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Humanly Speaking

Chapter 10: IV
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About This Book

A collection of short, conversational essays blending personal anecdote, travel observation, and literary criticism. The writer reflects on cultural contrasts, the modern and ancient dimensions of places like Rome, the quirks of national temperaments, and the nature of realism in art, often with wry humor and gentle skepticism. Pieces alternate between travel sketches, portraiture of writers and ideas, and seasonal or domestic vignettes, all delivered in amiable, economical prose that highlights everyday oddities and thoughtful small-scale insight.

Saying the high, high mass
All on St. Peter's day.

He smiled and said that these things were more poetical in the description than in reality, and that it was all the better for him not to have seen it before he wrote about it."

Sir Walter's instinct was a true one. Rome is not favorable to historical romance. Its atmosphere is eminently realistic. The historical romancer is flying through time as the air-men fly through space. But the air-men complain that they sometimes come upon what they call "air holes." The atmosphere seems suddenly to give way under them. In Rome the element of Time on which the imagination has been flying seems to lose its usual density. We drop through a Time-hole, and find ourselves in an inglorious anachronism.

I am not sure that Bagster has had a more difficult time than his predecessors, who have attempted to assort their historical material. For in the days before historical criticism was invented, the history of Rome was very luxuriant. "Seeing Rome" was a strenuous undertaking, if one tried to be intelligent.

There was an admirable little guide-book published in the twelfth century called "Mirabilia Urbis Romæ." One can imagine the old-time tourist with this mediæval Baedeker in hand, issuing forth, resolved to see Rome in three days. At the end of the first day his courage would ooze away as he realized the extent of his ignorance. With a hurried look at the guide-book and a glance at the varied assortment of ruins, he would try to get his bearings. All the worthies of sacred and profane history would be passing by in swift procession.

"After the sons of Noah built the tower of confusion, Noah with all his sons came to Italy. And not far from the place where Rome now is they founded a city in his name, where he brought his travail and life to an end." To come to the city of Noah was worth a long journey. Just think of actually standing on the spot where Shem, Ham, and Japhet soothed the declining years of their father! It was hard to realize it all. And it appears that Japhet, always an enterprising person, built a city of his own on the Palatine Hill. There is the Palatine, somewhat cluttered up with modern buildings of the Cæsars, but essentially, in its outlines, as Japhet saw it.

But there were other pioneers to be remembered. "Saturn, being shamefully entreated by his son Jupiter," founded a city on the Capitoline Hill. One wonders what Shem, Ham, and Japhet thought of this, and whether their sympathies were with Jupiter who was seeking to get a place in the sun.

It is hard to understand the complicated politics of the day. At any rate, a short time after, Hercules came with a band of Argives and established a rival civic centre. In the meantime, Janus had become mixed up with Roman history and was working manfully for the New Italy. On very much the same spot "Tibris, King of the Aborigines" built a city, which must be carefully distinguished from those before mentioned.

All this happened before Romulus appeared upon the scene. One with a clear and comprehensive understanding of this early history might enjoy his first morning's walk in Rome. But to the middle-aged pilgrim from the West Riding of Yorkshire, who had come to Rome merely to see the tomb of St. Peter, it was exhausting.

But perhaps mediæval tradition did not form a more confusing atmosphere than the sentimental admiration of a later day. In the early part of the nineteenth century a writer begins a book on Rome in this fashion: "I have ventured to hope that this work may be a guide to those who visit this wonderful city, which boasts at once the noblest remains of antiquity, and the most faultless works of art; which possesses more claims to interest than any other city; which has in every age stood foremost in the world; which has been the light of the earth in ages past, the guiding star through the long night of ignorance, the fountain of civilization to the whole Western world, and which every nation reverences as the common nurse, preceptor, and parent."

This notion of Rome as the venerable parent of civilization, to be approached with tenderly reverential feelings, was easier to hold a hundred years ago than it is to-day. There was nothing to contradict it. One might muse on "the grandeur that was Rome," among picturesque ruins covered with flowering weeds. But now a Rome that is obtrusively modern claims attention. And it is not merely that the modern world is here, but that our view of antiquity is modernized. We see it, not through the mists of time, but as a contemporary might.

When Ferrero published his history we were startled by his realistic treatment. It was as if we were reading a newspaper and following the course of current events. Cæsar and Pompey and Cicero were treated as if they were New York politicians. Where we had expected to see stately figures in togas we were made to see hustling real-estate speculators, and millionaires, and labor leaders, and ward politicians, who were working for the prosperity of the city and, incidentally, for themselves. It was all very different from our notions of classic times which we had imbibed from our Latin lessons in school. But it is the impression which Rome itself makes upon the mind.

