formerly most persons were Ultra-Conservatives. This, of course, gave the pedagogue a considerable advantage.

Of course Blodgett and the editor soon became acquainted. The latter, a dapper Yankee, full of "get-up-and-snap," and alert to make way for his paper, measured the pedagogue at a glance, seeing at once that a big bulk of strong sense and a will like iron were enwrapped in the stalwart Hoosier's brain. One of two things must be done. Blodgett must be vanquished or his influence secured. He must be prevailed on to endorse the Star (the new paper), or the Star must attack and destroy him at once.

Meantime the pedagogue grimly waited for an opportunity to demolish the editor. The big Hoosier had no thought of compromise or currying favor. He would sacrifice the little sleek, stuck-up, big-headed, pop-eyed, Roman-nosed Yankee between his thumb nails as he would a flea. Blodgett was a predestinarian of the old school, and was firmly imbedded in the belief that from all eternity it had been fore-ordained that he was to attend to just such fellows as the editor.

Still, the little lady from Louisville took up so much of his time, and so distracted his mind, that no well laid plan of attack could be matured by the pedagogue. But when nations wish to fight it is easy to find a pretext for war. So with individuals. So with the editor and Blodgett. They soon came to open hostilities and raised the black flag. What an uproar it did make in the county!

This war seemed to come about quite naturally. It had its beginning in a debating society, where Blodgett and the editor were leading antagonists. The question debated was, "Which has done more for the cause of human liberty, Napoleon or Wellington?"

Two village men and two countrymen were the jury to decide which side offered the best argument. The jury was out all night and finally returned a split verdict, two of them standing for Blodgett and two for the editor. Of course it was town against country—the villagers for the editor, the country folk for the pedagogue.

"Huzza for the little editor!" cried the town people.

"'Rah for Blodgett!" bawled the lusty country folk.

The matter quickly came to blows at certain parts of the room. Jim Dowder caught Phil Gates by the hair and snatched him over two seats. Sarah Jane Beaver hit Martha Ann Randall in the mouth with a reticule full of hazel nuts. Farmer Heath choked store-keeper Jones till his face was as blue as moderate-like indigo. Old Mrs. Baber pulled off Granny Logan's wig and threw it at 'Squire Hank. But Pete Develin wound the thing up with a most disgraceful feat. He seized a bucket half full of water and deliberately poured it right on top of the editor's head.

This was the beginning of trouble and fun. Some lawsuits grew out of it and some hard fisticuffs. All the country-folk sided with Blodgett—the towns-folk with the editor. The Star began to get dim, but the editor, shrewd dog, when he saw how things were turning, at once took up the question of Napoleon vs. Wellington in his journal, kindly and condescendingly offering his columns to Blodgett for the discussion.

The pedagogue foolishly accepted the challenge, and thus laid the stones upon which he was to fall. So the antagonists sharpened their goose quills and went at it. In sporting circles the proverb runs: never bet on a man's own trick. Blodgett ought to have known better than to go to the editor's own ground to fight.

I have always suspected that Miss Holland did much to shear our Samson of his strength. She certainly did, wittingly or unwittingly, occupy too much of his time and thought. Poor fellow! he would have given his life for her. He often looked at her, with his head turned a little one side, sadly, thoughtfully, as I have seen a terrier look at a rat hole, as though he half expected disappointment.

The battle in the Star began in very earnest. It was a harvest for the shrewd journalist. Everybody took the Star while the discussion was going on. Everybody took sides, everybody got mad, and almost everybody fought more or less. Even Parson Holland and the village preacher had high words and ceased to recognize each other. As for the young lady from Louisville, she had little to say about the discussion, though Blodgett always read to her each one of his articles first in MS. and then in the Star after it was printed.

Well, finally, in the very height of the war of words, the editor, in one of his articles, indulged in Latin. As you are aware, when an editor gets right down to pan-rock Latin, it's a sure sign he's after somebody. This instance was no exception to the general rule. He was baiting for the pedagogue. The pedagogue swallowed hook and all.

"Nil de mortuis nisi bonum," said the editor, "is my motto, which may be freely translated: 'If you can't say something good of the dead, keep your tarnal mouth shut about them!'"

Blodgett started as he read this, and for a full minute thereafter gazed steadily and inquiringly on vacancy. At length his great bony right hand opened slowly, then quickly shut like a vice.

