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How to write photoplays

Chapter 19: LESSON XIX. Emotion and Sympathy.
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About This Book

A practical, step-by-step manual for crafting silent-film scenarios, covering technical studio terms, idea development, plot formation, and scenario formatting. It explains scene construction, continuity, close-ups, leaders and subtitles, inserts, and stage settings; advises on cast lists, synopses, manuscript preparation, censorship and copyright, selling plays, and production considerations. Lessons address pacing, reel length, emotional effect, crisis and climax, and camera-friendly storytelling, and offer guidance on presentation, common pitfalls, and business practices for submitting work to producers and editors.

LESSON XIX.
Emotion and Sympathy.

True emotion is one of the essentials of a successful Photoplay.

It stirs us into sorrow, pity, anger or contempt, also to laughter and happiness.

You must have enough real action in your story or plot to enable the characters to awaken the emotions of the audience. Much of course, depends upon the character when acting the part, but you are obliged to furnish a good basis to work on.

Sympathy is a big asset. It reveals itself by stirring our emotions and works heart-interest into the story.

Bring out the sympathy in the most effective way possible.

There is some sympathy in a scene showing a little boy and his aged mother living in one small, unventilated room. When you show, however, that the small boy is the only support for the aged mother, that they are absolutely destitute, without food, and the mother sick in bed, then you create sympathy. When action is coupled with your plot and sympathy, you will as a result, get real action.