One afternoon, among the vast ruins of Hadrian's Villa, I tried to picture the villa as it was when its first owner walked among the buildings which his whim had created. The moment Hadrian himself appeared upon the scene, antiquity seemed an illusion. How ultra-modern he was, this man whom his contemporaries called "a searcher out of strange things"! These ruins could not by the mere process of time become venerable, for they were in their very nature novelties. They were the playthings of a very rich man. There they lie upon the ground like so many broken toys. They are just such things as an enormously rich man would make to-day if he had originality enough to think of them. Why should not Hadrian have a Vale of Tempe and a Greek theatre and a Valley of Canopus, and ever so many other things which he had seen in his travels, reproduced on his estate near Tivoli?

An historian of the Empire says: "The character of Hadrian was in the highest degree complex, and this presents to the student a series of apparently unreconciled contrasts which have proved so hard for many modern historians to resolve. A thorough soldier and yet the inaugurator of a peace policy, a 'Greekling' as his Roman subjects called him, and saturated with Hellenic ideas, and yet a lover of Roman antiquity; a poet and an artist, but with a passion for business and finance; a voluptuary determined to drain the cup of human experience and, at the same time, a ruler who labored strenuously for the well-being of his subjects; such were a few of the diverse parts which Hadrian played."

It is evident that the difficulty with the historians who find these unreconciled contrasts is that they try to treat Hadrian as an "ancient" rather than as a modern. The enormously rich men who are at present most in the public eye present the same contradictions. Hadrian was a thorough man of the world. There was nothing venerable about him, though much that was interesting and admirable.

Now what a man of the world is to a simple character like a saint or a hero, that Rome has been to cities of the simpler sort. It has been a city of the world. It has been cosmopolitan. "Urbs et orbis" suggests the historic fact. The fortunes of the city have become inextricably involved in the fortunes of the world.

A part of the confusion of the traveler comes from the fact that the Roman city and the Roman world are not clearly distinguished one from the other. The New Testament writer distinguishes between Jerusalem as a geographical fact and Jerusalem as a spiritual ideal. There has been, he says, a Jerusalem that belongs to the Jews, but there is also Jerusalem which belongs to humanity, which is free, which is "the mother of us all."

So there has been a local Rome with its local history. And there has been the greater Rome that has impressed itself on the imagination of the world. Since the destruction of Carthage the meaning of the word "Roman" has been largely allegorical. It has stood for the successive ideas of earthly power and spiritual authority.

Rome absorbed the glory of deeds done elsewhere. Battles were fought in far-off Asia and Africa. But the battlefield did not become the historic spot. The victor must bring his captives to Rome for his triumph. Here the pomp of war could be seen, on a carefully arranged stage, and before admiring thousands. It was the triumph rather than the battle that was remembered. All the interest culminated at this dramatic moment. Rome thus became, not the place where history was made, but the place where it was celebrated. Here the trumpets of fame perpetually sounded.

This process continued after the Empire of the Cæsars passed away. The continuity of Roman history has been psychological. Humanity has "held a thought." Rome became a fixed idea. It exerted an hypnotic influence over the barbarians who had overcome all else. The Holy Roman Empire was a creation of the Germanic imagination, and yet it was a real power. Many a hard-headed Teutonic monarch crossed the Alps at the head of his army to demand a higher sanction for his own rule of force. When he got himself crowned in the turbulent city on the Tiber he felt that something very important had happened. Just how important it was he did not fully realize till he was back among his own people and saw how much impressed they were by his new dignities.

Hans Christian Andersen begins one of his stories with the assertion, "You must know that the Emperor of China is a Chinaman and that all whom he has about him are Chinamen also." The assertion is so logical in form that we are inclined to accept it without question. Then we remember that in Hans Christian Andersen's day, and for a long time before, the Emperor of China was not a Chinaman and the great grievance was that Chinamen were the very people he would not have about him.

When we speak of the Roman Catholic Church, we jump at the conclusion that it is the church of the Romans and that the people of Rome have had the most to do with its extension. This theory has nothing to recommend it but its extreme verbal simplicity. As a matter of fact, Rome has never been noted for its pious zeal. Such warmth as it has had has been imparted to it by the faithful who have been drawn from other lands; as, according to some theorists, the sun's heat is kept up by a continuous shower of meteors falling into it.