"I have him! I have him!" he muttered in a murderous tone, "I'll crush him to impalpable dust!" He forthwith went for a small Latin lexicon and began busily searching its pages. It was Saturday evening, and so busily did he labor at what was on his mind, he came near forgetting his regular weekly visit to Miss Holland.

He did not forget it, however. He went; without pointing out to her the exact spot so vulnerable to his logical arrows, he told her in a confidential and confident way that his next letter would certainly make an end of the editor. He told her that, at last, he had the shallow puppy where he could expose him thoroughly. Of course Miss Holland was curious to know more, but, with a grim smile, Blodgett shook his head, saying that to insure utter victory he must keep his own counsel.

The next day, though the Sabbath, was spent by the pedagogue writing his crusher for the Star. He wrote it and re-wrote it, over and over again. He almost ruined a Latin grammar and the afore-mentioned lexicon. He worked till far in the night, revising and elaborating. His gray eyes burned like live coals—his jaws were set for victory.

That week was one of intense excitement all over the county, for somehow it had come generally to be understood that the pedagogue's forthcoming essay was to completely defeat and disgrace the editor. Work, for the time, was mostly suspended. The school children did about as they pleased, so that they were careful not to break rudely in upon Blodgett's meditations.

On the day of its issue the Star was in great demand. For several hours the office was crowded with eager subscribers, hungry for a copy. The 'Squire and two constables had some trouble to keep down a genuine riot.

The following is an exact copy of Blodgett's great essay:

Mr. EditorSir: This, for two reasons, is my last article for your journal. Firstly: My time and the exigencies of my profession will not permit me to further pursue a discussion which, on your part, has degenerated into the merest twaddle. Secondly: It only needs, at my hands, an exposition of the false and fraudulent claims you make to classical attainments, to entirely annihilate your unsubstantial and wholly undeserved popularity in this community, and to send you back to peddling your bass wood hams and maple nutmegs. In order to put on a false show of erudition, you lug into your last article a familiar Latin sentence. Now, sir, if you had sensibly foregone any attempt at translation, you might, possibly, have made some one think you knew a shade more than a horse; but "whom the gods would destroy they first make mad."

You say, "De mortuis nil nisi bonum" may be freely translated, "If you can't say something good of the dead, keep your tarnal mouth shut about them!" Shades of Horace and Praxiteles! What would Pindar or Cæsar say? But I will not jest at the expense of sound scholarship. In conclusion, I simply submit the following literal translation of the Latin sentence in question: "De—of, mortuis—the dead, nil—nothing, nisi—but, bonum—goods," so that the whole quotation may be rendered as follows—"Nothing (is left) of the dead but (their) goods." This is strictly according to the dictionary. Here, so far as I am concerned, this discussion ends.

Your ob't serv't,
T. Blodgett.

The country flared into flames of triumph. Blodgett's friends stormed the village and "bully-ragged" everybody who had stood out for the editor. The little Yankee, however, did not appear in the least disconcerted. His clear, blue, pop-eyes really seemed twinkling with half suppressed joy. Blodgett put a copy of the Star into his pocket and stalked proudly, victoriously, out of town.

After supper he dressed himself with scrupulous care and went over to see Miss Holland. Rumor said they were engaged to be married, and I believe they were.

On this particular evening the young lady was enchantingly pretty, dressed in white muslin and blue ribbons, her bright yellow hair flowing full and free down upon her plump shoulders, her face radiant with health and high spirits. She met the pedagogue at the door with more than usual warmth of welcome. He kissed her hand. All that he said to her that evening will never be known. It is recorded, however, that, when he had finished reading his essay to her, she got up and took from her travelling trunk a "Book of Foreign Phrases," and examined it attentively for a time, after which she was somewhat uneasy and reticent. Blodgett observed this, but he was too dignified to ask an explanation.

The "last day" of Blodgett's school was at hand. The "exhibition" came off on Saturday. Everybody went early. The pedagogue was in his glory. He did not know the end was so near. A little occurrence, toward evening, however, seemed to foreshadow it.

Blodgett called upon the stage a bright eyed, ruddy faced lad, his favorite pupil, to translate Latin phrases. The boy, in his Sunday best, and sleekly combed, came forth and bowed to the audience, his eyes luminous with vivacity. The little fellow was evidently precocious—a rapid if not a very accurate thinker—one of those children who always have an answer ready, right or wrong.

After several preliminary questions, very promptly and satisfactorily disposed of, Blodgett said:

"Now, sir, translate Monstrum horrendum informe ingens."