To-day, the Roman Church is more conscious of its strength in Massachusetts than it is near the Vatican. At the period when the Papacy was at its height, and kings and emperors trembled before it in England and in Germany, the Popes had a precarious hold on their own city. Rome was a religious capital rather than a religious centre. It did not originate new movements. Missionaries of the faith have not gone forth from it, as they went from Ireland. It is not in Rome that we find the places where the saints received their spiritual illuminations, and fought the good fight, and gathered their disciples. Rome was the place to which they came for judgment, as Paul did when he appealed to Cæsar. Here heretics were condemned, and here saints, long dead, were canonized. Neither the doctrines nor the institutions of the Catholic Church originated here. Rome was the mint, not the mine. That which received the Roman stamp passed current throughout the world.

In the political struggle for the New Italy, Rome had the same symbolic character. Mazzini was never so eloquent as when portraying the glories of the free Rome that was to be recognized, indeed, as the mother of us all. The Eternal City, he believed, was to be the regenerating influence, not only for Europe but for all the world. All the romantic enthusiasm of Garibaldi flamed forth at the sight of Rome. All other triumphs signified nothing till Rome was the acknowledged capital of Italy. Silently and steadily Cavour worked toward the same end. And at last Rome gathered to herself the glory of the heroes who were not her own children,

If we recognize the symbolic and representative character of Roman history, we can begin to understand the reason for the bewilderment which comes to the traveler who attempts to realize it in imagination. Roman history is not, like the tariff, a local issue. The most important events in that history did not occur here at all, though they were here commemorated. So it happens that every nation finds here its own, and reinforces its traditions. In the Middle Ages, the Jewish traveler, Benjamin of Tudela, found much to interest him. In Rome were to be found two brazen pillars of Solomon's Temple, and there was a crypt where Titus hid the holy vessels taken from Jerusalem. There was also a statue of Samson and another of Absalom.

The worthy Benjamin doubtless felt the same thrill that I did when looking up at the ceiling of the Church of Santa Maria Maggiore. I was told that it was gilded with the first gold brought from America. The statement, that the church was founded on this spot because of a vision that came to Pope Liberius in the year 305 A.D., left me unmoved. It was of course a long time ago; but then, I had no mental associations with Pope Liberius, and there was no encyclopædia at hand in which I might look him up. Besides, "the church was reërected by Sixtus III in the year 432, and was much altered in the twelfth century." But the gold on the ceiling was a different matter. That was romantically historical. It came from America in the heroic age. I thought of the Spanish galleons that brought it over, and of Columbus and Cortés and Alvarado. After that, to go into the Church of Santa Maria Maggiore was like taking a trip to Mexico.

In the course of my daily walks, I passed the Church of Santa Pudenziana, said to be the oldest in Rome, and recently modernized. It is on the spot where Pudens, the host of St. Peter, is said to have lived with his daughters Praxedis and Pudentiana. This is interesting, but the English-speaking traveler is likely to pass by Pudaentiana's church, and seek out the church of her sister St. Praxed. And this not for the sake of St. Praxed or her father Pudens or even of his guest St. Peter, but for the sake of a certain English poet who had visited the church once.

Close to the Porta San Paolo is the great tomb of the Roman magnate, Gaius Cestius, which was built before the birth of Christ. One can hardly miss seeing it, because it is near one of the most sacred pilgrimage places of Rome, the grave of John Keats.

Each traveler makes his own Rome; and the memories which he takes away are the memories which he brought with him.

III

As for my friend Bagster, now that he has come to Rome, I hope he may stay long enough to allow it to produce a more tranquilizing effect upon him. When he gives up the attempt to take it all in by an intellectual and moral effort, he may, as the saying is, "relax."

There is no other place in which one may so readily learn the meaning of that misused word "urbanity." Urbanity is the state of mind adapted to a city, as rusticity is adapted to the country. In each case the perfection of the adaptation is evidenced by a certain ease of manner in the presence of the environment. There is an absence of fret and worry over what is involved in the situation. A countryman does not fret over dust or mud; he knows that they are forms of the good earth out of which he makes his living. He may grumble at the weather, but he is not surprised at it, and he is ready to make the best of it.

This adaptation to nature is easy for us, for we are rustics by inheritance. Our ancestors lived in the open, and kept their flocks and were mighty hunters long before towns were ever thought of. So when we go into the woods in the spring, our self-consciousness leaves us and we speedily make ourselves at home. We take things for granted, and are not careful about trifles. A great many things are going on, but the multiplicity does not distract us. We do not need to understand.

For we have primal sympathies which are very good substitutes for intelligence. We do not worry because nature does not get on faster with her work. When we go out on the hills on a spring morning, as our forbears did ten thousand years ago, it does not fret us to consider that things are going on very much as they did then. The sap is mounting in the trees; the wild flowers are pushing out of the sod; the free citizens of the woods are pursuing their vocations without regard to our moralities. A great deal is going on, but nothing has come to a dramatic culmination.

Our innate rusticity makes us accept all this in the spirit in which it is offered to us. It is nature's way and we like it, because we are used to it. We take what is set before us and ask no questions. It is spring. We do not stop to inquire as to whether this spring is an improvement on last spring or on the spring of the year 400 B.C. There is a timelessness about our enjoyment. We are not thinking of events set in a chronological order, but of a process which loses nothing by reason of repetition.

Our attitude toward a city is usually quite different. We are not at our ease. We are querulous and anxious, and our interest takes a feverish turn. For the cities of our Western world are new-fangled contrivances which we are not used to, and we are worried as we try to find out whether they will work. These aggregations of humanity have not existed long enough to seem to belong to the nature of things. It is exciting to be invited to "see Seattle grow," but the exhibition does not yield a "harvest of a quiet eye." If Seattle should cease to grow while we are looking at it, what should we do then?

But with Rome it is different. Here is a city which has been so long in existence that we look upon it as a part of nature. It is not accidental or artificial. Nothing can happen to it but what has happened already. It has been burned with fire, it has been ravaged by the sword, it has been ruined by luxury, it has been pillaged by barbarians and left for dead. And here it is to-day the scene of eager life. Pagans, Christians, reformers, priests, artists, soldiers, honest workmen, idlers, philosophers, saints, were here centuries ago. They are here to-day. They have continuously opposed each other, and yet no species has been exterminated. Their combined activities make the city.

When one comes to feel the stirring of primal sympathies for the manifold life of the city, as he does for the manifold life of the woods, Rome ceases to be distracting. The old city is like the mountain which has withstood the hurts of time, and remains for us, "the grand affirmer of the present tense."






THE AMERICAN TEMPERAMENT

I

Stopping at some selected spot on the mountain road, the stage-driver will direct the stranger's attention to a projecting mass of rock which bears some resemblance to a human countenance. There is the "Old Man of the Mountains," or the "Old Woman," as the case may be.

If the stranger be of a docile disposition he will see what he is told to see. But he will be content with the vague suggestion and will not push the analogy too far. The similitude is strictly confined to the locality. It is enough if from a single point the mountain seems almost human. From any other point it will seem to be merely mountainous.

A similar caution is necessary in regard to the resemblances between a nation and an individual. When we talk of a national character or temperament, we are using an interesting and bold figure of speech. We speak of millions of people as if they were one. Of course, a nation is not one kind of person; it is composed of many kinds of persons. These persons are diverse in character. All Scotchmen are not canny, nor all Irishmen happy-go-lucky. Those who know a great many Chinamen are acquainted with those who are idealists with little taste for plodding industry. It is only the outsider who is greatly impressed by the family resemblance. To the more analytic mind of the parent each child is, in a most remarkable degree, different from the others.

When we take such typical characters as John Bull and Brother Jonathan as representing actual Englishmen or Americans, we put ourselves in the way of contradiction. They are not good likenesses. An English writer says: "As the English, a particularly quick-witted race, tinged with the colors of romance, have long cherished a false pride in their reputed stolidity, and have accepted with pleasant equanimity the figure of John Bull as their national signboard, though he does not resemble them, so Americans plume themselves on the thought that they are dying of nervous energy."

There is much truth in this. One may stand at Charing Cross and watch the hurrying crowds and only now and then catch sight of any one who suggests the burly John Bull of tradition. The type is not a common one, at least among city dwellers.

But when we attribute a temperament to a nation, we do not necessarily mean that all the people are alike. We only mean that there are certain ways of thinking and feeling that are common to those who have had the same general experience. The national temperament is manifested not so much in what the people are as in what they admire and instinctively appreciate.

Let us accept the statement that the English are a quick-witted and romantic people who have accepted with pleasant equanimity the reputation for being quite otherwise. Why should they do this? Why should they take pride in their reputed stolidity rather than in their actual cleverness. Here is a temperamental peculiarity that is worth looking into.

John Bull may be a myth, but Englishmen have been the mythmakers. They have for generations delighted in picturing him. He represents a combination of qualities which they admire. Dogged, unimaginative, well-meaning, honest, full of whimsical prejudices, and full of common sense, he is loved and honored by those who are much more brilliant than he.