Quick as lightning the child replied:

"The horrid monster informed the Indians!"

Fury! The face of the pedagogue grew livid. He stretched forth his hand and took the boy by the back of the neck. The curtain fell, but the audience could not help hearing what a flogging the boy got. It was terrible.

Even while this was going on a rumor rippled round the outskirts of the audience—for you must know that the "exhibition" was held under a bush arbor erected in front of the school house door—a rumor, I say, rippled round the outer fringe of the audience. Some one had arrived from the village and copies of the Star were being freely distributed. Looks of blank amazement flashed into people's faces. The name of the editor and that of Prof. W——, of Wabash College, began to fly in sharp whispers from mouth to mouth. The crowd reeled and swayed. Men began to talk aloud. Finally everybody got on his feet and confusion and hubbub reigned supreme. The exhibition was broken up. Blodgett came out of the school house upon the stage when he heard the noise. He gazed around. Some one thrust a copy of the Star into his hand.

Poor Blodgett! We may all fall. The crowd resolved itself into an indignation meeting then and there, at which the following extract from the Star was read, followed by resolutions dismissing and disgracing Blodgett:

"The following letter is rich reading for those who have so long sworn by T. Blodgett. We offer no comment:

"Editor of the StarDear Sir: In answer to your letter requesting me to decide between yourself and Mr. Blodgett as to the correct English rendering of the Latin sentence 'De mortuis nil nisi bonum,' allow me to say that your free translation is a good one, if not very literal or elegant. As to Mr. Blodgett's, if the man is sincere, he is certainly crazy or wofully illiterate; no doubt the latter.

"Very respectfully,
"W——,
"Prof. Languages, Wabash College."

Blodgett walked away from the school house into the dusky June woods. He knew that it was useless to contend against the dictum of a college professor. His friends knew so too, so they turned to rend him. He was dethroned and discrowned forever. He was boarding at my father's then, and I can never forget the haggard, wistful look his face wore when he came in that evening. I have since learned that he went straight from the scene of his disgrace to Miss Holland, whom he found inclined to laugh at him. The next week he collected what was due him and left for parts unknown.

I was over at parson Holland's, playing with his boys.

The game was mumble peg.

I had been rooting a peg out of the ground and my face was very dirty. We were under a cherry tree by a private hedge. Presently Miss Holland came out and began, girl-like, to pluck and eat the half ripe cherries. The wind rustled her white dress and lifted the gold floss of her wonderful hair. The birds chattered and sang all round us; the white clouds lingered overhead like puffs of steam vanishing against the splendid blue of the sky. The fragrance of leaf and fruit and bloom was heavy on the air. The girl in white, the quiet glory of the day, the murmur of the unsteady wind stream flowing among the dark leaves of the orchard and hedge, the charm of the temperature, and over all, the delicious sound of running water from the brook hard by, all harmonized, and in a tender childish mood I quit the game and lolled at full length on the ground, watching the fascinating face of the young lady as she drifted about the pleasant places of the orchard. Suddenly I saw her fix her eyes in a surprised way in a certain direction. I looked to see what had startled her, and there, half leaning over the hedge, stood Blodgett.

His face was ghastly in its pallor, and deep furrows ran down his jaws. His gray eyes had in them a look of longing blended with a sort of stern despair. It was only for a moment that his powerful frame toppled above the hedge, but he is indelibly pictured in my memory just as he then appeared.

"Good-bye, Miss Holland, good-bye."

How dismally hollow his voice sounded! Ah! it was pitiful. I neither saw nor heard of him after that. Years have passed since then. Blodgett is, likely, in his grave, but I never think of him without a sigh.

Yesterday I was in the old neighborhood, and, to my surprise, learned that the old log school house was still standing. So I set out alone to visit it. I found it rotten and shaky, serving as a sort of barn in which a farmer stows his oats, straw and corn fodder. The genius of learning has long since flown to finer quarters. The great old chimney had been torn down or had fallen, the broad boards of the roof, held on by weight poles, were deeply covered with moss and mould, and over the whole edifice hung a gloom—a mist of decay.