John Bull is not a composite photograph of the inhabitants of the British Isles. He is not an average man. He is a totem. When an Indian tribe chooses a fox or a bear as a totem, they must not be taken too literally. But the symbol has a real meaning. It indicates that there are some qualities in these animals that they admire. They have proved valuable in the tribal struggle for existence.

Those who belong to the cult of John Bull take him as the symbol of that which has been most vital and successful in the island story. England has had more than its share of men of genius. It has had its artists, its wits, its men of quick imagination. But these have not been the builders of the Empire, or those who have sustained it in the hours of greatest need. Men of a slower temper, more solid than brilliant, have been the nation's main dependence. "It's dogged as does it." On many a hard-fought field men of the bull-dog breed have with unflinching tenacity held their own. In times of revolution they have maintained order, and never yielded to a threat. Had they been more sensitive they would have failed. Their foibles have been easily forgiven and their virtues have been gratefully recognized.

When we try to form an idea of that which is most distinctive in the American temperament, we need not inquire what Americans actually are. The answer to that question would be a generalization as wide as humanity. They are of all kinds. Among the ninety-odd millions of human beings inhabiting the territory of the United States are representatives of all the nations of the Old World, and they bring with them their ancestral traits.

But we may ask, When these diverse peoples come together on common ground, what sort of man do they choose as their symbol? There is a typical character understood and appreciated by all. In every caricature of Uncle Sam or Brother Jonathan we can detect the lineaments of the American frontiersman.

James Russell Lowell, gentleman and scholar that he was, describes a type of man unknown to the Old World:—

"This brown-fisted rough, this shirt-sleeved Cid,
This backwoods Charlemagne of Empires new.
Who meeting Cæsar's self would slap his back,
Call him 'Old Horse' and challenge to a drink."

Mr. Lowell bore no resemblance to this brown-fisted rough. He would not have slapped Cæsar on the back, and he would have resented being himself greeted in such an unconventional fashion. Nevertheless he was an American and was able to understand that a man might be capable of such improprieties and at the same time be a pillar of the State. It tickled his fancy to think of a fellow citizen meeting the imperial Roman on terms of hearty equality.

"My lungs draw braver air, my breast dilates
With ampler manhood, and I face both worlds."

Dickens, with all his boisterous humor and democratic sympathies, could not interpret Jefferson Brick and Lafayette Kettle and the other expansive patriots whom he met on his travels. Their virtues were as a sealed book to him. Their boastful familiarity was simply odious.

To understand Lowell's exhilaration one must enter into the spirit of American history. It has been the history of what has been done by strong men who owed nothing to the refinements of civilization. The interesting events have taken place not at the centre, but on the circumference of the country. The centrifugal force has always been the strongest. There has been no capital to which ambitious youths went up to seek their fortune. In each generation they have gone to the frontier where opportunities awaited them. There they encountered, on the rough edges of society, rough-and-ready men in whom they recognized their natural superiors. These men, rude of speech and of manner, were resourceful, bold, far-seeing. They were conscious of their power. They were laying the foundations of cities and of states and they knew it. They were as boastful as Homeric heroes, and for the same reason. There was in them a rude virility that found expression in word as well as in deed.

Davy Crockett, coon-hunter, Indian fighter, and Congressman, was a great man in his day. It does not detract from his worth that he was well aware of the fact. There was no false modesty about this backwoods Charlemagne. He wrote of himself, "If General Jackson, Black Hawk, and me were to travel through the United States we would bring out, no matter what kind of weather, more people to see us than any other three people now living among the fifteen millions now inhabiting the United States. And what would it be for? As I am one of the persons mentioned I would not press the question further. What I am driving at is this. When a man rises from a low degree to a place he ain't used to, such a man starts the curiosity of the world to know how he got along."

Davy Crockett understood the temper of his fellow citizens. A man who rises by his own exertions from a low position to "a place he ain't used to" is not only an object of curiosity, but he elicits enthusiastic admiration. Any awkwardness which he exhibits in the position which he has achieved is overlooked. We are anxious to know how he got along.

Every country has its self-made men, but usually they are made to feel very uncomfortable. They are accounted intruders in circles reserved for the choicer few. But in America they are assured of a sympathetic audience when they tell of the way they have risen in the world. There is no need for them to apologize for any lack of early advantages, for they are living in a self-made country. We are in the habit of giving the place of honor to the beginner rather than to the continuer. For the finisher the time is not ripe.

II

The most vivid impressions of Americans have always been anticipatory. They have felt themselves borne along by a resistless current, and that current has, on the whole, been flowing in the right direction. They have never been confronted with ruins that tell that the land they inhabit has seen better days. Yesterday is vague; To-day may be uncertain; To-morrow is alluring; and the Day after to-morrow is altogether glorious. George Herbert pictured religion as standing on tiptoe waiting to pass to the American strand. Not only religion but every other good thing has assumed that attitude of expectant curiosity.

Even Cotton Mather could not avoid a tone of pious boastfulness when he narrated the doings of New England. Everything was remarkable. New England had the most remarkable providences, the most remarkable painful preachers, the most remarkable heresies, the most remarkable witches. Even the local devils were in his judgment more enterprising than those of the old country. They had to be in order to be a match for the New England saints.

The staid Judge Sewall, after a study of the prophecies, was of the opinion that America was the only country in which they could be adequately fulfilled. Here was a field large enough for those future battles between good and evil which enthralled the Puritan imagination. To be sure, it would be said, there isn't much just now to attract the historian whose mind dwells exclusively on the past. But to one who dips into the future it is thrilling. Here is the battlefield of Armageddon. Some day we shall see "the spirits of devils working miracles, which go forth unto the kings of the earth, and of the whole world, to gather them to the battle of that great day of God Almighty." Just when that might take place might be uncertain but where it would take place was to them more obvious.

In the days of small things the settlers in the wilderness had large thoughts. They felt themselves to be historical characters, as indeed they were. They were impressed by the magnitude of the country and by the importance of their relation to it. Their language took on a cosmic breadth.

Ethan Allen could not have assumed a more masterful tone if he had had an Empire at his back instead of undisciplined bands of Green Mountain Boys. Writing to the Continental Congress, he declares that unless the demands of Vermont are complied with "we will retire into the fastnesses of our Green Mountains and will wage eternal warfare against Hell, the Devil, and Human Nature in general." And Ethan Allen meant it.

The love of the superlative is deeply seated in the American mind. It is based on no very careful survey of the existing world. It is a conclusion to which it is easy to jump. I remember one week, traveling through the Mississippi Valley, stopping every night in some town that had something which was advertised as the biggest in the world. On Friday I reached a sleepy little village which seemed the picture of contented mediocrity. Here, thought I, I shall find no bigness to molest me or make me afraid. But when I sat down to write a letter on the hotel stationery I was confronted with the statement, "This is the biggest little hotel in the State."

When one starts a tune it is safer to start it rather low, so as not to come to grief on the upper notes. In discussing the American temperament it is better to start modestly. Instead of asking what excellent qualities we find in ourselves, we should ask what do other nations most dislike in us. We can then have room to rise to better things. There is a family resemblance between the worst and the best of any national group. Kipling, in his lines "To an American," may set the tune for us. It is not too high. His American is boastful, careless, and irrationally optimistic.

"Enslaved, illogical, elate,

He greets the embarrassed gods, nor fears

To shake the iron hand of Fate

Or match with Destiny for beers."

A person who would offer to shake hands with Fate is certainly lacking in a fine sense of propriety. His belief in equality makes him indifferent to the note of distinction. "He dubs his dreary brethren kings." Of course they are not kings, but that makes no difference. It makes little difference whether anything corresponds to the name he chooses to give to it. For there is

"A cynic devil in his blood

That bids him mock his hurrying soul."

This impression of a mingling of optimism, cynicism, and hurry is one which is often made upon those who are suddenly plunged into American society. In any company of Americans who are discussing public affairs the stranger is struck by what seems the lack of logical connection between the statements of facts and the judgments passed upon them. The facts may be most distressing and yet nobody seems much distressed, still less is any one depressed. The city government is in the hands of grafters, the police force is corrupt, the prices of the necessaries of life are extortionate, the laws on the statute book are not enforced, and new laws are about to be enacted that are foolish in the extreme. Vast numbers of undesirable aliens are coming into the country and bringing with them ideas that are opposed to the fundamental principles of the republic. All this is told with an air of illogical elation. The conversation is interspersed with anecdotes of the exploits of good-natured rascals. These are received with smiles or tolerant laughter. Everyone seems to have perfect confidence that the country is a grand and glorious place to live in, and that all will come out well in the end.

Is this an evidence of a cynic humor in the blood, or is it a manifestation of childish optimism? Let us frankly answer that it may be one or the other or both. There are cynics and sentimentalists who are the despair of all who are seriously working for better citizenship. But the chances are that the men to whom our stranger was listening were neither cynics nor sentimentalists, but idealists who had the American temperament.