I leaned upon a worm fence hard by and gazed through the long vacant side window, underneath which our writing shelf used to be, sorrowfully dallying with memory; not altogether sorrowfully either, for the glad faces of children that used to romp with me on the old play ground floated across my memory, clothed in the charming haze of distance, and encircled by the halo of tender affections. The wind sang as of old, and the bird songs had not changed a jot. Slowly my whole being crept back to the past. The wonders of our progress were all forgotten. And then from within the old school room came a well remembered voice, with a certain nasal twang, repeating slowly and sternly the words:

"Arma virumque cano;" then there came a chime of silver tones—"School is out!—School is out!" And I started, to find that I was all alone by the rotting but blessed old throne and palace of the pedagogue.


An Idyl of the Rod.

 

It was as pretty a country cottage as is to be found, even now, in all the Wabash Valley, situated on a prominent bluff, overlooking the broad stretches of bottom land, and giving a fine view of the wide winding river. The windows and doors of this cottage were draped in vines, among which the morning glory and the honeysuckle were the most luxuriant; while on each side of the gravelled walk, that led from the front portico to the dooryard gate, grew clusters of pinks, sweet-williams and larkspurs. The house was painted white, and had green window shutters—old fashioned, to be sure, but cosy, homelike and tasty withal. Everything pertaining to and surrounding the place had an air of methodical neatness, that betokened great care and scrupulous order on the part of the inmates.

About the hour of six on a Monday morning, in the month of May, a fine, hearty, intelligent looking lad of twelve years walked slowly up the path which led from the old orchard to the house. He was dressed in loose trowsers of bottle green jeans, a jacket of the same, heavy boots and a well worn wool hat. The boy's shoulders stooped a little, and a slight hump discovered itself at the upper portion of his back. His face was strikingly handsome, being fair, bright, healthful, and marked with signs of great precocity of intellect, albeit it wore just now an indescribable, faintly visible shade, as of innocent perplexity, or, possibly, grief. His mind was evidently not at ease, but the varying shadows that chased each other across the mild depths of his clear, vivacious eyes would have stumped a physiognomist. Between a laugh and a cry, but more like a cry; between defiance and utter shame, but more like the latter; his cheeks and lips took on every shade of pallor and of flush. He shrugged his shoulders as he moved along, and cast rapid glances in every direction, as if afraid of being seen. "Whippoo-tee, tippoo-tee-tee-e!" sang a great cardinal red bird in the apple tree over his head. He flung a stone at the bird with terrible energy, but missed it.

The mistress of the cottage was at this time in the kitchen preparing for the week's washing, for do not all good Hoosier housewives wash on Monday? She was a middle aged, stoutly built, healthy matron, sandy haired, slightly freckled, blue eyed and quick in her movements. Usually smiling and happy, it was painful to see how she struggled now to master the emotions of great grief and sadness that constantly arose in her bosom, like spectres that would not be driven away.

A bright eyed, golden haired lass of sixteen was in the breakfast room washing the dishes and singing occasional snatches from a mournful ditty. It was sad, indeed, to see a cloud of sorrow on a face so fresh and sweet.

Mr. Coulter, the head of the family, and owner of the cottage and its lands, stood near the centre of the sitting room with his hands crossed behind him, gazing fixedly and sadly on the picture of a sweet child holding a white kitten in its lap, which picture hung on the wall over against the broad fire-place. A look of sorrow betrayed itself even in the dark, stern visage of the man. He drew down his shaggy eyebrows and occasionally pulled his grizzled moustache into his mouth and chewed it fiercely. Evidently he was chafing under his grief.

The cottage windows were wide open, as is the western custom in fine weather, and the fragrance of spice wood and sassafras floated in on the flood tide of pleasant air, while from the big old locust tree down by the fence fell the twittering prelude to a finch's song. A green line of willows and a thin, pendulous stratum of fog marked the way of the river, plainly visible from the west window, and through the white haze flocks of teal and wood ducks cut swiftly in their downward flight to the water. A golden flicker sang and hammered on the gate-post the while he eyed a sparrow-hawk that wheeled and screamed high over head. The dew was like little mirrors in the grass.

The lad entered the kitchen and said to his mother, in a voice full of tenderness, though barely audible:

"Mammy, where's pap?"

"In the front room, Billy," replied the matron solemnly, quaveringly.

Passing into the breakfast room, Billy looked at his sister and a flash of sympathetic sorrow played back and forth from the eyes of one to those of the other; then he went straight into the sitting room and handed something to Mr. Coulter. It was a moment of silence and suspense. Out in the orchard the cherry and apple blooms were falling like pink and white snow.

The man looked down at his boy sadly, sorrowfully, regretfully. He drew his face into a stern frown. The lad looked up into his father's eyes timidly, ruefully, strangely. It was a living tableau no artist could reproduce. It was the moment before a crisis.