Among those who laughed good-naturedly over the temporary success of the clever rascal may have been those who had been giving their energies to the work of prevention of just such misdeeds. They are reformers with a shrewd twinkle in their eyes. They take a keen intellectual pleasure in their work, and are ready to give credit to any natural talent in their antagonist. If they are inclined to take a cheerful view of the whole situation it is because they are in the habit of looking at the situation as a whole. The predominance of force is actually on their side and they see no reason to doubt the final result. They have learned the meaning of the text, "Fret not thyself because of evildoers." In fact the evildoer may not have done so much harm as one might think. Nor is he really such a hopeless character. There is good stuff in him, and he yet may be used for many good purposes. They laugh best who laugh last, and their good-natured laughter was anticipatory. There are forces working for righteousness which they have experienced. On the whole things are moving in the right direction and they can afford to be cheerful.

This is the kind of experience which comes to those who are habitually dealing with crude materials rather than with finished products. They cannot afford to be fastidious; they learn to take things as they come and make the best of them. The doctrine that things are not as they seem is a cheerful one, to a person who is accustomed to dealing with things which turn out to be better than at first they seemed. The unknown takes on a friendly guise and awakens a pleasant curiosity. That is the experience of generations of pioneers and prospectors. They have found a continent full of resources awaking men of courage and industry. The opportunities were there; all that was needed was the ability to recognize them when they appeared in disguise.

III

And the human problem has been the same as the material one. Europe has sent to America not the finished products of her schools and her courts, but millions of people for whom she had no room. They were in the rough; they had to be made over into a new kind of citizen. This material has often been of the most unpromising appearance. It has often seemed to superficial observers that little could be made of it. But the attempt has been made. And those who have worked with it, putting skill and patience into their work, have been agreeably surprised. They have come to see the highest possibilities in the commonest lumps of clay.

The satisfaction that is taken in the common man is not in what he is at the present moment, but in what he has shown himself capable of becoming. Give him a chance and all the graces may be his. The American idealist admits that many of his fellow citizens may be rather dreary brethren, but so were many of the kings of whom nothing is remembered but their names and dates. Only now and then is one seen who is every inch a king. But such a person is a proof of what may be accomplished. It may take a long time for the rank and file to catch up with their leaders. But where the few are to-day the many will be to-morrow; for they are all travelling the same road.

The visitor in the United States, especially if he has spent his time in the great cities of the East, may go away with the idea that democracy is a spent force. He will see great inequalities in wealth and position. He will be struck by the fact that autocratic powers are wielded which would not be tolerated in many countries of Europe. He will notice that it is very difficult to give direct expression to the will of the people.

But he will make a mistake if he attributes these things to the growth of an aristocratic sentiment. They are a part of an evolution that is thoroughly democratic. The distinctive thing in an aristocracy is not the fact that certain people enjoy privileges. It lies in the fact that these privileged people form a class that is looked upon as superior. An aristocratic class must not only take itself seriously; it must be taken seriously by others.

In America there are groups of persons more successful than the average. They are objects of curiosity, and, if they are well-behaved, of respect. Their comings and goings are chronicled in the newspapers, and their names are familiar. But it does not occur to the average man that they are anything more than fortunate persons who emerged from the crowd, and who by and by may be lost in the crowd again. What they have done, others may do when their time comes. The inequalities are inequalities of circumstance and not of nature.

The commonplace American follows unworthy leaders and has admiration for cheap success. But he cherishes no illusions in regard to the objects of his admiration. They have done what he would like to do, and what he hopes to be able to do sometime. He thinks of the successful men as being of the same kind with himself. They are more fortunate, that is all.

IV

The same temperamental quality is seen in the American idealist. His attitude toward his spiritual leaders is seldom that of meek discipleship. It is rather that of frank, outspoken comradeship. No mysterious barrier separates the great man from the common man. One has more, the other has less, that is all.

The men who have cherished the finest ideals have insisted that these should be shared by the multitude. In a newspaper of sixty years ago there is this contemporary character sketch: "Ralph Waldo Emerson is the most erratic and capricious man in America. He is emphatically a democrat of the world, and believes that what Plato thought, another man may think. What Shakespeare sang, another man may know as well. As for emperors, kings, queens, princes, or presidents, he looks upon them as children in masquerade. He has no patience with the chicken-hearted who refer to mouldy records or old almanacs to ascertain if they may say that their souls are their own. Mr. Emerson is a strange compound of contradictions. Always right in practice, and sometimes in theory. He is a sociable, accessible, republican sort of man, and a great admirer of nature."