"Billy," said the father gravely, "I took your mother and sister to church yesterday."

"Yes, sir," said Billy.

"And left you to see to things," continued the man.

"Yes, sir," replied the boy, gazing through the window at the flicker as it hitched down the gate-post and finally dropped into the grass with a shrill chirp.

"And you didn't water them pigs!"

"O-o-o! Oh, sir! Geeroody! O me! ouch! lawsy! lawsy! mercy me!"

The slender scion of an apple tree, in the hand of Mr. Coulter, rose and fell, cutting the air like a rapier, and up from the jacket of the lad, like incense from an altar, rose a cloud of dust mingled with the nap of jeans. Down in the young clover of the meadow the larks and sparrows sang cheerily; the gnats and flies danced up and down in the sunshine, the fresh soft young leaves of the vines rustled like satin, and all was merry indeed!

Billy's eyes were turned upward to the face of his father in appealing agony; but still the switch, with a sharp hiss, cut the air, falling steadily and mercilessly on his shoulders.

All along the green banks of the river the willows shook their shining fingers at the lifting fog, and the voices of children going by to the distant school smote the sweet May wind.

"Whippee! Whippee-tippee-tee!" sang the cardinal bird.

"O pap! ouch! O-o-o! I'll not forget to water the pigs no more!"

"S'pect you won't, neither!" said the man.

The wind, by a sudden puff, lifted into the room a shower of white bloom petals from a sweet apple tree, letting them fall gracefully upon the patchwork carpet, the while a ploughman whistled plaintively in a distant field.

"Crackee! O pap! ouch! O-o-o! You're a killin' me!"

"Shet your mouth 'r I'll split ye to the backbone in a second! Show ye how to run off fishin' with Ed Jones and neglect them pigs! Take every striffin of hide off'n ye!"

How many delightful places in the woods, how many cool spots beside the murmuring river, would have been more pleasant to Billy than the place he just then occupied! He would have swapped hides with the very pigs he had forgot to water.

"O, land! O, me! Geeroody me!" yelled the lad.

"Them poor pigs!" rejoined the father.

Still the dust rose and danced in the level jet of sunlight that fell athwart the room from the east window, and the hens out at the barn cackled and sang for joy over new laid eggs stowed away in cosy places.

At one time during the falling of the rod the girl quit washing the dishes, and thrusting her head into the kitchen said, in a subdued tone:

"My land! Mammy, ain't Bill a gittin' an awful one this load o' poles?"

"You're moughty right!" responded the matron, solemnly.

Along toward the last Mr. Coulter tip-toed at every stroke. The switch actually screamed through the air. Billy danced and bawled and made all manner of serio-comic faces and contortions.

"Now go, sir," cried the man, finally tossing the frizzled stump of the switch out through the window. "Go now, and next time I'll be bound you water them pigs!"

And, while the finch poured a cataract of melody from the locust tree, Billy went.

Poor boy! that was a terrible thrashing, and to make it worse, it had been promised to him on the evening before, so that he had been dreading it and shivering over it all night!

Now, as he walked through the breakfast room, his sister looked at him in a commiserating way, but on passing through the kitchen he could not catch the eye of his mother.

Finally he stood in the free open air in front of the saddle closet. It was just then that a speckled rooster on the barn yard fence flapped his wings and crowed lustily. A turkey cock was strutting on the grass by the old cherry tree.

Billy opened the door of the closet. "A boy's will is the wind's will, and the thoughts of youth are long, long thoughts." Billy peeped into the saddle closet and then cast a glance around him, as if to see if any one was near.

At length, during a pleasant lull in the morning wind, and while the low, tenderly mellow flowing of the river was distinctly audible, and the song of the finch increased in volume, and the bleating of new born lambs in the meadow died in fluttering echoes under the barn, and while the fragrance of apple blooms grew fainter, and while the sun, now flaming just a little above the eastern horizon, launched a shower of yellow splendors over him from head to foot, he took from under his jacket behind a doubled sheep skin with the wool on, which, with an ineffable smile, he tossed into the closet. Then, as the yellow flicker rose rapidly from the grass, Billy walked off, whistling the air of that once popular ballad—

"O give me back my fifteen cents,
And give me back my money," &c.


Transcriber's Notes:

 

Inconsistencies in spelling and hyphenation have been retained from the original.

Punctuation has been corrected without note.