Could any better description be given of the kind of man whom Americans delight to honor? This "sociable, accessible, republican sort of man" happened to be endowed with gifts denied in such full measure to his countrymen. But they were gifts which they understood and appreciated. He was one of them, and expressed and interpreted their habitual thought. Luther used to declare that no one who had never had trials and temptations could understand the Holy Scriptures. And one might say that no one who had never taken part in a town meeting, or listened to the talk of neighbors at the country store, or traveled in an "accommodation train" in the Middle West, can fully understand Emerson.

Critics have often written of the optimism of Emerson as if he were one of those who did not perceive the darker side of things. Nothing could be more untrue to his temper of mind. Emerson was cheerful, but he never pretended that the world was an altogether cheerful place to live in. Indeed, it distinctly needed cheering up, and that, according to him, is what we are here for.

It might be possible to make out a list of matters of fact treated by Emerson and his friend Carlyle. They would be essentially the same. When it came to hard facts, one was as unflinching in his recognition as the other. There was nothing smug in Emerson's philosophy. He never took an apologetic attitude nor attempted to minimize difficulties. There was no attempt to justify the ways of God to man. But while agreeing in regard to the facts the friends differed as to their conclusions. In reading Carlyle one seems to stand at the end of a world struggle that has proved unavailing. Everything has been tried, and everything has failed. Alas! Alas!

Emerson sees the same facts, but he seems to be standing at the beginning. The moral world is still without form and void, but the creative spirit is brooding upon it. "Sweet is the genesis of things." Emerson is pleased with the world, not because he thinks its present condition is very good, but because he sees so much room for it to become better. It is a most promising experiment. It furnishes an abundance of the raw materials of righteousness.

Nor does he flatter himself that the task of betterment is an easy one, or that the end is in sight. It is not a world where wishes, even good wishes, are fulfilled without effort. There are inexorable laws not of our making. The whims of good people are not respected.

"For Destiny never swerves

Nor yields to man the helm."

The struggle is stem and unrelenting. It taxes all our energies. And yet it is exhilarating. There is a moral quick-wittedness which sees the smile behind the threatening mask of Fate. Destiny is after all a good comrade for the brave and the self-reliant.

"He forbids to despair,

His cheeks mantle with mirth,

And the unimagined good of man

Is yeaning at the birth."

The riddle of existence is seen not from the Old World point of view, but from that of the new. It is of the nature of a surprise. The Sphinx of Emerson is not carved in stone. It is not silent and motionless, waiting for answers that do not come.

It is the American Sphinx leading in a game of hide-and-seek. The mystery of existence baffles us, not because there is no answer, but because there are so many. They are infinite in number, and all of them are true. They wait for the mind large enough to harbor them in all their variety, and serene enough not to be annoyed because their contradictions are not at once reconciled.

The catalogue of ills may be never so long, but it fails to depress one who sees everything in the making.

"I heard a poet answer

Aloud and cheerfully,

'Say on, sweet Sphinx! thy dirges

Are pleasant songs to me.'


"Uprose the merry Sphinx,

And crouched no more in stone;

She melted into purple cloud.

She silvered in the moon."

This conception of the merry Sphinx may seem strange to the dyspeptic philosopher pondering on the inscrutableness of the universe. But the prospectors in the mining camps of the Far West, and the builders of new cities understand what Emerson meant. Their experience of the ups and downs of fortune has taught them how to find pleasure in uncertainty. You never can tell how anything will turn out till you try. That's the fun of it. They are quite ready to believe that the same thing holds good in the higher life.

Or take the lines on "Worship." How can Worship be personified? Emerson's picture is not that of a patriarch on bended knee; it is that of a vigorous youth picking himself up after he has been knocked down by his antagonist.

"This is he, who, felled by foes,
Sprung harmless up, refreshed by blows."

Religion is a kind of spiritual resilience. It is that which makes a man come back with new vigor to his work after his first failure. It is the ability to make a new beginning.

In Emerson the American hurry is transformed into something of spiritual significance. A new commandment is given to the good man—Be quick! Keep moving!

"Trenchant Time behoves to hurry,

O wise man, hearest thou the least part,
Seest them the rushing metamorphosis,

Dissolving all that fixture is,
Melts things that be to things that seem."

Morality and religion must be speeded up if they are to do any useful work in this swift world.

If the ideals of the saints and reformers were criticized, so were those of the scholars. Matthew Arnold's definition of culture was that of a man of books. It was the knowledge of the best that had been said and known in the past. Emerson's lines entitled "Culture" begin with a characteristic question and end with an equally characteristic affirmation. The question is—